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Daily Mail
10-08-2025
- Entertainment
- Daily Mail
Locals living in one of Britain's most famous tourist towns with two million visitors a year say its high street is in 'decline' as shops lay vacant for 15 years
More than two million visitors make a pilgrimage to Stratford-upon Avon every year as they pay homage to the birth place of the most celebrated playwright in history. The medieval market town is beautifully adorned with quaint gift shops and cobblestoned streets, and surrounded by the smell of freshly made fudge. Every summer, crowds of literature fans from across the world queue up outside William Shakespeare's Birthplace museum and the Royal Shakespeare Theatre is packed out as actors take to the stage. From looking at the busloads of international tourists queuing patiently to enjoy Stratford's 800-year history, this bustling town is the last place you would imagine to be in 'decline'. But there is a side of the town locals are less proud of. A host of high street names have shut down, while Turkish barbers and vape shops have popped up, rough sleepers have set up bases on vacant shopfronts, and gangs of yobs roam around wearing balaclavas. One woman, speaking anonymously to the Daily Mail, even opened up about how she was recently sexually assaulted by a man wearing a balaclava in the town centre, and now fears walking alone at night. Meanwhile, cafe workers worry business has fallen, as locals say hardly any shops are lasting. A large Debenhams has sat empty on the high street since 2020, while a derelict BHS has been closed and decaying for more than 15 years. Since the beginning of last year alone, Jack Wills, Fraser Hart, The Body Shop and independent shops such as Wilfred's Sweet Shop have permanently closed. Cafe Rouge, Bella Italia and Edward Moon are just a number of the restaurants that have also shut doors. Last month, the shutters were pulled down at the town's Poundland store. Just a week ago, the town's Pizza Express closed its doors. Mustafa Dogan, owner of the Fresh Baguette Bar, told the Daily Mail: 'The price of everything has gone up now, it's become a luxury for people to eat out. It's not like before, you can't go and get something to eat without worrying. 'The High Street, in my eyes, is struggling. Technology is not helping, it is damaging for us. 'You go to the shops and you buy mayonnaise, it's £1, you go online, it's 80p. What would you do? You buy online. 'That's the main hiccup. 'The rents are so high, and people are buying online. '100 per cent, businesses on the high street are struggling. It's in decline. 'Covid and technology are definitely playing a big part. It's a package of everything.' Explaining that area now feels unsafe, he said: 'It's a bad look to have homeless people outside shops on the main high street. 'It's not just that, it's become fashion for the youngsters to wear balaclavas. 'I don't know why they are doing it. They are wearing them and riding the electric scooters. 'I'm afraid respect is out of the window now. 'My brother-in-law has got two teenage daughters, and they don't go out. It's not safe. 'We are lucky to live here, compared to say Coventry or even Leamington. But even here is not safe. 'You have groups of teenagers taking stuff from shops and just walking away. People don't react because there is nothing they can do. 'I don't think it puts tourists off, this town is a town you visit for one or two days. So they come, see the town, and go. 'But for locals it's a different story.' Urging for more to be done to crack down on antisocial behaviour, he said: 'There is no respect anymore. They don't respect the police or anyone. 'We need to get more police on the street and give the police more powers. 'The High Street needs more policing. 'But it's not just here, it's the whole country, the system is not right. 'We have a friend who grew up here. When she was a teenager everyone used to know each other. Now she says you don't know your neighbours, and you don't feel safe at all. She doesn't walk through town alone at night. 'It's a very touristic place and they put a lot of money to put nice flowers etc. to make it look good. But yet you've got all these problems. 'For the people that live here it's like what about safety?' The cafe also blasted landlords for not allowing empty buildings to be used as community centres while they lay vacant. They said several community members had offered to use some premises to bring in tennis tables and the like to bring young people together until another occupier is found, but these proposals were rejected. Meanwhile, a local passing through the High Street told the Daily Mail about a recent harrowing experience in November last year. She said: 'In November, I was walking by the canal and I was sexually assaulted by a man with a balaclava. 'I reported it to the police but they never did anything. They said they could not identify him because he had a balaclava. 'Now I never walk down there. It is not safe at all. 'And even on my way to work during the day I make sure to walk a route where there are CCTV cameras around. 'It's a shame really. 'The police do have some patrol points around the centre and they say "feel free to come and talk". 