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Heat Advisory returns plus an Extreme Heat Warning starts off the new week!
Heat Advisory returns plus an Extreme Heat Warning starts off the new week!

Yahoo

time01-08-2025

  • Climate
  • Yahoo

Heat Advisory returns plus an Extreme Heat Warning starts off the new week!

NEW ORLEANS (WGNO) – As if Sunday wasn't hot enough, gear up for a toasty start to the new week. Sunday's Heat Advisory ended at 8 p.m. leading to a brief 'cool down' through the overnight, But it'll warm up pretty fast early on come Monday eventually getting up to 96-degrees with mostly sunny skies and a few scattered showers in the forecast. Another Heat Advisory will be in effect for your Monday starting at 10 a.m. and running until 8 p.m. There will also be an Extreme Heat Warning in effect starting at 10 a.m. through 8 p.m. on Monday for the following areas: St. James, St. John The Baptist, St. Charles, St. Bernard, St. Tammany, Tangipahoa, Jefferson, and Plaquemines parishes in addition to Harrison, Hancock and Jackson counties. When you put the forecasted temperatures together with the expected 'very humid' conditions, we will surely have Heat Index values nearing or even surpassing the 110-mark. I may sound like a broken record at this point because I can't stress the importance of heat safety and the following simple tips: (a) stay hydrated, (b) limit your time outdoors especially during the peak hours of the day and (c) check-in on family and friends who don't particularly do well in the dangerous heat. With what's currently expected for Tuesday in terms of the temperature and level of humidity, there's a pretty good chance that we could see another Heat Advisory for that day as well. Then getting back to rain chances, Sunday night will be pretty quiet: Then giving an overview for the rest of the week in terms of showers and storms, we will see greater chances every day after Wednesday — and these are also the days where we could see some relief temperature wise too!Latest Posts New technology helping to crack down on illegal dumping in New Orleans WATCH: LSU HC Brian Kelly recaps Day 1 of fall camp Trump goes off on Josh Hawley over insider trading bill Democrats ramp up pressure on Trump, GOP over Epstein files with arcane gambit Man arrested in connection with fatal New Orleans hit-and-run Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed. Solve the daily Crossword

How to spend the weekend in Portugal's wine-loving second city
How to spend the weekend in Portugal's wine-loving second city

Telegraph

time20-07-2025

  • Telegraph

How to spend the weekend in Portugal's wine-loving second city

Portugal 's second city needs no introduction. Famous primarily for giving port, or 'divine nectar of the Gods', to the world – tastings of which are highly recommended in any of the port lodges that flank the River Douro – it also gave the country its name, in Roman times when Portus and Cale straddled the magnificent River Douro. Today, it is a city which draws millions of visitors to its granite streets, its glossy blue and white tiled facades, soaring church towers, design-savvy hotels and acclaimed restaurants. Porto residents also know how to have a good time, especially in June for the feast day of St John the Baptist, the city's patron saint. Celebrations last all night under a sky illuminated by fireworks, followed the next day by a regatta, when wooden rabelos race down the Douro River. Year-round, this same sense of rich tradition and heritage are woven through daily life in Porto – here's how to spend a weekend in this vibrant city. For more Porto inspiration, see our guides to the region's best hotels, restaurants, bars and things to do. In this guide: How to spend the perfect weekend in Porto When to go Where to stay How to get there and how to get around Know before you go How to spend your weekend Day one: morning 'In Braga they pray, in Coimbra they study, in Porto they work and in Lisbon they play' goes the old Portuguese saying. But first coffee. Locals normally start the day with a bica (espresso) and a pastel de nata (custard tart), and there are still several cafés in town which date back to the beginning of the 1900s when coffee, sourced via Brazil, was introduced here. Café Majestic is one, long considered a venue for writers and intellectuals with lovely art nouveau interiors. Or visit Café A Braziliera, the first place to serve coffee to drink on the premises, still with an old sign reading 'please don't spit on the floor' – an indication of its initial reception. Also worth a mention is Café Guarany, once frequented by musicians. It sits on beautiful Aliados Avenue, the perfect place to start the day.

