Latest news with #NushrrattBharuccha
News18
4 days ago
- Entertainment
- News18
Nushrratt Bharuccha Did Not Like Kartik Aaryan's Sonu Ke Titu Ki Sweety: 'I Was Not Happy'
Last Updated: However, Nushrratt also defended the film saying it was "comedy" and that the makers did not mean to convey that all women are the same. Even though Nushrratt Bharuccha made her acting debut in 2006, she became a popular name after she starred in Pyaar Ka Punchnama (2011) and Sonu Ke Titu Ki Sweety (2018). The films, starring Kartik Aaryan in the lead, were widely loved by the audience, but were also questioned for presenting women in a manipulative way. In a recent interview, Nushrratt admitted that even she was not very happy with how girls were presented in the Luv Ranjan films. She mentioned that even though she does not like these films personally, she would do them again as she really enjoyed playing those characters. 'Even then, I was not happy. I said no to the films," the actress said, while speaking to Yuvaa. When asked about 'how the girl was represented" in these films, Nushrratt added, 'I have no problem with it, absolutely not. I would do it again in a heartbeat and love what I am doing. I enjoyed playing Neha, playing Cheeku and playing Sweety. Even though, all three were very far from who I am, very unrelatable to me and I had my own fight with the writers and the director that how do I do this? I am not convinced why she is dong this or being this way. That was my battle. But did I have fun doing it? I loved it. Would I do it again? 100 percent. Provided people are seeing it correctly." However, Nushrratt also defended the film, saying it was 'comedy" and that the makers did not mean to convey that all women are the same. 'That was a comedy film. We showed three girls who were a certain way. We didn't say all girls are like this," she said. 'Even though I didn't like the film, I didn't like my character personally, I really enjoyed playing it and I would do it again because I can't judge a character. I am not supposed to judge it," she shared. Nushrratt mentioned that many women have approached her asking her to recite the famous Pyaar Ka Punchnama monologue. 'I used to be shocked looking at the girls, 'You know this is not in your praise.' 'Yes yes, but please say it once.' I would not want to hear it (the monologue) again, but there were people who wanted to, and we made a film for those people. They were the ones who spent money on it," she concluded.
Time of India
4 days ago
- Entertainment
- Time of India
Nushrratt Bharuccha says she didn't like her Pyaar Ka Punchnama characters but would play them again: 'I had my own fight with the writers'
Nushrratt Bharuccha may have become a household name with Sonu Ke Titu Ki Sweety in 2018, but her journey with director Luv Ranjan began much earlier with 2011's Pyaar Ka Punchnama. Though these films were commercially successful and gave her considerable recognition, they've often been called out for being misogynistic. Now, in a candid new interview, Nushrratt says she didn't particularly like the characters she played—but she would still do those roles again. 'Even then I was not happy, I said no to the films' In a conversation with Yuvaa, Nushrratt was asked if she felt her characters in Pyaar Ka Punchnama and Sonu Ke Titu Ki Sweety were well represented. She admitted, 'Even then I was not happy. I said no to the films.' When asked if she was okay with 'how the girl was represented,' the actress replied, 'I have no problem with it, absolutely not. I would do it again in a heartbeat and love what I am doing.' She added that despite her initial hesitation and ongoing arguments with the filmmakers about the character motivations, she enjoyed playing Neha, Cheeku, and Sweety. 'Even though all three were very far from who I am, very unrelatable to me… I had my own fight with the writers and the director—'How do I do this? I am not convinced why she is doing this or being this way.' by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Esta nueva alarma con cámara es casi regalada en Buenos Aires (ver precio) Verisure Undo That was my battle. But did I have fun doing it? I loved it. ' 'It was comedy, we never said all women are like that' Addressing the backlash these films received, Nushrratt explained that they were never meant to be taken as a generalisation of women. 'That was a comedy film. We showed three girls who were a certain way. We didn't say all girls are like this,' she clarified. Interestingly, she also said that she personally did not like the films or her own characters but appreciated the experience nonetheless. 'Even though I didn't like the film, I didn't like my character personally, I really enjoyed playing it and I would do it again because I can't judge a character. I am not supposed to judge it,' she said. She also added that perhaps another filmmaker should make a similar film from a female perspective. Nushrratt Bharuccha Spotted at Mumbai Airport in Easy Ethnic Look 'Girls would ask me to recite the monologue—it wasn't a compliment' Nushrratt shared a surprising anecdote about how many women approached her to hear the now-iconic Pyaar Ka Punchnama monologue. 'The number of girls that have personally said, 'Ek baar monologue suna do.' What will you tell them? I used to be shocked looking at the girls—'You know this is not in your praise.' 'Yes yes, but please say it once,'' she recalled. The actress added that she personally wouldn't want to hear the monologue again, but they made the film for the audience that appreciated it. 'They were the ones who spent money on it,' she said. Nushrratt Bharuccha was last seen in Chhorii 2. Check out our list of the latest Hindi , English , Tamil , Telugu , Malayalam , and Kannada movies . Don't miss our picks for the best Hindi movies , best Tamil movies, and best Telugu films .