'I do have questions but what is the point. What are they going to say. I reported it and they did nothing.' When the Daily Mail visited the town on Tuesday, private neighbourhood police called 'My Local Bobby' were patrolling the area, and told of how they looking to crack down on any shoplifting and antisocial behaviour. They are said to be hired jointly by businesses across the centre. Later in the afternoon, they were seen having a word with a group who seemed to be causing trouble. Just down from the High Street, along the quaint Henley Street where Shakespeare's Birthplace Museum stands in its magnificent architecture, tourists are lined up waiting to get in. And while the thoroughfare has kept its old town character intact, right opposite the museum sits an empty restaurant. A few yards down to the left is an empty jewelers. And around the corner is a souvenir shop which advertises vapes. Greenhill Street, 300 yards away, sits in a derelict state, with boarded up shops and restaurants, and the only remaining shops two mini marts and a Turkish barbers. A Paperways store has been left decaying and unoccupied on the road for at least ten years. And at the other end of Henley Street, by the main junction that connects to the High Street, is Bridge Street. From afar, it is picture perfect with its floral arrangements hanging from shopfronts and planters along the road. But at a closer look, it is a street in disrepair. The old BHS remains empty, as does a Halifax, in front of which rough sleepers have stationed themselves. The Poundland sits closed and a man sits begging tourists outside the Sainsbury's next door. The town centre is adorned with historic buildings and beautiful floral arrangements but also has rows of empty stores One local, speaking outside the closed Paperways store said: 'I was born here. 'And I've seen it change a lot and not for the better, let's put it that way. 'This street, it's terrible. And then if you go down the high street, there's lots of empty shops just sitting there. 'There's only one bright part to this town left and it's the big jewelers. 'I don't know why it's gotten like this. 'There was the old Debenhams then it was going to be changed to a hotel but it's just been empty for some time. There were going to build flats but it's sitting there. 'It's an eyesore. 'The BHS was beautiful, but it's been empty for years too. 'This is not the Stratford I grew up in. 'Paperways here has been empty for years and years. 'If you go from here to Birmingham you go past a place called Digbeth. Up here on this road, it's a bit like Digbeth. 'Let's just say I wouldn't walk down here at night in the dark. 'I think police see a lot of sleeping in doorways, a lot of antisocial behaviour in the town. 'Stratford not like it used to be.' Barry the Butcher, on the High Street, is a family-run business that has been running for over 35 years and is one of the longest lasting stores on the street. Jake Field, 23, who has worked at the butchers since a teenager said: 'The High Street has definitely changed. Massively. 'For locals it's a lot quieter now, there's not many shops for them. 'It's only really tourist shops. 'I think this is probably the the longest running shop. 'All the ones that open up don't really last. New ones keep opening up and closing. 'The change has more or less been since Covid happened. People are coming out less, it's easier to just order online. 'We do high quality meats. You've got to do high end quality products to keep going in this climate otherwise people will just go to the supermarkets. 'I've been working here for 10 years now and the main difference I've seen is that because a lot of the locals were older, you see less faces that you know now. 'And then you've got more of the homelessness, the antisocial behaviour. 'There's definitely more of them now, outside empty premises. They used to hang around the Debenhams, there used to be quite a few around there, but I think they're blocked it off now. 'That's not what people expect or what they know Stratford for. 'You don't expect it to be that way. 'It's meant to be an affluent area but it's turning that sort of way.' Stratford-upon-Avon Town Council and Warwickshire County Council recognised the issues themselves and put forward a bid for Government funds to address it in June 2021. But at the beginning of 2023, the Government announced the bid was unsuccessful. Some locals the Daily Mail spoke to on Tuesday felt the local council should take more of a role in stopping oversaturation of the same types of stores and restaurants. They also pointed to the fact that an increasing amount of tourists and students visit the town as part of a tour and do not spend much money in the town itself. Roy and Sue McMaster, both 65, who live near Stratford said: 'We've lived here since late 70s so we've seen it change. We were here when the BHS was open and so on. 'It's become very much a tourist town now, it always was and continues to be. 'Every town has changed because of buying online etc, but the thing here is that it's all become coffee places and tea shops to attract tourists. 'They've opened up a Gail's too. 'Yesterday there were dozens of young students getting tour guides from different countries, many from Asian countries, but don't actually spend money here. 'They come here by coach, do all the tourist things, visit the museum and theatre, but don't spend. 'There's a lot of empty shops now. There's so many of the same things, it dilutes their profit and they can't survive. 'And there's the Turkish barbers. They say they're fronts for something else, but you don't know. In our small town nearby there's six or seven, but they're never busy.' They continued: 'I guess the one benefit here is that its Shakespeare's birthplace and you've got the theatre. 'If we were any other town we would be really struggling. 'A lot of people hold the town council responsible for planning permissions being given out to every store that wants to open. 'They just need to think carefully and ask, "do we need a sixth pizza place and another hotel?" 'This hotel has been shut for a long time. Debenhams they were going to build a hotel there but you don't need a hotel there. It fell through anyway.' Some businesses though have remained standing and say the town is still faring far better than other regions. Richard Bunn-Major, 56, manager at Music Matters, has been running his store for 27 years. While he acknowledged some shops have been left vacant for years, he thinks they are being replaced by high-end brands. He said: 'The Mercure has sat empty but was bought about two to three years ago and now work has begun. 'It's the chains that are closing down, Cafe Rouge, Pizza Express. Perhaps they are too big and realise they need to scale back. 