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09-05-2025
- Entertainment
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SAILORR Talks Debut Album From Florida's Finest , Cultural Appreciation, and Being a Reformed Crashout
All products featured on Teen Vogue are independently selected by Teen Vogue editors. However, when you buy something through our retail links, Condé Nast may earn an affiliate commission. Photography by Alexx Figs, courtesy image When SAILORR put out 'Pookie's Requiem' in November of 2024, she didn't know how far the song would reach. Within weeks, the song had achieved viral status on TikTok with the streams to match. By 2025, it had entered Billboard's Hot R&B Songs and Bubbling Under Hot 100 charts. Cosigns from A-listers were also trickling in, with Summer Walker hopping on the song's remix and Halle Bailey uploading her own acoustic cover. Born Kayla Le in Jacksonville, Florida, the 26-year-old began experimenting with music on SoundCloud under the moniker Sailor Goon, a reference to Naoko Takeuchi's seminal anime Sailor Moon and her playful personality. She later simplified it as an homage to Vietnamese sailors who fled to America after the Vietnam War; she also pays tribute to her Vietnamese roots, specifically her paternal grandmother, by donning black grills — a modern take on Southeast Asia's teeth blackening beauty custom, known as nhuộm răng in Vietnam and ohaguro in Japan, and influenced by both her upbringing in Florida and Black American culture. After making a splash with 'Pookie's Requiem,' SAILORR followed up the project with three singles — 'Cut Up,' 'Down Bad,' and 'Sincerity' — now all packaged into her full-length debut, From Florida's Finest, a 30-minute, 14-song meme-charged oeuvre that's SAILORR at her most vulnerable but also her most brazen. Going from lovelorn ballads to chaotic crash out anthems, the project stands as a diaristic tirade about the mess of heartbreak and ultimately coming to terms with the pieces, where SAILORR croons her way through bubblegum pop and alt-R&B with SZA's lyrical sensibilities and Doja Cat's once-poppy magnetism, while still being unabashedly herself. Ahead of the release of From Florida's Finest, Teen Vogue caught up with SAILORR from her new LA home, where she relocated in January after 'going back and forth' from Jacksonville for a few years, to talk about working on the album, moving on from heartbreak, soft girl summer essentials, and what she wants her legacy to be. (Spoiler alert: you're going to want to invest in a bikini and a good soap.) SAILORR: It's a cool experience playing a festival for your first performance, because it's a 50-50 chance of whether or not you get fans in the crowd. Obviously, people at Coachella are definitely not there to see me. They're not even expecting to see me because I had no real slot there. Someone really wise once told me that whether it's your first headlining tour, you're singing for a table of people, or you're panhandling, you should always sing the song as if nobody's ever heard it — and it could be the most well-known song. I tried to take that with me into Coachella because I knew nobody was going to f*cking know this sh*t — and if they do, fire, but I'm going to expect nobody to know it. That put me in my mindset of really just enjoying and having fun and having some present energy when it came to just feeding off the crowd. I was like, 'This is a once in a lifetime chance especially for a new artist like me, so I definitely have to come and bring the energy and to use this opportunity to see who's out there and see who actually f*cks with the music and surprisingly a lot of people knew all the words. SAILORR: I don't feel much pressure or constraints to create anything, thankfully, because I know that pressure does build over time for many artists. My music is definitely for me. I feel like maybe three-quarters into writing, I'll think about it and be like, 'Is this going to hit with people? Is it going to resonate with anybody?' But if it resonates with me, that's all that really matters. I don't get too heady. SAILORR: In general, I enjoy any show that feels really immersive, almost like a play. I don't want to put on a full-length play for people on tour, but I definitely do want to integrate certain aspects of storytelling and audio cues that carry you through a narrative with the entire show like a certain arc. Of course, I still want to put on a cool show and I love to dance as well, so I want to marry all the different mediums that I'm passionate about. This is a summer tape, so the energy will carry over really well with the crowd, and the thing that will bring it home is the writing. A lot of the lyrics are vulnerable, but in a way, it's more so just, 'Okay, I felt that.' I hope that people in the crowd yell back at me just like I'm yelling at them. SAILORR: No. It is very much an intuition thing. I'm always going to follow my gut and what feels right… Censoring how I feel or what I say just goes