
UK dairy farmers play jazz to cows, boosting milk production
Owner Oliver Hemsley said his cows had loved the music, adding: 'It provided some sort of distraction. They looked very happy. When the music started, they looked a little bemused, then moved quietly and quickly to their food.'
While jazz is now in vogue, for several years it has been popular for dairy farmers to play classical music while milking their cows, Hemsley said.
'We've been doing it for a long time. It does relax the cows,' he added.
On a recent edition of BBC's Farmwatch, the saxophonist Julian Smith performed with a guitarist for an audience of cattle at Chesterton Fields Farm in Warwickshire.
Charles Goadby, a dairy farmer based in Nuneaton, told the broadcaster he had been playing music to his cows for nearly a decade.
He said: 'We installed a robotic milking system and there were a lot of new harsh sounds and noises, so we wanted to drown that out and give them a constant sound.
'This was about 10 years ago, and somebody suggested the cows like classical music – that was the trend back then – so I put a classical radio station on for the cows to listen to, and it just helps them relax a little bit.
'We always have music on in the milking parlour... not just for the staff to listen to.
'It's a little bit like the Pavlov dog theory, where it's waking up the senses, it starts their hormone production off, and actually, the cows will release a little bit sooner and that milk flow will be a little bit quicker.
'It helps relax the cows and the workers – so that's a win-win all round.'
For a study published in 2001 by academics from the University of Leicester, 1000 Holstein Friesians were played music for 12 hours a day for several weeks.
When the cattle listened to slow and relaxed songs, their milk yield rose by 0.73 litres per cow per day, a 3% increase.
The songs selected included Aretha Franklin's What a Difference a Day Makes and Beethoven's Pastoral Symphony.
However, the researchers discovered that listening to lively music with more than 120 beats per minute reduced the rate of milk production.
According to a 2019 study, Holstein Friesian cows that listened to The Classical Chillout Gold Collection, a compilation album, were calmer and took more time to rest than peers who were listening to country music or no music at all.
Meanwhile, a 2021 paper examining the impact of playing music to livestock concluded: 'It would seem that music genres with a subdued, natural sound (such as classical or relaxing music) are the best and safest choice for both cattle and humans.'
Juan Velez, the executive vice-president of US-based Aurora Organic Farms, told Modern Farmer: 'In terms of music, in my 30 years working with dairy cows, I have found that music can be beneficial to the wellbeing of the cows, but it must be consistent and calming.'
Rob Hadley, who also farms in Warwickshire, told the BBC his cows were 'very relaxed about the jazz' and would probably like any music other than Birmingham heavy metal pioneers Black Sabbath.
He said: 'Truthfully, a bit of Ozzy Osbourne would scare the socks off them.'
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NZ Herald
3 days ago
- NZ Herald
UK dairy farmers play jazz to cows, boosting milk production
In 2021, Hollis Meade, a Devon organic dairy farm, organised a concert for its cows at which the jazz pianist Ben Waters played. Owner Oliver Hemsley said his cows had loved the music, adding: 'It provided some sort of distraction. They looked very happy. When the music started, they looked a little bemused, then moved quietly and quickly to their food.' While jazz is now in vogue, for several years it has been popular for dairy farmers to play classical music while milking their cows, Hemsley said. 'We've been doing it for a long time. It does relax the cows,' he added. On a recent edition of BBC's Farmwatch, the saxophonist Julian Smith performed with a guitarist for an audience of cattle at Chesterton Fields Farm in Warwickshire. Charles Goadby, a dairy farmer based in Nuneaton, told the broadcaster he had been playing music to his cows for nearly a decade. He said: 'We installed a robotic milking system and there were a lot of new harsh sounds and noises, so we wanted to drown that out and give them a constant sound. 'This was about 10 years ago, and somebody suggested the cows like classical music – that was the trend back then – so I put a classical radio station on for the cows to listen to, and it just helps them relax a little bit. 'We always have music on in the milking parlour... not just for the staff to listen to. 'It's a little bit like the Pavlov dog theory, where it's waking up the senses, it starts their hormone production off, and actually, the cows will release a little bit sooner and that milk flow will be a little bit quicker. 'It helps relax the cows and the workers – so that's a win-win all round.' For a study published in 2001 by academics from the University of Leicester, 1000 Holstein Friesians were played music for 12 hours a day for several weeks. When the cattle listened to slow and relaxed songs, their milk yield rose by 0.73 litres per cow per day, a 3% increase. The songs selected included Aretha Franklin's What a Difference a Day Makes and Beethoven's Pastoral Symphony. However, the researchers discovered that listening to lively music with more than 120 beats per minute reduced the rate of milk production. According to a 2019 study, Holstein Friesian cows that listened to The Classical Chillout Gold Collection, a compilation album, were calmer and took more time to rest than peers who were listening to country music or no music at all. Meanwhile, a 2021 paper examining the impact of playing music to livestock concluded: 'It would seem that music genres with a subdued, natural sound (such as classical or relaxing music) are the best and safest choice for both cattle and humans.' Juan Velez, the executive vice-president of US-based Aurora Organic Farms, told Modern Farmer: 'In terms of music, in my 30 years working with dairy cows, I have found that music can be beneficial to the wellbeing of the cows, but it must be consistent and calming.' Rob Hadley, who also farms in Warwickshire, told the BBC his cows were 'very relaxed about the jazz' and would probably like any music other than Birmingham heavy metal pioneers Black Sabbath. He said: 'Truthfully, a bit of Ozzy Osbourne would scare the socks off them.'