'We've got two pizza places privately owned, so I guess it's tough competition. 'Gail's has opened recently where Jack Wills was. It seems like there are more high-end brands moving in. 'Jewellery brand Pragnells have bought up empty properties around the town to minimise the demise of the town so they can sell it to higher end brands.' Asked about the BHS that has stood empty for years, he said: 'There's been a lot of interest in it for years but never came to anything. 'The place is rotting it's falling to pieces it's an eyesore. 'I guess the business people are from out of town, probably London, and don't care.' However, he says their store has remained popular for 27 years and feels the area is 'so safe' that they don't have to worry about leaving their store door open. He said: 'Yes, you've got the general drug and drink people. 'But these kind of places of always attract that because of the tourism. 'You're always going to have that. 'I don't worry about them causing any issues though, occasionally you spot them trying to nick something but you can spot them a mile off. 'But we keep the door open. In about 20 years, we've not worried about anything. 'Generally speaking, I've lived here a long time and would say its one of the nicest places to live. 'The only problem is that the local council don't see what potential is outside of the obvious. It's not all about Shakespeare. The river is beautiful. The market is not a local market, and most of us would agree it's terrible, and local stores are having to close for it.' Gill Darby, who lives nearby and has visited the town for decades said: 'It's nice compared with most other high streets, but I've seen it change over the years. 'Quite a few shops have gone. 'Most of the big stores and food places are put away from town in retail parks so now people just drive to them. 'BHS has just sat there for 16 years. I wish they could open, but they can't can they? 'It's all food now isn't it? It's all restaurants.' Matt Castle, 50, moved to Stratford in 2009 and works at the theatre. He said: 'A lot of shops have closed down, I think a lot more eating places have opened up similar to other places. 'There's not really a great variety of stores. And because rent is so expensive, the turnover of shops is very noticeable. 'I've suffered crime here myself. I had a bike stolen, it was locked up outside the theatre and somebody came with chain clippers and just took it. 'It happened about three years ago near Christmas time. 'So there is a bit of that. But I do feel it's safe here and I'm thinking of my kids who are becoming older teenagers and they can go out on their own and I feel fine. 'I have heard Stratford being referred to as a Shakespeare theme park.' For visitors however, they had a different experience of the town. Robert Beatty, 61, from Chester, said he visited Stratford-upon-Avon last month and loved it so much he has returned with his wife just four weeks later. He said: 'It's very nice, the only issue is the parking. 'We're lucky we're on the hotel down there so we can walk up. 'I came here about four weeks ago, and liked it so much we came straight back again. 'The high street itself is very very nice. We were in Wrexham last week, it was so run down, so looking at this it's completely different. 'Elsewhere you've got lots of retail parks coming up everywhere and shops just boarded up. 'This is completely different to where we live about five miles out of Chester. 'It's obviously more for visitors, but it's 100 per cent better than other high streets 'It's definitely good for the tourists. For the tourists it's absolutely lovely.' A Stratford-on-Avon District Council spokesperson, said: 'Stratford-on-Avon District Council remains committed to supporting the vitality of Stratford town centre amid broader retail market challenges. 'While factors such as national business rates and property ownership lie beyond the District Council's control, proactive steps are being taken through initiatives like the vacant high streets programme and support for diversified town centre uses. 'The District Council has worked with the applicants at both Debenhams and BHS to bring forward alternative uses for these large format stores and we continue to work with the owners to find new and suitable viable uses. Although some units remain empty, many are expected to be reoccupied as part of normal market cycles.' The council also addressed concerns about crime and antisocial behaviour, adding: 'A partnership approach is key to the town's success. The District Council collaborates with stakeholders, including the BID, which plays a vital role in promoting the town and supporting businesses - most recently through the introduction of "My Local Bobby". 'Community safety is a priority. The Council's 24/7 CCTV control room works in real-time with Warwickshire Police and local businesses to tackle crime and anti-social behaviour. In May, a Public Space Protection Order was introduced to address alcohol-related ASB, empowering police to intervene where necessary. 'In line with national trends, the District has seen an increase in rough sleeping. Stratford-on-Avon benefits from robust partnership working in relation to preventing and tackling rough sleeping. 'The District Council also works with partners to address rough sleeping, offering support and taking enforcement action where individuals cause harm or nuisance. It's important to note that not all individuals seen begging in the town centre are rough sleepers and do have their own accommodation.' Stratford-upon-Avon BID said: 'New businesses are opening up and vacancy rates are lower than the national average. Crime figures are lower than average. 'The town is home to many independent businesses and holds a number of vibrant events which has recently included the Motor Festival attracting 25K footfall and 150 Kate Bushes in the park last weekend. 'There's something for everyone in our town that has more to offer than some cities.'
