Latest news with #Nikon
Daily Mail
11 hours ago
- Entertainment
- Daily Mail
Terrifying moment seagull strikes £73million Eurofighter shattering its cockpit during airshow
Explosive pictures show the moment a bird shattered the cockpit of a £73million warplane. Aviation photographer Javier Alonso de Medina Salguero captured the scene as a seagull hit a Eurofighter at a Spanish display in June. The images showed the bird soaring just in front of the display plane. A second photo showed a mist of red chunks and feathers sliding off the Eurofighter. Amazingly, Javier didn't notice what he had captured until checking out his pictures later. He explains: 'This happened at San Javier Air Base, on the beach of Santiago de la Ribera, Murcia on June 15. 'I was at the base in the San Javier area, at the site where they took us photographers. We were watching the Eurofighter display when we saw it leave without finishing the display. 'They reported over the radio that it had hit a seagull and broken the cockpit. Just then, I looked at the photos I had and saw the whole sequence. 'When I looked at the photos, I was amazed to see the front of the cockpit broken. 'Luckily, the pilot landed and was unharmed.' Javier used a Nikon D7500 with a Nikon 200-500mm telephoto lens. The incident happened at the Aire25 international air festival held at San Javier Air Base. Last year, a fighter plane was seen on tape apparently close to losing control and flying straight towards a crowd at a Turkish airshow. The aircraft can be seen rocking in the air before the pilot suddenly pulls the nose up just before it reaches the spectators. The terrifying incident happened at the TEKNOFEST airshow in Adana, southern Turkey on October 3 last year, local media has reported. It is understood the near-miss occurred at the end of a demonstration flight by the SoloTurk, Turkey's aircraft acrobatics team and involved a F-16 fighter jet. According to reports, an investigation was launched into the incident with experts examining the aircraft's video recordings and other flight information.
Tom's Guide
4 days ago
- Tom's Guide
I tested the Leica Q3 43 for a week and fell in love — there's just one problem
I test some of the best mirrorless cameras here at Tom's Guide. I've tested ones from Sony, Canon, Fujifilm, Nikon, you name it. And I own a Nikon and Fuji for personal use too. And when you think real hard about cameras, there's one name that always comes up, and that's Leica — premium, classic, sharp, and usually out of most people's budgets. But as is the nature of my job, I'm very lucky that I get to test Leica cameras too. I recently reviewed the Leica M11-D rangefinder and the Leica Q3 43 compact camera. Both of them got glowing recommendations for me, and when I had to return the loan units, I had tears in my eyes (slight exaggeration but you get the sentiment). Pin-sharp precision is what the Leica Q3 43 is all about. Featuring a 60.3MP CMOS sensor and utilizing Leica's best-in-class autofocus system, the Q3 43 captures stunning images with beautiful color reproduction. The new 43mm lens has a standard field of view and comes with a dedicated macro mode. The camera itself is compact and comfortable to use, and for those who like shooting video, it can record 8K/30fps and 4K/60fps footage. Leica cameras are the pinnacle of sharpness and image quality, as my in-depth testing has proven. And I, for one, wish I could get one for myself. But there is a very big hurdle here: four figures that usually come after or before a currency symbol. So what makes the Q3 43 worth the premium? Let me show you. If you were active back in the good ol' days of Tumblr, remember how everyone used to say things like, "That's sharper than Benedict Cumberbatch's cheekbones"? (Or Tom Hiddleston's or Cate Blanchett's, fill in the blanks with your celebrity of choice.) That's how I'd describe the Leica Q3 43's image quality — it's sharper than all the knives in my kitchen. The Q3 43 has a 60.3MP sensor and utilizes Leica's latest Maestro IV processor to make images feel almost ethereal yet lifelike. Color reproduction is absolutely fantastic with a great balance between shadows and highlights. Plenty and plenty of detail is packed in these images, even when you zoom in. Just take a look at the photo of the swan in the gallery above. Feathers? Sharp. Water droplets? Crystal clear. You could use these images straight out of the camera without having to do any post-processing. That's the beauty of the Q3 43. It is a ridiculously good camera that gives you barely anything to complain about. The Leica Q3 43 won me over as soon as I took it out of the box, to be honest. Its ability to capture gorgeous photos and video were the cherries on top of an already delicious cake. There aren't many cameras I test that make me go, "That's a beautiful camera," but the Q3 43 did. It made me actually gasp when I unboxed it. It looks like a million bucks, sporting a compact yet premium look, its front wrapped in a leather-like material. It's as comfortable to hold as it is a treat for the eyes to look at. If you think the Q3 43 is good for stills only, think again. This camera can shoot 4K/60fps and 8K/30fps video, making it great for casual video — I say "casual" because it doesn't have a 3.5mm headphones/mic input/output port, limiting its use out in the field for videography. "So, Nikita, should I buy the Leica Q3 43?" I hear you ask, and I say yes, you should. But if you aren't familiar with the vast world of cameras and have heard whispers about Leicas being great, I have some news for you. These cameras do not come cheap. The Q3 43 retails for $7,380 / £5,900 — but at least it's a fixed-lens camera so you won't need to spend extra on glass over the years. If money is a concern, I completely get it. If you can afford it, though, I don't see any reason why you shouldn't buy the Q3 43. I wouldn't let the price tag put me off because this camera is so ridiculously easy to use with a straightforward control scheme. If it's pure power and image clarity you're after, I can't think of a better camera to recommend. I'm transferring some extra money to my savings account every month now so that I can eventually, one day, get the Q3 43 for myself. That red dot sure costs a lot but to me, it feels like it's worth every cent.
