Latest news with #Sohrai
Fashion Value Chain
3 days ago
- General
- Fashion Value Chain
Jharkhand Handlooms empowers Tradition, Heritage & Craft
Arya Prameh, Fashion Management Scholar, National Institute of Fashion Technology, Daman Jharkhand's handloom art vividly showcases the state's deep tribal heritage and cultural traditions. The craft is mainly performed by women from different communities and functions to maintain cultural identity while also offering means of livelihood. The fabrics are recognized for their natural colors and complex geometric and floral designs, frequently influenced by tribal art styles such as Sohrai and Kohvar. Among the esteemed fabrics, Tussar silk, praised for its golden luster and unique texture, shines brightly, while traditional tribal attire such as Parhan and Panchi is characterized by vivid stripes or checks colored with natural dyes. The handloom industry in Jharkhand, particularly in areas such as Bhagaiya, exemplifies a combination of heritage and modernity. In this setting, families participate in weaving Tussar silk with locally obtained materials, where women are key contributors in different phases of the production process. Over time, designs have progressed to include fresh patterns and embroidery, moving beyond basic sarees to a wider range of intricately made items. Even with obstacles from mechanized looms and market demands, government programs like those from Jharcraft assist artisans through training, design improvements, and access to markets, aiding in the preservation and promotion of this native craft. Women play a vital role in the handloom sector of Jharkhand, engaged in tasks like weaving, spinning, dyeing, and finishing. Their involvement, frequently coordinated via self-help groups, promotes rural empowerment and social advancement. The craft has started to draw interest beyond local markets, receiving recognition for its sustainability and cultural distinctiveness on both national and international levels. Ongoing support, awareness, and preservation initiatives are crucial for guaranteeing that Jharkhand's handloom heritage thrives in today's world, maintaining its cultural essence while evolving to suit modern preferences.
Time of India
5 days ago
- Entertainment
- Time of India
Prez hosts Sohrai artists from state in Delhi
1 2 3 4 Ranchi: The state's indigenous Sohrai Art made a powerful impression on the national stage as 10 tribal women artists from Hazaribag showcased their talent in the art at the Kala Utsav, hosted at the Rashtrapati Bhavan between July 14 and 24. The event, a part of the 'Artists in Residence Programme', was supported by the Indira Gandhi National Centre for the Arts (IGNCA) and brought the long-overdue recognition to this traditional mural art form. Painted using natural pigments on earthen walls, Sohrai Art is deeply connected to Jharkhand's agrarian and spiritual life. It is typically practised by tribal women during harvest and festive seasons. Despite its cultural richness, it largely remained on the margins of India's mainstream art narrative because of the lack of patrons and promotion of the art and the artistes. At the Rashtrapati Bhavan event, the art received appreciation at the highest level. President Droupadi Murmu, who personally visited the workshop, called it a reflection of India's soul. "These artworks reflect the soul of India, our connection to nature, our mythology, and our community life. I deeply admire how each of you continues to uphold these invaluable traditions," she said, lauding the 10 artistes from the state. Making it a seamless experience for the 10 participating artistes, the IGNCA Regional Centre, Ranchi, coordinated with the authorities concerned for the Rashtrapati Bhavan event. Speaking about the significance of this event, Sumedha Sengupta, a project associate of IGNCA told TOI: "This is the first time that Sohrai Art has been given exposure at the national level, and along with it, Jharkhand, also received a special form of exposure on the national platform. While other tribal art forms like Warli and Madhubani have long enjoyed recognition, ours haven't. We're hopeful that this event will now open new vistas for our art form. " She added, "We are also aiming to take this next to the PMO. This platform gives visibility not just to the art but to the lives revolving behind it. There will be future opportunities for these artists in exhibitions, residencies, and cultural collaborations."
News18
7 days ago
- Entertainment
- News18
President Murmu meets artists from Jharkhand, Odisha and West Bengal
New Delhi, Jul 24 (PTI) President Droupadi Murmu on Thursday met a group of artists from Jharkhand, Odisha and West Bengal at the Rashtrapati Bhavan here. These 29 Sohrai, Pattachitra and Patua artists stayed at the Rashtrapati Bhavan from July 14 to 24, the President's office said in a statement. It said, 'Artists from Jharkhand, Odisha and West Bengal were the participants of the second edition of Kala Utsav 2025 – 'Artists in Residence Programme' of Rashtrapati Bhavan." The programme is a celebration of the spirit of India's artistic traditions, a reaffirmation of the important role of living art traditions in preserving cultural identity and inspiring future generations, the statement said. Kala Utsav also provided a platform to folk, tribal and traditional artists who have continued the varied forms of art for generations, it said. The President witnessed an exhibition of the artworks created by the artists during their residency programme. She appreciated their contributions to India's important traditional art forms and wished them success in their future artistic endeavours. PTI AKV DIV DIV Disclaimer: Comments reflect users' views, not News18's. Please keep discussions respectful and constructive. Abusive, defamatory, or illegal comments will be removed. News18 may disable any comment at its discretion. By posting, you agree to our Terms of Use and Privacy Policy.
Time of India
15-07-2025
- General
- Time of India
Sohrai art livens up Gumla collectorate walls
1 2 Gumla: The local administration has painted its collectorate building with Sohrai in an attempt to give a fillip to the local art form. The walls of the collectorate — both inside and out — now reflect the essence of Jharkhand through intricate Sohrai motifs, featuring cattle wealth, trees, and elements of rural life, all created using natural pigments derived from plants and techniques rooted in rich tradition. "Sohrai paintings are not just an art form, they are a vivid expression of our tribal heritage — inspired by nature, cattle wealth, and the rhythms of rural life. Through this initiative, we tried to honour our roots while giving a meaningful aesthetic character to our administrative building," the DC said. Sohrai art, traditionally practised by tribal women during the Sohrai festival (celebrated after Diwali), involves mural painting using natural materials like clay, charcoal, and plant-based colours. These artworks typically adorn the walls of homes in tribal areas and are known for their organic forms, symbolism, and cultural depths. "By bringing this traditional art form into urban and institutional settings, the Gumla administration seeks not only to preserve and enrich it but also to promote tribal creativity, creating opportunities for local women artists and tribal painters," Dixit added.
Time of India
08-06-2025
- Lifestyle
- Time of India
Breaking the glass ceiling; The Tana Bhagat girl who wants to be a fashion designer
1 2 Chatra: When Poonam Tana Bhagat (23) obtained her graduation degree in fashion designing from KB Mahila Mahavidyalaya under Vinoba Bhave University (VBU) in Hazaribag late last year, she broke a glass ceiling. Poonam, who hails from the Tana Bhagat tribal community which stays connected to its culture and lives life by the Gandhian principles, became the first girl from her tribe to obtain a fashion designing degree. Now, she is planning to pursue her postgraduation from Benaras Hindu University or some other college of repute in Kolkata. A native of Bachra village in Tandwa, Poonam's father Sundar, brother Kameshwar and sisters Saraswati and Sita bagged jobs in Central Coalfields Limited (CCL) as the family handed over its land to the PSU for mining. Poonam said, "Tana Bhagats lead their lives in a purely indigenous way. Most of the men wear Khadi kurta, dhoti, and cap, while the women wear Khadi saree and are vegetarians. Such is their purity that they eat their own food and avoid eating food prepared or touched by others. So, think how important it is for our community that one of their daughters comes out of the village and studies fashion designing." Talking to TOI, Poonam said her opting for the fashion designing course was coincidence. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Что происходит при сжигании лаврового листа? Undo "I was more interested in arts subjects. When I went to the college to get admission in 2021, I learnt about fashion designing," she said. Poonam said she opted for the course as she wanted to do something unique. Her batch comprised 30 students, but Poonam became a popular face for being a Tana Bhagat girl as well as for her perfection in studies and given assignments. "Everyone wanted to know how a Tana Bhagat girl opted for fashion designing," she recalled. Now an expert in Sohrai and Kohbar art, Poonam said she wants to promote the two ancient art forms by becoming a known fashion designer. "I am proud to be the first girl from my community to break the stereotype and enter the world of fashion designing. Now, many from my tribe are aspiring to get into fashion studies and profession," she said.