The Hindu
07-07-2025
- Entertainment
- The Hindu
Former IPS officer V.S. Ravi launches book celebrating lifelong passion for Shakespeare
Retired IPS officer and columnist V.S. Ravi launched his book Confessions of a Shakespeare Addict at a gathering marked by intellectual warmth and camaraderie. The event, held in Hyderabad on Monday, July 7 and moderated by former IPS officer B. Krishna Rao, brought together an audience of former bureaucrats, scholars, and literature enthusiasts who share Ravi's reverence for the Bard. The book, a culmination of Mr. Ravi's lifelong engagement with William Shakespeare's works, was praised as both erudite and deeply personal. Former Andhra Pradesh Chief Secretary S. Chakravarthy offered a memorable tribute, stating, 'Ravi breathes, inhales and exhales Shakespeare. He has pierced through Shakespeare to get the real essence. He is not just a reader, he is an addict.' In his address, the author, Mr. Ravi recounted memories from visits to Stratford-upon-Avon, birthplace of William Shakespeare and recitations at the Royal Shakespeare Theatre. Mr. Ravi narrated incidents such as stunning a group of tourists with verses from Hamlet and quoting Shakespeare during a car ride with Nobel laureate C.F. Powell. 'I have recited Shakespeare in places where nobody ever did. Every word he wrote shines with incandescent luminosity,' he said. Chairperson of The Hindu Group, Nirmala Lakshman, who could not attend due to a family emergency, conveyed her admiration in a message read by Mr. Krishna Rao. Praising Ravi's contribution to English literary criticism through his long-running column in The Hindu Sunday Magazine, she called the new book a remarkable addition to the literary world. 'From talking about the astonishing vocabulary of the great poet who also coined nearly 2000 new words in the language to highlight the fact that we all use so many of Shakespeare's phrases in our daily lives, Mr. Ravi also showed us that Shakespeare displayed a remarkable and innate understanding of human nature and emotions in his plays and poems. The timelessness of Shakespeare's work is reflected in his acute and constant awareness of the human condition, as Ravi frequently pointed out to us. As students of Shakespeare, we ourselves all know how wonderfully Shakespeare dealt with subjects like love, loss, ambition, betrayal and evil. Through school days and college days, we have all grown up being impacted by Shakespeare in some way or the other. His greatness is something that stays indelibly with those of us who had the privilege to be exposed to his work,' her message said. Former Tamil Nadu Governor and retired IPS officer Ram Mohan Rao, praised Ravi's ability to enliven Shakespeare in everyday conversations. Though trained in mathematics and statistics, Rao said he deeply admired Ravi's literary acumen. Among the dignitaries was former Hyderabad Police Commissioner A.K. Khan.
