Latest news with #Sonnet
NDTV
21 hours ago
- NDTV
Does AI Speed Up Coding? New Study Finds Surprising Results
A new research has found that using artificial intelligence (AI) tools to write code actually takes more time for experienced software developers. The study, conducted by the nonprofit research group METR, found that the software engineers took 19 per cent longer to complete tasks when using Cursor, a widely used AI-powered coding assistant. For the study, METR measured the speed of 16 developers, having an average experience of five years, working on complex software projects, both with and without AI assistance. When the use of AI tools was allowed, the developers primarily used Cursor Pro, a popular code editor, and Claude 3.5/3.7 Sonnet. "Before starting tasks, developers forecast that allowing AI will reduce completion time by 24 per cent. After completing the study, developers estimate that allowing AI reduced completion time by 20 per cent," the study highlighted. However, the results were surprisingly opposite. The researchers found that when developers use AI tools, they take 19 per cent longer than without -- suggesting AI was making them slower. The study's authors urged readers not to generalise too broadly from the results. For one, the study only measured the impact of Large Language Models (LLMs) on experienced coders, not new ones, who might benefit more from their help. "Although the influence of experimental artifacts cannot be entirely ruled out, the robustness of the slowdown effect across our analyses suggests it is unlikely to primarily be a function of our experimental design." The rapid advancement of artificial intelligence (AI) in recent years has led experts to claim that software engineering jobs could soon be fully outsourced to AI agents. Despite the study suggesting that coding with AI was taking more time, companies are unlikely to stop spending resources on perfecting AI coding. Last year, during Google's Q3 2024 earnings call, CEO Sundar Pichai revealed that AI systems now generate more than a quarter of new code for its products, with human programmers overseeing the computer-generated contributions. "Today, more than a quarter of all new code at Google is generated by AI, then reviewed and accepted by engineers. This helps our engineers do more and move faster," said Mr Pichai at the time.
Geeky Gadgets
3 days ago
- Geeky Gadgets
Claude Code $20 vs $200 Subscriptions Compared : Premium Plan Worth the Price?
What if the difference between $20 and $200 could redefine how you approach your most critical tasks? Imagine investing in a tool that promises to streamline your workflow, only to wonder if the premium option is worth the extra cost. With Anthropic's Claude Code, users face a pivotal choice between the affordable Sonnet plan and the power-packed Opus subscription. While one caters to everyday needs with efficiency and simplicity, the other offers advanced capabilities for tackling intricate challenges. But is the steep price jump justified? This exploration dives into the nuances of both plans to uncover what you're truly getting for your money—and whether your needs align with the promise of premium performance. In the following sections, Matt Maher explains how these two tiers stack up in terms of features, performance, and overall value. From casual content generation to complex, resource-heavy tasks, we'll break down which plan excels in specific scenarios and why. Whether you're a professional seeking precision or a casual user looking for reliability, this comparison will help you make an informed decision. By the end, you might find that the right choice isn't just about cost—it's about understanding the balance between what you need and what you're willing to invest. Sometimes, the real question isn't 'Which plan is better?' but rather, 'What's the value of getting exactly what you need?' Claude Code Subscription Comparison Sonnet vs. Opus: Key Differences The Sonnet and Opus tiers are tailored for distinct user profiles, offering varying levels of performance and utility. Below is a breakdown of their primary characteristics: Sonnet ($20/month): Designed for general use, Sonnet provides reliable performance for everyday tasks. It is fast, efficient, and delivers consistent results, making it an excellent choice for users with straightforward needs such as content generation, basic problem-solving, or casual experimentation. Designed for general use, Sonnet provides reliable performance for everyday tasks. It is fast, efficient, and delivers consistent results, making it an excellent choice for users with straightforward needs such as content generation, basic problem-solving, or casual experimentation. Opus ($200/month): Geared toward advanced users, Opus is optimized for handling complex, resource-intensive tasks. It offers enhanced capabilities, including the ability to generate nuanced outputs, resolve intricate issues, and manage