Latest news with #SteptoeandSon
The Irish Sun
07-07-2025
- Entertainment
- The Irish Sun
Freeview channel brings back beloved British sitcom as viewers cry ‘at last something decent on TV'
A FREEVIEW channel is bringing a beloved British sitcom back to TV screens this summer. The 1970s sitcom was first broadcast on ITV, and is now being repeated on That's TV. Advertisement 3 The sitcom will be broadcast on a Freeview channel Credit: Wikipedia 3 Man About The House details the chaotic lives of Chrissy, Jo and Robin Credit: ITV 3 The show ran for 6 series in the 70s Credit: ITV Man About The House was considered to be daring at the time when it was first released, as it featured a man living in a flat with two single women. The show tracks the chaotic lives of Chrissy and Jo and their new flatmate Robin, who ends up moving in with them after they find him asleep in their bathtub following a wild farewell party for their previous flatmate. It stars Richard O'Sullivan, Paula Wilcox and Sally Thomset and aired for six series from 1973 to 1976. Two spin-off series were later made, George and Mildred and Robin's nest, and a film version of the series was released in 1974. Advertisement Read more TV stories In the US, the series was remade as Three's Company in 1977. That's TV can be found on channel 56 on your Freeview box, and often plays re-runs of beloved shows, such as Steptoe and Son and Benidorm. Sharing a clip of the show on Facebook, the TV channel said: "Man about the house, this summer on That's TV. TV fans raced to the comments section of the video, to share their excitement at the show's return. Advertisement Most read in News TV One person said: "Great comedy , watched it so many times, never gets old." A second person said: "At last something decent! Freeview users warned of TV box issue that causes havoc for scheduled recordings "Now get George and Mildred aswell." A third person said: "Brilliant theme music. Advertisement "Such rarity these days." A fourth added: "Cannot wait." How to watch TV legally without paying for a licence YOU can legally use the following services without a TV Licence as long as you aren't using them to watch or stream live TV: On demand TV – such as catch-up TV and on demand previews, which are available through services including ITV Player, All 4, My5, BT Vision/BT TV, Virgin Media, Sky Go, Now TV, Apple TV, Chromecast, Roku and Amazon Fire TV. You can't watch or download programmes on BBC iPlayer without a TV licence. On demand movies - from services such as Sky, Virgin Media, BT Vision, Netflix and Amazon Instant Video. Recorded films and programmes - either via DVD or Blu-ray, or downloaded from the internet. YouTube - Video clips that aren't live through services such as YouTube.
Time Out
26-06-2025
- Entertainment
- Time Out
A Moon for the Misbegotten
It's a trap, almost, to think of Eugene O'Neill's final play A Moon for the Misbegotten as a sequel to his miserable masterpiece Long Day's Journey Into Night. Sure, they share the character of Jim Tyrone, a dissolute young actor in Long Day's Journey and a dissolute older actor here. But you go in expecting despair and instead find something that's more like an episode of Steptoe and Son. Maybe that's down to director Rebecca Frecknall – now a master of whipping the lesser-revived plays of the American canon into shape – putting space between this and the old workhorse of Long Day's Journey (which we've seen three times in London in the last 13 years): not the faded grandeur of a seaside home here, but a wooden yard full of splintered timbers pointing into the sky, messy and dusty. The production itself, though, is anything but dusty. From the first moment, every line is a punch or a jab or a dagger. Peter Corboy and Ruth Wilson as siblings Mike and Josie burst onto the stage and whack each other with dialogue, and their fists. Fed up with his dad Phil's drunkenness and slave-driving on their rock-infested farm, Mike is leaving. All that's left to Phil is daughter Josie, whose sleeping around has made her 'the scandal of the neighbourhood', and their landlord Jim Tyrone who may or may not sell the farm to them and who may or may not be in love with Josie. David Threlfall is a hoot as Phil, roaring and whimpering, and giving us some hilarious line deliveries. It's surprising just how funny these early scenes are, especially the exchanges between Josie and Phil, the two of them as roguish and stubborn as each other, like two blunt instruments. But what this does share with Long Day's Journey, and with all of O'Neill's best work, is the seven or eight layers of contradictory meaning that each line hides, and a cast full of characters who can't tell themselves the truth. Here, they are all bent on believing they are the worst versions of themselves: Josie that she's a whore, Jim that he's a drunk, Phil that he's got no heart. Like L ong Day's Journey, the play becomes an excavation until the characters have dug themselves down to bare rock. Clapping her hands, slapping castmates' shoulders, Wilson plays Josie with an almost hoedown physicality that's impossible not to watch. It takes Josie the longest to pick apart the shell that entombs her, and Wilson shows us someone so shored up with defence mechanisms that every movement and every word has become a careful act - though it's sometimes too fine a line to tell whether it's Wilson acting or Josie acting. Stick that alongside Michael Shannon's sloth-like slowness, and it's like the quick and the dead: him sharp-suited and sluggish, her in rags and restless; her playful ribbing a world apart from his instant, unrelenting severity. Even his mouth seems reluctant to open too widely, and that complete lack of hurrying is completely engrossing. My god the man has presence. Frecknall handles it brilliantly: she knows how to let the humour ebb away, how to let the anguish build. Maybe there's a bit too much whisky-swilling and moonlight melodrama, but even when O'Neill's text sags, the production holds it up with fine-wrought acting or slowly circling lights or heartrending stage pictures, like Shannon doubled over in agony while Wilson holds him tightly to her. As she did with Tennessee Williams's Summer and Smoke, Frecknall turns the tilth on a half-buried play, and digs up something extraordinary.