against my entire ethos — of course, with limitations to not harming other people and not harming yourself. I think that, in general, you should never put any boundaries on yourself because then that's stifling a lot of solid groundwork that you could be making on getting to know yourself. This project in itself was a huge learning opportunity for me as a certified people pleaser all my life. I was always told to just be as small as possible and not be true to what I actually want and say. It was a challenge for me to get over that and be like, 'This is my music. Nobody else is gonna write this sh*t for me.' I needed to bear how I really feel and think about what the f*ck I want to say and just say it. SAILORR: At the end of the day, there's a multitude of ways you can cause harm to people that you may not even be aware of, and that's the root of cultural appropriation. I think that when you make music and art, it needs to be genuine to your authentic self. That's all you really know, and that's all you can really stick to. The key is to try your best to just continue learning because there is always [so] much to f*cking know — so much history and so much future. I feel like I took a lot of time to just be a student of music in general and just the world and learn where my place [is] in it. Art makes the world go around, and you have to be aware of your place in it before you put it out there. SAILORR: Probably a couple of years after high school. 2020 was when I really wanted to delve into it. That's when I started learning how to sample and make beats in Ableton. I actually started in Fruity [Loops or FL Studio], but that was a feat within itself. Honestly, the pandemic really set that sh*t off. You're at the crib, you literally have nothing else to do with your time, so it definitely sparked that first catalyst. SAILORR: I feel like I have a strong basis in writing scripts for the stage and film because I'm just bored. I was helping my friend Liz at the time with her short film, and we just had a lot of aspirations and fun making really low-budget things at home. That was my basis, I suppose, is just making scripts that probably nobody would ever read and I would never ever produce, but it's for me. It's my practice. SAILORR: I go into the studio trying to find the most niche way possible that I can relate to somebody — like 'DONE SHAVING 4 U.' It's fun to find very specific situations that most people can relate to — well, really, women. I write songs for ladies. I don't give a f*ck about the boys. No, that's not true, but this entire project is about ingenuity and femininity and just literally having to make something out of nothing my entire life, and I think that that's what women have to do in general. We fight the good fight. So I'm going to find the most mundane ways to just hit home for people that also really exhibit a certain feeling or a memory. SAILORR: Within my inner circle, I would say probably my grandma and my older sister, but generally speaking… [beat] I've never actually been asked this. I'm like, 'Damn.' I think Nikki Giovanni, as a person overall, has always inspired me. She's fire. There are so many women out in the world who just do great things, but that's off the top. SAILORR: I'm like, 'Finally! Damn.' The day that we turned in the project, I was like, 'This just doesn't feel right. I'm like, what do we do?' I mean, obviously, there's so much more work to be done. But in terms of the actual music itself, I just wasn't ready to let go of it. I could sit here for another three years and think about this. But I had to force myself into the mindset of 'I'm ready to put this out.' It's weird listening back to a lot of the music sometimes, because some of it I don't resonate with anymore. Of course, I love the music and I love all these songs, but I think that in general it was writing from a place that I'm not in anymore, so it's like opening a random page on your diary and being like, 'Damn that's what I was doing that day?' SAILORR: Thank God. If anybody stresses me out like that again, I'm crashing out. But no, it's cool. I think it's also because healing is so nonlinear. I'll listen back to the songs and I'll be like, 'Damn girl, I know what you're talking about.' Similar to that diary entry, when you read it back, you love that other person still — not my ex. I'm talking about me. The younger version of myself who wrote that entry. I mean, I got love for my ex, too. It is very important to the human experience to reflect back on all of that time because it does force you to see the imperfections and makes you have grace for yourself and for that other person. Hearing the songs, I wish I could go to my younger self and tell her it was going to be okay, because it's great now! I can still feel those things. They will never go away. But I definitely don't resonate with trying to go fight somebody's mom. I'm definitely not going to do that. SAILORR: I wish I could say I was more calculated about things, especially when it comes