Latest news with #Renaissance-style
GMA Network
2 days ago
- Entertainment
- GMA Network
Liza Soberano joins cool, new cinematic podcast-documentary 'Can I Come In?'
Liza Soberano has a cool, new project. It's called "Can I Come In?" and it's a "podcast-cinema-documentary hybrid" created by artist Sarah Bahbah, who serves as the director and host. In the trailer, Sarah said the project's purpose is 'to create worlds for artists to heal in." One scene shows Liza with blonde hair, eating ice cream on a couch. Another showed her crying in a bathtub and getting told, 'Your feelings are so valid. You didn't deserve any of that.' In another, Liza is seen wearing a Renaissance-style outfit by a pool, saying, 'I need to put myself first and I need to truly not give a fuck.' With a knife, she yells, 'Mind your fucking business!' "Can I Come In" features six women artists. Aside from Liza, Mia Khalifa, Banks, Nemahsis, Yesly Dimate, And Cindy Kimberly will share their stories in the documentary. On YouTube, Sarah said "Can I Come In?" is the "first-of-its-kind immersive art series, where vulnerability meets high-cinema." "Every guest is invited into a deeply personalized set to release a story they've never told before. Each episode is unscripted and captures the emotional essence of a lived experience, visually, viscerally, and unapologetically," she adds. The project is presented by WePresent, and will drop on June 3. Liza is currently focusing on an international career. She made her Hollywood debut on "Lisa Frankenstein," as Taffy. She was praised by American film critics for the role. Liza starred in Thai singer and actor Bright's music video for 'Long Showers' and was also part of the Eric Nam's digital series, 'Stop 'N Snack.' Liza has also appeared at the Gold House Gala, Coachella, and Elton John's Oscars afterparty. — Nika Roque/LA, GMA Integrated News
Sydney Morning Herald
5 days ago
- Sydney Morning Herald
No tropical beaches, but this island is still a paradise
We have a habit of associating islands with sultry lagoons, sand and bright colour. Even the medieval Irish illuminated bibles with islands of palm trees and parrots. When they looked out their windows, however, they saw monochrome islands grazed by damp cows, and clouds lumbering across low horizons to tangle themselves in monastery towers. Today we escape to tropical islands for sun and heedless holidays. The monks were escaping troublesome vikings and the devil's temptations, and looked for spiritual contemplation. If that sounds dull, you'd be wrong. The place they chose is one of Ireland's loveliest spots, yet hidden away from marauding tourists. Enniskillen has a high street fine enough for a Jane Austen movie set. Banks and churches culminate in a Renaissance-style town hall, and plaques recount where old barracks and breweries once stood. In-the-know locals come here for good food, fine pubs, country rambles, and boating and fishing. Enniskillen is the largest town (population 18,500) in Fermanagh, a county tucked into the south-west corner of Northern Ireland. It's lightly populated, rural, verdant and unconcerned with modern urgency – Fermanagh Time is the equivalent of Spain's manana – although it occasionally bursts out in golf resorts and craft distilleries. Although far inland, Enniskillen's original core sits on an island as its Gaelic name indicates: Inis Ceithleann or Cethlenn's Island. This being Ireland, Cethlenn was predictably an ancient warrior woman who came to an unfortunate end in an incomprehensible feud. Irish mythology and history are grim yet wonderfully entertaining when related by garrulous John Lomasney, tour manager on my Collette country-intensive escorted journey in Ireland. His anecdotes range from the schoolboy antics of Oscar Wilde, who studied in Enniskillen, to the shenanigans of the medieval Mag Uidhir or Maguire clan. Enniskillen Castle was the Maguire seat and controlled the choke point between Lower and Upper Lough Erne. In a Europe of twee castles this is the real deal: grim and solid, although its twin-towered watergate makes for a pretty backdrop for passing boaters.
