Latest news with #ShaneMeadows
Daily Mail
4 days ago
- Entertainment
- Daily Mail
British actor looks unrecognisable as he watches Oasis at Wembley with musician Tom Grennan - but can you guess who it is?
He was just 13 years old when he rose to fame on This Is England. The British actor secured the role after he was spotted at a youth club by This is England director Shane Meadows, and he went on to nab a British Independent film award for best newcomer. Most recently, he made his move into Hollywood as he appeared in Mickey 17 alongside Robert Pattinson. But the star looked unrecognisable earlier this month as he headed to watch Oasis at Wembley. Taking to Instagram, the actor shared a picture of himself with musician Tom Grennan ahead of the show. He looked a far cry from his gritty on-screen days as a youngster in Sheffield - but do you know who it is? It's none other than Thomas Turgoose, who starred as Shaun Fields in the 2006 film before reprising the role in TV series This Is England '86 (2010), This Is England '88 (2011) and This Is England '90 (2015). In This Is England, Thomas's character joins a skinhead gang - first led by Woody and then Combo - after losing his father in the Falklands War and getting bullied at school and gets roped into attending National Front meetings. Actor Thomas, now 33, was faced with tragedy during his time on This Is England as his mother Sharon died from cancer not long after they wrapped filming. This meant that she never saw him in the movie. Thomas recently revealed how co-star Stephen Graham had promised his mother Sharon that he would take care of him and offered to adopt him. Thomas told Jamie Laing on the Private Parts podcast: 'My mum passed away from lung cancer after I finished filming This Is England. 'She never got to see the finished film.' Thomas was sent to live with his father Rob after his mother died but the pair did not know each other well at the time. This lead to Stephen and director Shane Meadows offering to take him in. Thomas said: 'When my mum died I moved in with my dad and I didn't know him, so Shane Meadows and Steven Graham were going to adopt me if things didn't work out with my dad.' Since his days on This Is England, Thomas has gone on to secure small film roles, including in 2017's Kingsman: The Golden Circle and 2019's Avengement. He also had a minor role in Game of Thrones as a Lannister soldier and featured in 2021 sci-fi series Intergalactic. Thomas, from Grimsby, also starred in 2023's action thriller Jackdaw alongside the likes of Jenna Coleman and Oliver Jackson-Cohen. Most recently Thomas appeared in Mickey 17 and last year featured in sports TV documentary All Town Aren't We as himself. In 2019, Thomas tied the knot with Charlotte Revell in a New Years Eve ceremony, and the couple keep their romance relatively private. His This Is England co-stars including his on-screen mother Jo Hartley, Vicky, Stephen, Andrew Shim (Milky) and Andrew Ellis (Gadget) all attended the ceremony.
The Guardian
26-07-2025
- Entertainment
- The Guardian
The Guide #201: our readers' 21st-century pantheon: the culture you loved (that we missed)
Last week's newsletter was a bumper edition, running through the culture that defined the century so far. It covered a wide swathe, from single-take experimental Russian cinema to Top Gun: Maverick, or immersive genre-melding theatre to the dopamine hit of Pokémon Go. But of course, it didn't cover everything. Far from it. So this week we're turning things over to Guide readers, who have shared their own favourite culture of the past 25 years. It includes some big hitters absent from our list (how did we miss Doctor Who and Shane Meadows?!) as well as some choices that are completely unfamiliar – including a Czech gonzo documentary film that I really need to check out. Here are your picks for the 21st-century pantheon. 'A contender has to be Twin Peaks series three, episode eight - Gotta Light? An hour of auteurism like no other. I'd expect to be watching it in my local independent cinema, along with a few other weirdos. But no, it was on TV!' – David McCutcheon 'As a devotee of the horror genre, 2002 saw the end of the wilderness years and the second coming of the undead. As someone who has worshipped all her life at the altar of the late, great George Romero, technically speaking, Danny Boyle's brilliant 28 Days Later wasn't a zombie film, but it re-energised interest in a sub-genre that was considered dead and buried, and introduced the world to the idea of the fast-running infected. Hot on the rotting heels of that, the apocalyptic Walking Dead comics of Robert Kirkman and Charlie Adlard gave birth to the TV series that ran for 11 biting seasons and set the creative juices flowing for a variety of decomposing epics and new classics, such as 2016's fast-paced Train Busan. Should there ever be a real zombie apocalypse, everyone on the planet must know by now how to dispatch one! This century has seen zombies rise again, and whether shambling or sprinting, long may they continue to growl and bite.' – Susie Pearce 'My pick for album of the century so far, and definitely one of the most underrated, would be Neon Golden by German band The Notwist. It was one of the first indietronica albums in the 2000s, followed later by the Postal Service, the xx and so on – though no one seems to talk