Indian Express
4 days ago
- Entertainment
- Indian Express
Nushrratt Bharuccha says she didn't like Pyaar Ka Punchnama, Sonu Ke Titu Ki Sweety ‘personally': ‘I would tell girls this is not in your praise'
Nushrratt Bharuccha first stepped into the spotlight with Luv Ranjan's 2011 film Pyaar Ka Punchnama, even though she made her debut in the movies in 2006. But, it wasn't until 2018's Sonu Ke Titu Ki Sweety that people started recognising her by her name. These Luv Ranjan films, which also starred Kartik Aaryan, were popular with audiences but drew criticism for being misogynistic, with female characters often portrayed as unreasonable or manipulative. In a new interview, Nushrratt was asked about these films and if she was happy with how 'the girl was represented.' To this, Nushrratt said that even though she does not like these films personally, she would do them again as she really enjoyed playing those characters. In a chat with Yuvaa, when she was asked if she was happy with her characters in Pyaar Ka Punchnama and Sonu Ke Titu Ki Sweety, she said, 'Even then I was not happy. I said no to the films.' When asked about 'how the girl was represented,' Nushrratt said, 'I have no problem with it, absolutely not. I would do it again in a heartbeat and love what I am doing. I enjoyed playing Neha, playing Cheeku and playing Sweety. Even though, all three were very far from who I am, very unrelatable to me and I had my own fight with the writers and the director that how do I do this? I am not convinced why she is dong this or being this way. That was my battle. But did I have fun doing it? I loved it. Would I do it again? 100 percent. Provided people are seeing it correctly.' Nushrratt Bharuccha said that this was a 'comedy film' and they did not mean to say that all women are the same. 'That was a comedy film. We showed three girls who were a certain way. We didn't say all girls are like this,' she said and added that she did not like the films. 'Even though I didn't like the film, I didn't like my character personally, I really enjoyed playing it and I would do it again because I can't judge a character. I am not supposed to judge it,' she said. Talking about the criticism, Nushrratt then said that another director should have made a film from a woman's point of view. ALSO READ | Sandeep Reddy Vanga slams Deepika Padukone for playing 'dirty PR games', 'putting down a younger actor' after being replaced by Triptii Dimri | Controversy explained Nushrratt mentioned that many women have come up to her and asked to recite the famous Pyaar Ka Punchnama monologue, and she has to remind them that it is not in their praise, but criticising them. 'The number of girls that have personally said, 'Ek baar monologue suna do (Please recite the monologue).' What will you tell them? I used to be shocked looking at the girls, 'You know this is not in your praise.' 'Yes yes, but please say it once.' I would not want to hear it (the monologue) again, but there were people who wanted to and we made a film for those people. They were the ones who spent money on it,' she said. Nushrratt Bharuccha was last seen in Chhorii 2.
NDTV
19-05-2025
- Entertainment
- NDTV
Soha Ali Khan's Birthday Wish For Nushrratt Bharuccha Featured This Adorable Cake Moment
Nushrratt Bharuccha turned 40 on Sunday (May 18). On her special day, the actress received much love from her friends, fans and industry colleagues. But it was Soha Ali Khan's special wish for her Chhorii 2 co-star that caught our attention. Soha shared an adorable video from the set of Chhorii 2. The clip featured her feeding cake to the birthday girl. The two identical chocolate cakes on the table were decorated with triangular chocolate pieces arranged in a saw-tooth pattern. On top of each cake was a small rectangular chocolate plaque with white lettering that read 'Soha Ali Khan' and 'Daasi Ma,' referencing Soha's character's name in Chhorii 2. The note attached to the picture read, "Even Dasi Ma makes an exception for birthdays! Happy birthday @nushrrattbharuccha." Meanwhile, Nushrratt Bharuccha celebrated her 40th birthday with her close ones. The actress shared glimpses of the celebration on Instagram. The opening frame showed Nushrratt standing in front of a yellow-frosted cake, which appeared to be covered with nuts along the sides. As the post continued, a tempting spread of desserts could be seen on the table. One plate featured a bright orange dessert alongside a diamond-shaped pastry – possibly a citrus tart or a mango cake. Another plate showcased a chocolate mousse generously drizzled with chocolate sauce. There was also a vanilla dessert, elegantly garnished with a dusting of cocoa powder on top. In the caption, Nushrratt wrote, "The best kind of day, with the best people. Thank you for the love." See the post here: View this post on Instagram A post shared by Nushrratt Bharuccha (@nushrrattbharuccha) We can't wait to get a glimpse of Soha Ali Khan and Nushrratt Bharuccha's next gastronomical adventure.