The Age
5 days ago
- The Age
No tropical beaches, but this island is still a paradise
We have a habit of associating islands with sultry lagoons, sand and bright colour. Even the medieval Irish illuminated bibles with islands of palm trees and parrots. When they looked out their windows, however, they saw monochrome islands grazed by damp cows, and clouds lumbering across low horizons to tangle themselves in monastery towers. Today we escape to tropical islands for sun and heedless holidays. The monks were escaping troublesome vikings and the devil's temptations, and looked for spiritual contemplation. If that sounds dull, you'd be wrong. The place they chose is one of Ireland's loveliest spots, yet hidden away from marauding tourists. Enniskillen has a high street fine enough for a Jane Austen movie set. Banks and churches culminate in a Renaissance-style town hall, and plaques recount where old barracks and breweries once stood. In-the-know locals come here for good food, fine pubs, country rambles, and boating and fishing. Enniskillen is the largest town (population 18,500) in Fermanagh, a county tucked into the south-west corner of Northern Ireland. It's lightly populated, rural, verdant and unconcerned with modern urgency – Fermanagh Time is the equivalent of Spain's manana – although it occasionally bursts out in golf resorts and craft distilleries. Although far inland, Enniskillen's original core sits on an island as its Gaelic name indicates: Inis Ceithleann or Cethlenn's Island. This being Ireland, Cethlenn was predictably an ancient warrior woman who came to an unfortunate end in an incomprehensible feud. Irish mythology and history are grim yet wonderfully entertaining when related by garrulous John Lomasney, tour manager on my Collette country-intensive escorted journey in Ireland. His anecdotes range from the schoolboy antics of Oscar Wilde, who studied in Enniskillen, to the shenanigans of the medieval Mag Uidhir or Maguire clan. Enniskillen Castle was the Maguire seat and controlled the choke point between Lower and Upper Lough Erne. In a Europe of twee castles this is the real deal: grim and solid, although its twin-towered watergate makes for a pretty backdrop for passing boaters.
Arabian Post
7 days ago
- Business
- Arabian Post
Maldives Getaway Beckons Shoppers at Dubai's Mercato and Town Centre Jumeirah
A new summer campaign launched by Mercato Shopping Mall and Town Centre Jumeirah is offering diners a chance to win a luxury holiday for two to the Maldives, in partnership with Emirates Holidays. The promotion, titled 'Dine, Scan & Win,' encourages customers to spend AED 200 or more at participating outlets. Upon scanning their PrivilegePLUS app ID, shoppers are entered into a draw for a three-night stay at a five-star beach resort in the Maldives, inclusive of flights and accommodation. This initiative is part of a broader effort to enhance customer engagement and drive footfall during the summer months. Mercato Mall, known for its Renaissance-style architecture and boutique shopping experience, and Town Centre Jumeirah, a community-focused retail destination, are both leveraging this campaign to attract a diverse clientele. ADVERTISEMENT In addition to the grand prize, daily raffles offer shoppers the opportunity to win AED 3,000 in cash. These incentives aim to boost spending and reward customer loyalty. The collaboration with Emirates Holidays adds a layer of prestige to the campaign. Emirates Holidays is renowned for its curated travel experiences, and the Maldives package aligns with their portfolio of luxury destinations. The Maldives, with its pristine beaches and exclusive resorts, remains a top choice for travelers seeking a premium getaway. The campaign also coincides with a series of family-friendly events hosted at both malls. Activities include face painting, live entertainment, and interactive workshops, creating a festive atmosphere that appeals to shoppers of all ages. Retailers within the malls are optimistic about the campaign's potential to increase sales and customer engagement. The combination of attractive prizes and engaging events is expected to enhance the overall shopping experience. The 'Dine, Scan & Win' campaign reflects a strategic approach to retail marketing, combining experiential elements with tangible rewards. By integrating dining, shopping, and entertainment, Mercato and Town Centre Jumeirah aim to create a holistic experience that resonates with consumers. As the campaign progresses, its impact on customer behavior and sales metrics will be closely monitored. Success could pave the way for similar initiatives in the future, further blending retail and experiential marketing strategies.