about it in the same way as those bands. But I'd put the mournful, though uptempo songs here up against the best of any of those. It still sounds so crisp and so beautiful all these years later.' – Graham, Swanage 'Yes, it diminished by returns violently with that second offering, but the first season of True Detective was something quite amazing. I still remember huge discussions each week on Twitter, when that place was still quite fun. Incredible story telling across multiple timelines and points of view.' – Jamie Gambell 'The work that stands out to me as being a revolutionary piece of art/entertainment/self-examination - God knows what - is Nina Conti's webseries In Therapy. It presents a person who, over time, has become consumed with her alter ego, Monkey. To me, there is no 'act' anymore. What we see is Conti's constructed reality. Bo Burnham may have changed comedy with his lockdown special. That was nothing compared to what Conti has moved on to. I am now looking forward to seeing the movie she has made with the master of the mockumentary, Christopher Guest. I am assuming that he got involved with Conti because he sees the genius inherent in her work - together with the precipice she is dancing on.' – Chris Gilbey 'Shane Meadows' body of work is stunning, especially This Is England and the TV sequels, and The Virtues. The calibre of actors (Paddy Considine, Vicky McClure, Stephen Graham, Jo Hartley) and writers (Jack Thorne) he has helped to develop testify to his brilliance. A creator of real, sometimes brutal stories, authentically told.' – Richard Hamilton 'Who doesn't love Sabrina Carpenter? She looks a million dollars and has the voice of an angel. For me she sure beats paying the GDP of a small country to watch the Gallagher Brothers. But each to their own I guess.' – Maggie Chute 'Doctor Who in the 21st century: - Biggest thing on British TV for at least five straight years - Reinvented Saturday night television - Captivated a generation of children nationwide - Made Russell T Davies, David Tennant, Billie Piper, Matt Smith et al household names - Merchandise everywhere - All the awards - Four spin-offs - Three documentary companion shows - Animated specials - Christmas Day staple - A lasting British cultural icon still going 20 years later Also: - Not a single mention on the Guide's 'century in pop culture so far'. For shame!' – Nicky Rowe Sign up to The Guide Get our weekly pop culture email, free in your inbox every Friday after newsletter promotion 'I would give my vote to the 2004 film Czech Dream by Vit Klusak and Filip Remunda. A documentary about a wicked prank, the film follows the build up to opening of a new hypermarket on the outskirts of Prague. We witness the genesis and execution of the ad campaign and other preparatory measures. On the big day, eager-to-shop Praguers make the pilgrimage to the site, only to find nothing but a large vinyl banner with the hypermarket logo ...' – Natalie Gravenor 'My favourite piece of culture from the last 25 years has to be Avengers: Endgame. Forgetting the snobbery around superhero films and their more recent missteps, Marvel did something truly incredible with cinema that has never been done before or since. Twenty-two films over 11 years that each felt unique and distinct, but also part of a coherent whole, with only one or two duds along the way ... and then they stuck the landing. See the audience reaction videos from opening night if you're not convinced.' – Chris Carter 'I have to offer up the opening ceremony to the Olympics in London. Beijing 2008 was the most spectacular, balls to the wall, choreographed to a millimetre of its life opening ceremony ever. It was even cooler than an astronaut landing in LA or an archer (sort of) lighting the cauldron in Barcelona. Jesus, what on earth would London do? Don't embarrass us too much, people were thinking. I was. How wrong could we be? Danny Boyle did some great films (Trainspotting, Slumdog Millionaire, I even enjoyed The Beach) but nothing comes close to his opening ceremony. It could have become very little Englander but instead was educational, suspenseful, chock-full of fun and ultimately very British. The music was incredible, the mix of classical and modern, I bought it the hour it was released. The modern history of Britain through dance, art, music, acting, comedy (well done Her Madge and well done Rowan Atkinson) made me feel very proud of my so called septic isle. It didn't have to be perfect, there are some glitches, you can see that, but it was a celebration like no other. Halcyon days.' – Antony Train If you want to read the complete version of this newsletter please subscribe to receive The Guide in your inbox every Friday
Yahoo
25-06-2025
- Entertainment
- Yahoo
NATPE Honors Europe: Meet the TV Execs Managing the Streaming Transition — and War in Ukraine
