Latest news with #Rouge
IOL News
3 days ago
- Entertainment
- IOL News
Rouge, Nadia Nakai and Moozlie drop ‘Juicy' - serving bars, boss moves and serious swagger
For the first time, these three rap titans come together on a song that embodies their collective strength. Image: Supplied South African hip hop just got a serious dose of bold energy, power and unapologetic flair with 'Juicy' - the latest high-octane single from rapper Rouge, featuring fellow heavyweights Nadia Nakai and Moozlie. Produced by the ever-reliable Wichi 1080, 'Juicy' is a bass-thumping celebration of womanhood, lyrical excellence and unity in a genre that has often sidelined women. For the first time, these three rap titans come together on a song that embodies their collective strength. Each voice is distinct, each verse electric. Rouge delivers her signature sharpness, Nakai brings charisma and attitude, and Moozlie comes through with fearless confidence. The result? A song that commands attention and demands replay. 'Independent Media Lifestyle' caught up with the musicians to discuss the making of 'Juicy', sisterhood in hip hop and why this track might mark a new chapter for female-led rap in SA. Rouge didn't set out to make a feminist anthem. The song came from a spontaneous studio session without a set agenda. 'Honestly, there wasn't anything in particular I went in trying to create,' she explained. 'I just wanted to have fun. It was such a natural process, and 'Juicy' came out of that energy. Afterwards, my team and I realised the track needed powerful female voices. Who better than Moozlie and the powerhouse that is Nadia Nakai?' That instinct to collaborate wasn't just about names. For Rouge, it was about sound and presence. 'Both of them have earned their stripes. You know when Nadia's on a track. You know when Moozlie's on a track. They each bring their flair. Plus, let's be honest - they are two of the biggest brands in the game.' For the first time, these three rap titans come together on a song that embodies their collective strength. Image: Supplied Rouge credits producer Wichi 1080 for helping shape the high-octane sound. 'He just gets me,' she said. 'Wichi, knows my ear. It didn't take long for him to cook up something I fell in love with. He's also very hands-on - he does not just make the beat and walk away. He makes sure I sound my best.' Rouge made it clear that the industry is not giving women in hip hop respect - they are taking it. 'The women are doing it unapologetically, and I'm loving it,' she said. Her writing process remains intense and personal. 'I usually find a quiet place, beat on my chest, mumble words until they form bars,' she said with a laugh. It's critical and a little obsessive, but that's my way. I want every verse to be well-crafted. It's a gift and a curse, but I would not change it.' 'Juicy' also marks a personal comeback. 'I'm back in the game. And I'm so glad to have done it with women who have worked incredibly hard for their respect. What a way to return.' As for the video shoot? She said: 'Let's just say it was sexy, fun and unapologetic - just like the song. And yes, you will see more of us three in the future.' When Rouge first sent 'Juicy' Nakai's way, she was instantly sold. 'The song is fire!' she said. 'I knew I had to jump on it the moment I heard it.' Known for her witty one-liners and Instagram-worthy bars, Nakai approached her verse with lighthearted intent. 'I wanted it to feel fun, full of caption-type lines. But confidence is key. If you are not confident in your own craft, no one else will believe in you.' Despite her success, she still faces moments of being underestimated as a woman in hip hop. 'Even now, it can feel like a boys' party. That's why it is so satisfying to keep breaking barriers. 'Juicy' is a part of that - it is us stepping into our power, loudly.' As for working with Rouge and Moozlie? Nakai said, 'It was exciting. Three strong women, all bringing their A-game. You could feel the energy in the room.' For the first time, these three rap titans come together on a song that embodies their collective strength. Image: Supplied For Moozlie, 'Juicy' is a declaration of belonging. 'As a woman in this game, especially in hip hop, you constantly have to remind people that you belong, not just as a feature, but as a force,' she said. Her verse reflects that exact energy. 'I wanted it to be bossy, playful and empowered. Rouge had such a strong concept, and I knew I had to leave my stamp on it. It's always about how to bring the Moozlie flair while elevating the track.' Though each artist came into the studio with her vibe, the chemistry was seamless. 'We all brought our own sauce,' Moozlie explained. 'But the synergy was there. Rouge even helped restructure my verse - suggested swapping around the 8 bars, which changed the flow. She understands songwriting in such a dope way.' More than just a collaboration, 'Juicy' is a cultural reset for female-led rap in SA. 'I want young women to feel empowered when they hear this. It's for the girls who know they are the main character, who own their beauty and boldness. That fire? It is in all of us.' And when asked if 'Juicy' might spark more female unity in the game? 'Absolutely,' Moozlie affirmed. 'This is just one example of what happens when we come together instead of competing. There is more than enough space for all of us to win. The energy now is collaboration over competition, and I am here for all of it. With 'Juicy', Rouge, Nakai and Moozlie have not just made a banger - they have made a statement. This track does not just amplify their voices; it lays the foundation for a new era of South African hip hop - one where women are no longer knocking at the door. They are kicking it wide open! One to watch: Lutho Pasiya's spotlight on promising young South African female hip hop artists. Dee Koala: Known for her distinctive voice and lyrical flow in isiXhosa and English, Koala burst onto the scene with her breakout track 'Whuzet' and has since solidified herself as a rising force. Her debut album '4 The Khaltsha" paid homage to her Khayelitsha roots and showcased her raw talent, authenticity and style. Money Badoo: Badoo is part rapper, part fashion icon and 100% energy. With her futuristic visuals, versatile flows and fearless self-expression, she's been carving her own lane in the genre. Tracks like 'All My Friends" and '47K$' have earned her both critical attention and a growing fan base. Indigo Stella: Having worked with the likes of Nasty C and Priddy Ugly, Stella brings a mix of melodic rap, confidence and introspective bars. She's known for being self-produced and genre-bending. Tracks like 'Boss Up' and 'Pay It Up" showcase her lyrical range and independence.