Yahoo
08-04-2025
- Entertainment
- Yahoo
‘History cannot be changed': How Stratford feels about decolonising Shakespeare
Stroll down the ancient warren of cobbled streets in Stratford-upon-Avon, Warwickshire, and the pride in its most famous literary export is clear to the roads flanked with wonky Tudor façades, visitors flock to take photos of the bronze William Shakespeare statue outside the cottage where he was born in 1564. Smatterings of European and Asian languages can be heard among the crowds, while shops selling trinkets – fridge magnets and tote bags – depicting the Bard's inimitable face are bustling with his fans. The international hubbub is testament to the global reach of Britain's greatest playwright, so it is perhaps not surprising to find disquiet and puzzlement over plans to 'decolonise' Shakespeare's rich legacy in order to make him more 'inclusive'. The Shakespeare Birthplace Trust, the charity which maintains and preserves Shakespeare's work and image, has embarked on a project to explore the 'impact of Empire' on its vast collection of items relating to the writer. People accessing its collections, it has said, may encounter 'language or depictions that are racist, sexist, homophobic, or otherwise harmful' and it is seeking to re-examine these objects to see what they can 'teach us about the impact of colonialism on our perception of the history of the world, and the role Shakespeare's work has played as part of this'. But the money – some £70,000 – being spent on the project has not gone down well among many of the Bard's fans in his hometown. On a sunny Thursday morning, The Telegraph finds local musician James Thomas busking his eclectic mix of folk and country songs just a few feet from Shakespeare's Henley Street birthplace.'The idea of decolonising Shakespeare is absolutely bonkers,' he says. 'Clearly, some bits of Shakespeare may be problematic; I'm sure some characters in his plays were stereotypical, like Shylock the money lender. But this was a reflection of the time and it will be the same with items in this collection; they will be a reflection of the time and most people understand that.' Thomas believes Britain has 'collective guilt' over the Empire, which is making us apologise unnecessarily for the past. 'We are only one step away from the guilt of the Germans,' he says. 'But we need to stop being apologetic for things that happened hundreds of years ago. Are we meant to take Nelson off the column so we don't offend the French? Shakespeare and his legacy need to be left alone or where do we stop?' Similar concerns can be found five minutes' walk away outside the Royal Shakespeare Theatre on the banks of the Avon, which is awash with boat trips and noisy swans and geese clamouring to be fed. Unlike many Midlands towns, Stratford-upon-Avon has a majority (93 per cent) white population, but the waterfront boasts people from all over the world. Evoking a holiday vibe, they can be spotted perusing the theatre's gift shop, buying tickets to local plays and drinking coffee in the warm spring sunshine. 'We are in danger of forgetting what history is,' says Mike Choules, a retired finance director, who The Telegraph finds sitting on a bench enjoying a quiet moment during a day trip to Stratford-upon-Avon. 'When you're travelling overseas, after London, Shakespeare is our greatest output. He is part of Britain's legacy.'And yes, times were different then. In many ways it was an awful time: people were poorer, and housing, health and education were worse. Britain was exploitative too.'It doesn't make it right, but that's where we were. I don't think anyone nowadays should be offended by that. And I don't think Shakespeare set out to offend anyone. Why don't we look to the future?' Looking to the future with a firm understanding of the past is also the view of Kirsten Schmidt, a tourist from Hesse, in west-central Germany, who is on a coach tour of Stratford-upon-Avon and parts of Wales. She has time for only a brief chat before her bus leaves, but she tells The Telegraph that decolonising is also taking place in many of her country's museums. 'It is the same in Germany,' she says. 'But the past is relevant to today; we have many of the same problems. We can learn from it.' Walk around the town, and you soon realise that the Shakespeare Birthplace Trust, set up in 1847, is integral to life here. Its friendly volunteers are on pavements offering insights into the town and its history. The charity runs five of Shakespeare's family homes and gardens, including his birthplace, his wife Anne Hathaway's cottage, plus New Place, the family home in which he died in 1616. It also looks after more than a million objects connected to the playwright's life and work, including documentary evidence from his baptism, copies of the First Folio of his complete works, plus literary criticism and gifts from around the world. Clearly the trust's global outreach is working well; it attracts more than a million visitors annually. But its focus on the legacy of empire came in 2022 after a collaborative research project between the trust and Dr Helen Hopkins, an academic at Birmingham City University. The resulting report – which came after several years of Black Lives Matter protests – questioned whether Shakespeare's presentation as a universal genius benefited the 'ideology of white European supremacy'. It stated that while the report was not a critique of Shakespeare's enduring greatness, it sought to address how some of the discourses around him – including his universality – reiterated 'imperial logic'. It asked that if Shakespeare were seen as a symbol for 'British cultural superiority' with a 'West-centric' world-view, might this 'continue to do harm in the world today'? It also posited that Shakespeare should be presented not as the 'greatest', but as 'part of a community of equal and different writers and artists from around the world'. And it stated that his global collection was 'unavoidably Anglo-centric' – centring Britain