NZ Herald
5 days ago
- NZ Herald
Deaf actress Rose Ayling-Ellis has a message she wants you to hear
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That victory made her a household name and landed her TV presenting gigs, including as a sportscaster at the 2024 Paralympic Games. But after being 'on the TV as myself quite a few times,' she said, she wanted to get back to acting. This year, Ayling-Ellis has also starred in the miniseries Reunion, a revenge thriller about a deaf man recently released from prison, and played opposite Ncuti Gatwa in an episode of the cult sci-fi series Doctor Who. Though she has been acting professionally for 13 years, Code of Silence is her first leading role. Her character in the show is working in a police station cafeteria when one of the officers recruits her, and she also has a side hustle as a pub bartender to make ends meet. 'I feel like that is what is currently happening in the UK,' Ayling-Ellis said. 'Everyone needs two or three jobs to be able to pay the rent.' She said that she and the show's creator and screenwriter, Catherine Moulton, wanted to reflect that times were 'hard for everyone' in Britain at the moment, and 'even harder for disabled people'. The British Government's treatment of disabled people has been in the spotlight this year, and last month Prime Minister Keir Starmer proposed restricting welfare benefits to tamp down on rising social security spending. 'This Government is trying to get disabled people back to work, but not providing the help for us to be able to work,' Ayling-Ellis said. While she wanted to draw attention to the barriers that disabled people face, she said, she also wanted to show that they live complex and varied lives. 'We've got personalities. We make mistakes. We have love interests,' she said. In the show, as in life, Ayling-Ellis said, lip reading is 'like a puzzle.' Photo / Max Miechowski, The New York Times Hungry for adventure and against her better judgment, her character in 'Code of Silence' strikes up a romantic relationship with one of the gang members she is investigating. That was in contrast, Ayling-Ellis said, to a desexualised perception of disabled people, who often 'get treated like a child'. She shook her head. 'I'm a woman. I'm 30 years old.' During her childhood in Hythe, a seaside town about 95km southeast of London, she often felt like 'the only deaf person in the whole word,' she said. After high school, she studied fashion at an art college, and specialised in embellishments like beading. 'I don't need to be able to hear to do that job,' she recalled thinking. Now, she felt 'a little bit angry about that,' she said, adding, 'I should've chosen what I wanted to do, rather than what I thought other people would accept me doing.' As a teenager, Ayling-Ellis had attended a film-making workshop for deaf children. But being behind the camera was 'slow and boring' – whereas being in front of it was another story. 'It's energetic, and I'd really get into a role,' she said: 'I loved performing.' She joined Deafinitely Youth Theatre, part of a London-based company for deaf people, and looked for other gigs on the side. 'At that time, I didn't have an agent,' she said, 'so I used to get jobs through Facebook.' Ayling-Ellis said she was first 'noticed' after being cast in a BBC miniseries called Summer of Rockets, a role that landed her representation. She went on to appear in the long-running British soap opera Eastenders, which she described as 'my film school for two years'. Ayling-Ellis has been acting professionally for 13 years, but Code of Silence is her first leading role. Since winning Strictly Come Dancing, Ayling-Ellis said she had 'felt a responsibility to try and educate people, to shift their minds in how they see deaf people.' She has presented several documentaries about deafness and published a children's book, Marvelous Messages, which highlights what she called 'the many other ways' of communicating 'that are not speaking or listening.' The book also includes inspiring deaf figures from history, like stuntwoman Kitty O'Neil. When Ayling-Ellis was growing up, deaf role models were scarce, she said: 'Helen Keller? Great lady! She's blind and deaf and a Victorian woman. But I'm not relating.' Moulton, the Code of Silence creator, who is partly deaf, said that she became a fan of Ayling-Ellis watching Strictly Come Dancing and wrote the TV show with her in mind. She also cast deaf actors Fifi Garfield and Rolf Choutan as Alison's mother and ex-boyfriend. Moulton said she hoped to create roles for deaf actors 'who haven't always got those chances to be able to build a career, to get to the place that Rose is now'. Samantha Baines, a British actress who wears hearing aids, said that Ayling-Ellis had a similar attitude. 