to my rollout, but honestly, I literally was just like, "This feels good. Put it out." Boom. I really like [Martin] Scorsese, you know what I mean? It wasn't super calculated to where I knew what the next five singles were, but it definitely felt like I was tracing a bit of a world, and I knew that I wanted to open up the project with at least the five pillars of what makes the music me. I wanted people to hear the writing. I wanted people to just feel the production, because I feel in general Zach [Ezzy] and Adam [Krevlin] are so crazy. Two geniuses, bro. I love them so much. We just all crafted such a unique sound, so I really wanted to spend my time with the singles sharing that. SAILORR: So, we were at a farmers market. I didn't know them at the time, but there was only one tomato left on the stand, and we were all looking at it, and we fought to the death. No, I'm just kidding. Literally, it was just through my manager, who also manages Zach, and Zach and Adam have known each other for literally years. They go way back to college because they both interned at the same studio in New York before moving to LA. I was actually here [in LA] for another writing session at the time for Nascent when he was working on his album Don't Grow Up Too Soon. That was like maybe the first time I had really dipped my feet in any sort of writing sessions, because prior to that, of course, I'm just recording everything in my room — and fun fact, 'Mangosteen' for that project was recorded in my room. But my manager was like, "Hey, I think you should do a session with Zach, get to know each other, and see what happens." And literally from that first session, we were like, "Yeah, we're locked in." I just felt it immediately. SAILORR: I had the most fun finishing 'GRRL'S GRRL.' I wrote that song so long ago. It's just such a silly ass production. But I think personally, my favorite song off the project is probably 'BELLY.' One of the lines in that song is something that I recently really felt. The second verse: 'You know what it is if hе on Co-Star he ran through / He knows what his moon sign is, he's co-signеd every girl I know.' And literally, no shade to my new man, because I love him, but I remember that moment when we were just watching stupid videos on his phone and I saw Co-Star and I was like, 'Ugh. You're for the streets. But I still love you, though.' SAILORR: Those are real conversations that I had with my friend. I told her, "We're going to improv. This is the premise for the skit, and just talk with me.' So, we both got in the car, and we pulled up Voice Memos on two phones. I was just like, "Your tire is flat. We're going out for the night." That's all I told her. And then it just went from there. So that was 'LUG NUT.' And then 'MSG,' I don't know. I just be talking sh*t. SAILORR: There are layers to this, many layers. Layer one: Of course, it's a reference to the Animorphs book series. I haven't read all of them, but I know that it's like a group of kids and they basically turn into animals and… they fight aliens? I'm going to be so real with you, I can't speak much on the writing because I only read one book as a child, but the graphics really speak to me. Metamorphosis by Kafka is about existentialism and [the question of], 'what is human connection after I become this thing?' Super heady, but I was definitely feeling a lot of those feelings when I was making this project because this project is about growing pains and certain transitions that you go through when you're healing, especially through becoming an adult. I wanted to do a little nod to Kafka, like, 'Hehe. I do read, b*tch.' Also, roaches are rampant in Florida. I wanted to think about some sort of theme that was specific to Florida that only people who really live there would know. We have flying roaches there, and it doesn't matter how beautiful or big the house is, you're going to have roaches. They are everywhere. That's also a theme within the album overall, that no matter where I am, I'm always going to be me. And I also — double entendre — love smoking roaches, so it doesn't matter how much money I make, I'm always going to smoke my roaches. That's just me as a person. SAILORR: A little, I suppose. I mean, my Roblox character has always been a roach with a tiara on it. It's just always been a thing. SAILORR: Yeah, for sure. It needs to be yassified. It needs to be c*nt. SAILORR: In general, my existing in the music space is a huge grain against the norm, especially within my family. When I first started making music, everybody thought I was insane. They were just like, "Okay, what are you actually going to do with your life, though?" I feel like this project is such a strong representation of what my writing is, and I never strayed away from that. I think that's a message within itself: I still stayed true to what I wanted despite everybody trying to make me feel small and trying to tell me to do otherwise. In general, everybody wants to make this weird fake sense of healing. It's always