The Hindu
4 days ago
- Business
- The Hindu
Interview with Justin Sebastian of #100DaysofSpaces
Justin Sebastian, 31, an architectural and interior design photographer from Kochi in Kerala has been fielding innumerable calls from architects, interior specialists, design students and homeowners thanks to #100DaysofSpaces. This is an Instagram series that he began in February, a disciplined photographic study of India's diverse architecture through 100 projects. Sebastian is on project no.64 now, his initial plan to complete the series in 100 days having been updated to include work commitments. The commerce graduate started his journey in photography at the Light and Life Academy in Lovedale, Ooty, in 2016. With a keen eye for light, form, and texture, his photography goes beyond traditional documentation, offering a poetic interpretation of spaces. His work spans residential, commercial, and public architecture, showcasing both contemporary designs and traditional elements. With the many projects he has worked on and his eye for lines, light and shadows, it's no wonder he has a long list of collaborators. Constantly on the move with his trusted Nikon equipment — his favourite is a Nikon Z7II paired with a 24-70mm lens — the photographer took some time off to share a few insights. Brutalist architecture is seeing a revival, he says, referring to the style characterised by raw, exposed concrete and geometric shapes. More from him: Question: How established was architectural photography during your initial days? Answer: In 2016, though architectural photography was well-established, a specialisation in architecture and interior photography was not widespread. While other photography genres were prominent, there were very few contemporaries in this field with expertise in post-production and other technical aspects. However, the scenario shifted after the [COVID-19] pandemic. There was a notable surge in this field, with even architects turning to architectural photography. With the promise of substantial payment, rise in creative experiments by architects, and the evolving preferences of customers, the creative horizons of photography have also widened. Q: What is the objective behind #100DaysofSpaces? A: #100DaysofSpaces (@justin_sebastian_photography) was a challenge undertaken to document 100 unique projects in 100 days. I have given myself a deadline to complete this by August. The response has been 'insane' and I have recently expanded to include UAE projects too. Q: What are the building features or materials used in these projects that get your attention? A: There is a growing emphasis on sustainability and biophilic design — not just in homes but in commercial spaces too — integrating natural elements, thereby prioritising wellness, even in cities like Hyderabad and Bengaluru, as well as in semi-urban areas. Designers are experimenting with ventilation and large windows to maximise the use of daylight in accordance with the geographical conditions of the site. Also, there is an increase in the use of textured plasters, natural stones, exposed brickwork, and jaali designs. An example of this can be notably seen in The Kenz House project by Srijit Srinivas Architects, an award-winning architectural studio [in Thiruvananthapuram]. It is a net-zero energy home wrapped in exposed burnt brick with lattice perforations, giving a spacious feel. Another recent significant trend is brutalist architecture [as seen in Le Corbusier's Unité d'Habitation — a revolutionary 1952 apartment block in France — and the IIT Delhi's buildings]. Q: Could you share some unusual moments on the job? A: About 90% of the projects I've worked with are biophilic spaces. What fascinated me the most was the session for [Gurugram-based] Saka Studio's project, Varadarajan House — a residence nestled in the picturesque landscape of Coorg. After heavy rain that lasted for an hour in the evening, an inexplicable, magical light touched the landscape and blended well with the earthy tones of the house. The antique furniture, accessories, and deep terracotta laterite added to the aesthetic. Another memorable shoot was for Malpe Beach House in Karnataka, designed by [Bengaluru-based] Thomas Parambil Architects, set amidst a river and the Arabian Sea. It was another phenomenal experience. Q: What colour schemes or materials do you see becoming common in contemporary homes? A: The use of terracotta, muted greens, beige, and off-white is widely popular these days, along with materials such as natural stone, cane, wood, and rattan. Clients prefer warm tones over flashy colours. Realistic tones and matte finishes are in demand. The firm Workers of Art [in Kochi], which uses recycled and repurposed materials in almost all aspects of its design, mostly incorporates pop-out colours and brutalist designs. It's exciting because people are no longer limiting themselves; they're willing to break all conventional patterns of how spaces are supposed to look.