NATPE Budapest, the annual global TV market for the Central and Eastern European (CEE) region, kicked off in style on Monday with a ceremony for the winners of the inaugural NATPE Honors Europe, designed to recognize trailblazers 'whose creativity and visionary leadership are reshaping the entertainment industry.' The winners from such countries as Hungary, Czechia, Poland, Greece, and Ukraine were feted during an event at the Dorothea Hotel in the Hungarian capital. 'After an incredibly successful launch of the awards at NATPE Global in Miami this February, it was clear that we needed to recognize outstanding leadership in the CEE region,' said NATPE executive director Claire Macdonald. 'These recipients inspire us with their bold ideas and unwavering commitment to excellence.' More from The Hollywood Reporter Shane Meadows Teams Up With 'Adolescence' Writer Jack Thorne for Feature Film Return UTA Appoints Darnell Strom to Lead London Office With Eye on Growth Into "Major International Hub" Global Media Warns of Escalation as U.S. Bombs Iran Nuclear Sites THR surveyed the NATPE Honors Europe winners to find out their takes on the state of the industry and its outlook. Check out their thoughts below. Daniel GruntCEO, Nova GroupCzechiaShift Disturber Award, 'honoring individuals whose bold ideas and leadership are driving transformative change,' NATPE says.'Recognized for the incredible success of the Voyo platform, which, with an unprecedented investment in high-end original and locally relevant content, is winning ratings and subscribers whilst competing with global streamers.' Among people lauding him and his work in a tribute video were colleagues from across the company and its corporate parent. How does it feel to receive the inaugural NATPE Honors Europe award, and which professional achievement from the past year are you most proud of?I truly appreciate this recognition — both personally and on behalf of the entire TV Nova team, to whom this award belongs even more than to me. It reflects the long-term efforts of many people across the company, especially those working tirelessly to transform TV Nova into a digital-first organization, and the ongoing support we receive from [parent company] CME and [its owner] PPF. Last year was full of milestones, but I would highlight four achievements in particular. First and foremost, the continued growth of Voyo. We reached 950,000 subscribers at the end of the year, being close to our goal of one million. When we made that commitment four years ago, Voyo had just 60,000 subscribers, so this is a transformation we're extremely proud of. In the process, we've built not just a service, but a loved brand. Second, while driving that growth, we were also preparing the launch of Oneplay, which replaced both Voyo and O2 TV this March. It is a unified platform that brings together the best of streaming and television in one place. Oneplay offers high-quality content in Czech, exclusive original productions, live sports broadcasts, and modern features — all in an intuitive and user-friendly environment. It's the result of merging the country's largest local streaming service with the largest local IPTV provider — an unprecedented move in our market. Third, we've continued to invest in high-quality local original productions for both streaming and linear TV. These have earned strong recognition from audiences and industry professionals alike, and we're seeing growing international interest in our storytelling and talent. And finally, our digital transformation journey is progressing successfully. We've made significant shifts in our organizational culture, becoming truly viewer-centric. This evolution is reflected in the new visual identity of our main channel, which now more clearly communicates who we are and what we stand for. This new award recognizes 'trailblazing individuals whose creativity and visionary leadership are reshaping the entertainment industry.' Could you share an example of your work that best reflects this?Streaming platform Voyo is the best example. We've built the biggest local streaming platform on the market — and more importantly, a brand that people truly love. Oneplay is another strong example. It was never just a technology upgrade. It was a direct response to real user frustrations — fragmented services, poor discoverability, the constant need to switch between platforms. We brought everything together into one intuitive service. For us, innovation means making tangible improvements that make people's viewing experience simpler, smoother, and more enjoyable. What drives this innovation is our deep focus on our viewers. We put a lot of effort into understanding people's lives, needs and habits — and we build around that. Over just a few years, we've transformed ourselves from a traditional TV company into a digital multimedia house, where data sits at the core of how we think, work, and make decisions. Even in a shrinking TV market, we continue to grow the reach of our content thanks to a smart combination of linear broadcasting and digital distribution. This dual approach allows us to stay relevant, expand our audience, and serve content wherever and however viewers want to watch it. How much do you try to take on Netflix and other global streaming giants directly and how much do you try to follow a different, unique strategy?Our goal has never been to imitate or directly compete with global platforms. We take a different approach, focused on our local viewers and their specific needs. Voyo was, and Oneplay is, built around what global players can't replicate: strong local content, cultural proximity, and a clear, all-in-one viewing experience. That's the strategy we believe in, and it's proving successful. We offer the broadest portfolio of local content on the market. Our strategy is built on premium, original programming