Latest news with #Suzanne
Irish Independent
3 hours ago
- Entertainment
- Irish Independent
‘A massive heartfelt thank you' – DJ Suzanne Kane issues statement as both she and Brian Dowling leave 98FM
The Dubliner had been on leave since February, leaving co-host Brian Dowling to present the programme alongside guest hosts. Minutes after Suzanne took to Instagram, Dowling also made a statement. In today's post on Instagram, the mum-of-three said: 'A little life update (isn't that what they call it?) "After nearly 5 years, I'm stepping away from my role presenting 10AM to 1PM on 98FM. Anyone who knows me, will know how much I adore radio and the Bauer family inside Marconi house, but for now, it's time to let the 'Good Times' roll for someone else. 'A word to the amazing team, I loved the madness and radio nerdiness that we all shared and how much we cared. Radio is really special and that's because of the people who do the heavy lifting to make it all come together. I'm glad to have been on this rollercoaster with you all. 'To everyone who listened to the show. I loved sharing my life and my kids with the soundest listeners on 98FM. We've been through a lot together & thank you for always turning up for me, it means more than any of you will know.' She continued: 'Lastly, a quick word to my kiddos Oisín, Hannah & Sadie. Thank you for letting me have a go of my dream radio job and playing ball every morning, even the really tough ones, so I could be in front of the mic by 10am and of course, Joey- the voice of support, the constant, the reassurance, who always has the reminder 'We'll figure it out, we always do'.' Suzanne has nearly two decades in the industry. Brian's statement read: 'I made the decision earlier in the year that I would not be continuing co-hosting on Brian Dowling & Suzanne Kane on @98fmdublin making this Friday, June 6, my very last show on Brian Dowling & Suzanne Kane. "When I joined Suzanne back in March of 2023, I had ZERO radio hosting skills. Blake was only 6 months old & baby Blu was only a twinkle in our eyes. It took me a minute to get into my new groove, but when I did, WOW, I honestly have had the best time & have genuinely laughed every day; even on those bad days, being part of this show ALWAYS puts a smile on my face. "Here we are now 2 years & 3 months later & I'm still laughing & smiling. I have learned so much about an industry I've been in for nearly 24 years, presenting mainly television shows but now my love for radio easily equals my love for telly. "A MASSIVE HEARTFELT thank you to the team, Russell and Cathal. You guys make the show what it is, and especially to you, Pat Gill, for making this experience UTTERLY JOYFUL for me. "Also, to you, James Brownlow, thanks for taking the risk on me It has never ever felt like work; I mean, how could it when I'm playing the likes of Britney, S Club & JLO, to name but a few I am so looking forward to a slower Summer; I'm not actually sure if I can operate on a slower pace. "Normality will continue on Six and of course, shooting the rest of The Salvage Squad this summer, as well as some trips away I've planned; in fact, it's turning out to be a very memorable Summer. "The BIGGEST THANK YOU goes to our listeners; you guys are the best, as you have kept me company 5 days a week for the last 2 years & 3 months. Your daily messages have brightened my days from 10am - 1pm. "Goodbyes are not something I'm very good at, but this doesn't feel like a goodbye at all; it's more of a talk to you later. This is Brian Dowling & you are listening to 98FM.'
Sunday World
6 hours ago
- Entertainment
- Sunday World
DJ Suzanne Kane breaks silence as both she and Brian Dowling leave 98FM
RUMOURS OF RIFT | Former Big Brother star Brian Dowling also took to social media. Neither thanked the other In happier and Brian were thrown together in 2023 but it didn't work out The popular Dubliner had been on leave since February when she allegedly made complaints about the behaviour of her co-host Brian Dowling. As we exclusively reported back in April, Kane had reached the point she could no longer work with the former Big Brother winner and chose to take some time off while the station bosses undertook an investigation. Rumours online had been circulating for months about the circumstances of Kane's surprise absence and the nature of Dowling's treatment of her and the Breakfast Show's staff, but the star repeatedly refused to answer our texts and calls. Minutes after Suzanne took to Instagram, Dowling also made a statement. In happier and Brian were thrown together in 2023 but it didn't work out News in 90 Seconds - 3rd June 2025 In today's emotional post on Instagram, the mum-of-three said: 'A little life update (isn't that what they call it?) "After nearly 5 years, l'm stepping away from my role presenting 10AM to 1PM on 98FM. Anyone who knows me, will know how much I adore radio and the Bauer family inside Marconi house, but for now, it's time to let the 'Good Times' roll for someone else. 'A word to the amazing team, I loved the madness and radio nerdiness that we all shared and how much we cared. Radio is really special and that's because of the people who do the heavy lifting to make it all come together. I'm glad to have been on this rollercoaster with you all. 'To everyone who listened to the show. I loved sharing my life and my kids with the soundest listeners on 98FM. We've been through a lot together & thank you for always turning up for me, it means more than any of you will know.' Suzanne with her family Joey, Oisin, Hannah and Sadie She continued: 'Lastly, a quick word to my kiddos Oisín, Hannah & Sadie. Thank you for letting me have a go of my dream radio job and playing ball every morning, even the really tough ones, so I could be in front of the mic by 10am and of course, Joey- the voice of support, the constant, the reassurance, who always has the reminder 'We'll figure it out, we always do'.' Suzanne has nearly two decades in the business and will surely land a new radio gig soon. Brian's statement read: 'I made the decision earlier in the year that I would not be continuing co-hosting on Brian Dowling & Suzanne Kane on @98fmdublin making this Friday June 6th my very last show on Brian Dowling & Suzanne Kane. "When I joined Suzanne back in March of 2023, I had ZERO radio hosting skills. Blake was only 6 months old & baby Blu was only a twinkle in