supposed to be breathwork, and you're supposed to really reflect and feel good all the time. But no, that's not what it is. I don't care what healing looks like to anybody else, and I don't care what sort of expectations my family or a white conservative man from the South thinks that I should be doing. This is kind of off the path of what we're talking about, but I think it's so funny when I read in my comments, and it's an angry man, because I'm like, 'I don't make music for you. Why are you here, girl? Get out of here. You're not supposed to be here right now. This is not for you. This is for the girls, the gays, and the thems.' SAILORR: I think I'm just a girl first. I don't know. Obviously, people can see that I'm Asian. I can't wipe that off. You know what I mean? I can't be like, "Okay, I'm not Vietnamese anymore." So, a lot of the different Easter eggs or different customs or traditions that I choose to highlight will often be something that I want to juxtapose. So, for example, the Genius performance of 'CUT UP' where I was wearing the ao dai. Women in Vietnam wear that dress to celebrate either getting married, having a baby, or during New Year's. I wanted to juxtapose that because I'm celebrating myself right now. I'm celebrating the fact that this music is successfully getting to a mainstream scale and other people are really resonating with it, and I want to be celebrated for more than being a mom, for something more than just what they think women contribute to society. A lot of the things that I do to exhibit or celebrate my heritage are often just spun on their heads because I think that it's really cool when people take traditions and just put their own spin on them. There are a lot of different things that make me who I am in terms of the music that I'm into, the clothes that I like to wear, and the food that I like to eat. Growing up in America, you get a lot of influence from multiple people and different cultures, and I think that without that, I would not be who I am today. SAILORR: Damn, she smells good. That's all I want. SAILORR: I'm gatekeeping. I can't say. No, okay, so it starts from the shower. It's not just a perfume thing. I use specifically Dr. Bronner's Lavender, Rose, or Almond. You've got to scrub it down. You've got to feel it. If I'm using almond, I have to leave the shower feeling like a f*cking almond, okay? When I get out of the shower and I'm still damp, I go in with body oil. As of recently, I've been really obsessed with the NEST Madagascar Vanilla Oil. It's a super good one to layer with. After that, I go in with lotion or some sort of butter. I have this body butter that I literally will never switch up. There's this one Jamaican man at the flea market in Jacksonville, Florida. Hopefully, I don't blow up my spot — I mean, I hope everybody goes and supports him, but genuinely, he makes the best body butters ever. He has an Egyptian Musk. I personally like the Coconut Mango one. I layer that on, and then I probably end with some sort of perfume. But it needs to complement everything that's going on. I just think that it's all layering. It's like a good cake. SAILORR: Soft girl summer can mean anything to anybody. If that means you got to set some sh*t off, go do that. If that means you are literally just petting a bunch of bunnies, do that. Whatever that means to you, go set fire to your ex's house. I don't know! I think that it's such a broad thing. For me, my soft girl summer essentials are sunscreen and a bikini. You always need a bikini on hand. You never know when you'll need it. SAILORR: That I smell good. That's all. Originally Appeared on Teen Vogue Want more great Culture stories from Teen Vogue? Check these out: Underneath Chappell Roan's Hannah Montana Wig? A Pop Star for the Ages Is Your New Favorite Song Real or AI? Bridgerton Showrunner Clarifies Benedict's Sexuality & Talks Francesca's Queer Plot Twist The Borders of Country Music Are Finally Crumbling
Yahoo
09-05-2025
- Entertainment
- Yahoo
Kali Uchis, UMI, Naomi Sharon, And More New R&B For Hard Truths
The week in R&B, we're exploring the process behind communicating a hard truth. It's not always rewarding or timely, but remains necessary to honor one's own heart. To soundtrack such emotions, Kali Uchis, UMI, 6LACK, and Naomi Sharon are among those who released new music that reflect these deep feelings. We're also obsessed with recent offerings from Brandon, TA Thomas, Keke Palmer, SAILORR, Jhonni Blaze, Tyla, Honey Bxby, and more. Check out VIBE's top new R&B picks below. Kali Uchis' fifth album, Sincerely, is her most vulnerable work of art yet. As she romanticizes her life since becoming a mother, the LP—written and executive produced by the songbird— weaves together themes of love, healing, and fighting to maintain her peace. Per AP, the singer notes, 'I really did make the music that I needed for my grieving process, for just the place that I'm at in my life right now.' The album has a sentimental touch as well as she immortalized her