long-running processes. While its higher price tag reflects these advanced features, it may not be necessary for users with simpler requirements. Both tiers are effective in their respective domains, but the choice ultimately depends on the complexity and scale of your projects. For users with standard needs, Sonnet offers excellent value, while Opus is better suited for those tackling demanding tasks. Performance Evaluation: Sonnet vs. Opus To provide an objective comparison, both subscription tiers were tested under identical conditions using a variety of tasks. These tasks included: Generating detailed architectural designs Creating multiple variations of outputs Identifying and addressing errors in generated content This controlled approach ensured a fair assessment of their capabilities. The results highlighted distinct strengths for each tier: Sonnet: Performed exceptionally well across most tasks, often matching Opus in terms of output quality for simpler projects. Its speed and efficiency make it a practical choice for users with standard requirements, such as generating concise reports or straightforward creative content. Performed exceptionally well across most tasks, often matching Opus in terms of output quality for simpler projects. Its speed and efficiency make it a practical choice for users with standard requirements, such as generating concise reports or straightforward creative content. Opus: Excelled in scenarios involving complex or resource-heavy tasks. It consistently delivered more polished and accurate results when tasked with generating multi-layered designs or resolving errors that required a deeper contextual understanding. Its ability to handle intricate challenges sets it apart from the Sonnet plan. For example, when tasked with creating a detailed, multi-faceted architectural design, Opus demonstrated superior performance by producing outputs with greater depth and precision. However, for simpler tasks, the difference in performance between the two tiers was minimal, making Sonnet a cost-effective option for most users. Claude Code Subscriptions Compared Watch this video on YouTube. Stay informed about the latest in Claude Code by exploring our other resources and articles. Anthropic's Metering System: A Flexible Approach Anthropic's metering system is a valuable feature that allows users to monitor their usage and manage subscription costs effectively. This system provides flexibility by allowing users to start with the $20 Sonnet plan and upgrade to the $200 Opus plan only when their needs evolve. For most users, the Sonnet plan offers ample functionality for general tasks, making it a practical starting point. The metering system ensures that you can scale up to the Opus plan without committing to the higher cost prematurely. This approach is particularly beneficial for users who are unsure of their long-term requirements or anticipate occasional spikes in demand. Claude Code vs. Gemini: A Comparative Perspective For those exploring alternatives, Gemini offers a free option that emphasizes speed and basic functionality. While it may suffice for simple tasks, Gemini lacks the sophistication and thoughtful design of Claude Code. Its outputs often fall short in terms of creativity, depth, and polish when compared to both the Sonnet and Opus plans. If high-quality, nuanced results are a priority, Claude Code remains the superior choice. The Sonnet plan provides reliable performance for general tasks, while the Opus plan offers advanced capabilities for users with demanding requirements. Gemini, while free, is better suited for users with minimal expectations or those who prioritize cost over quality. Choosing the Right Plan for Your Needs The decision between the $20 Sonnet plan and the $200 Opus plan ultimately depends on your specific requirements. For the majority of users, the Sonnet plan delivers excellent value, offering strong performance and efficiency for everyday tasks. It is an ideal choice for individuals and businesses with standard needs, such as content creation, basic problem-solving, or casual experimentation. On the other hand, the Opus plan is designed for users with advanced needs, such as handling complex projects, generating nuanced outputs, or managing resource-intensive tasks. Its higher price tag reflects its enhanced capabilities, making it a worthwhile investment for those tackling intricate challenges. Thanks to Anthropic's metering system, you can start with the Sonnet plan and upgrade to the Opus plan as your needs evolve. This flexibility ensures that you only pay for the features you require, making Claude Code a versatile and cost-effective solution for a wide range of users. Media Credit: Matt Maher Filed Under: AI, Top News Latest Geeky Gadgets Deals Disclosure: Some of our articles include affiliate links. If you buy something through one of these links, Geeky Gadgets may earn an affiliate commission. Learn about our Disclosure Policy.
