Latest news with #PastoralSymphony
The Guardian
12-03-2025
- Entertainment
- The Guardian
Levit/Budapest Festival Orchestra/Fischer review – edgy Prokofiev baffles and compels
Concerts by Iván Fischer and his Budapest Festival Orchestra are always a little idiosyncratic – remember when playing Beethoven's Pastoral Symphony meant them sharing the RFH stage with a tree? – and this all-Prokofiev programme had its own subtle yet distinctive stamp. It started with the Overture on Hebrew Themes. Fischer had Ákos Ács, the BFO's principal clarinettist, standing out front as if it were a concerto – which it isn't, but the clarinet is the guiding spirit of the piece, leading the klezmer melodies on which it's based. Ács was a mercurial presence – almost dancing with Fischer in the centre, then shuffling over among the strings as if to hide when he wasn't in the musical spotlight, but as engaging and virtuosic as a soloist in the whirling fast music. With Ács back in his seat, Fischer and the pianist Igor Levit took Prokofiev's Piano Concerto No 2 and made this strange, colossal work sound more baffling and compelling than ever. The orchestra oozed in underneath Levit's first melody and from then on the first movement's music slipped artfully in and out of focus, the orchestra not so much beautiful as eerily glutinous. Levit built his big solo passage to a peak of forceful intensity; then, in the tiny second movement, he kept the piano motoring deftly on, as if impervious to the orchestra hurtling beside it. The mechanical feeling spread to the third movement, which began with almost inhuman stomping but cradled a little swaying dance at its centre. The last movement brought grand romantic sweep – finally, the stuff big piano concertos are made of, hard won. Levit's encore, Schumann's Der Dichter Spricht, was an introspective and deeply felt contrast, its spell unbroken despite throbs of static from a malfunctioning speaker high above. After the interval, it was all about storytelling. A selection from the ballet Cinderella – Fischer our grandfatherly narrator – found the orchestra on more relaxed form, catching the music's colourful, occasionally edgy charm. This continued into their encore, the Gavotte from the Classical Symphony: a dance that 'starts young and ends old', as Fischer put it. If it ended steadier than it began, it lost none of its spark.
Yahoo
12-03-2025
- Entertainment
- Yahoo
Join leading composer on a glorious journey through the Dales
SOUTH-Craven based composer, Ben Crick will take audiences on a glorious journey through the Yorkshire Dales at a concert at Ilkley's King's Hall on Sunday, March 30. Conducting his own work, the award winning Soundscapes, which featured at the exhibition space at Skipton Town Hall a year ago, combined with original films of the Dales, edited live with music, it promises to be a concert hall sized immersive experience. It will be performed by the Airedale Symphony Orchestra, fresh from recent success performing another fabulous composition by Ben Crick at 'RISE' - the opening of the City of Culture Bradford 2025, A spokesperson said: "Come and hear this beautiful new work conducted by the composer, and be transported to experience all the glories of the local landscape, from deepest caves to soaring dales and moors. "We will also perform Beethoven's famous Pastoral Symphony. Beethoven loved nature, and his pastoral symphony takes us on a perfect tour of a rural idyll complete with birds singing, streams flowing, and even a picnic disturbed by a thunderstorm." A collection will be taken for Menston Area Nature Trust, a local charity supported by orchestra members that has recently purchased nearby Weston Woods as a new nature resource for our community." The concert at Ilkley King's Hall takes place at 7.30pm on March 30. Tickets £10 to £17; under 11s go free. Available online at: by phone: 0333 666 3366, and on the door until sold out.