mother on 'Sunshine & Rain…,' and featured her son's laugh on 'ILYSMIH.' UMI's new duet with 6LACK is a hypnotizing, sultry record that embodies the 'peaceful [albeit] electrifying' energy UMI is known for. Together, they fluidly explore and stress the importance of honest connection and communicating hard truths. The singer explained in a statement, ''HARD TRUTHS' delves into the complexities of self-awareness, the emptiness of materialism, and the importance of genuine connection. Alongside 6LACK, the lyrics explore the contrast between external appearances and internal realities. Emphasizing the need to confront uncomfortable truths about oneself and relationships.' UMI described 'HARD TRUTHS' as her 'reintroduction to the world after a long shadow period of my life.' She added, 'I've purged many parts of myself to understand the core of who I am now. That journey began with me asking myself the very things I sing about in this song … (what matters to me?) So it felt right to start telling my story here.' Naomi Sharon just speaks to your soul and her new EP, The Only Love We Know, is proof of that. The soul-stirring project is a story of acceptance, understanding, emotional maturity, and forward progression. She explains, 'This EP is more about finding happiness within yourself and embracing the positive things in life. Love still plays a role, but now there is a deeper understanding that true love comes from within. If something does not work out, that is okay too. It is about self-love and independence.' Storytelling and melody are safely intertwined and it's easy to get lost within the world she's created. Allow yourself to do so. Keke Palmer is finally telling the full account of what went down behind the scenes with Ushergate 2023 and her now ex-boyfriend. 'This one is personal […] me giving voice to the feelings I buried,' the singer shared on Instagram. 'Sometimes the closure we need doesn't come from a conversation— it comes from being honest with ourselves. That's what this song is. My peace. My clarity. My way of letting go […] I'm not here to play perfect. I'm here to be honest. I'm just here to be Keke.' 'My Confession' is a taste of what may be her most personal album to-date. Tyla is back with her first solo single of 2025. Following the success of her eponymous debut album, the international phenom returns with 'Bliss.' It's a vibrant tune with an air of romance, flirtation, and sensuality. 'Burnin' desire when you/ Throw your arms all around me/ Need to feel all your passion/ You and I create magic,' she sings on the chorus. She first previewed the record at Coachella. When speaking on her new approach to music, Tyla shared, 'I've changed a lot in a short amount of time because I was kind of forced to— with how fast I had to adapt to everything. I don't think it's going to be the same energy at all, especially with what I've started making. It's different, but also still Tyla.' SAILORR's highly-anticipated new album, FROM FLORIDA'S FINEST, is here. The LP is a strong display of wit and honesty that features fan favorites like 'POOKIE'S REQUIEM,' 'DOWN BAD,' and 'W1LL U L13?' and new standouts like the relatable 'SOFT GIRL SUMMER' and the audacious 'UR MOTHER'S SON.' 'I do music to open myself and those I love up to opportunities we wouldn't otherwise have,' SAILORR details. 'In the world of art – we all mesh them together to make the world a better place. With my music, I want to make people feel like, 'Yeah, I can and I will do what I want.'' With her first release in nearly three years, Jenevieve's 'Haiku' is dreamy, tender, and introspective. It's as though she captured the delicate feeling of yearning for someone and put it on a song. It feels like the song you'd hear on Mara Brock Akil's Forever or something similar. It's sweet and endearing— something R&B needs more of. Honey Bxby's '3AM' is the anthem for 'late-night longing.' She feels like a cross between Keyshia Cole and Lil Mo, especially with this record interpolating the latter's classic '4Ever.' The inclusion of Toosii's flavor rounds out the seductive jam and really makes you want to have it on repeat. '3AM' will be featured on her upcoming EP, Raw Honey, out on May 30. Jhonni Blaze is marking her mark on R&B and 'What If I' might be our favorite record of hers thus far. Of the ballad's conception, the singer told VIBE exclusively, 'I got my heart broken on April 1 [and] it took me seven days in real life to just ignore the person and know my worth. In the course of that, I did this video. This song is about 'what if I did it to you, how would you feel? How would you feel if I broke your heart and cheated or misused you?' So, I asked myself how long would it take to get over something like that and are you truly over it?' Think Mary J. Blige's 'Seven Days' or Monica's 'U Should've Known Better.' The visual is just as enticing as the record itself. Brandon's debut album, Before You Go, is a heartfelt, earnest depiction of emotions, heartbreak, and exploration of both one's self and art. With intimate yet sweet tracks like 'You Look Like Love,' 'Right Back,' and 'September,' Brandon embraces 'the complexities of love, the beauty of uncertainty, and the inevitability of change.' Written, recorded, and produced entirely in his home studio, Brandon used many external factors to help mold what Before You Go became and thus, he made a project he will be forever proud of. Blossoming songbird, Miriah Renee has issued the newest 'f**k-around-and-find-out' anthem, aptly titled 'Brand New.' The song breathes new life into 3LW's 'No More' as Miriah finds the strength to overcome toxicity and settling for the bare minimum. 