our eyes. It took me a minute to get into my new groove, but when I did, WOW, I honestly have had the best time & have genuinely laughed every day; even on those bad days, being part of this show ALWAYS puts a smile on my face. "Here we are now 2 years & 3 months later & I'm still laughing & smiling. I have learned so much about an industry I've been in for nearly 24 years, presenting mainly television shows but now my love for radio easily equals my love for telly. Brian Dowling with 98FM boss Pat Gill "A MASSIVE HEARTFELT. Thank you to the team, Russell and Cathal. You guys make the show what it is, and especially to you, Pat Gill, for making this experience UTTERLY JOYFUL for me. Also, to you, James Brownlow, thanks for taking the risk on me It has never ever felt like work; I mean, how could it when I'm playing the likes of Britney, S Club & JLO, to name but a few I am so looking forward to a slower Summer; I'm not actually sure if I can operate on a slower pace Normality will continue on Six and of course, shooting the rest of The Salvage Squad this summer, as well as some trips away I've planned; in fact, it's turning out to be a very memorable Summer "The BIGGEST THANK YOU goes to our listeners; you guys are the best, as you have kept me company 5 days a week for the last 2 years & 3 months. Your daily messages have brightened my days from 10am - 1pm. Goodbyes are not something I'm very good at, but this doesn't feel like a goodbye at all; it's more of a talk to you later. This is Brian Dowling & you are listening to 98FM ♥️' More to come as we hear it...
Dublin Live
6 hours ago
- Entertainment
- Dublin Live
Brian Dowling to quit 98FM show following co-host Suzanne Kane's exit
Our community members are treated to special offers, promotions and adverts from us and our partners. You can check out at any time. More info Brian Dowling and Suzanne Kane have bid farewell to their mid-morning radio gig on Dublin's 98FM. Suzanne stepped into the 98FM scene in 2021, taking the reins from Adrian Kennedy and Jeremy Dixon's Dublin Talks. The year 2023 saw Brian Dowling hopping on board as her co-host. Suzanne, a familiar face from Ireland AM and RTÉ's Today Show, has been off the airwaves since late February. After much rumour and speculation, the broadcaster has now confirmed her departure from the station, reports RSVP Live. On Instagram, she shared: "After nearly 5 years, I'm stepping away from my role presenting 10AM to 1PM on 98FM. Anyone who knows me, will know how much I adore radio and the Bauer family inside Marconi house, but for now, it's time to let the 'Good Times' roll for someone else. "A word to the amazing team, I loved the madness and radio nerdiness that we all shared and how much we cared. Radio is really special and that's because of the people who do the heavy lifting to make it all come together. I'm glad to have been on this rollercoaster with you all. "To everyone who listened to the show. I loved sharing my life and my kids with the soundest listeners on 98FM. We've been through a lot together and thank you for always turning up for me, it means more than any of you will know." Suzanne bid an emotional farewell to her 98FM show, thanking her children and husband for their unwavering support throughout her time on the programme. She said: "Lastly, a quick word to my kiddos Oisín, Hannah and Sadie. "Thank you for letting me have a go of my dream radio job and playing ball every morning, even the really tough ones, so I could be in front of the mic by 10am and of course, [her husband] Joey. The voice of support, the constant, the reassurance, who always has the reminder 'We'll figure it out, we alway do'. Onward to the next adventure." Meanwhile, her co-host revealed that his final show on the station would be on Friday, June 6. Dowling had been hosting the show alongside Leanne Hanafin in Kane's absence. In a statement, Dowling said: "I made the decision earlier in the year that I would not be continuing co-hosting on Brian Dowling and Suzanne Kane on @98fmdublin making this Friday June 6th my very last show on Brian Dowling and Suzanne Kane." He reflected on his time on the show, saying: "When I joined Suzanne back in March of 2023, I had ZERO radio hosting skills. Blake was only 6 months old and baby Blu was only a twinkle in our eyes." Dowling added that it took him some time to adjust to his new role but ultimately had an incredible experience. "It took me a minute to get into my new groove, but when I did, WOW, I honestly have had the best time and have genuinely laughed every day; even on those bad days, being part of this show ALWAYS puts a smile on my face." He concluded by saying, "Here we are now 2 years and 3 months later and I'm still laughing and smiling. I have learned so much about an industry I've been in for nearly 24 years, presenting mainly television shows but now my love for radio easily equals my love for telly. "A MASSIVE HEARTFELT. Thank you to the team, Russell and Cathal. You guys make the show what it is, and especially to you, Pat Gill, for making this experience UTTERLY JOYFUL for me. Also, to you, James Brownlow, thanks for taking the risk on me. "It has never ever felt like work; I mean, how could it when I'm playing the likes of Britney, S Club and JLO, to name but a few. I am so looking forward to a slower Summer; I'm not actually sure if I can operate on a slower pace. "Normality will continue on Six and of course, shooting the rest of The Salvage Squad this summer, as well as some trips away I've planned; in fact, it's turning out to be a very memorable Summer. "The BIGGEST THANK YOU goes to our listeners; you guys are the best, as you have kept me company 5 days a week for the last 2 years and 3 months. Your daily messages have brightened my days from 10am - 1pm. "Goodbyes are not something I'm very good at, but this doesn't feel like a goodbye at all; it's more of a talk to you later. This is Brian Dowling and you are listening to 98FM." Join our Dublin Live breaking news service on WhatsApp. Click this link to receive your daily dose of Dublin Live content. We also treat our community members to special offers, promotions, and adverts from us and our partners. If you don't like our community, you can check out any time you like. If you're curious, you can read our Privacy Notice. For all the latest news from Dublin and surrounding areas visit our homepage.
