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India.com
21-07-2025
- Entertainment
- India.com
'Mera ghar bikwana…'; Rajesh Khanna once refused to sell his 'Aashirwad' bungalow to this actor, even during..., he is…
Bollywood's first superstar, Rajesh Khanna was popular for his films, controversial life, and his bungalow. You'd be surprised to note that Rajesh Khanna also went through a financial crisis. Yes, it is the same bungalow whose name was 'Aashirwad'. Originally, this bungalow was first bought by Bharat Bhushan, and he became a very big star by living in that bungalow. How did Rajesh Khanna end up buying the Aashirwad bungalow? In Rajesh Khanna's biography, 'Dark Star: The Loneliness of Being Rajesh Khanna', written by Gautam Chintamani, reveals how Bollywood's first superstar bought the magnificent Aashirwad bungalow. But even during his financial crisis, he refused to sell it. Initially, the property was owned by Rajendra Kumar. He then became a jubilee star of the film industry by living in it. His relative was Ramesh Bahl, and he was making a film named 'The Train' with Rajesh Khanna. Interesting story behind Rajesh Khanna's property One day, Rajesh Khanna was going from Carter Road. When he saw the crowd in front of the bungalow, he asked why there was such a crowd. On this, his driver said that this is Rajendra Kumar's bungalow. That's it, from that day onwards, that bungalow settled in Kakaji's mind. Rajesh Khanna asked Ramesh Bahl to get this bungalow for him somehow. On this, Ramesh Bahl told Rajendra Kumar that there is a lot of noise of vehicles here. People keep coming and going. There is no such thing as privacy; pollution is also very high. There is another bungalow behind this. It is quite big and very peaceful too. In this way, Ramesh Bahl convinced Rajendra Kumar, and then Rajendra Kumar sold that bungalow. Rajesh Khanna took this bungalow from him. Rajesh Khanna named this bungalow Aashirwad. When Rajesh Khanna faced a financial crisis After the sale of this bungalow, Rajendra Kumar's stardom started fading and Rajesh Khanna's started increasing. Seeing this, Rajendra Kumar also felt that along with the bungalow, his luck also went to Rajesh Khanna. Well, it was in 1999, 2000, and 2001 that Mr Khanna faced financial trouble. He got a notice of one crore, one and a quarter crore rupees from Income Tax. When Salman Khan was interested in buying Rajesh Khanna's property Meanwhile, one day Rajesh Khanna got a call from Salman Khan. He asked Rumi Jaffery that he had an important work with Rajesh Khanna. Salman Khan requested Rumi to help him purchase Rajesh Khanna's property. It was Sohail Khan who was interested in buying Rajesh Khanna's property. Sohail heard that Rajesh Khanna was selling his bungalow, and he was interested in buying it. Whatever price Rajesh Khanna quoted, Sohail Khan was ready to purchase it. Sohail assured that there will be no negotiation from his side. When Rajesh Khanna came to know about Sohail Khan's plan on buying Aashirwad Rumi further revealed, 'When Khanna finally spoke, he asked him how he could even think of suggesting such a thing and accused him of stabbing him in his back. 'Kakaji said, 'I consider you a son-in-law aur tu mera ghar bikwana chahta hai… Sadak par lana chahta hai!' I had a tough time explaining that I was merely a postman delivering Sohail Khan's message.'