Leader Live
10-07-2025
- Entertainment
- Leader Live
Richard Ashcroft: I'm happy Oasis are getting chance to have victory lap
Ashcroft, who fronted The Verve before becoming a solo artist, supported Oasis when they played the first of their series of reunion gigs in Cardiff on Friday. Speaking to Vernon Kay on his Radio 2 show on Thursday, Ashcroft said The Verve had known brothers Liam and Noel Gallagher for many years and he been the warm-up act for Oasis 'many times' before. 'I've also in a way been there from almost the beginning… our stories are bonded whether we like it or not,' Ashcroft added. He said the Oasis reunion shows, 16 years after they broke up, are a 'vindication for them that everything they did, it wasn't just some mirage, it wasn't just of the times, their stuff has lasted'. Ashcroft went on: 'You know, not to have a cliche, they will live forever and I'm just happy for them. 'I'm happy for their mum, their family, everyone involved that they're getting that chance to have a victory lap, you know what I mean?' Ashcroft was the latest artist to perform in the Piano Room on Kay's show, accompanied by the BBC Concert Orchestra at London's Maida Vale studios. Ashcroft performed Sonnet, Lover and a cover of Lady by Dennis Wilson and chatted to Vernon about the legacy of Oasis and The Verve. He said his new solo album is due out in September, after he has finished touring with Oasis. 'I'm buzzing that I'm still here,' he added. 'I'm still making music, people pay me to make music, people pay me to sing live. It's like, I can't complain.' Asked by Kay whose idea it was for him to support Oasis, Ashcroft said: 'I think it was their promoter, who is my promoter, but I think he had a number of people who would have done it for nothing, and I think he was hoping it was gonna be one of them. 'But I think Liam mentioned it in a meeting and Noel totally agreed because I used to say I supported Noel when I was younger, and Liam, Oasis, as a solo artist, they supported The Verve back in very early days.' He also joked that when Oasis co-founder and guitarist Bonehead left the band, he would have liked to have filled his position. 'I would have taken the job, to be honest. I'd have been happy. I'd have been happy strumming along to those tunes, you know what I mean? Big weight off my shoulders, just have a laugh.' Ashcroft also spoke of the timeless appeal of guitar-led bands such as The Rolling Stones, Oasis and The Verve. He told Kay: 'When I saw The Stones not that long ago, I was amazed at the cross-generational crowd. 'You've got grandads, sons, grandsons all together watching a show. And there's not many acts that can pull that off, and Oasis – and I believe myself – can do that. We can bring in multi-generations of families to enjoy it.' Kay told listeners that the next Piano Room performance will be from Robbie Williams on August 21.
South Wales Guardian
10-07-2025
- Entertainment
- South Wales Guardian
Richard Ashcroft: I'm happy Oasis are getting chance to have victory lap
Ashcroft, who fronted The Verve before becoming a solo artist, supported Oasis when they played the first of their series of reunion gigs in Cardiff on Friday. Speaking to Vernon Kay on his Radio 2 show on Thursday, Ashcroft said The Verve had known brothers Liam and Noel Gallagher for many years and he been the warm-up act for Oasis 'many times' before. 'I've also in a way been there from almost the beginning… our stories are bonded whether we like it or not,' Ashcroft added. He said the Oasis reunion shows, 16 years after they broke up, are a 'vindication for them that everything they did, it wasn't just some mirage, it wasn't just of the times, their stuff has lasted'. Ashcroft went on: 'You know, not to have a cliche, they will live forever and I'm just happy for them. 'I'm happy for their mum, their family, everyone involved that they're getting that chance to have a victory lap, you know what I mean?' Ashcroft was the latest artist to perform in the Piano Room on Kay's show, accompanied by the BBC Concert Orchestra at London's Maida Vale studios. Ashcroft performed Sonnet, Lover and a cover of Lady by Dennis Wilson and chatted to Vernon about the legacy of Oasis and The Verve. He said his new solo album is due out in September, after he has finished touring with Oasis. 'I'm buzzing that I'm still here,' he added. 