that draws on deep knowledge of our cultural environment and audience. We also fully leverage synergies with our linear TV operation — the strongest television group in the country — to amplify and support our streaming offering. Magdalena SzwedkowiczProducer, MAG EntertainmentPolandShift Disturber Award, 'honoring individuals whose bold ideas and leadership are driving transformative change,' NATPE says.'Celebrated for transforming the landscape of the Polish film and television industry and for producing high-quality hits, including Forgotten Love (Znachor), Justice (Napad), Squared Love, and Sleboda (Deadly Ties) that showcase the rich cultural heritage of Poland, and resonate with global viewers.' Among colleagues and other people lauding her and her work in a tribute video was Prentiss Fraser, president of Fox Entertainment Global. How does it feel to receive the inaugural NATPE Honors Europe award, and which professional achievement from the past year are you most proud of?It's always nice to be recognized by peers in the industry. I appreciate the acknowledgment and the opportunity to connect with other professionals across Europe. This past year, I am especially proud of continuing to build strong creative partnerships and pushing forward projects. I am most proud of bringing a locally rooted story to a global audience which is always an additional value. Seeing Forgotten Love (Znachor) resonating beyond its original market reinforced my belief in the power of authentic storytelling and the strength of international collaboration. This new award recognizes 'trailblazing individuals whose creativity and visionary leadership are reshaping the entertainment industry.' Could you share an example of your work that best reflects this? A project that best reflects this is Forgotten Love (Znachor) for Netflix. While the story is a beloved and iconic part of Polish cultural heritage, it was virtually unknown outside of Poland. When we announced that we were bringing it back, the reaction was intense — there was a great deal of skepticism and even backlash, as people felt protective of the earlier film version. Touching such an iconic IP was seen as a bold risk. But together with Netflix, we believed deeply in its emotional power and universal themes. By reimagining Znachor for today's audience while honouring its roots, we found success both locally and internationally. It became one of Netflix's most-watched non-English films globally and helped spark a wider trend. Since then, there has been a noticeable rise in remakes and a renewed interest in revisiting classic stories and books — showing that heritage and innovation can coexist, and that there's real value in reintroducing timeless narratives to new generations. What makes this project especially meaningful to me is that I dedicated the film to my father, who was a brilliant cardiologist. The story's emotional core — a doctor reconnecting with his humanity — mirrors the values he lived by. So while the project pushed boundaries professionally, it was also deeply personal. Seeing how audiences around the world responded showed me that taking creative risks with cultural heritage can reshape how we tell stories — and who they reach. How much opportunity do you see for your hit series to travel abroad and in which parts of the world?Forgotten Love (Znachor) is a great example of how a deeply local story can travel globally when its emotional themes are universal. According to Netflix's What We Watched report, the film reached over 43 million views and more than 100 million watched hours in the second half of 2023 alone, and it continues to perform strongly — with an additional 19.6 million views and 45.8 million watched hours in 2024. It appeared in the Netflix Top 10 in many countries, which shows the growing appetite for non-English content that's emotionally grounded, culturally rich, and well-crafted. This success reaffirms that stories don't have to be global in subject to have global resonance. What made the film connect, I believe, was its honesty. We didn't try to make it something it wasn't — we stayed true to the emotional core of the story and its cultural roots. That authenticity builds trust with audiences. When people feel that they're being told a story with sincerity and respect, they respond — no matter where they are in the world. The opportunity today isn't about chasing universality for its own sake, but about leaning into what makes a story unique, human, and truthful. That's what travels. And we've seen that clearly not just in Central and Eastern Europe, but also across Latin America, Asia, and Western Europe — where audiences are more open than ever to diverse and emotionally honest storytelling. Levente MálnayManaging director and executive vp, AMC Networks International, Central and Northern Europe HungaryNorth Star Award, 'recognizing career achievements of individuals whose strong leadership has had a bar-raising impact, providing guidance as the industry navigates change,' says NATPE.'Honored for playing a pivotal role in establishing commercial television in the region after the fall of communism, and exceptional leadership across production, channel launches, and managing one of the most diverse portfolios of channels in the region.' Among colleagues and other people lauding him and his work in a