India.com
19-07-2025
- Entertainment
- India.com
This ‘Bhoot Bungalow' changed Rajendra Kumar's fate, was lucky for Rajesh Khanna, left Rajesh Khanna crying after…
This 'Bhoot Bungalow' changed Rajendra Kumar's fate, was lucky for Rajesh Khanna, left Rajesh Khanna crying after… In the glitzy and glamorous life of Bollywood, its usually the dazzling and picture perfect lives of celebrities that takes the center stage. However, what happens behind the sparkling life, is a lot more than what meets the eye. One such similar tale is of Bollywood's legendary actor who dominated the golden era of Hindi cinema. The person that we are talking about is none other than Rajendra Kumar, famously known as 'Jubilee Kumar'. He had everything from fame, wealth, to blockbuster success, but despite that, a story of his emotional loss stayed with him in his final days. Rajendra Kumar Film Debut, Early Life, And More When Rajendra Kumar ventured into the dreamland of Mumbai, he had merely Rs 50 in his pocket. He even sold his father's watch to make ends meet. But through enough dedication and hard work, he started his career assisting director H.S. Rawail. Small roles in films like Jogan and Patanga led him to his big break in Mother India (1957), where his performance caught the audience's attention. Slowly and gradually, his career evolved. He made his debut as a lead actor in the year 1959 with the film Goonj Uthi Shehnai. Later, he delivered a streak of hits like Dhool Ka Phool, Mere Mehboob, Sangam, and Aarzoo. His movies ran in theatres for 25 consecutive weeks, earning him the title 'Jubilee Kumar'. Why did Rajendra Kumar Sell His House, Dimple? To celebrate this mammoth of success, he bought a beautiful bungalow and named it Dimple. This house showcased his dreams, but later, due to financial constraints, he had to sell his house. The person who bought the house was none other than the rising star, Rajesh Khanna. Rajesh renamed the house Aashirwad, and from that house began his journey to superstardom. Rajendra was very attached to his house, and as per reports, he even cried the entire night after leaving it. Despite his glittering legacy and legendary films, the pain of parting with Dimple never faded.


Time of India
19-07-2025
- Business
- Time of India
Strong support from farmers for Punjab's land pooling policy, scheme called a ‘model for the future'
Punjab's land pooling policy is drawing widespread and enthusiastic support from farmers across the state, as the government rolls out its progressive urban development vision. The initiative is being hailed as a pioneering model that balances growth, fairness, and transparency—giving farmers a direct stake in the future of urban Punjab. Designed to create world-class urban sectors, the policy is seen as a bold step that promotes inclusive development and ensures that landowners are active participants in shaping the cities of tomorrow. Farmers have responded positively to the scheme, describing it as a 'profitable deal' and a historic opportunity to be part of urban expansion without the complications of traditional land acquisition. Under this forward-looking scheme, farmers voluntarily offer their land to the government and, in return, receive residential and commercial plots in developed urban estates. For every acre of land contributed, the government provides a 1000-square-yard residential plot and a 200-square-yard SCO (Shop-Cum-Office) commercial plot. This allows farmers the flexibility to sell their plots or develop them into residential or commercial projects—opening up new streams of income and entrepreneurial potential. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like No annual fees for life UnionBank Credit Card Apply Now Undo Thousands of farmers from districts such as Patiala, Mohali, Ludhiana, Amritsar, Mansa, and Firozpur have already joined the scheme. Their participation signals growing confidence in the policy's benefits and its transparent implementation. Rajendra Kumar, a farmer from Patiala, shared that he gave his land willingly and described the policy as extremely beneficial. According to him "this initiative will not only raise the value of agricultural land but also secure farmers' financial future." Another farmer who contributed nine acres of land said that he received plots worth crores in return—a value he noted would not have been possible in the private market, where middlemen and commissions typically eat into farmers' earnings. In the first week alone, farmers in Patiala offered 150 acres under the scheme, while over 50 farmers in Mohali have already signed up. Encouraging responses are also pouring in from districts including Amritsar, Moga, Sangrur, Jalandhar, Nawanshahr, Hoshiarpur, Tarn Taran, Fazilka, Kapurthala, and Bathinda. For many, this is more than a policy—it is a chance to be equal stakeholders in urban development. A farmer whose son is an NRI remarked that this initiative brings hope for better-planned sectors, resolving long-standing civic issues and offering a higher quality of life. He believes such well-structured development will encourage NRIs to return and invest in their home state. What makes the policy particularly appealing is that it involves no compulsory land acquisition. Farmers are not forced to sell their land at undervalued prices. Instead, they can continue farming or explore real estate opportunities, enjoying the freedom to choose their path. Farmers also note that the policy has introduced a new level of fairness and transparency. Previously, private developers would purchase land at low prices and reap the majority of profits. Now, farmers retain the benefit of appreciation and urban growth, giving them a sense of ownership and dignity. By giving landowners a genuine share in development, the Punjab government's land pooling policy is setting a benchmark in collaborative and sustainable urban planning. As more farmers join hands with the government, the state is moving confidently toward building smart, citizen-friendly, and inclusive cities.