'Rose ensures that any live event she takes part in has live captions as well as British Sign Language interpretation, any radio show has transcripts and promotes the hiring of other deaf creatives,' she said. 'Rose isn't pulling the ladder up after herself.' Ayling-Ellis said she had begun noticing that her TV work was having an impact – not just for deaf people, but among hearing audiences, too. 'Lately, I'm starting to see people signing to me more,' she said. 'I think they're a bit more excited about meeting deaf people, rather than terrified of getting it wrong.' This article originally appeared in The New York Times. Written by: Simran Hans Photographs by: Max Miechowski ©2025 THE NEW YORK TIMES


NZ Herald
07-08-2025
- NZ Herald
How to see the discovery of lost Frances Hodgkins landscape and place she painted it
NZ art curator and Frances Hodgkins' expert Mary Kisler has helped authenticate a lost painting by the acclaimed NZ artist. Photo / Jason Oxenham Reminder, this is a Premium article and requires a subscription to read. Listening to articles is free for open-access content—explore other articles or learn more about text-to-speech. How to see the discovery of lost Frances Hodgkins landscape and place she painted it NZ art curator and Frances Hodgkins' expert Mary Kisler has helped authenticate a lost painting by the acclaimed NZ artist. Photo / Jason Oxenham A lost painting by New Zealand art great Frances Hodgkins has been authenticated by BBC show Fake or Fortune, with the help of former Auckland Art Gallery Toi o Tāmaki curator and Hodgkins expert Mary Kisler. The painting was bought by Robjn Cantus for £35 (c$79) in a Hertfordshire County Council auction of its mid-20th Century art collection in 2019. It has now been valued at £50,000 (c$112,500). Robjn Cantus blogged about the painting. Art blogger Robjn Cantus purchased the Frances Hodgkins painting for £35 at an auction in 2019. Soon after his online purchase, art blogger Cantus posted about the painting, which the auctioneers had attributed to English artist Vera Cuningham. He was messaged saying it might be a Hodgkins. Much of the episode is dedicated to retracing Hodgkins' life in Britain, where she spent much of her career until her death in 1947. It also goes looking for the possible site of the abstract landscape – a mine entrance – among the Roman gold mines of rural south Wales, and the local inn where she stayed, as recorded in her letters. Kisler appears on the show via video link from Auckland to verify that the painting is a Hodgkins. 'I emphatically think it is by Frances Hodgkins,' she tells Cantus and the show's presenters, Fiona Bruce and Philip Mould. 'You can read Robjn's painting as fitting into a really large number of Hodgkins' works. When you lay those works side by side, you can see absolutely that Robjn's work fits among them.' Kisler says she wonders if the painting is October Landscape, a piece exhibited at the Lefevre Gallery in London in 1943 alongside works by Pablo Picasso. 'It's a damn good one,' Kisler says of the painting. 'I'd love to have it myself.' How to see The episode can be seen on unofficial video platforms here or here. Sky Television which screens the series in New Zealand on its Sky Arts channel and is currently showing last year's season of Fake or Fortune? says it is investigating with the BBC whether the broadcast of the latest season can be brought forward. Sky also has available the 2024 documentary Frances Hodgkins, Anything but a Still Life, by New Zealand-based filmmaker Blandine Massiet du Biest available to Sky Arts subscribers on its SkyGo platform.