Times of Oman
6 days ago
- Business
- Times of Oman
Youth Centre signs agreements to support freelancing, professional photography
Muscat: The Youth Centre on Thursday signed two cooperation agreements with Oman Oil Marketing Company and Nikon, as part of its efforts to empower Omani youth and support their skills in various fields. Basil Ahmed Al Rowas, Undersecretary of the Ministry of Culture, Sports, and Youth for Sports and Youth, signed the agreements on behalf of the Youth Centre. The first agreement, between the Youth Centre and Oman Oil Marketing Company, aims to implement the third edition of the "Tamakkun" freelance programme. This programme targets empowering 200 young men and women engaged in independent freelancing from September to December 2025, by providing them with the skills and tools necessary to transform their abilities into sustainable income sources. The second agreement, forged in partnership with Nikon, seeks to support young people in professional photography through advanced training programmes. It also includes equipping photography and sound studios at the Youth Centre, thereby contributing to the development of a creative and skilled environment for Omani youth.
Muscat Daily
6 days ago
- Business
- Muscat Daily
Youth Centre partners with OOMCO and Nikon to empower Omani freelancers and photographers
Muscat – In a major step to empower Omani youth and enhance their skills across freelance and professional photography, the Youth Centre has signed two cooperation agreements with Oman Oil Marketing Company (OOMCO) and Nikon. The agreements were signed by His Excellency Basil bin Ahmed al Rawas, Undersecretary of the Ministry of Culture, Sports and Youth for Sports and Youth, on behalf of the Youth Centre. Representing OOMCO was CEO Tariq bin Mohammed Al Junaidi, while Anil Khimji, Member of the Board of Directors at Khimji Ramdas Group, signed on behalf of Nikon. The agreement with OOMCO will see the launch of the third edition of the Tamakun Self-Employment Program, which aims to empower 200 young men and women who are self-employed. Running from September to December 2025, the programme focuses on equipping youth with the skills and tools needed to transform their talents into sustainable sources of income. The second agreement, signed with Nikon, is designed to support youth in the field of professional photography. It includes the implementation of advanced training programmes and the setup of fully equipped photography and audio studios at the Youth Centre. This initiative aims to create a space for young people to develop their creative capabilities and produce high-quality artistic and visual content. Commenting on the initiative, Ishaq bin Saud Al Manji, Public Relations and Partnerships Officer at the Youth Centre, said the agreements represent the Centre's continued commitment to building strategic partnerships with both governmental and private institutions. 'These partnerships are part of our mission to provide a stimulating environment for Omani youth through quality programmes that develop skills and open pathways for future success,' he said. He noted that the Tamakun programme has already proven its effectiveness in supporting young entrepreneurs and that this third edition aims to be even more impactful. 'We are also confident that the professional training and upgraded facilities made possible through our partnership with Nikon will significantly enhance the artistic and technical skills of Omani youth,' he added. The new agreements are part of broader efforts by the Youth Centre to promote innovation, entrepreneurship, and creative expression among young Omanis, helping them to achieve their ambitions and contribute to the country's development.