News18
17-07-2025
- Entertainment
- News18
One Arrogant Move Ended It All: The Rise And Fall Of Actor Kumar Gaurav
1/7 Kumar Gaurav, son of veteran actor and producer Rajendra Kumar, made a dream debut in 1981 with the blockbuster film Love Story. He became an overnight star with his very first film, but this sudden rise in fame also led to the decline of his career. One wrong decision cost him the success he had just begun to build. (News18 Hindi) Born on July 11, 1956, Kumar Gaurav turns 68 today. His journey through Bollywood has seen great highs and sudden lows. Once adored by millions, he has stayed away from the limelight for many years. However, his story remains an important lesson in the ever-changing world of cinema. (News18 Hindi) In the 1980s, romantic films were the flavour of the decade, and Rahul Rawail's Love Story stood out among them. The fresh pairing of Kumar Gaurav and Vijayta Pandit struck a chord with audiences. His debut performance was praised, and it looked like he had a long career ahead of him. (News18 Hindi)


Hans India
15-07-2025
- Entertainment
- Hans India
Saroja Devi: An ageless entertainer and enduring fashion icon
Hindi film aficionados cannot forget her sultry and sensuous presence, with a love-struck Rajendra Kumar crooning 'Teri Pyari Pyari Surat Ko, Kisi Ki Nazar Na Lege'. The year was 1961 and the film 'Sasural', a remake of a Telugu film 'Illarikam'. Irrespective of the strong overhang of the Madras- style narration, Bangalore Saroja Devi, who made her debut in three Dravidian languages in the 1950s, (apart from Hindi with 'Paigham' in 1959) made a notable impact across the borders with this L V Prasad-produced, T Prakash Rao directed movie in Bombay. With this, she also became one of the earliest south-based heroines who managed to hit the bull's eye in Hindi, without losing out on her base back home. A striking aspect of this Kannadiga-origin star was that she managed to act in 100 films exclusively in Tamil (out of a total of around 200), accepted and appreciated for her parrot-like tone of the ancient language, which earned her the sobriquet 'Kannadathu Paingili'…. A career which began when she was barely an adult in 1955 went on to last till 2019, a record 64 years overall. Of course, the spotlight had shifted from her in the mid-1960s, when younger heroines caught the attention of the then middle-aged heroes of Madras – MGR and Sivaji Ganesan. Even then, till another Karnataka counterpart J Jayalalithaa overtook her in the southern film industry (of having acted in the maximum number of films with these two titans), Saroja Devi had acted in 45+ films with both of them, many of them enduring entertainers till date, noted for their storytelling, histrionics and evergreen songs. Having begun with Akkineni Nageswara Rao in 1959 ('Pelli Sandhadi'), she had a good run in her hometown when she was successfully paired with the matchless matinee idol Dr Rajkumar in many films in the same decade. A rare feat for any heroine, she took up challenges like playing a dual role in both Kannada and Tamil apart from a triple role in Telugu ('Uma Chandi Gowri Sankarula Katha' – 1968) which had the mythological film specialist, N T Rama Rao as her male co-star. Bankrolled by B Nagi Reddy, one of the biggest producers in those days, it failed at the box-office but gave the lady star bragging rights to have been on par with male co-stars who had done multiple roles in their films. Even though her career took a slight dip, post marriage in the late 1960s, she acted with the A-listers right till 1974, as she turned 36. Ironically, that was the age when top heroines were consigned to mother, aunt or sister roles. A unique blend of sizzle and impish charm was her calling card, which sustained her all through as she moved seamlessly from one language to another, recalibrating her career based on its highs and lows. Bharatiya Vidya Bhawan instituting 'Padma Bhushan B Saroja Devi National Award' is another illustration of how her career was a milestone worth emulating as none of her contemporaries were bestowed with such an honour by this 'Institute of Eminence' in the country. Like many of her ilk, she too was one of a kind. Irreplaceable. Inimitable.