Yahoo
7 hours ago
- Entertainment
- Yahoo
Josh O'Connor's ‘Rebuilding,' Andrea Riseborough's ‘Dragonfly' Among Karlovy Vary Lineup, With ‘Roma' Producer Nicolás Celis on Jury
Karlovy Vary Intl. Film Festival has revealed the official selection lineup for its 59th edition with artistic director Karel Och saying the selection 'offers an exciting display of the diversity of contemporary arthouse cinema.' He added that the filmmakers 'fearlessly protect the right to challenge expectations, to disrupt stereotypes and to win over hearts and minds with equal intensity,' and 'push the boundaries while keeping in mind the necessary connection between a film and its audience.' More from Variety Krystof Mucha Named Chairman of Karlovy Vary Film Festival Group as Position of President Left Unfilled Last Year at Karlovy Vary: A Remembrance of Czech Actor and Festival Chief Jiri Bartoska Jiří Bartoška, Actor and Karlovy Vary Film Festival President, Dies at 78 Eleven titles from the usual dozen films in the Crystal Globe Competition were revealed. The remaining one comes from Iran. 'For the safety of its makers, it has been decided to postpone its announcement until closer to the festival,' Och said. Och said the festival 'has always addressed political issues through powerful individual stories, fully supporting artists and their freedom of expression.' CRYSTAL GLOBE COMPETITION'Cinema Jazireh'Director: Gözde KuralTurkey, Iran, Bulgaria, Romania, 2025, 124 min, World premiereAfghanistan under the brutal rule of the Taliban. After surviving her family's massacre, Leila has just one goal in life: to find her son Omid. But in a country where being a woman means being less than nothing, her chances are desperately slim, and so she chooses an extreme and dangerous solution. She radically changes her identity and sets out on a path where even the slightest hesitation can mean death. In her second film, Turkish director Gözde Kural applies her familiarity with Afghan society in order to tell a story of oppression that forces individuals into roles – be it borrowed masculinity or forced femininity – that they would never accept in a free country. 'Divia'Director: Dmytro HreshkoPoland, Ukraine, Netherlands, U.S., 2025, 79 min, World premiereThe documentary is a darkly immersive meditation which brings to light Russia's aggression on Ukrainian soil and its impact on places that issue their indictments in silence: forests turned to ash, fields ravaged by explosions, flooded towns, or rusted hulks of military hardware in devastated regions, where life has faded away. But nature doesn't just give up and, like her, neither does man and his ambiguous existence. As one side brings destruction, the other – mine clearance personnel, people searching for bodies, ecologists – quantifies the aftermath of the tragedy and restores fragile Ukrainian ecosystems, even while the horizon rumbles on. 'Les Enfants vont bien' (Out of Love)Director: Nathan AmbrosioniFrance, 2025, 111 min, World premiereAfter many years, Suzanne and her two children unexpectedly show up at the home of her sister Jeanne. It initially looks like Suzanne is tentatively attempting to re-establish a relationship with her sister. But this illusion is shattered with the morning light: Suzanne is gone… Nathan Ambrosioni's intimate film is a portrait of a woman forced to become a mother to children she barely knows. His minimalist, yet profoundly empathetic storytelling lets the audience observe the slow process of coming together, the fears and hesitations of the newborn family, and the absurdities of the non-functioning state apparatus. A reflection on the fragile nature of co-existence born of necessity, and how strong it can be when born out of love. 'Jimmy Jaguar'Director: Bence FliegaufHungary, 2025, 112 min, World premiereJimmy Jaguar, aka Jagu, is a demon who drifts from soul to soul, awakening something dark within. His hosts become vessels of revenge. But whose revenge? And why do their victims, chosen with no clear pattern, all seem to share the same eerie trait? They are alive only because 'it is against the law to kill them.' Fliegauf's latest film unfolds across the vast, unforgiving plains of Hungary, where silence hangs heavy and secrets sleep beneath the soil. Listen closely, and you might hear the silence rumble with threat… or catch echoes of a buried past. Or perhaps it's the demon calling – because Jagu needs us all. 'Quan un riu esdevé el mar' (When a River Becomes the Sea)Director: Pere Vilà BarcelóSpain, 2025, 180 min, World premiereAfter a period of 13 years Pere Vilà Barceló returns to the Crystal Globe Competition with an uncompromising, introspective probe into the soul of a girl who is sexually abused. The heroine of his sixth film is Gaia, a young archaeology student, whose relationship with herself, and with those around her, is forever marked by a traumatic event. Initially, Gaia cannot find the words to describe her situation, let alone the courage to speak about it. Eventually, however – like an archaeological excavation – she begins to uncover fragments of the past in order to piece her life together. The Catalan filmmaker was able to provide a realistic depiction of her situation by choosing to emphasize the actual process of coping with the trauma, a process which can't be rushed. 'Raději zešílet v divočině' (Better Go Mad in the Wild)Director: Miro RemoCzech Republic, Slovak Republic, 2025, 77 min, World premiereRemo's particular approach resides in the originality of the questions his films raise. His latest outing, a work which loosely develops the theme explored in the book of the same name by Aleš Palán and Jan Šibík, provocatively asks whether it's possible to spend your whole life in a single place. As if harking back to a bygone era, twins František and Ondřej Klišík have made the stubborn decision to do just that. Crazy eccentrics or charismatic, possessed storytellers? It seems that they never grew up; viewed through the lens of so-called civilisation, their world shows signs of absurdity. Yet, in their genuine bucolic enchantment, they offer us all the chance to distil our source of inspiration, those of us who sometimes tire of conformist adherence to order. 