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Yahoo
10 hours ago
- Entertainment
- Yahoo
Wu-Tang Clan's hip-hop legacy gets unleashed during one last victory lap at Crypto.com Arena
When Wu-Tang Clan and Run the Jewels took over the Arena in downtown L.A. on Sunday night, it wasn't just a concert — it was a cultural earthquake. Crammed full of rap royalty, fans were packed together tighter than a '36' Chain" in a charged celebration of hip-hop's powerful lasting impact. The stop was part of the group's Wu-Tang Forever: The Final Chamber farewell tour that began June 6 in Baltimore and concludes July 18 in Philadelphia, comprising 27 shows. The tour features Wu-Tang's surviving members — RZA, GZA, Raekwon, Ghostface Killah, Method Man, Inspectah Deck, U-God, Masta Killa and Cappadonna — along with Ol' Dirty Bastard's son, Young Dirty Bastard, and DJ Mathematics. The night began with an fierce performance from Run the Jewels, who set the tone with their explosive energy and charisma. Killer Mike and El-P, self-described as the new PB&J, commanded the stage effortlessly as they tore through their set list, kicking off with "Legend Has It" and moving into iconic hits like "Gold," "Lie, Cheat, Steal," "Ooh La La" and "Close Your Eyes." The crowd was electric, rapping every word in unison while raising hand pistols and fists in solidarity. The duo's sharp-witted lyrics, relentless rhythm and uncontainable passion ensured that their performance would be etched in memory as one of the highlights of the evening. By 9 p.m., it was officially time for Wu-Tang Clan to 'Bring Da Ruckus,' and it did so with the fiery conviction of a team that defined an era in hip-hop. Arguably one of the most influential groups in music history, Wu delivered a performance that was both nostalgic and invigorating. Each member's unique style and lyrical prowess shone brightly as classics like "C.R.E.A.M.," "Protect Ya Neck," 'Method Man,' 'Can It Be All So Simple' and Triumph' reverberated through the arena, igniting waves of energy throughout the audience. The powerful bass lines and raw, unfiltered sound reminded everyone why Wu-Tang Clan remains one of the most significant outfits in hip-hop. Every hit Wu performed was like a time machine, taking the crowd on a ride through decades of influence, innovation and street-born poetry. The chamber members didn't just perform, they took victory laps in front of a crowd that knew every word. You could feel the respect and weight of history in every moment. Adding a poignant touch to the evening, YDB took the stage to honor his late father, Ol' Dirty Bastard, with renditions of his hits "Shimmy Shimmy Ya" and "Got Your Money." The crowd rapped along passionately, creating a collective moment of tribute. The show also featured an unexpected twist, with multiple interludes promoting RZA's latest action thriller, "One Spoon of Chocolate," as well as the "Purple Tape Files" doc produced by him and Raekwon, blending entertainment with strategic promotion. Smart? Probably — even if it did seem oddly shoehorned in the middle of the show. Sunday at was much more than a gathering of two legendary crews sharing a stage. It was a historic celebration that lighted up Los Angeles with the full force of hip-hop excellence. From the thundering beats to the infectious energy of the crowd, every moment served as an in-your-face reminder that music shapes, inspires, and unites. And the performances? Those were a living testament to hip-hop's enduring role in culture, and the audience left buzzing with the echoes of greatness that had filled every corner of the arena — Wu-Tang forever. Get notified when the biggest stories in Hollywood, culture and entertainment go live. Sign up for L.A. Times entertainment alerts. This story originally appeared in Los Angeles Times.