as the point of understanding and all other nations as 'others'. After this report, in 2023 the trust secured £70,200 funding from the Esmée Fairbairn Foundation, an organisation committed to 'social justice, tackling injustice and inequality'. The money was for an 18-month project to explore Shakespeare's international legacy, to tie in with the 400th anniversary of the publication of the First Folio of complete works in 1623, seven years after his death. The project's aim was to hear from multiple perspectives on its international collections and appeal to a more diverse audience while also addressing 'offensive or harmful descriptions' in its catalogue. It has also organised 'inclusive' events, one celebrating Rabindranath Tagore, a Bengali poet who was deeply inspired by Shakespeare and wrote a poem in his honour, and a Romeo and Juliet-inspired Bollywood dance workshop. In a statement to The Telegraph, the Shakespeare Birthplace Trust says the project 'explores our history of acquisition and how interpretations of our objects and documents have evolved and continue to evolve'.It adds: 'This is something all museums must focus on. By better understanding our collections' histories, we can tell the stories of our past in relation to our present.'The trust's CEO, Rachael North, has also defended the trust's 'absolutely radical' approach to inclusivity. Speaking to Arts Professional magazine, she said the project was 'not focusing on Shakespeare as a man, as a writer' but was 'looking at the history and the impact of our museum collection'.She added: 'I think we should be radically making sure that our collections are accessible and inclusive to everybody and responding to contemporary debate.'And she denied the trust was decolonising Shakespeare, saying: 'There's a feeling that we are somehow toppling William Shakespeare. We are the organisation that celebrates William Shakespeare. We are the home of William Shakespeare. We think he's great.' 'Shakespeare is loved in Pakistan and India, where I am originally from,' he tells The Telegraph, while standing in the shadow of Shakespeare's statue. 'The Bollywood versions of Othello and Romeo and Juliet have been huge blockbusters, and I think his reach could actually be even greater.'He adds that while seeing plays in the UK could be a very white environment, he doesn't feel excluded from Shakespeare. 'I think many people from my background don't go to the theatre but access his work through film. I don't really think people of my heritage feel excluded from this.' He adds that there is no need to apologise for Shakespeare's work or focus on decolonising his collection or making it more inclusive. 'Shakespeare's legacy needs to be left alone,' he says. 'History cannot be changed, we learn and move on. Shakespeare did nobody any harm and he and his time needs to be accepted for what it is.' Dr Hopkins has been approached for comment. Broaden your horizons with award-winning British journalism. Try The Telegraph free for 1 month with unlimited access to our award-winning website, exclusive app, money-saving offers and more.
Telegraph
08-04-2025
- Entertainment
- Telegraph
‘History cannot be changed': How Stratford feels about decolonising Shakespeare
Stroll down the ancient warren of cobbled streets in Stratford-upon-Avon, Warwickshire, and the pride in its most famous literary export is clear to see. Along the roads flanked with wonky Tudor façades, visitors flock to take photos of the bronze William Shakespeare statue outside the cottage where he was born in 1564. Smatterings of European and Asian languages can be heard among the crowds, while shops selling trinkets – fridge magnets and tote bags – depicting the Bard's inimitable face are bustling with his fans. The international hubbub is testament to the global reach of Britain's greatest playwright, so it is perhaps not surprising to find disquiet and puzzlement over plans to 'decolonise' Shakespeare's rich legacy in order to make him more 'inclusive'. The Shakespeare Birthplace Trust, the charity which maintains and preserves Shakespeare's work and image, has embarked on a project to explore the 'impact of Empire' on its vast collection of items relating to the writer. People accessing its collections, it has said, may encounter 'language or depictions that are racist, sexist, homophobic, or otherwise harmful' and it is seeking to re-examine these objects to see what they can 'teach us about the impact of colonialism on our perception of the history of the world, and the role Shakespeare's work has played as part of this'. But the money – some £70,000 – being spent on the project has not gone down well among many of the Bard's fans in his hometown. On a sunny Thursday morning, The Telegraph finds local musician James Thomas busking his eclectic mix of folk and country songs just a few feet from Shakespeare's Henley Street birthplace. 'The idea of decolonising Shakespeare is absolutely bonkers,' he says. 'Clearly, some bits of Shakespeare may be problematic; I'm sure some characters in his plays were stereotypical, like Shylock the money lender. But this was a reflection of the time and it will be the same with items in this collection; they will be a reflection of the time and most people understand that.' Thomas believes Britain has 'collective guilt' over the Empire, which is making us apologise unnecessarily for the past. 'We are only one step away from the guilt of the Germans,' he says. 'But we need to stop being apologetic for things that happened hundreds of years ago. Are we meant to take Nelson off the column so we don't offend the French? Shakespeare and his legacy need to be left alone or where do we stop?' Similar concerns can be found five minutes' walk away outside the Royal Shakespeare Theatre on the banks of the Avon, which is awash with boat trips and noisy swans and geese clamouring to be fed. Unlike many Midlands towns, Stratford-upon-Avon has a majority (93 per cent) white population, but the waterfront boasts people from all over the world. Evoking a holiday vibe, they can be spotted perusing the theatre's gift shop, buying tickets to local plays and drinking coffee in the warm spring sunshine. 