'Rebuilding'Director: Max Walker-SilvermanU.S., 2025, 95 min, International premiereThree years after the lyrical romance 'A Love Song,' Max Walker-Silverman demonstrates his genuine kindheartedness as he invites us back to his native Colorado. He acquaints us with the reticent Dusty (Josh O'Connor), whose ranch has burned down in a devastating wildfire. Where will he find the strength to start again? Does the answer lie within the community of people impacted by these same destructive fires? Maybe he'll be given the opportunity to try to form a stronger relationship with his daughter, who lives nearby with her mother. This tale of the power of community spirit in difficult times, interwoven with a fine strand of melancholy, is as disarming and subtly engaging as the director's unshakeable faith in human decency. 'Sbormistr' (Broken Voices)Director: Ondřej ProvazníkCzech Republic, Slovak Republic, 2025, 104 min, World premiereIt's the early 1990s and 13-year-old Karolína, a gifted novice singer, is given the chance to become a member of a world-famous girls' choir, taking her place alongside her older sister and her other rivals in the ensemble. Everything points to the fact that Karolína's exceptional talent has caught the attention of the formidable and much admired choirmaster. The psychological drama calls to mind not only the notorious case of Bambini di Praga, but also other devastating situations involving the clash of innocence and abusive authority. In a work free of sensationalism, Provazník demonstrates focused humility and sensitivity towards his fledgling actors as he depicts an exclusive world, in which desirable prestige goes hand in hand with premature coming of age. 'Se meg' (Don't Call Me Mama)Director: Nina KnagNorway, 2025, 108 min, World premiereEva is a popular teacher who is married to the local mayor. Although he has betrayed her trust by cheating on her, she still plans to support his election campaign, and so she starts to volunteer at a local refugee center. Here, she grows close to 18-year-old refugee Amir, who charms her with his poetic talents. But the closer they get, the less control she has over the situation. A drama about forbidden love, 'Don't Call Me Mama' confronts its protagonists with a moral test while provocatively exploring how hypocrisy can masquerade as generosity. Taking full advantage of her experience as a casting director, Nina Knag gets outstanding performances from actors Pia Tjelta, Kristoffer Joner and Tarek Zayat. 'Svečias' (The Visitor)Director: Vytautas KatkusLithuania, Norway, Sweden, 2025, 111 min, World premiereIt's the end of summer. Danielius, a new father in his mid-thirties, leaves his family in Norway and travels to his native Lithuania to sell his parents' flat. He tries to reconnect with old friends, but the strong bond he once had with them is now broken. Instead of rushing back to his young family to escape the deafening loneliness, he decides to stay, allowing himself to be guided by his solitude. In his feature debut, director and cameraman Vytautas Katkus indirectly builds on his own short filmmaking endeavours, in which he works deftly with an authentic space familiar both to himself and his protagonists, while at the same time adopting a loose conception of time. Here, time seems to have stopped completely in a world which lights up the fragility of the human soul and images of a home that is no longer ours. 'A Vida Luminosa' (The Luminous Life)Director: João RosasPortugal, France, 2025, 99 min, International premiereSpring is in the air, and Nicolau has just turned 24 years old, but he doesn't feel like throwing a big party. He is beginning to sense that his dream of being a professional musician is falling apart, he still lives with his parents, and he pines for his former girlfriend. Though he lacks the energy to move forward, fate throws several opportunities his way to take control of his life again. With his debut feature – a sun-drenched Lisbon tale about the carefree naiveté of youth that brings to mind the films of Rohmer – João Rosas follows on not just his shorts 'Entrecampos' (2012), 'Maria do Mar' (2015) and 'Catavento' (2020), in which he depicted Nicolau's childhood and adolescence, but also the legacy of earlier Portuguese auteur filmmakers. PROXIMA COMPETITION'La anatomía de los caballos' (The Anatomy of the Horses)Director: Daniel Vidal TocheSpain, Peru, Colombia, France, 2025, 106 min, World premiereDefeated in combat, Ángel returns home to his village in a remote part of the Peruvian Andes. When he arrives, however, he finds the place has completely changed. What was the 18th century is now the present day. What has become of the ideals of the revolution he fought for? The people who live in Peru today, what are they fighting for? 'The Anatomy of the Horses' takes the viewer on a visually and intellectually stimulating journey through the space-time continuum, during which director Daniel Vidal Toche reflects upon whether the struggle against oppression and exploitation in Peru will ever come to an end. Through the character of Ángel, and also Eustaquia, a girl searching for her sister, he also questions whether revolutionary thinking should be consigned to the past. 