Vogue Singapore
23-05-2025
- Entertainment
- Vogue Singapore
Vogue's best looks from the Louis Vuitton cruise 2026 show Vogue Singapore
Show review in a sentence: Carrying the grandeur of theatre and the arts into the future Designer: Nicolas Ghesquiére Location: Palais des Papes, Avignon The vibe: Modern-day templars, crusaders, priests, and knights took to the runway with extraordinary flair. Tunics were embroidered to mimic the look of armour, while chain mail appeared as bib and in the form of a dangling belt detail—bringing a striking edge to Ghesquière's signature boxy silhouettes. Renaissance-style ormolu mirrors were reimagined as peep-toe boots, turning reflective opulence into wearable art. Even the iconic Sac Alma was transformed, fully embossed and gilded to resemble a relic one might unearth in the storied halls of the palace. It's astounding how Ghesquière consistently takes ideas that could so easily tip into theatrical excess and instead distills them into a collection that is both reverent and boldly forward-thinking—something I consider to be a true sartorial triumph. The vision: A sensory awakening, driven by the tension between uprooting and reverence, is the essence of deracination, and it's a dynamic that Nicolas Ghesquière masterfully explores through his tenure at Louis Vuitton. His creative genius lies in the interplay between the new and the storied, where innovation meets deeply rooted heritage. From the Cour Lefuel arches built right at the heart of the Louvre in 2018 to the medieval grandeur of Isola Bella in 2024, Ghesquière continues to orchestrate breathtaking contrasts. Now, we stand before yet another remarkable setting: the Palais des Papes. A formidable fortress and one of the most exceptional examples of medieval gothic architecture in Europe, this UNESCO world heritage site sets the stage for a dialogue between fashion and history, past and future. The show opened to the commanding blare of trumpets, with William Sheller's Excalibur setting a dramatic, regal tone for Louis Vuitton's cruise 2026 presentation. The spirit of theatre and the arts illustrated by the models emerging one by one, striding through an amphitheatre lined with empty crimson chairs—a haunting, cinematic tableau. In a bold inversion of traditional staging, the guests were seated not as spectators, but at the heart of the legendary stage itself, becoming part of the entire scenography. 'Who is watching whom? It brings yet another perspective to the scene,' Ghesquière mused backstage—underscoring his play with perception, space, and the roles we inhabit. What to shop from this collection: There was an overwhelming richness to take in this evening at Louis Vuitton, where no detail was spared in the pursuit of the gilded, the crafted, and the exquisitely embellished. The trick, really, is to break the collection into two distinct lenses. The first: pieces that feel like art objects in their own right. The strongest among them, the embossed flannel coat in Look 3, adorned with a flame motif inspired by heraldic designs found on traditional coats of arms—a nod to medieval iconography. Then there were the metallic-embroidered dresses in Looks 18 and 21, which evoked the regal presence of armoured cloaks. And, lest we forget, the embossed Sac Alma, rendered in a spectrum of rich hues, each one resembling a relic forged with ceremonial intent. The second lens is wearability—how these designs move beyond spectacle and into the realm of personal style. Standouts here include the gold lamé dress with sharp black graphic cut-outs (Look 14), which balanced the whimsy of a minstrel with the strength of a warrior. Equally compelling was the laser-cut leather dress in a deep burgundy wash—a modern take on a Josephine silhouette that felt both romantic and sharply contemporary. Alessandro Lucioni 1 / 12 Look 1 Alessandro Lucioni 2 / 12 Look 3 Alessandro Lucioni 3 / 12 Look 7 Alessandro Lucioni 4 / 12 Look 9 Alessandro Lucioni 5 / 12 Look 14 Alessandro Lucioni 6 / 12 Look 18 Alessandro Lucioni 7 / 12 Look 21 Alessandro Lucioni 8 / 12 Look 30 Alessandro Lucioni 9 / 12 Look 35 Alessandro Lucioni 10 / 12 Look 40 Alessandro Lucioni 11 / 12 Look 41 Alessandro Lucioni 12 / 12 Look 44