Yahoo
28-05-2025
- Entertainment
- Yahoo
Tributes paid to 'local legend' and renowned Cornish photojournalist
A legendary Cornish photojournalist, famed for his news coverage, has died. David Brenchley, known across the county, has died at the age of 80. Born in 1944, David began his journey as the child of Walter James John Brenchley and Muriel Agnes Brenchley. Raised in Harpenden alongside his siblings, he attended St Dominic's Primary School and later St Albans County Grammar School for boys. Photojournalist David Brenchley. (Image: supplied) In his youth, David dabbled in chemistry and music, with an infamous ginger beer experiment resulting in the destruction of the family shed. A prodigious guitarist, he formed a skiffle band called The Electrons and even played with early members of The Zombies before they reached international acclaim. He left the music sphere to embark on a career in photojournalism, enrolling at the BBC Camera Operative training school in London, later working on iconic programmes such as Doctor Who, Top of the Pops, Steptoe and Son, and That was the week that was. Anecdotes from his time with the BBC include a peculiar exchange with a Dalek on the set of Doctor Who. David left the BBC and initially worked for a Hertfordshire newspaper before seizing the opportunity to establish a press business in Cornwall. Despite humble beginnings, he managed to build the Cornish Photonews business, providing news and photographs to multiple media outlets such as the Falmouth Packet, West Briton, and Western Morning News. His ambition saw him setting up a wire service, a technological achievement for the time, that enabled him to transmit images to London via telephone lines. David was known for "his slightly scruffy appearance, quick wit, and ever-present cigar." He managed to gain the trust of locals, often winning stories that other reporters struggled to get. He was a well-respected figure in the industry, covering notable stories such as the memorable 1998 Porthleven storms, the 1979 Fastnet disaster, and the 1985 capsizing of Simon Le Bon's yacht, Drum. David Brenchley was a pioneer, remaining ahead of the technological curve, embracing digital photography early on in its advent. He co-founded the Really Wide Picture Company, capturing panoramic images of Cornwall, a venture that led to the creation of a custom enlarger to accommodate the unique format. David was a man of many talents, from being a member of touring band The Ferryboaters, to his love for DIY and fishing. He was a familiar face at local pubs like the Seaview pub in Falmouth or the Norway Inn, ever eager to participate in a quiz. In 2009, he suffered a stroke that led to his gradual withdrawal from frontline journalism. He went on to marry his long-term partner, Trish Bray, in 2012, with whom he enjoyed a peaceful retirement. David lost his battle after a short illness, leaving behind his wife, four children, six grandchildren, and a sister. The family expressed special thanks to Barry (Samantha's long-term partner) for his steadfast support and friendship towards David. David was a true legend, remembered for his wit, charm, and contribution to regional journalism. His photographic archives stand as a legacy, documenting more than three decades of Cornwall's history. His coverage of the Fastnet disaster in 1979, his documentation of the 1998 Porthleven storm, and his innovative advancements in technology have left an indelible mark on the world of regional journalism. The family has chosen a private cremation for the venerable photojournalist, but his life and contributions to journalism will be celebrated later. Further details will be announced soon. Those wishing to pay tribute to David Brenchley may contact his daughter, Samantha, directly. David's legacy remains in the people he photographed, the stories he told, and the lives he touched. His unparalleled charm, wit, and eye for news will never be forgotten, and his archive of decades of Cornish history stands testament to his unique perspective and dedication. David Brenchley, an enduring legend, leaves behind an enduring mark in the realm of journalism, woven into the very fabric of Cornwall's picturesque landscapes and the hearts of its people.