'Avant/Après' (Before/After)Director: Manoël DupontBelgium, 2025, 80 min, World premiereJérémy and Baptiste encounter one another quite by chance, yet they quickly realize they have something in common: the desire to feel good about themselves once again and to find a solution to their receding hairlines in order to achieve this goal. Their shared journey to Istanbul to receive hair transplants develops into a surprisingly intimate experience during which, alongside new heads of hair, a fragile bond starts to grow as well. In his feature debut, Dupont follows the two men with a sense of empathetic detachment and an appreciation for fine detail and humorous dialogue. The film likewise gently explores the themes of queer identity, vulnerability and human intimacy. The pair's meanders through the Turkish metropolis heighten the atmosphere of the quest – namely the search for beauty in things that aren't perfect. 'Ayspes asatc qamin' (Thus Spoke the Wind)Director: Maria RigelArmenia, 2025, 92 min, World premiereHayk, an introverted child, lives with his aunt Narine in a remote Armenian village. While Narine cares for him as if he were her own son, Hayk is finding it difficult to fit in with the local teenagers, who amuse themselves trying to toughen him up. When his young mother Anahit returns home after a lengthy period abroad, she upsets the patriarchal order in the village with her striking appearance and rebellious nature, ultimately inciting a conflict for which no-one is prepared. This cryptic, visually and aurally mesmerizing film, viewed through the eyes of a child forced to grow up too soon, is dominated by the all-pervading motif of the wind. Its rustling stirs the tension in a radicalizing conservative society, while its wailing heralds the irreversible consequences of raging human emotion. 'Balur Nogorite' (Sand City)Director: Mahde HasanBangladesh, 2024, 99 min, World premiereEmma and Hasan don't know each other, but they have much in common. Most importantly, they are both sand thieves. Emma steals it for kitty litter, Hasan for making homemade glass. One day, their lives are disrupted by the discovery of a severed finger, and they learn that the human psyche can shatter as easily as glass. William Blake saw the entire world in a grain of sand, infinity in the palm of the hand, and eternity in an hour. In his debut film, Bangladeshi director Mahde Hasan plucks Blake's words from the page and blows them across Dhaka until they stick to his protagonists. It is an oppressive portrait of a city full of sand, blended with a stylistically refined elegy about the flow of time, personal privacy, destruction, and the tear-filled valleys of our inner worlds. 'Forenses' (Forensics)Director: Federico Atehortúa ArteagaColombia, 2024, 91 min, International premiereThe signing of the peace accord between the Colombian government and the FARC guerrillas in 2016 led to the formation of the Search Unit for Missing Persons. The act of finding and identifying the missing was thus seen as essential for rebuilding a nation, whose identity is shaped by those who disappeared. This experimental essay interweaves three stories: a female director reconstructing the life of a dead transgender woman through film; an intimate study of the filmmaker's family, who also dealt with a missing relative; and the testimony of forensic pathologist Karen Quintero. This formally unremitting work finds a compelling balance between the personal and the political, adding conceptual reflections on the texture of the region, on cartography, and the unspoken traumas of Colombia's modern history. 'Futuro Futuro' (Future Future)Director: Davi PrettoBrazil, 2025, 86 min, World premiereIn his fourth feature film, Davi Pretto takes the viewer into the near future, where the development of artificial intelligence has brought with it increasing neurological problems. And this is what's troubling 40-year-old protagonist K, who has lost his memory and can't remember where he is from. The desolate man has to find out where he really belongs, and his journey through an unidentified city proves absurd, almost tragic. In the context of the ruling caste system, this low-budget dystopia articulates class inequality in contemporary Brazil, moreover, it touches on environmental issues and uses AI to create scenes in the film. The result is formally stimulating, engagé and, at the very least, cautionary. 'Kako je ovde tako zeleno?' (How Come It's All Green Out Here?)Director: Nikola LežaićSerbia, Croatia, Bulgaria, 2025, 114 min, World premiereNikola, 34, is a commercial director, he's about to become a father for the first time, and he dreams of one day taking his young family on a road trip in an old van he wants to convert into a camper. Over the course of one weekend, however, accompanying his father and extended family to a small village in Dalmatia, where his grandmother's remains are to be buried, he finds himself looking to the past instead of the future. Ostensibly, nothing remarkable happens during the course of the journey. Yet Nikola Ležaić's second, quasi-autobiographical work uses subtlety to explore family relationships marred by the passing of time and by communication breakdown. In its own way, the film is also a contemplation of recollections, memory and post-Yugoslav reality. 'Na druhé straně léta' (The Other Side of Summer)Director: Vojtěch StrakatýCzech Republic, Croatia, 2025, 85 min, World premiereIn the middle of the lake lies an island – silent, abandoned, without the clear promise of anything unusual. Bětka, her older sister Marie, and their friend Alma are spending the summer here, the days flowing like still water. When they randomly visit the island, the natural landscape around them begins to change – and the emotional one inside them as well… Vojtěch Strakatý's second feature film is a gentle study of girlhood, the yearning for a different world, and the fragile search for happiness, which may lie elsewhere – or not exist at all. In a poetic Bohemian summer where the buzzing of insects mixes with the sound of the rustling grass, we observe the girls' friendship as something mysterious and half-dreamed. The only thing we know for sure is that the other side of summer is when summer ends. 