Time of India
15-05-2025
- Entertainment
- Time of India
From Nushrratt Bharuccha to Ileana D'Cruz: Why Bollywood Heroines Get Replaced in the Sequels
In Bollywood, sequels have become a mainstay, offering audiences a chance to revisit beloved narratives and characters. However, a recurring trend has emerged: the replacement of actresses in these sequels. While male leads often reprise their roles, female counterparts are frequently recast. Bollywood's penchant for retaining its male heroes in sequels—while readily recasting their female counterparts—stems from a complex interplay of narrative design, franchise positioning, star dynamics and practical constraints. Sequels pitched as thematic 'franchises' rather than direct continuations often bring in fresh heroines to signal a new chapter, as seen when Nushrratt Bharuccha was replaced by Ananya Panday in Dream Girl 2 to suit an 'organic' storyline shift. Lead actresses also bow out due to legacy concerns: Vidya Balan declined Bhool Bhulaiyaa 2 for fear of tarnishing her original performance, prompting Tabu's entry. Scheduling conflicts, injuries and strategic marketing likewise drive recasting—Kajal Aggarwal stepped away from Singham Returns amidst South commitments and was replaced by Kareena Kapoor Khan. While some directors simply envision new dynamics, as in Ishqiya to Dedh Ishqiya, where Madhuri Dixit succeeded Vidya Balan because "Vidya's character had no further scope." Collectively, these shifts reveal Bollywood's male-centric framing, creative reinvention strategies, and the high stakes of maintaining box-office and brand appeal. Adding to the conversation, actress Shreya Gupto offered a candid perspective on the commercial nature of casting decisions. She said, "I think female leads are more often replaced in sequels based on who is currently trending in the market. There's a lot of business thought put into it. Having said that, I can never imagine Shraddha Kapoor being replaced in three films—I don't think that is going to happen because she probably fills the theatre. So I guess it has a lot to do with business and who is currently trending in the market. However, it is really sad that more often we have seen women getting replaced." by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like 15 Most Beautiful Female Athletes in the World Learn More Undo Notable Instances of Actress Replacements in Bollywood Sequels : Dream Girl - Dream Girl 2 Replaced : Nushrratt Bharuccha Replacement : Ananya Panday Reason : Director Raaj Shaandilyaa and actor Ayushmann Khurrana described the sequel as an 'organic' progression with a distinct storyline, necessitating a new female lead. Ananya was chosen for her vibrant personality and ability to master the Mathura accent. Nushrratt expressed her disappointment, stating, "Of course it feels unfair," but acknowledged the makers' decision. Raid - Raid 2 Replaced : Ileana D'Cruz Replacement : Vaani Kapoor Reason : At the trailer launch, Ajay Devgn shrugged off concerns saying, 'It's the character you follow, and then new people keep coming in'. Vaani echoed that stance, clarifying 'No jealousy with the previous one…You just try to play your part in the most authentic manner." Satyameva Jayate - Satyameva Jayate 2 Replaced : Aisha Sharma Replacement : Divya Khosla Kumar Reason : The sequel featured a new storyline with John Abraham in a triple role, and Divya Khosla Kumar was cast as the female lead. Specific reasons for Aisha Sharma's replacement were not publicly disclosed. Baaghi Series Baaghi (2016): Shraddha Kapoor Baaghi 2 (2018): Disha Patani Baaghi 3 (2020): Shraddha Kapoor Reason : The Baaghi series follows different storylines in each installment. Disha Patani was initially considered for the first film but was replaced by Shraddha Kapoor. She was later cast in Baaghi 2. The casting changes align with the anthology nature of the series. Son of Sardaar (2012) - Son of Sardaar 2 (Upcoming) Replaced : Sonakshi Sinha Replacement : Reportedly Mrunal Thakur Reason : Details regarding the casting change have not been officially confirmed. Yamla Pagla Deewana Series Yamla Pagla Deewana (2011): Kulraj Randhawa Yamla Pagla Deewana 2 (2013): Neha Sharma Yamla Pagla Deewana: Phir Se (2018): Kriti Kharbanda Reason : Each installment featured a different storyline, leading to new female leads in each film. Golmaal Series Golmaal (2006): Rimi Sen Golmaal Returns (2008): Kareena Kapoor Golmaal 3 (2010): Kareena Kapoor Golmaal Again (2017): Parineeti Chopra Reason : The series introduced new female characters in each installment, aligning with the evolving storylines. Singh Is King (2008) → Singh Is Bliing (2015) Replaced : Katrina Kaif Replacement : Amy Jackson Reason : Singh Is Bliing was not a direct sequel but a standalone film with a different storyline, leading to a new female lead. Jannat (2008) → Jannat 2 (2012) Replaced : Sonal Chauhan Replacement : Esha Gupta Reason : Jannat 2 featured a new narrative, and Esha Gupta was cast as the female lead. Munna Bhai M.B.B.S. (2003) → Lage Raho Munna Bhai (2006) Replaced : Gracy Singh Replacement : Vidya Balan Reason : The sequel presented a different storyline with new characters, leading to a change in the female lead. Singham Series Singham (2011): Kajal Aggarwal Singham Returns (2014): Kareena Kapoor Singham Again (2024): Kareena Kapoor and Deepika Padukone Reason : Kajal Aggarwal was replaced due to her commitments in South Indian cinema. Kareena Kapoor returned in the subsequent sequels, with Deepika Padukone joining in the latest installment. Commando Series Commando (2013): Pooja Chopra Commando 2 (2017): Adah Sharma Commando 3 (2019): Adah Sharma Reason : The sequels introduced new storylines, with Adah Sharma taking over as the female lead from the second installment onward. Replaced : Tabu Replacement : Rimi Sen Reason : The sequel introduced new characters and storylines, resulting in a change in the female lead. This lack of clear explanation can be frustrating for fans—but is it necessary? Gupto shared her thoughts on whether audiences are owed transparency. "As far as the audience is concerned, I don't think the makers are liable to explain their decisions. Even when they do speak, I think they've been offering convincing answers so far. But audiences are extremely sharp these days; we have common sense to figure out why somebody would be replaced, and we don't believe news blindly," she added. Franchise Sequels Invite Fresh Faces When a follow-up is positioned as a thematic or spiritual franchise rather than a narrative continuation, filmmakers feel freer to recast female leads. In Dream Girl 2, director Raaj Shaandilyaa and star Ayushmann Khurrana described the film as a new story within the brand, resulting in Ananya Panday replacing Nushrratt Bharuccha to inject fresh energy and a Mathura dialect twist. Nushrratt later admitted the change 'hurts' and called the 'franchise' justification insufficient, noting even male co-stars would find it unfair. Anthology-Style Series The Baaghi and Housefull franchises exemplify anthology approaches. Baaghi 2 introduced Disha Patani in place of Shraddha Kapoor to match its distinct plotline, only for Shraddha to return in Baaghi 3 alongside Tiger Shroff's evolving character arc . Similarly, each Housefull film features a new ensemble heroine—Deepika Padukone to Kriti Sanon to Pooja Hegde—underscoring narrative resets over continuity . Heroes as Brand Anchors Blockbuster stars like Ajay Devgn in Raid and Saif Ali Khan in Race serve as the franchise anchors, while heroines rotate around them. In Raid 2, Devgn returns as Amay Patnaik but Ileana D'Cruz makes way for Vaani Kapoor without public explanation—reinforcing that the male role defines the sequel's brand . Likewise, Race 2 retained Khan but replaced both Bipasha Basu and Katrina Kaif, citing new story demands and scheduling conflicts, before embracing fresh pairings with Deepika Padukone and Jacqueline Fernandez Perceived Interchangeability Actresses themselves have called out this pattern. Nushrratt Bharuccha highlighted how 'only the girl changes' in sequels, while the male cast remains intact—a dynamic she described as 'not cool'. This interchangeability often fuels debates on gender bias in star billing and franchise valuation. Star Power for Box-Office Pull Producers often refresh franchises by tapping current marketable faces. Casting Ananya Panday (a star kid) in Dream Girl 2 and Mrunal Thakur in Son of Sardaar 2 (replacing Sonakshi Sinha) reflects an industry trend favoring bankable newcomers or established film-family names to maximize hype . For rising stars like Gupto, the franchise game is a dream—but not without its dilemmas. "I would love to be part of a successful franchise—look at the Stree, Drishyam, Dhoom or Golmaal series. These films create worlds that endure, and as an actor, I would absolutely love to be part of such a franchise. However, I would be very upset if I were replaced in the next sequel. To begin with, though, I would be extremely grateful for the opportunity," Shreya concluded. As Bollywood continues to expand its franchise playbook—across theatrical releases and OTT series—the recurring practice of replacing actresses in sequels offers a revealing window into creative priorities, commercial calculations and the often unequal valuation of star power. Understanding these forces not only enriches our appreciation of the films themselves but also prompts reflection on how gender, narrative form and business strategy intersect in India's film capital. Check out our list of the latest Hindi , English , Tamil , Telugu , Malayalam , and Kannada movies . Don't miss our picks for the best Hindi movies , best Tamil movies, and best Telugu films .