'This record allows me as a woman to flip things a little and talk some s**t,' siad Miriah about the track. 'Usually the s**t-talking is from the guys, so I figured a fun female anthem will be the perfect script-flip on them. The 3LW sample was a no-brainer.' The visual continues to play on the 2000s classic as it simulates the Sims video game. The UK has done it again. Nippa is the newest sensation hailing from across the pond and his new EP, Hope She Hears This, is a warm introduction to his catalog. With songs like the familiar-natured 'Insecure,' the tug 'o war of 'Sum'n Serious' or the weighted 'Unfair,' the crooner gets candid about the emotional complexity behind a fading relationship while blending his take on R&B with nostalgia in a way that makes us want to return for more. TA Thomas is such a welcomed presence within R&B, who's really bringing back the heart of the genre— when it had roots in the church. With his new EP, Southern Soul, the crooner delivers a masterful hybrid of blues, gospel, and soul through tracks like the divine 'Preach,' the lovestruck 'Risky,' and the soulful 'Girl Of Mine.' Of the deeply reverent project, TA explained, 'This project came straight from my roots— from the Delta to your ears. Curated by the Deep South, this EP is all heart, heritage, and Southern Soul […] I remember being a kid, riding with my pops on the weekends, and he'd have Sir Charles Jones' 'Is Anybody Lonely' playing. I didn't even know what Southern Soul was at the time but I felt a deep connection to it! Fast forward to now, and I'm dropping a project that not only honors that sound, but takes YOU my day ones, my supporters on a journey through the music that shaped me into the artist I am today. This is more than music. This is a piece of my heart.' More from Keke Palmer Saves Tina Knowles From A Wardrobe Malfunction Coco Jones, DESTIN CONRAD, Sasha Keable And More New R&B For Hard Launches Keke Palmer Podcast Episode Featuring Jonathan Majors Reportedly Scrapped
Yahoo
09-05-2025
- Entertainment
- Yahoo
Watch PinkPantheress Take on the ‘Tonight' Dance Challenge With Doechii: ‘Chewed Me Up So Bad'
PinkPantheress just tried out the viral dance to her new single 'Tonight' with a little help from Doechii — and the British singer-songwriter thinks the Swamp Princess totally outdid her at her own song's trend. In a clip posted to Pink's TikTok Thursday (April 10), the two hitmakers stand side by side while blowing kisses, popping their hips and strutting toward the camera to the lyrics, 'You want sex with me? Uh-huh/ Come talk to me, come on/ You want sex with me? Uh-huh/ Come talk to me, come on.' More from Billboard PinkPantheress Shares Tracklist for Upcoming Club-Influenced Mixtape 'Fancy That' Luis R. Conriquez Decries Concert Violence, Says 'I'll Make Significant Changes to My Lyrics' Fans Choose Cynthia Erivo's 'Worst of Me' as This Week's Favorite New Music At the end, the 'Boy's a Liar Pt. 2' artist smiles as the Florida native laughs and signals with her hands to the cameraperson to cut. 'chewed me up so bad i didnt stand a bloody chance,' Pink wrote of her dance partner in her caption. And when fans in the comments couldn't stop pointing out how much she towered over Doechii in the video, Pink added on X, 'you guys didn't know i was a whole 5'9 feet tall?!!!' Both the dance-pop musician and rapper performed at H&M's inaugural music festival in Los Angeles Wednesday (April 9), filming their TikTok together backstage. Uncle Waffles, Robyn, Jamie xx and SAILORR also took the stage. The video comes a week after Pink dropped 'Tonight,' which marks her first proper release since May 2024's 'Turn It Up.' The track has been taking off on social media thanks to the dance trend as well as a stylish regency era-inspired music video that earned praise from Charli XCX; 'i love the new pinkpanthress video <3,' wrote the Brat Summer ringleader on X, to which Pink replied, 'omg just shat myself.' The song will appear on the producer's recently announced mixtape, Fancy That, which drops May 9. Earlier this week, Pink unveiled the project's tracklist, with 'Tonight' nestled amongst songs titled 'Illegal,' 'Girl Like Me,' 'Stars,' 'Intermission,' 'Noises,' 'Nice To Know You,' 'Stateside' and 'Romeo.' Watch PinkPantheress and Doechii dance to 'Tonight' below. Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart
