
Jharkhand Handlooms empowers Tradition, Heritage & Craft
Jharkhand's handloom art vividly showcases the state's deep tribal heritage and cultural traditions. The craft is mainly performed by women from different communities and functions to maintain cultural identity while also offering means of livelihood. The fabrics are recognized for their natural colors and complex geometric and floral designs, frequently influenced by tribal art styles such as Sohrai and Kohvar. Among the esteemed fabrics, Tussar silk, praised for its golden luster and unique texture, shines brightly, while traditional tribal attire such as Parhan and Panchi is characterized by vivid stripes or checks colored with natural dyes.
The handloom industry in Jharkhand, particularly in areas such as Bhagaiya, exemplifies a combination of heritage and modernity. In this setting, families participate in weaving Tussar silk with locally obtained materials, where women are key contributors in different phases of the production process. Over time, designs have progressed to include fresh patterns and embroidery, moving beyond basic sarees to a wider range of intricately made items. Even with obstacles from mechanized looms and market demands, government programs like those from Jharcraft assist artisans through training, design improvements, and access to markets, aiding in the preservation and promotion of this native craft.
Women play a vital role in the handloom sector of Jharkhand, engaged in tasks like weaving, spinning, dyeing, and finishing. Their involvement, frequently coordinated via self-help groups, promotes rural empowerment and social advancement. The craft has started to draw interest beyond local markets, receiving recognition for its sustainability and cultural distinctiveness on both national and international levels. Ongoing support, awareness, and preservation initiatives are crucial for guaranteeing that Jharkhand's handloom heritage thrives in today's world, maintaining its cultural essence while evolving to suit modern preferences.
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Fashion Value Chain
4 days ago
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Weaving Traditions: The Cultural Tapestry of Indian Handlooms
Ms. Ananya Tiwari, Post-Graduate Academic Scholar in Fashion Management, National Institute of Fashion Technology, Ministry of Textiles, Daman campus Abstract Boasting a rich history and vibrant culture woven into its textile traditions, it is confirmed that India is indeed a land of handlooms. The handloom sector in India has a long tradition of outstanding artisanship that represents and preserves vibrant Indian culture. It is one of the largest cottage industries with over 2.8 million looms. This sector has the advantage of being eco-friendly and having less power consumption. In this article, we will go through a glimpse of two such handlooms from the states of Uttar Pradesh and Gujarat. Introduction First, we will go through Varanasi in Uttar Pradesh. Cross-pollinated by trade and commerce, its long history has been interwined with its textile roots it is one of the renowned centres for zari and brocade weaving. These fabrics have a long and continuous tradition in our cultural history. The weavers of Varanasi are masters of many complex weaving techniques. From the Kadwa and Fekua to Cutwork and Urtu, each technique is individual and distinct. In each category, there are variations and adaptations. All woven on indigenously made looms, a wide range of fibres is used, from the finest cotton yarns to the coarsest, from wide silks to the most refined. Brocade work can be traced back to the Middle Ages. Due to its complex and intricate design, it would usually be worn by royal families across countries like Japan, Korea, China, and Greece. Brocade refers to those textiles where patterns are created on the loom itself, which means it is the process of weaving by transfixing the pattern thread between the warp. This highly delicate work uses gold, silk, silver, or cotton threads with extra weft patterning. This gives the motif an embossed appearance over a regular fabric that increases its ornamentation. The Jangla is a literal jungle pattern, which is inspired by nature that spreads across the textile field like a jal/ net. It is represented with the imagery of the royal hunt. Tigers, deer, birds, and horses are all intermingling in a forest of floral motifs. This Jangla and Shikargah represent the mastery of Varanasi weavers who depicted the favoured pastime of ruling princes and aristocracy. Gyasar comes under the different types of Varanasi brocades. The design, pattern, colours, and theme are based on the auspicious Buddhist symbols and floral imagery. The Gyasar weave has been used for centuries for ceremonial dress as an offering. The clients for this weave include the Royal family of Bhutan and other followers of Buddhism across the world. This heavy brocade in silk with gold and silver zari is woven on the pitloom with a width of 23', and a weaver can produce just a few inches in a day. Coming to the western part of India, we will now be talking about the Patola of Gujarat, the double Ikat silk fabric made in Patan was a popular item of Indian export to Indonesia around the 13th century, where Indian, Portuguese, Dutch, and other merchants used them to barter for spices. The name Patola is derived from the Sanskrit word 'pattakulla', and is the plural form of the word patolu. Dynamic geometric grid patterns and intricate motifs combine to form the double ikat textiles of India. The precise placement of the closely woven motifs, combined with rich colours, provides the patolu (weaver) of Gujarat a mosaic-like appearance. Pattern drawn on a graph sheet Patolas are manufactured by the resist-dyeing technique. The essential block-like quality of these textiles comes from the reference to the double ikat technique. In this process, sets of identical marked threads are tied and dyed at regular intervals. When woven, it forms networks of stepped motifs or patterns. Precision is the main goal of a patolu weaver. This is a Panch Ful Bhat silk Patola sari using the techniques of Double Ikat, where five flowers are shown in full bloom as a motif. Cotton is rarely used, especially for ikat sections. With a few exceptions, the Patola is traditionally used as a rectangular cloth. In Jain and Hindu communities, double ikat saris with entire design of parrots, flowers, elephants, and dancing figures are generally used, whereas in Muslim communities, saris with geometric designs and flower patterns are used, being worn mostly for weddings and other special occasions. Conclusion Handloom is not just about weaving the fabric, but it also represents our human creativity and cultural continuity. It showcases the patience and skill of artisans who transform these regular-looking threads into textiles, which gives us the meaning and heritage of our country. As power looms are giving us speed in this industrial revolution, the handloom stands as a reminder that beautiful things can emerge from slowness, where traditions are preserved and coexist with progress.