tribute video were AMC Networks CEO Kristin Dolan and Liberty Global CEO Mike Fries. How does it feel to receive the inaugural NATPE Honors Europe award, and which professional achievement from the past year are you most proud of?I am truly touched. This is only the second time I have received an award in my life. The first one was over 20 years ago but it always feels special to be acknowledged by our own industry. What I am most proud of is that I have had the opportunity to empower a number of very talented executives and been able to build a best-in-class management team in the region. Launching our first SVOD service in the region — SELEKT last September in Hungary — and securing distribution on the largest Romanian platform DIGI for our recently launched linear FilmMania channel in Romania were important successes last year. This new award recognizes 'trailblazing individuals whose creativity and visionary leadership are reshaping the entertainment industry.' Could you share an example of your work that best reflects this?I was lucky to get the opportunity, ever since the beginning of my career, to work with and learn from very motivating leaders who gave me their trust. My approach has always been to use but never abuse that trust. I have always focused on the fact that while the entertainment industry is about entertainment, it is a business — a tough one. However, serving fans and bringing them the content they love makes even a tough day more fun. My job is to change business models when necessary, stay locally relevant and make wise content selections in an environment where consumption habits keep changing and business models are constantly evolving. Foreign exchange and inflation can also influence returns in the region. So, there is never a dull moment. On top of all that, whatever worked yesterday may not work tomorrow. There are no guaranteed success recipes. In this environment our portfolio became the third largest in Hungary in the last few years and we grew quite visibly in most other territories as well — probably our growth in Romania has been the steepest. Your company has so many channel brands in your region. How much have you focused on rolling out the streaming brands the company has in the U.S. in your region or different streaming offerings?It is very fortunate to be a part of a company that is based in the U.S., the number one media market in the world, which is perhaps ahead of other markets in confronting these changes in our industry. In the U.S., AMC Networks is moving confidently and effectively into targeted streaming, FAST channels, new ways of reaching viewers. We can learn from all of this, while our challenge overall is which local market is ready for these platforms, when and in what specific form. In many Central Eastern markets, linear is still a very good value proposition. My job is not only to prepare for a world with more streaming products to satisfy our viewers and distributors, but also to figure out when and how it makes sense to invest in what works best for our local audience – this guides everything we do. George LevendisManaging director, ANT1 TV, Mak TV & Antenna StudiosGreeceNorth Star Award, 'recognizing career achievements of individuals whose strong leadership has had a bar-raising impact, providing guidance as the industry navigates change,' says NATPE.'Celebrated for a commitment to innovation, an uncanny ability to adapt to emerging trends, and advocating for burgeoning talent in Greece and beyond, as well as a knack for creating key partnerships that have driven the success of multiple global hits.' Among colleagues and other people lauding him and his work in a tribute video was none other than Simon Cowell. How does it feel to receive the inaugural NATPE Honors Europe award, and which professional achievement from the past year are you most proud of?I'm honored to receive this recognition at NATPE Budapest. The North Star Award feels particularly significant because it acknowledges something beyond individual achievement — it recognizes the complexity of what we do in this industry. Our job is really about creating an environment where creativity can thrive and doing our best to shield artists from the commercial pressures that can sometimes get in the way of inspiration. It's not always easy, especially in a market that's crowded, constantly shifting, and incredibly competitive. At the same time, we're all adapting to a business model that's evolving faster than ever. I wouldn't point to one single achievement that stands above the rest. For me, it's the collective impact of helping to build a culture where creativity and innovation can thrive, while staying grounded in the realities of a competitive business environment. I like to call it a dual mindset — something I've been working to refine since my early days in the music business. Whether it's launching content that truly connects with audiences or introducing new formats that challenge the status quo, each step forward feels like a personal milestone. Receiving the NATPE Honors Europe Award is a testament to those efforts and to the collaboration of everyone in our team at ANT1 TV striving to make this possible. This new award recognizes 'trailblazing individuals whose creativity and visionary leadership are reshaping the entertainment industry.' Could you share an