'We are in danger of forgetting what history is,' says Mike Choules, a retired finance director, who The Telegraph finds sitting on a bench enjoying a quiet moment during a day trip to Stratford-upon-Avon. 'When you're travelling overseas, after London, Shakespeare is our greatest output. He is part of Britain's legacy. 'And yes, times were different then. In many ways it was an awful time: people were poorer, and housing, health and education were worse. Britain was exploitative too. 'It doesn't make it right, but that's where we were. I don't think anyone nowadays should be offended by that. And I don't think Shakespeare set out to offend anyone. Why don't we look to the future?' Looking to the future with a firm understanding of the past is also the view of Kirsten Schmidt, a tourist from Hesse, in west-central Germany, who is on a coach tour of Stratford-upon-Avon and parts of Wales. She has time for only a brief chat before her bus leaves, but she tells The Telegraph that decolonising is also taking place in many of her country's museums. 'It is the same in Germany,' she says. 'But the past is relevant to today; we have many of the same problems. We can learn from it.' Walk around the town, and you soon realise that the Shakespeare Birthplace Trust, set up in 1847, is integral to life here. Its friendly volunteers are on pavements offering insights into the town and its history. The charity runs five of Shakespeare's family homes and gardens, including his birthplace, his wife Anne Hathaway's cottage, plus New Place, the family home in which he died in 1616. It also looks after more than a million objects connected to the playwright's life and work, including documentary evidence from his baptism, copies of the First Folio of his complete works, plus literary criticism and gifts from around the world. Clearly the trust's global outreach is working well; it attracts more than a million visitors annually. But its focus on the legacy of empire came in 2022 after a collaborative research project between the trust and Dr Helen Hopkins, an academic at Birmingham City University. The resulting report – which came after several years of Black Lives Matter protests – questioned whether Shakespeare's presentation as a universal genius benefited the 'ideology of white European supremacy'. It stated that while the report was not a critique of Shakespeare's enduring greatness, it sought to address how some of the discourses around him – including his universality – reiterated 'imperial logic'. It asked that if Shakespeare were seen as a symbol for ' British cultural superiority ' with a 'West-centric' world-view, might this 'continue to do harm in the world today'? It also posited that Shakespeare should be presented not as the 'greatest', but as 'part of a community of equal and different writers and artists from around the world'. And it stated that his global collection was 'unavoidably Anglo-centric' – centring Britain as the point of understanding and all other nations as 'others'. After this report, in 2023 the trust secured £70,200 funding from the Esmée Fairbairn Foundation, an organisation committed to 'social justice, tackling injustice and inequality'. The money was for an 18-month project to explore Shakespeare's international legacy, to tie in with the 400th anniversary of the publication of the First Folio of complete works in 1623, seven years after his death. The project's aim was to hear from multiple perspectives on its international collections and appeal to a more diverse audience while also addressing 'offensive or harmful descriptions' in its catalogue. It has also organised 'inclusive' events, one celebrating Rabindranath Tagore, a Bengali poet who was deeply inspired by Shakespeare and wrote a poem in his honour, and a Romeo and Juliet -inspired Bollywood dance workshop. In a statement to The Telegraph, the Shakespeare Birthplace Trust says the project 'explores our history of acquisition and how interpretations of our objects and documents have evolved and continue to evolve'. It adds: 'This is something all museums must focus on. By better understanding our collections' histories, we can tell the stories of our past in relation to our present.' The trust's CEO, Rachael North, has also defended the trust's 'absolutely radical' approach to inclusivity. Speaking to Arts Professional magazine, she said the project was 'not focusing on Shakespeare as a man, as a writer' but was 'looking at the history and the impact of our museum collection'. She added: 'I think we should be radically making sure that our collections are accessible and inclusive to everybody and responding to contemporary debate.' And she denied the trust was decolonising Shakespeare, saying: 'There's a feeling that we are somehow toppling William Shakespeare. We are the organisation that celebrates William Shakespeare. We are the home of William Shakespeare. We think he's great.' 'Shakespeare is loved in Pakistan and India, where I am originally from,' he tells The Telegraph, while standing in the shadow of Shakespeare's statue. 'The Bollywood versions of Othello and Romeo and Juliet have been huge blockbusters, and I think his reach could actually be even greater.' He adds that while seeing plays in the UK could be a very white environment, he doesn't feel excluded from Shakespeare. 'I think many people from my background don't go to the theatre but access his work through film. I don't really think people of my heritage feel excluded from this.' He adds that there is no need to apologise for Shakespeare's work or focus on decolonising his collection or making it more inclusive. 'Shakespeare's legacy needs to be left alone,' he says. 'History cannot be changed, we learn and move on. Shakespeare did nobody any harm and he and his time needs to be accepted for what it is.'
Yahoo
29-01-2025
- Entertainment
- Yahoo
Royal Shakespeare Company excited to stage Roald Dahl's ‘inspirational' BFG
Royal Shakespeare Company's co-artistic director has shared his excitement at staging Roald Dahl's 'really inspirational' children's novel The BFG as part of their upcoming programme. Daniel Evans is directing the production about the Big Friendly Giant who captures an orphan named Sophie and brings her back to his home in Giant Country. The new stage adaptation by playwright Tom Wells will delight families over the festive period, kicking off a 10-week run at the Royal Shakespeare Theatre in Stratford-upon-Avon from November 25 to January 31 before moving to the Chichester Festival Theatre next Spring. Reflecting on the challenges of retelling Dahl's beloved story, Evans told the PA news agency: 'First of all, you have to put giants on stage, and second, you have to put dreams on stage. 'They have to float through the air and go into jars and trumpets and be blown into people's ears, they're enough of a challenge.' He added: 'I'm just very, very excited because it's a really inspirational story about an orphan girl who teams up with a giant and a Queen to beat the baddies, and hopefully there'll be magic.' The story from the 1982 children's novel by British author Dahl follows the kind-hearted and big-eared BFG, who kidnaps young Sophie from an orphanage. While the BFG is a gentle soul, his home in Giant Country is full of much bigger giants including Fleshlumpeater and Meatdripper, who pick on the BFG and feast on humans. Sophie and the BFG team up on an unlikely adventure which takes them to Dream Country and Buckingham Palace, where they meet the Queen and try to enlist her help to save children everywhere. Evans and and his RSC co-artistic director Tamara Harvey said it was a 'dream come true' for them to collaborate with The Roald Dahl Story Company and Chichester Festival Theatre on the adaptation. The book has previously been adapted for the 2016 fantasy adventure film which was directed and co-produced by Oscar-winning filmmaker Steven Spielberg and starred Sir Mark Rylance as the BFG and Ruby Barnhill as Sophie. An earlier animated version from Cosgrove Hall productions in 1989 featured the voice of Sir David Jason as the BFG. Other popular Dahl books have also been adapted for the stage, with The Witches previously showing at the National Theatre, while a production of The Enormous Crocodile was staged at Leeds Playhouse. Roald Dahl Story Company artistic director Jenny Worton said The BFG 'opens a magical new chapter' for the company following the success of the previous shows. 'Our dream is to bring mischievous joy to audiences of all ages through our growing family of live shows,' she added. 'After years of delicious inventing with Tom Wells, Daniel Evans, and the wider creative team, we are excited to share our passion for this iconic story with the rest of the world. 'Alongside Chichester Festival Theatre, we've created something full of imagination and heart, just as you'd expect from the world of Roald Dahl.' Daniel Evans and Tamara Harvey share their summer 2025 season and big friendly festive show 🎉 We can't wait for you to join us — The RSC (@TheRSC) January 29, 2025 Royal Shakespeare Company's 2025/26 programme also features three adaptations of the classic tragedy Hamlet and a host of other Shakespearean productions. It was previously announced Radiohead frontman Thom Yorke is reworking the band's album Hail To The Thief for a new stage production of Hamlet. Also among the line-up is nationwide tours of Rupert Goold's adaption of Hamlet and First Encounters: King Lear. There will be a 80-minute staging of Shakespeare's The Two Gentlemen of Verona as well as Tim Crouch's I, Peaseblossom – his hit adaptation of Shakespeare's A Midsummer Night's Dream. The programme also includes interactive theatre workshops, free drop-in activities, family theatre trails, and the return of the RSC's acting-based Summer schools for ages eight to 14 and 18-25. Discussing their programme, Harvey told PA: 'One of our core responsibilities as a National Theatre is to ensure that as many people as possible can see our work, and that's from the very old to the very young.' Priority booking for the BFG production at the Royal Shakespeare Theatre opens from 10am on Friday January 31, with public booking opening at 10am on February 12. Tickets for the Chichester Festival Theatre will open in September.