A Tohono O'odham family integrates Catholic and Native beliefs in the Arizona desert
A Tohono O'odham family integrates Catholic and Native beliefs in the Arizona desert

Associated Press

time02-07-2025

  • General
  • Associated Press

A Tohono O'odham family integrates Catholic and Native beliefs in the Arizona desert

TUCSON, Ariz. (AP) — On St. John the Baptist's feast day in late June, an extended Tohono O'odham family attends Mass out at their desert camp, where they gather to harvest saguaro fruit in a process sacred in their Native spirituality. 'When you're raised as being a Catholic and raised as being an O'odham, you have both of those within your home, you have both of those within your family,' said Maria Francisco. 'So it's a combination.' With her cousin, Tanisha Tucker Lohse, and about three dozen other family members and friends, Francisco worshipped at the early morning Mass in a ramada — a canopy topped with saguaro ribs to provide shade, this one decorated with paper flowers. A folding table covered by a white and gold tablecloth served as an altar. A priest visited from Tucson to celebrate the Mass. A statuette of St. John the Baptist stood by a bunch of fresh flowers, candles and burning desert sage in lieu of incense. There also were photographs of Tucker's late mom and their great-great-aunt, known as 'Grandma Juanita,' whose advocacy preserved the camp. Juana is Spanish for Jane, so she celebrated her name day on St. John's and the family is continuing the tradition. A dozen cross-shaped saguaro fruit-picking poles leaned behind the table. Made from saguaro ribs, they're used to hook the fruits and push or pull them down from the towering plants. The history of encounters between Catholicism and Native spirituality has often been marred by violence and oppression. But many members of the Tohono O'odham Nation hold onto both faith traditions as they were passed down since the late 17th century, when an Italian-born Jesuit missionary, the Rev. Eusebio Kino, introduced Christianity to these remote deserts in what now are the U.S.-Mexico borderlands. 'To me, it's the lived consequence of trying to do Catholicism on their own,' said Seth Schermerhorn, a Hamilton College professor who studies Indigenous adoption of Christian practices. Many O'odham villages have mission churches, though a shortage of priests means regular Mass is a rarity. The Rev. Aro Varnabas came from his parish, Saint Kateri, to celebrate this service. 'Making people feel connected to God through the things they're familiar with, that's what I see,' he said. Michael Enis, who works for the O'odham's San Xavier's district — home to one of the most beautifully decorated colonial Catholic churches in the Southwest, San Xavier del Bac — brought his three young children. He sees a special kinship between his nation and Jesus' cousin, who lived off the desert, calling for repentance at the risk of his life, and baptized Christ himself in the Jordan River. 'You connect the story of St. John and O'odham life, and you're stronger for it,' Enis said. ___ Associated Press religion coverage receives support through the AP's collaboration with The Conversation US, with funding from Lilly Endowment Inc. The AP is solely responsible for this content.

A Tohono O'odham family integrates Catholic and Native beliefs in the Arizona desert
A Tohono O'odham family integrates Catholic and Native beliefs in the Arizona desert

The Independent

time02-07-2025

  • General
  • The Independent

A Tohono O'odham family integrates Catholic and Native beliefs in the Arizona desert

On St. John the Baptist's feast day in late June, an extended Tohono O'odham family attends Mass out at their desert camp, where they gather to harvest saguaro fruit in a process sacred in their Native spirituality. 'When you're raised as being a Catholic and raised as being an O'odham, you have both of those within your home, you have both of those within your family,' said Maria Francisco. 'So it's a combination.' With her cousin, Tanisha Tucker Lohse, and about three dozen other family members and friends, Francisco worshipped at the early morning Mass in a ramada — a canopy topped with saguaro ribs to provide shade, this one decorated with paper flowers. A folding table covered by a white and gold tablecloth served as an altar. A priest visited from Tucson to celebrate the Mass. A statuette of St. John the Baptist stood by a bunch of fresh flowers, candles and burning desert sage in lieu of incense. There also were photographs of Tucker's late mom and their great-great-aunt, known as 'Grandma Juanita,' whose advocacy preserved the camp. Juana is Spanish for Jane, so she celebrated her name day on St. John's and the family is continuing the tradition. A dozen cross-shaped saguaro fruit-picking poles leaned behind the table. Made from saguaro ribs, they're used to hook the fruits and push or pull them down from the towering plants. The history of encounters between Catholicism and Native spirituality has often been marred by violence and oppression. But many members of the Tohono O'odham Nation hold onto both faith traditions as they were passed down since the late 17th century, when an Italian-born Jesuit missionary, the Rev. Eusebio Kino, introduced Christianity to these remote deserts in what now are the U.S.-Mexico borderlands. 'To me, it's the lived consequence of trying to do Catholicism on their own,' said Seth Schermerhorn, a Hamilton College professor who studies Indigenous adoption of Christian practices. Many O'odham villages have mission churches, though a shortage of priests means regular Mass is a rarity. The Rev. Aro Varnabas came from his parish, Saint Kateri, to celebrate this service. 'Making people feel connected to God through the things they're familiar with, that's what I see,' he said. Michael Enis, who works for the O'odham's San Xavier's district — home to one of the most beautifully decorated colonial Catholic churches in the Southwest, San Xavier del Bac — brought his three young children. He sees a special kinship between his nation and Jesus' cousin, who lived off the desert, calling for repentance at the risk of his life, and baptized Christ himself in the Jordan River. 'You connect the story of St. John and O'odham life, and you're stronger for it,' Enis said. ___ Associated Press religion coverage receives support through the AP's collaboration with The Conversation US, with funding from Lilly Endowment Inc. The AP is solely responsible for this content.