'Neplatené voľno' (Action Item)Director: Paula ĎurinováSlovak Republic, Czech Republic, Germany, 2025, 69 min, World premiereA year after the premiere of her documentary debut 'Lapilli,' Paula Ďurinová returns with an entirely different, yet equally sensitive film entitled 'Action Item.' This activist anatomy of burnout, set in Berlin, interweaves the observation of community sharing with a more experimental montage. The work takes note of the myths associated with individualistic society yet, at the same time, it conveys sincere moments of solidarity between individuals who aren't afraid to speak of their anxieties. This is both a personal and also very human film, which invites us to take a break in these hectic times, when burnout doesn't necessarily mean the end; on the contrary, it might be a new beginning, where individual pain is gradually transformed into the power of collective sharing. 'Regen fiel auf nichts Neues' (Rain Fell on the Nothing New)Director: Steffen GoldkampGermany, 2025, 85 min, World premiereDavid has served his time in juvenile detention. His sincere attempts to restart his life as a free individual with better prospects, however, are hindered by a society that can't overlook the fact that he has a criminal record, nor is it particularly willing to give him a second chance. Will David be able to cope with his increasing feelings of frustration, or will he succumb once more to the lure of crime? Steffen Goldkamp's feature debut relies on surgically precise direction, carefully constructed atmosphere, and also the discreet empathy with which the filmmaker discovers the intimacy of his antihero hovering on the edge of society. With his softly nuanced performance Noah Sayenko excels in the main role. 'Renovacija' (Renovation)Director: Gabrielė UrbonaitėLithuania, Latvia, Belgium, 2025, 90 min, World premiereTwenty-nine year-old Ilona and her boyfriend have just moved into a new apartment in a block. When the building's renovation begins soon afterwards and she befriends Oleg, one of the Ukrainian construction workers, her idyllic notions of a fulfilling life as she approaches 30 start to crumble, like the old plaster on the walls. Gabrielė Urbonaitė's feature debut is a masterful, contemporary portrayal of the lives of millennials, who on the one hand are exposed to modernity, endless possibilities and Western Europe's constant pressure to perform, while on the other they still carry the traumas of previous generations brought up in the Soviet Union, whose shadows are still alive in the face of current political events. 'TrepaNation'Director: Ammar al-BeikSyria, Germany, France, 2025, 222 min, World premiereGermany, September 2014. A Syrian refugee camp has opened on the outskirts of Berlin. Visual artist and filmmaker Ammar al-Beik has a cubicle assigned to him for seven months and, in order to survive here, he has to film, document, and rebel against the conditions of life in exile, and also against the established rules of documentaries and features. His phone camera is always switched on; he transforms his tiny room and the entire dismal compound into a universe with its own laws. Ammar's explosive film is the result of 10 years of editing; the intensive autobiography intersects the history of Europe and the Middle East, and film history, too. The singular cinematographic form is flanked with memorable individuals who, like exiled Ammar al-Beik, are merely searching for freedom and truth. 'Vgainoun mesa ap ti Margo' (They Come Out of Margo)Director: Alexandros VoulgarisGreece, 2025, 91 min, World premiereA tender horror flick, an experimental melodrama. Any attempt made to categorize this unconventional cinematic experience seems inadequate. Greek director and musician Alexandros Voulgaris, a.k.a. The Boy, brings us an unusually intimate, yet expressively powerful study of an artist on the brink of middle age. All fears, anxieties and hopes are embodied in the character of Margo, a songwriter who was once famous but who now isolates herself in her apartment. A party held to celebrate her 40th birthday and the emotions that are born there unexpectedly help Margo enter a new stage in her life. SPECIAL SCREENINGS'Dragonfly'Director: Paul Andrew WilliamsU.K., 2025, 98 min, European premiereFragile 80-year-old Elsie and the vibrant Colleen are separated not just by half a century, but also by the shared wall of their semi-detached house in a small English town. One day, the two women – otherwise accustomed to living in solitude – begin to notice each other's existence, and an uncommon friendship is born. But although their bond provides mutual comfort, it alarms their previously indifferent surroundings. 'I wanted to tell a story about the marginalized and forgotten people in society,' says director Paul Andrew Williams. 'I wanted to create an atmospheric and uncertain world and constantly ask the audience to challenge their preconceptions of others.' Two great British actors – Brenda Blethyn and Andrea Riseborough – as you have never seen them before. 'Duchoň'Director: Peter BebjakSlovak Republic, Czech Republic, 2025, 99 min, World premiere'Czardas of Two Hearts,' 'In the Slovak Valleys' and 'I Love You' are just some of the hits which turned pop singer Karol Duchoň into a household name more than four decades ago. At a time when the young generation is rediscovering the legacy of the 'Czechoslovak Tom Jones' outside the context of his heyday, Peter Bebjak ('The Line,' 'Nineties') presents a stirring portrait proving that the concepts auteur cinema and big audience can coexist in a single, highly appealing endeavor. The film version of Duchoň's dramatic fate relies on the stage play by Jiří Havelka and Róbert Mankovecký, 'The Earth Remembers' (Zem pamätá), and preserves the way in which it looks back at the Normalization era, without rash judgement, yet with subtle irony. 