Los Angeles Times
10 hours ago
- Entertainment
- Los Angeles Times
Wu-Tang Clan's hip-hop legacy gets unleashed during one last victory lap at Crypto.com Arena
When Wu-Tang Clan and Run the Jewels took over the Arena in downtown L.A. on Sunday night, it wasn't just a concert — it was a cultural earthquake. Crammed full of rap royalty, fans were packed together tighter than a '36' Chain' in a charged celebration of hip-hop's powerful lasting impact. The stop was part of the group's Wu-Tang Forever: The Final Chamber farewell tour that began June 6 in Baltimore and concludes July 18 in Philadelphia, comprising 27 shows. The tour features Wu-Tang's surviving members — RZA, GZA, Raekwon, Ghostface Killah, Method Man, Inspectah Deck, U-God, Masta Killa and Cappadonna — along with Ol' Dirty Bastard's son, Young Dirty Bastard, and DJ Mathematics. The night began with an explosive performance from Run the Jewels, who set the tone with their explosive energy and charisma. Killer Mike and El-P, self-described as the new PB&J, commanded the stage effortlessly as they tore through their set list, kicking off with 'Legend Has It' and moving into iconic hits like 'Gold,' 'Lie, Cheat, Steal,' 'Ooh La La' and 'Close Your Eyes.' The crowd was electric, rapping every word in unison while raising hand pistols and fists in solidarity. The duo's sharp-witted lyrics, relentless rhythm and uncontainable passion ensured that their performance would be etched in memory as one of the highlights of the evening. By 9 p.m., it was officially time for Wu-Tang Clan to 'Bring Da Ruckus,' and it did so with the fiery conviction of a team that defined an era in hip-hop. Arguably one of the most influential groups in music history, Wu delivered a performance that was both nostalgic and invigorating. Each member's unique style and lyrical prowess shone brightly as classics like 'C.R.E.A.M.,' 'Protect Ya Neck,' 'Method Man,' 'Can It Be All So Simple' and Triumph' reverberated through the arena, igniting waves of energy throughout the audience. The powerful bass lines and raw, unfiltered sound reminded everyone why Wu-Tang Clan remains one of the most significant outfits in hip-hop. Every hit Wu performed was like a time machine, taking the crowd on a ride through decades of influence, innovation and street-born poetry. The chamber members didn't just perform, they took victory laps in front of a crowd that knew every word. You could feel the respect and weight of history in every moment. Adding a poignant touch to the evening, YDB took the stage to honor his late father, Ol' Dirty Bastard, with renditions of his hits 'Shimmy Shimmy Ya' and 'Got Your Money.' The crowd rapped along passionately, creating a collective moment of tribute. The show also featured an unexpected twist, with multiple interludes promoting RZA's latest action thriller, 'One Spoon of Chocolate,' as well as the 'Purple Tape Files' doc produced by him and Raekwon, blending entertainment with strategic promotion. Smart? Probably — even if it did seem oddly shoehorned in the middle of the show. Sunday at was much more than a gathering of two legendary crews sharing a stage. It was a historic celebration that lighted up Los Angeles with the full force of hip-hop excellence. From the thundering beats to the infectious energy of the crowd, every moment served as an in-your-face reminder that music shapes, inspires, and unites. And the performances? Those were a living testament to hip-hop's enduring role in culture, and the audience left buzzing with the echoes of greatness that had filled every corner of the arena — Wu-Tang forever.
The Guardian
10-02-2025
- Entertainment
- The Guardian
Maribou State review – UK duo turn darkness into light after existential crisis
Celebrating the chart success of new album Hallucinating Love, Chris Davids and Liam Ivory posted a question on social media last week: 'Who ever thought melancholy elevator music would make it in the Top 10?' This tongue-in-cheek description gets at certain truths about the Maribou State sound. It can glide past without making much impact, but leaves behind a feeling of pleasant sadness, a vapour trail of blue. Live, however, they are far punchier and dancefloor-focused. Not for nothing is the rhythm section – Jonny Cade on drums, Jonjo Williams on bass and percussion – positioned at the front of the stage. Davids and Ivory keep well back, the former mostly on guitar, the latter behind a bank of synths, drum pads and sample triggers. They open with Nervous Tics, perhaps the funkiest song ever written about emotional detachment. In its recorded version it is sung by its co-writer Holly Walker, whose aloof tones are one of the band's sonic signatures, but live vocals on this tour come from Talulah Ruby, who has a huge soul voice. Two songs, Steal and Midas, which she performs at what feels like close to her full power are met with answering roars from the crowd. Whenever she is off-stage, though – which is half the set – there is a drop in intensity and focus, and the mix of sampled and live singing can feel awkward. For All I Need, Ruby duets with the absent Andreya Triana, whose gospel-inflected hook is a highlight of the new album – but lacking that human dynamic, it falls a bit flat. A shame, because that song – and the rest of Hallucinating Love – has a powerful emotional register. Indeed, it feels like the committed performances of the musicians, and the strong audience reaction to them, are informed by the compelling backstory to this music. Maribou State have not toured for years in part due to Davids suffering and then recovering from a debilitating brain condition. The situation, while obviously difficult, has been a creative stimulus in that it gave them a theme and a mood: hope in dark times. That is felt most keenly in Blackoak, with its lyrics of healing and compassion, which brings the evening to a close on a beautiful redemptive note. Maribou State play O2 Academy, Bristol, 11 February; Manchester Academy, 12 February; Alexandra Palace, London, 14-16 February