example of your work that best reflects this?I'm genuinely grateful for the recognition. That said, I see my work as more grounded in the day-to-day realities of managing a creative business — especially during what is likely one of the most disruptive, yet opportunity-rich, periods our industry has faced. If anything reflects my contribution, it's the effort to stay adaptable and focused balancing creativity with commercial demands and staying closely aligned with shifting cultural and technological trends. It's not about big, singular moments, but about consistently helping teams navigate change and move good ideas forward. I would like this award to represent years of dedication to delivering content that resonates with audiences across markets. It also reflects the values at the heart of ANT1 TV's work: innovation, storytelling and creativity. From pioneering pay-TV services for the Greek diaspora to introducing digital catch-up, SVOD services and hybrid broadcast models, we've consistently embraced bold and forward-thinking strategies to entertain audiences. Rather than pointing to a single example, I think what best reflects the spirit of this award is the broader role we play in supporting creators, opening up new opportunities and building strong partnerships that enhance both the audience experience and collaboration across our companies. Over the past year, we've placed a strong focus on creating synergies across our businesses within Antenna Group — whether through deeper integration with Village Cinemas, expanding our social media presence through an innovative partnership approach, or refining our content strategy across AVOD, SVOD, and free-to-air platforms. We've also launched a live events division, extending our content beyond traditional screens, and even brought major sporting events to the big screen through our collaboration with Village. On the content side, we secured our first format deal for the drama series Wild Bees, and have worked closely with Netflix on several scripted series. These kinds of partnerships are key as they allow stories to travel, connect with diverse audiences, and still retain their authenticity. Starlight MediaYana Honcharenko, chief communications and sustainability officer, accepting on behalf of Starlight MediaUkraineCause + Action Award, 'celebrating a purpose-led champion of change for their social good impact,' says NATPE.'Recognizing Ukraine's largest broadcasting group for supporting and amplifying the voice of veterans, notably putting a war vet in the spotlight in the most recent edition of The Bachelor.' Among the people lauding her and her work in a tribute video were a broad range of Starlight colleagues. How does it feel to receive the inaugural NATPE Honors Europe award, and which professional achievement from the past year are you most proud of?Receiving the inaugural NATPE Honors Europe award is an extraordinary moment — not just for me personally, but for the entire Starlight Media team. The moment the announcement was made, we were sharing it across our internal chats — with screenwriters, showrunners, marketers, producers, journalists, and top management. It became a warm moment of joy for everyone who pours their heart into building our social impact. This award specifically recognized our work supporting Ukrainian veterans and veteran women of the ongoing war with Russia — a mission that has become deeply personal and central to us as a company. For us, this honor feels not only like recognition of our creative and strategic efforts, but also like a powerful gesture of solidarity — with those who have served, with their stories, and with Ukraine itself. This new award recognizes 'trailblazing individuals whose creativity and visionary leadership are reshaping the entertainment industry.' Could you share an example of your work that best reflects this? This award specifically recognizes our work supporting veterans — and I'm deeply grateful for that, because it's not just about what we do as a company, but about the people and the values we choose to stand with. My greatest privilege and passion lie in working alongside creators and industry leaders in a way that goes beyond traditional professional dialogue. It's a shared journey of asking bold questions — about who we are, what stories we tell, and how we can reshape entire systems through the power of culture and collaboration. At Starlight Media, this has meant reimagining formats beloved by generations of Ukrainians, building new narratives, and creating space — both on screen and off — for those whose lives have been shaped by war. More than 80 of our colleagues are now serving in the military. Over 20 veterans are part of our current team. These are not numbers — these are people who transform us as a company, every single day. We knew from the start that this work couldn't stay only within our own walls. That's why I initiated and co-authored the Principles of Veteran-Friendly Business — a framework quickly embraced by the Ministry of Veterans Affairs, Forbes Ukraine, and Veteran Hub. Just weeks later, 58 of Ukraine's leading companies became signatories, committing to long-term veteran inclusion across hiring, communication, partnerships, and workplace culture. Recently, we gathered these businesses at Ukraine's National Theater — not for a ceremony, but for a conversation. A conversation about how, together, we can shape a new national culture of respect. One that honors lived experience. One that includes everyone in rebuilding our future. So yes, we're a media company. But the change we're working on goes far beyond media. And I'm proud to be one of many in our organization who believes — with heart — that this is our role. Best of The Hollywood Reporter How the Warner Brothers Got Their Film Business Started Meet the World Builders: Hollywood's Top Physical Production Executives of 2023 Men in Blazers, Hollywood's Favorite Soccer Podcast, Aims for a Global Empire
Yahoo
23-06-2025
- Entertainment
- Yahoo
Shane Meadows Teams Up With ‘Adolescence' Writer Jack Thorne for Feature Film Return
After more than a decade-long hiatus from the big screen, Shane Meadows is making a return to cinema with a new film, Chork. Penned by Adolescence writer Jack Thorne and set along the east coast of England, Chork follows 15-year-old Kit and 11-year-old Ani as they leave their foster home and trek across the coastline in hopes of a brighter future. With the police in pursuit and a national search underway, Kit must use all her determination and wits to protect Ani and fulfil their mission. More from The Hollywood Reporter UTA Appoints Darnell Strom to Lead London Office With Eye on Growth Into "Major International Hub" Global Media Warns of Escalation as U.S. Bombs Iran Nuclear Sites NATPE Budapest: BBC Studios, AMC Networks Int'l Buy Cineflix Rights Lifestyle, Travel Content Cast by Meadows' frequent collaborator, Shaheen Baig (Adolescence, Hot Milk), the two have secured the film's lead cast with open casting calls taking place earlier in the year throughout the U.K. 'To be returning to film after 17 years, writing alongside 'megadude' Jack Thorne again, and working with so many gifted collaborators, has been an absolute privilege,' said Meadows. 'Our story follows two beyond bright, funny as heck and mischievously ingenious young people on a 'runaway' road trip the length of this glorious isle.' 'Safe to say,' he continued, 'I'm beyond excited about what we've captured on their journey. I'm also hugely grateful to our partners at BBC Film, BFI, Screen Yorkshire, Hoopsa Films and Altitude for their undying trust and support throughout.' Meadows gained critical acclaim with features TwentyFourSeven, Dead Man's Shoes, A Room for Romeo Brass and Somers Town. His television credits include This Is England, which premiered in Toronto in 2006, The Virtues starring Stephen Graham and The Gallows Pole. Chork is produced by Ben Pugh and Cathy King for 42, Lauren Dark and Amy Jackson for Unified, Meadows' Big Arty and Thorne's One Shoe Films, both of whom will also executive produce. The film is financed by BBC Film, BFI (awarding National Lottery funding), Screen Yorkshire (via the Yorkshire Content Fund) and Hoopsa Films. Executive producers are Eva Yates and Kristin Irving for BBC Film, Louise Ortega for the BFI, Caroline Cooper Charles for Screen Yorkshire, Sonny Gill and Tim Macready for Hoopsa Films, and Ali Jazayeri and Keith Kehoe for Three Picture Capital alongside Laura Jackson and Joshua Horsfield. The film was developed with BBC Film. Altitude will release Chork in U.K. and Irish cinemas in 2026 and will manage international sales. Yates, director of BBC Film, added: 'The films of Shane Meadows are at the heart of contemporary British independent cinema and we are hugely excited to support his return, with a cast of exceptional new actors, his brilliant writing collaborator Jack Thorne, and an anarchic story of love, redemption and the untapped and profound potential of youth.' Best of The Hollywood Reporter Wes Anderson's Movies Ranked From Worst to Best 13 of Tom Cruise's Most Jaw-Dropping Stunts Hollywood Stars Who Are One Award Away From an EGOT
BBC News
25-05-2025
- Entertainment
- BBC News
Upcoming Shane Meadows film a 'visual love letter' to Skegness
An upcoming Shane Meadows film will be a "visual love letter" to his favourite holiday resort, the acclaimed director said. Meadows, known for titles including This is England and The Gallows Pole, recently stopped to talk to local artist John Byford while filming on the beach in a video shared by Mr Byford online, he revealed the road trip film is called Chalk and tells the story of two girls travelling from Margate to Edinburgh."When I was a young boy from Uttoxeter we had a family friend that had a static caravan up at Ingoldmells," he said. "It was a council-run site, so a lot of my youth was here, and I've got nothing but the fondest memories of Skegness."The director said it was an "honour" to be back in the area and said it would be his "proudest moment" if the film could be premiered in the town. The resort was the first place on the map he wanted to start the filming process, he added."I never thought that I'd get to come back and film here", he said. "So I wanted to write a little, if you like, a visual love letter to my favourite holiday resort."The crew have been seen filming donkey rides on the beach and around the Byford described his encounter with Meadows as an "absolutely brilliant experience" and said he was looking forward to seeing the to highlights from Lincolnshire on BBC Sounds, watch the latest episode of Look North or tell us about a story you think we should be covering here.