IOL News
3 days ago
- Entertainment
- IOL News
Rouge, Nadia Nakai and Moozlie drop ‘Juicy' -serving bars, boss moves and serious swagger
For the first time, these three rap titans come together on a song that embodies their collective strength. Image: Supplied South African hip hop just got a serious dose of bold energy, power and unapologetic flair with 'Juicy' - the latest high-octane single from rapper Rouge, featuring fellow heavyweights Nadia Nakai and Moozlie. Produced by the ever-reliable Wichi 1080, 'Juicy' is a bass-thumping celebration of womanhood, lyrical excellence and unity in a genre that has often sidelined women. For the first time, these three rap titans come together on a song that embodies their collective strength. Each voice is distinct, each verse electric. Rouge delivers her signature sharpness, Nakai brings charisma and attitude, and Moozlie comes through with fearless confidence. The result? A song that commands attention and demands replay. 'Independent Media Lifestyle' caught up with the musicians to discuss the making of 'Juicy', sisterhood in hip hop and why this track might mark a new chapter for female-led rap in SA. Rouge didn't set out to make a feminist anthem. The song came from a spontaneous studio session without a set agenda. 'Honestly, there wasn't anything in particular I went in trying to create,' she explained. 'I just wanted to have fun. It was such a natural process, and 'Juicy' came out of that energy. Afterwards, my team and I realised the track needed powerful female voices. Who better than Moozlie and the powerhouse that is Nadia Nakai?' That instinct to collaborate wasn't just about names. For Rouge, it was about sound and presence. 'Both of them have earned their stripes. You know when Nadia's on a track. You know when Moozlie's on a track. They each bring their flair. Plus, let's be honest - they are two of the biggest brands in the game.' For the first time, these three rap titans come together on a song that embodies their collective strength. Image: Supplied Rouge credits producer Wichi 1080 for helping shape the high-octane sound. 'He just gets me,' she said. 'Wichi, knows my ear. It didn't take long for him to cook up something I fell in love with. He's also very hands-on - he does not just make the beat and walk away. He makes sure I sound my best.' Rouge made it clear that the industry is not giving women in hip hop respect - they are taking it. 'The women are doing it unapologetically, and I'm loving it,' she said. Her writing process remains intense and personal. 'I usually find a quiet place, beat on my chest, mumble words until they form bars,' she said with a laugh. It's critical and a little obsessive, but that's my way. I want every verse to be well-crafted. It's a gift and a curse, but I would not change it.' 'Juicy' also marks a personal comeback. 'I'm back in the game. And I'm so glad to have done it with women who have worked incredibly hard for their respect. What a way to return.' As for the video shoot? She said: 'Let's just say it was sexy, fun and unapologetic - just like the song. And yes, you will see more of us three in the future.' When Rouge first sent 'Juicy' Nakai's way, she was instantly sold. 'The song is fire!' she said. 'I knew I had to jump on it the moment I heard it.' Known for her witty one-liners and Instagram-worthy bars, Nakai approached her verse with lighthearted intent. 'I wanted it to feel fun, full of caption-type lines. But confidence is key. If you are not confident in your own craft, no one else will believe in you.' Despite her success, she still faces moments of being underestimated as a woman in hip hop. 'Even now, it can feel like a boys' party. That's why it is so satisfying to keep breaking barriers. 'Juicy' is a part of that - it is us stepping into our power, loudly.' As for working with Rouge and Moozlie? Nakai said, 'It was exciting. Three strong women, all bringing their A-game. You could feel the energy in the room.' For the first time, these three rap titans come together on a song that embodies their collective strength. Image: Supplied For Moozlie, 'Juicy' is a declaration of belonging. 'As a woman in this game, especially in hip hop, you constantly have to remind people that you belong, not just as a feature, but as a force,' she said. Her verse reflects that exact energy. 'I wanted it to be bossy, playful and empowered. Rouge had such a strong concept, and I knew I had to leave my stamp on it. It's always about how to bring the Moozlie flair while elevating the track.' Though each artist came into the studio with her vibe, the chemistry was seamless. 'We all brought our own sauce,' Moozlie explained. 'But the synergy was there. Rouge even helped restructure my verse - suggested swapping around the 8 bars, which changed the flow. She understands songwriting in such a dope way.' More than just a collaboration, 'Juicy' is a cultural reset for female-led rap in SA. 'I want young women to feel empowered when they hear this. It's for the girls who know they are the main character, who own their beauty and boldness. That fire? It is in all of us.' And when asked if 'Juicy' might spark more female unity in the game? 'Absolutely,' Moozlie affirmed. 'This is just one example of what happens when we come together instead of competing. There is more than enough space for all of us to win. The energy now is collaboration over competition, and I am here for all of it. With 'Juicy', Rouge, Nakai and Moozlie have not just made a banger - they have made a statement. This track does not just amplify their voices; it lays the foundation for a new era of South African hip hop - one where women are no longer knocking at the door. They are kicking it wide open! One to watch: Lutho Pasiya's spotlight on promising young South African female hip hop artists. Dee Koala: Known for her distinctive voice and lyrical flow in isiXhosa and English, Koala burst onto the scene with her breakout track 'Whuzet' and has since solidified herself as a rising force. Her debut album '4 The Khaltsha" paid homage to her Khayelitsha roots and showcased her raw talent, authenticity and style. Money Badoo: Badoo is part rapper, part fashion icon and 100% energy. With her futuristic visuals, versatile flows and fearless self-expression, she's been carving her own lane in the genre. Tracks like 'All My Friends" and '47K$' have earned her both critical attention and a growing fan base. Indigo Stella: Having worked with the likes of Nasty C and Priddy Ugly, Stella brings a mix of melodic rap, confidence and introspective bars. She's known for being self-produced and genre-bending. Tracks like 'Boss Up' and 'Pay It Up" showcase her lyrical range and independence.
IOL News
30-06-2025
- Entertainment
- IOL News
Rising star Matt Gardiner strikes a chord with his new EP on love and loss
South African singer-songwriter Matt Gardiner captivates audiences with his engaging performances and relatable music. Image: Supplied Pop music, the infectious genre that has the world singing and dancing, is a phenomenon that transcends generational boundaries. With its catchy rhythms and repetitive lyrics, pop effortlessly draws listeners in and often reflects the universal emotions we all share. The journey of pop music is as captivating as the sound itself. Emerging prominently in the mid-20th century, it has undergone numerous transformations while retaining core elements that resonate with fans. The rebellious spirit of the 1960s paved the way for the funky grooves of the 1970s, illustrating music's profound ability to mirror societal changes and the atmosphere of the times. Icons like Michael Jackson and Taylor Swift not only shaped the genre but also demonstrated its capacity for evolution, ensuring that pop remains fresh and relevant. Fast forward to the present, and a new wave of talent is making its mark in the pop landscape. South African singer-songwriter Matt Gardiner is among those leading the charge, captivating audiences with his engaging performances and relatable music. First gaining fame on the popular television competition 'Idols SA' in 2016, Gardiner has quickly become a household name in the South African music scene. With a repertoire that includes hit singles such as 'Believer', 'Hometown Drama' and 'Satellites', Gardiner is not just another pop star; he's a rising force destined for greatness. South African singer-songwriter Matt Gardiner captivates audiences with his engaging performances and relatable music. Image: Supplied New music Following the co-writing of the Pretoria Capitals' theme song titled 'Pretoria Let's Roar' alongside Rouge earlier this year, Gardiner is enchanting listeners once more with a brand new EP titled "Last Call for Departure" that captures a profound journey from heartbreak to healing. The release is a reflective exploration of love, loss and self-discovery, featuring powerful tracks including 'Broken', 'Houdini', 'All My Life' and 'My Oh My'. 'This EP is for anyone on the edge of something new,' Gardiner remarked, adding, 'It's about taking that leap.' The song 'Broken', which Gardiner co-wrote with his wife, Erin, gave birth to the whole EP. 'We wanted to get personal on this one. That's truly what sparked the whole creation of this project, just being completely honest about life and what it's like to be human,' he said. Musically and thematically, this project marks a distinct evolution in Gardiner's work. 'All the songs just connected,' he shared. The track "My Oh My', originally penned during a songwriting session in Johannesburg, serves as a fitting closure, embodying the essence of happily-ever-after. When discussing his songwriting process, Gardiner is enthusiastic about the diversity in the origins of each track. 'Each song tells a story, and that means that each one has its own story and journey as well.' He collaborated closely with Erin for three of the songs, while the remaining track was an intimate gift for her. The EP was recorded in their bedroom as well as at David Gresham Records, where they were aided by the legendary Ziggy and sound engineers at Jazzworx. Amidst the many elements sprinkled throughout the EP, one standout moment is a lively Irish-style fiddle solo - a nod to Erin's heritage, which Gardiner proudly praises as 'just so sick.' As he reflected on the themes woven into his music, Gardiner hoped that listeners would embrace the message of hope. 'Even in their darkest moments, there's always a little bit of magic around the corner.' Performance Gardiner's performances are described as captivating and full of energy, largely due to his unique approach as a one-man band. He combines strong vocals with his guitar, utilising a looping pedal and kick drum to create a vibrant sound that has become his signature. His ability to lift morale and engage diverse audiences sets him apart in the competitive music landscape. The artist possesses an impressive repertoire, having shared the stage with renowned South African acts, including Matthew Mole, Majozi, and Desmond and the Tutus, to name just a few. Gardiner's experience on 'Idols SA' placed him in the Top 37, an accomplishment that notably enhanced his skills as a musician and performer, further complemented by a series of standout live performances at esteemed events. With a rich history of performances at various restaurants, bars and pubs throughout KwaZulu-Natal and Gauteng, his versatility allows him to tailor his shows, whether delivering a high-energy 45-minute set or an extended 3 to 4-hour gig. His ability to adapt ensures audiences are engaged and leave with lasting memories. South African singer-songwriter Matt Gardiner captivates audiences with his engaging performances and relatable music. Image: Supplied
Calgary Herald
17-06-2025
- Business
- Calgary Herald
Here's how Canadian airlines rank among the world's best for 2025
Article content Four Canadian airlines have earned spots among the top 100 in the world — and while only one edged its way into the top 20, some of the nation's air carriers earned definite bragging rights in other categories. Article content The Skytrax 2025 World Airline Awards, released Tuesday, are based on the customer satisfaction surveys of about 22 million global travellers, with more than 100 customer nationalities represented and over 325 airlines included in the results. Article content Article content Article content Topping Canada's contingent in the top 100 list was Air Canada, which took 19th overall, a significant improvement over the air carrier's performance in the 2024 awards, when it took the 29th spot. Article content Article content In another significant milestone, Air Canada was named the best airline in North America at this year's awards ceremony, which was held at the recent Paris Air Show. The airline was also recognized for having the best cabin crew in Canada and North America and took home additional honours for the best low-cost airline for its Rouge subsidiary, and most family friendly airline in North America. Article content Article content Air Canada's Signature Suite at Toronto Pearson International Airport was named the best business class lounge in North America and the world's best business class lounge for dining for the second straight year. Article content Another Canadian air carrier, Porter Airlines was named 44th overall in this year's top 100 rankings, a significant climb over its 2024 finish at number 57. In addition, Porter was, for the second consecutive year, named the best regional airline in North America.
India Today
16-06-2025
- Entertainment
- India Today
Mannara Chopra's father dies at 72, actor shares post
Popular actor and former Bigg Boss contestant Mannara Chopra's father, Raman Rai Handa, died on June 16, following a period of ill health. She shared the news late on Monday post shared on Instagram read, "With profound grief and sorrow, we inform the sad demise of our loving father who left us for his heavenly abode on 16/06/2025. He was the pillar of strength for our family (sic)."advertisementHere's the post: Her father's funeral will be held on June 18 at the Crematorium Ground in Amboli, Andheri West, Rai Handa was a respected lawyer practising at the Delhi High Court's Tis Hazari Court. Married to jewellery designer Kamini Chopra Handa, he was a proud father to two daughters: Mannara and her younger sister Mitali, an entrepreneur and fashion in New Delhi on September26, his legal acumen and warm presence made him the cornerstone of his family, often described as their 'pillar of strength'.He is survived by his wife and for actor Mannara Chopra, she made her acting debut with the Hindi film 'Zid'. She was later seen in several other movies, including 'Rouge', 'Prema Geema Jantha Nai', 'Jakkanna', 'Thikka'.Mannara Chopra also participated in Salman Khan's 'Bigg Boss 18'. She emerged as the second runner-up. Chopra was last seen in 'Laughter Chefs – Unlimited Entertainment Season 2'.