'I'm still making music, people pay me to make music, people pay me to sing live. It's like, I can't complain.' Asked by Kay whose idea it was for him to support Oasis, Ashcroft said: 'I think it was their promoter, who is my promoter, but I think he had a number of people who would have done it for nothing, and I think he was hoping it was gonna be one of them. 'But I think Liam mentioned it in a meeting and Noel totally agreed because I used to say I supported Noel when I was younger, and Liam, Oasis, as a solo artist, they supported The Verve back in very early days.' He also joked that when Oasis co-founder and guitarist Bonehead left the band, he would have liked to have filled his position. 'I would have taken the job, to be honest. I'd have been happy. I'd have been happy strumming along to those tunes, you know what I mean? Big weight off my shoulders, just have a laugh.' Ashcroft also spoke of the timeless appeal of guitar-led bands such as The Rolling Stones, Oasis and The Verve. He told Kay: 'When I saw The Stones not that long ago, I was amazed at the cross-generational crowd. 'You've got grandads, sons, grandsons all together watching a show. And there's not many acts that can pull that off, and Oasis – and I believe myself – can do that. We can bring in multi-generations of families to enjoy it.' Kay told listeners that the next Piano Room performance will be from Robbie Williams on August 21.
RTÉ News
10-07-2025
- Entertainment
- RTÉ News
Richard Ashcroft: I'm happy Oasis are getting chance to have victory lap
Musician Richard Ashcroft said he and Oasis are "bonded" together in their stories as they have supported each other since they first enjoyed huge success in the 1990s. Ashcroft, who fronted The Verve before becoming a solo artist, supported Oasis when they played the first of their series of reunion gigs in Cardiff on Friday. Speaking to Vernon Kay on his Radio 2 show on Thursday, Ashcroft said The Verve had known brothers Liam and Noel Gallagher for many years and he been the warm-up act for Oasis "many times" before. "I've also in a way been there from almost the beginning… our stories are bonded whether we like it or not," Ashcroft added. He said the Oasis reunion shows, 16 years after they broke up, are a "vindication for them that everything they did, it wasn't just some mirage, it wasn't just of the times, their stuff has lasted". Ashcroft went on: "You know, not to have a cliche, they will live forever and I'm just happy for them. "I'm happy for their mum, their family, everyone involved that they're getting that chance to have a victory lap, you know what I mean?" Ashcroft was the latest artist to perform in the Piano Room on Kay's show, accompanied by the BBC Concert Orchestra at London's Maida Vale studios. Ashcroft performed Sonnet, Lover and a cover of Lady by Dennis Wilson and chatted to Vernon about the legacy of Oasis and The Verve. He said his new solo album is due out in September, after he has finished touring with Oasis. "I'm buzzing that I'm still here," he added. "I'm still making music, people pay me to make music, people pay me to sing live. It's like, I can't complain." Asked by Kay whose idea it was for him to support Oasis, Ashcroft said: "I think it was their promoter, who is my promoter, but I think he had a number of people who would have done it for nothing, and I think he was hoping it was gonna be one of them. "But I think Liam mentioned it in a meeting and Noel totally agreed because I used to say I supported Noel when I was younger, and Liam, Oasis, as a solo artist, they supported The Verve back in very early days." He also joked that when Oasis co-founder and guitarist Bonehead left the band, he would have liked to have filled his position. "I would have taken the job, to be honest. I'd have been happy. I'd have been happy strumming along to those tunes, you know what I mean? Big weight off my shoulders, just have a laugh." Ashcroft also spoke of the timeless appeal of guitar-led bands such as The Rolling Stones, Oasis and The Verve. He told Kay: "When I saw The Stones not that long ago, I was amazed at the cross-generational crowd. "You've got grandads, sons, grandsons all together watching a show. And there's not many acts that can pull that off, and Oasis – and I believe myself – can do that. We can bring in multi-generations of families to enjoy it." Kay told listeners that the next Piano Room performance will be from Robbie Williams on 21 August.