Sacred Mysteries: John the Baptist as guide to the Ghent Altarpiece
Sacred Mysteries: John the Baptist as guide to the Ghent Altarpiece

Telegraph

time28-06-2025

  • Entertainment
  • Telegraph

Sacred Mysteries: John the Baptist as guide to the Ghent Altarpiece

St John the Baptist was lying face up on a table and Adam and Eve were standing beside one another. This was in the workshop at the Ghent Museum of Fine Arts where, since 2012, the Ghent Altarpiece, that stupendous work by Hubert and Jan van Eyck, has been undergoing restoration. From Tuesday to Friday until next March, you can watch the restorers at work. I saw damaged flecks exposed on the two panels of angel musicians. The whole polyptych, when its two wings are open, is 15ft wide and 11ft 6in high. It is now housed in the easternmost chapel, behind the high altar, of St Bavo's Cathedral in the old city of Ghent. I found visitors quietly contemplating it or taking photographs with their mobiles. I suspect that many were unaware that only four of the 12 panels on display with the wings open are the originals. The panels are arranged in two storeys and the upper storey (Adam, Angel Choir, the Virgin Mary, God, St John the Baptist, Angel Musicians, Eve) has been replaced with good colour photographs while the panels are away being restored. Someone at the Museum of Fine Arts regretted that the former practice of replacing absent panels with black and white photographs was not still being followed. One other panel is not original: a lower storey scene of Just Judges was stolen in 1934 and never recovered. It was replaced in 1945 by an indirect copy. Does it matter that visitors think they are seeing the full original? I'm not sure. I certainly didn't like the introductory presentation in the crypt where visitors are invited to wear virtual reality headsets. The visuals didn't give a convincing view but a 21st-century simulacrum, like something from a Lord of the Rings film. The audio was unconvincing too, speaking of the 'adoration'of saints in the Middle Ages, which is far from fair. One object in the crypt linked up with the Van Eycks' project in painting the altarpiece. It was a silver reliquary in the form of a head, enclosing a small relic from the skull of St John the Baptist. The cathedral was dedicated to this saint before it acquired the dedication to St Bavo, or Baaf in Flemish. John the Baptist is shown on two prominent panels: on the back in imitation of statuary, and on the front next to the central figure of God. To be sure, the widest panel shows the mystic scene of the Lamb of God, standing upon an altar, with blood flowing from its side. But John is the guide, as it were, who introduces the viewer to the heavenly tableau. The altarpiece was inaugurated on May 6 1432, when the son of Philip the Good, Duke of Burgundy, was baptised in the church. John is depicted not only as the baptiser but also as a citizen of heaven, flanking God, with the Virgin Mary in the place of honour on the other side. So John retains his ascetic garment of camel hair, but over it he wears a cloak of rich green hemmed with jewels. He points to God, but with his left hand holds a book open at a prophetic text that we can see includes the illuminated word Consolamini – 'Comfort ye, comfort ye my people, saith your God,' the words of Isaiah familiar from Handel's Messiah. Isaiah continues with words that fit John the Baptist as 'The voice of him that crieth in the wilderness, Prepare ye the way of the Lord.' Part of the genius of the Van Eycks was to include the smallest detail without it swamping the overall images. Standing before the altarpiece behind its glass screen, it is impossible to discern every detail, which can be seen online. But I am glad I went to look at the altarpiece not virtually but in reality.

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