Fashion Value Chain
5 days ago
- Fashion Value Chain
Jharkhand Handlooms empowers Tradition, Heritage & Craft
Arya Prameh, Fashion Management Scholar, National Institute of Fashion Technology, Daman Jharkhand's handloom art vividly showcases the state's deep tribal heritage and cultural traditions. The craft is mainly performed by women from different communities and functions to maintain cultural identity while also offering means of livelihood. The fabrics are recognized for their natural colors and complex geometric and floral designs, frequently influenced by tribal art styles such as Sohrai and Kohvar. Among the esteemed fabrics, Tussar silk, praised for its golden luster and unique texture, shines brightly, while traditional tribal attire such as Parhan and Panchi is characterized by vivid stripes or checks colored with natural dyes. The handloom industry in Jharkhand, particularly in areas such as Bhagaiya, exemplifies a combination of heritage and modernity. In this setting, families participate in weaving Tussar silk with locally obtained materials, where women are key contributors in different phases of the production process. Over time, designs have progressed to include fresh patterns and embroidery, moving beyond basic sarees to a wider range of intricately made items. Even with obstacles from mechanized looms and market demands, government programs like those from Jharcraft assist artisans through training, design improvements, and access to markets, aiding in the preservation and promotion of this native craft. Women play a vital role in the handloom sector of Jharkhand, engaged in tasks like weaving, spinning, dyeing, and finishing. Their involvement, frequently coordinated via self-help groups, promotes rural empowerment and social advancement. The craft has started to draw interest beyond local markets, receiving recognition for its sustainability and cultural distinctiveness on both national and international levels. Ongoing support, awareness, and preservation initiatives are crucial for guaranteeing that Jharkhand's handloom heritage thrives in today's world, maintaining its cultural essence while evolving to suit modern preferences.


Time of India
19-07-2025
- Time of India
Chennai Seniors Combat Loneliness with Community Activities
Since retiring, N Ramakrishna has turned RK Nagar Park into more than just his morning walk route. It's now his stand-up stage. Every Saturday, notebook in hand, the 83-year-old performs for a small group of seniors, cracking jokes about everything from joint pain to politics. 'My jokes are mostly anecdotal, talking about imaginary awkward situations I've been in. I look forward to the open mic all week,' he says, adding that he now looks for a punchline in everything from doctor visits to daily errands. While a recent HelpAge India report says that nearly 50% of elders, especially those above 80 and living alone, cite loneliness as the most common negative feeling associated with ageing, a growing number of seniors in the city, such as Ramakrishna, are refusing to let isolation define their later years, choosing instead to build their own little communities around shared interests. From board games in community halls to pottery studio sessions, they're making every effort to stay socially and emotionally connected. RK Nagar Park association regularly hosts music sessions, TED-style talks, knowledge-sharing sessions, and informal debates, besides open mic programmes. They also facilitate an alternative community living setup by running daycares that serve as hangout joints for seniors. You Can Also Check: Chennai AQI | Weather in Chennai | Bank Holidays in Chennai | Public Holidays in Chennai The Dignity Foundation, an organisation that works for the welfare and care of the elderly, says more elders are signing up for Tai Chi, basket weaving, carrom and pallanguzhi. 'I sign up so I can interact with people my age. Every evening, I go home looking forward to the next day's meet up,' says Sivagami V, a 74-year-old resident of Beach Road who leaves home at 7.30am as part of the foundation's day care programme. 'I live alone, and the loneliness can be overpowering at times. But here there's someone to ask me how I am doing, and I'm grateful.' 'We promote intergenerational events as well, like we recently held a fashion show where seniors walked the ramp wearing designs put together by youngsters from the National Institute of Fashion Technology,' says Merita Joseph, chapter head of the Dignity Foundation in Chennai. 'It was exciting,' says Nirmala Krishnaswamy, one of the models. 'Walking along with my husband on the ramp was such a special moment.' Merita says that when The Dignity Foundation was established 27 years ago, it had a magazine by seniors for seniors, where it was mostly health and wellness that was discussed. 'Over the years, it has become more about creating spaces for seniors to meet each other and hang out because we realised that was what they needed more, a sense of belonging,' she says. Today, the Foundation's programmes have also been extended to underprivileged communities, free of cost. Gated communities are also going the extra mile by creating exclusive seniors' clubs. Alliance Galleria Residences in Pallavaram has more than 500 members in its seniors' club, where elders celebrate observance days and go on trips together. 'My daughter lives overseas, and I live alone here,' says Usha Raghothaman, a resident. 'Initially, I felt cooped up as I had no friends to meet and didn't have anyone who could take me outside. Since I've joined the club, I have been to Yelagiri to celebrate Valentine's Day, Kanjeevaram on temple tours, and visits to beaches in the city. This group has become an extended family for me,' says the 76-year-old. NUMBERS TALK: 1. 73% of elders believe technology can help them connect with youth, but only 13% use digital tools like social media, email, or video calling 2. 87% of youth and 84% of elders said discussing personal matters is their main mode of connection Source: HelpAge India INBO Report 2025