Edinburgh Live
27-04-2025
- Entertainment
- Edinburgh Live
Joanna Lumley's telling response when asked about plans to retire from acting
Our community members are treated to special offers, promotions and adverts from us and our partners. You can check out at any time. More info Dame Joanna Lumley, a stalwart of the TV and film industry with a career spanning several decades, shows no signs of slowing down as she nears her 80th birthday. Known for her femme-fatale roles, comedic timing, and stage performances, the actress continues to captivate audiences. Born in India in 1946 during the British Raj, Lumley moved to the UK as a young girl and attended boarding school. Despite an initial rejection from the Royal Academy of Dramatic Art, she found her way into the acting world. Her first significant role was a brief appearance as a Bond girl in 1969's On Her Majesty's Secret Service. She then secured roles in popular TV shows like Coronation Street, Steptoe and Son, and Are You Being Served?, before landing her breakthrough role as Purdey in The New Avengers. READ MORE -BGT viewers all say the same thing as live show is halted twice READ MORE - John Higgins shows true colours as snooker star aims dig at Ally McCoist in BBC chat Speaking at the SANDS International Film Festival of St Andrews on April 26, the iconic star expressed her determination to continue working in the industry, reports the Mirror. "I'll be here when I'm 90 - as long as I can speak. When I was 16 and told the careers officer at my convent school that I wanted to go into acting, he told me that the only jobs open to me in film would be as a continuity or makeup girl," she shared, as reported by the Daily Mail. (Image: Getty Images) (Image: Getty Images) (Image: Getty Images for University of S) Joanna, who has previously voiced her thoughts on what she would 'ban' for teenagers, commented: "In the past women like me would have been sidelined at 38 but now there are lead parts for people in their 50s and big parts for those in their 70s." Despite now being a celebrated name, the star of Amandaland opened up about the difficulties she faced on her journey to fame, especially as a young single mum at the tender age of 21. "I've been skint – I had no money, and we lived off Marmite sandwiches for months, and I burnt furniture to keep us warm," she recalled, adding: "But having a son to look after gave me such motivation to work, and it wasn't so bad – it made me tough, and I learnt resilience." She's just landed a fabulous new role in the Netflix sensation Wednesday, where she'll portray Hester Frump, the protagonist's grandmother. As well as being excited about the wigs and makeup for her spooky role, Joanna shared insights into her true character away from the camera glare. With a history that took her from modelling to stardom, Joanna learned early the art of budgeting and quick thinking, often doing her own styling from head to toe in her formative years. Now, travelling the globe as a sought-after actress, Joanna – a longstanding vegetarian – is known for having just one modest requirement on set, in stark contrast to the stereotypical demands of the Hollywood elite. She shared: "The only thing I put on my rider when travelling is that I don't eat meat or fish in case I get an upset tummy," and added: "So if I am presented with meat when I visit somewhere I just say, 'Oh it is against my religion.'".
Daily Mirror
26-04-2025
- Entertainment
- Daily Mirror
Dame Joanna Lumley's brutal response as she opens up about retirement
Joanna Lumley is one of the most iconic and loved actresses of the past few decades, and revealed when she plans to step back from the spotlight while looking back on her journey to stardom Dame Joanna Lumley is one of the greats of TV and film, with a career spanning decades. The actress is known as a femme-fatale as well as being a comedian and stage thespian, and even as she approaches 80 she has no plans of stopping yet. The beloved model was born in 1946 in India back when it was under British control, but moved back to the UK as a young girl and went straight to boarding school. Shockingly, she was turned down by the Royal Academy of Dramatic Art, but soon found her way into acting regardless. Her first big role was a few lines as a Bond girl in 1969's On Her Majesty's Secret Service, but she soon found plenty of work in popular TV shows such as Coronation Street, Steptoe and Son, and Are You Being Served?, before finding her breakout role as Purdey in The New Avengers. The iconic star spoke at the SANDS International Film Festival of St Andrews in Scotland on April 26, and said that despite having made a huge mark on the industry she's by no means ready to hang her hat up yet. 'I'll be here when I'm 90 - as long as I can speak. When I was 16 and told the careers officer at my convent school that I wanted to go into acting, he told me that the only jobs open to me in film would be as a continuity or make-up girl,' she said, according to the Daily Mail. Joanna - who recently shared what she'd 'ban' among teens, added: 'In the past women like me would have been sidelined at 38 but now there are lead parts for people in their 50s and big parts for those in their 70s.' While the Amandaland star is a huge success, she also spoke about the struggles she's been through to get to this point - particularly after becoming a single mum aged just 21. 'I've been skint – I had no money, and we lived off Marmite sandwiches for months, and I burnt furniture to keep us warm,' she said, adding: 'But having a son to look after gave me such motivation to work, and it wasn't so bad – it made me tough, and I learnt resilience.' The star has just secured her next major role in the Netflix hit show Wednesday, playing the main character's grandmother Hester Frump. Alongside gushing over all the fun wigs she gets to play as the creepy character, Joanna also described what she's truly like behind the scenes. The star explained that starting out as a model taught her to be thrifty and think on her feet, describing how back in the day models were often expected to do their own hair, makeup and nails. And now - unlike many celebrities and their diva antics - the longtime vegetarian only has one demand while working around the world. "The only thing I put on my rider when travelling is that I don't eat meat or fish in case I get an upset tummy,' she revealed. 'So if I am presented with meat when I visit somewhere I just say, 'Oh it is against my religion.''