'Hore je nebo, v doline som ja' (Promise, I'll Be Fine)Director: Katarína GramatováSlovak Republic, Czech Republic, 2024, 93 min, European premiereFifteen-year-old Enrique, or Eňo to his friends, is spending the summer with his gran. His time with her is interspersed with rather infrequent visits from his mother Martina, who works far away; all the same, the boy hopes she'll take him back with her soon. However, contact with his mother dwindles, and her presence is gradually replaced by unflattering village gossip. Enrique decides to investigate the truth. Like her previous short film 'A Good Mind Grows in Thorny Places' (2024), director Katarína Gramatová's feature debut is also set in the desolate village of Utekáč, where the flaking walls of the houses bring to light the often somber reality of present-day Slovakia. The leads are played superbly by non-actors, real inhabitants of the Slovak valley, from where it seems an endless distance to the sky above. 'Illi baqi minnak' (All That's Left of You)Director: Cherien DabisGermany, Cyprus, Palestine, Jordan, Greece, Qatar, Saudi Arabia, 2025, 145 min, European premiereThe West Bank, 1988. A Palestinian teenager eagerly joins local protests against Israeli soldiers. Suddenly the scene freezes and, with fervour and anguish written on her face, his mother turns to us – witnesses to the dark chapters of the past century – to start telling the story: seven decades in the life of one uprooted family, beginning in 1948, when Zionist paramilitary organizations expelled more than 700,000 Palestinian Arabs from their homes. But this epic chronicle about a family's struggle to remain together and preserve its dignity in the face of more powerful forces neither judges nor lays blame. In sharing the Palestinian experience with wisdom and in an unusually captivating manner, it touches the heart all the more intensely. 'Karavan' (Caravan)Director: Zuzana KirchnerováCzech Republic, Slovak Republic, Italy, 2025, 102 minEster, 45, has devoted her life to caring for her son David, who has an intellectual disability. A trip to Italy to stay with friends brings an opportunity to escape her soul-destroying routine, yet not even a change of scene can alter the fact that life with David isn't easy. Ester impulsively fires up the old caravan that was intended as their holiday home and it becomes a means to find freedom. The journey through sun-drenched Italy proves therapeutic for both of them. Perhaps only briefly, deep inside, Ester will rediscover someone who has a right not only to give love, but also to receive it. This personal road movie, which saw Czech feature film return to Cannes after an absence of more than 30 years, shows fondness and unsparing openness as it explores themes of body and soul, freedom and resignation, and hope and powerlessness. 'Letní škola, 2001' (Summer School, 2001)Director: Dužan DuongCzech Republic, Slovak Republic, 2025, 102 min, World premiereThe first ever Czech Viet feature is an authentic portrayal of a community that has become an organic part of modern Czech history, directed by Dužan Duong, a standout, exceptionally talented representative of the first Vietnamese generation to grow up in the Czech Republic. The third millennium has hardly begun and 17-year-old Kien with his crazy red hair returns to his family and their market stall in Cheb after 10 years spent in Vietnam. However, instead of the warm welcome he had anticipated, he finds an estranged father, a careworn mother and a younger brother who doesn't cut him any slack. Told with lightness and wit, this story about cross-generational conflict and much else besides is an affectionate and bold milestone in the debate on cultural identity. 'Projekt český film' (The Czech Film Project)Director: Marek Novák, Mikuláš NovotnýCzech Republic, 2025, 83 min, World premiereAt the 1982 Cannes Film Festival, Wim Wenders invited several of his esteemed colleagues to a hotel room, where he filmed their reflections on the future of film. This exclusive documentary survey, 'Room 666,' inspired two Czech producers to engage in a similar undertaking in collaboration with the Karlovy Vary Film Festival. During last year's festival, they thus invited around 30 Czech or Czech-based filmmakers from all generations and asked them 'what makes Czech film Czech?' The result is an exciting mosaic not just of views and opinions, but also of mannerisms and personalities. 'A Second Life'Director: Laurent SlamaFrance, 2024, 74 min, European premiereAs Paris pulsates with excitement on the opening day of the Olympic Games, Elisabeth moves around the city with an equal air of anticipation. She works for an Airbnb broker, and the sheer number of arrivals makes this a critical day for her. Elisabeth is tired not just of constantly running between clients, but also from the pressures she faces from her employer. A surprising sense of calm comes when she meets a man named Elijah. 'A Second Life' is an ode to friendship, an urban fairy tale, and an almost documentary portrait of a city in the grips of a massive sporting event. The fragile authenticity of the main protagonists' experiences is further amplified by an intense soundtrack that practically lets us touch the world of Elisabeth, who must deal not only with work-related difficulties but also with her hearing impairment. 'Tehran, Kenarat' (Tehran Another View)Director: Ali BehradIran, U.K., 2025, 92 min, European premiereThe moment they greet each other at their friends' wedding, we know that Leili and Pasha were once a couple. But something split them apart. We see their story in flashback. The start of their romance was literally explosive, and it looked as if Pasha wouldn't survive. But their mutual attraction would not be deterred by his burns and his slight concussion, and the couple slowly moved from an initial infatuation to a more serious phase in their relationship, when it was time to make more difficult decisions than where to go for dinner. And thus came the moment of separation… A charming mix of genres, Iranian director Ali Behrad's second feature film is a vibrant portrait of Tehran and its inhabitants, who lose none of their élan even in the face of a difficult political situation. The juries of the 59th edition Karlovy Vary Intl. Film Festival are:CRYSTAL GLOBE JURYNicolás CelisMexican producer, his films include the Oscar-winning 'Roma' (Alfonso Cuarón). One of Latin America's film industry key figures, he has also produced films by Tatiana Huezo, Amat Escalante and Jacques JalaliFilmmaker, screenwriter and producer whose second feature 'Radio Dreams' won the Tiger Award at Rotterdam Film Festival in 2016. With 'Fremont' he won best director at KVIFF 2023 and the John Cassavetes Award at the Independent Spirit KiangFilm critic, essayist and programmer with bylines in Variety, Sight & Sound, Criterion, Mubi, the New York Times, the LA Times, the Washington Post, Film Comment and Rolling Stone, among other outlets. She is now a member of the selection committee of the MádlOne of the Czech Republic's most popular actors, now also established as a writer and director. His third directorial effort Waves won the audience award at KVIFF 2024 and was shortlisted for the Academy Award for best international feature NovotnyOne of the most prominent and successful actors in the Nordics today. She has worked with such filmmakers as Lars von Trier, Bent Hamer, Alex Garland and Tobias Lindholm. Her writing/directing debut premiered in San Sebastian's official selection. PROXIMA JURYYulia Evina BharaIndonesian producer. Her films regularly appear on the programs of important festivals such as Cannes ('Tiger Stripes' and 'Renoir'), Venice ('Autobiography') and San Sebastian ('Last Shadow at First Light').Noaz DesheRomanian filmmaker living in Mexico. His first feature film 'White Shadow' won best debut at Venice in 2013. Last year KVIFF screened his 'Xoftex' in the Crystal Globe Competition, where the film earned him a special jury Carlos De Los Santos AriasDominican filmmaker. His debut 'Cocote' won the Golden Leopard in the Signs of Life program at Locarno, while his latest film, 'Pepe,' was selected for last year's Berlinale competition, where it won a Silver Bear for best FelcmanCzech screenwriter, festival organizer, film journalist, creative producer, director, trained plumber. He worked as a script editor on films by Jan Němec, Petr Václav, Radu Jude and Corneliu FrobesAn agent in the media finance department at leading entertainment and sports agency CAA, specializing in packaging and sales of independently financed films. She supported packaging or sales of projects including 'The Brutalist' and 'Rebuilding' (Crystal Globe Competition at this year's KVIFF), among many others. Best of Variety What's Coming to Netflix in June 2025 New Movies Out Now in Theaters: What to See This Week 'Harry Potter' TV Show Cast Guide: Who's Who in Hogwarts?
Daily Mirror
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- Daily Mirror
Emmerdale star says she's estranged from family over inheritance from her dad
A former Emmerdale cast member spoke to Vanessa Feltz on her 5 talk show this week about inheritance, with Suzanne Shaw speaking about her late father's death in 2012 A former Emmerdale cast member has shared that they are estranged from some of their family following a "divide" over inheritance. The actor said this week that the apparent situation following the death of their father is "sad". Suzanne Shaw, now 43 - who played Eve Jenson on the ITV soap opera - lost her late father Vincent Crowshaw, who was 62, back in 2012. Vincent died just months after being diagnosed with a brain tumour earlier that same year. Now more than a decade on, Suzanne - who rose to fame as part of the group Hear'Say - has claimed that she inherited "nothing" from him following his death. She's suggested that most of the inheritance went to her step-mother. Suzanne mentioned her late father whilst a guest on 5 's Vanessa yesterday afternoon. It came during a discussion, led by host Vanessa Feltz, 63, over whether children should receive the same inheritance in the case of a parent dying. During the segment, Vanessa told her guests that she knows people who were "passed over" in a will. She said that it had been because they were perceived to be financially "set up for life," whereas their siblings were not. Speaking about those who didn't get the inheritance, Vanessa said: "It's not that they really needed the money. It was much more a feeling of being slapped in the face. A feeling of being sort of dealt a blow from beyond the grave." Suzanne, who previously said that "explanation is key" and encouraged "communication before it all happens," responded to host Vanessa by saying: "I went through it myself". She added: "My dad passed away, very sadly." She then shared that her father had separated from her mother, Janet Kish, and remarried prior to his death. Suzanne said: "[A] divided family. He remarried." Suzanne continued: "My brother got some inheritance but it was only his business that he inherited. And then my stepmum got all of it and it was meant to be split equally. She's now remarried. Everything's gone to her side of the family. I got nothing out of any of it. So I know what it feels like." Vanessa then asked Suzanne to explain how it feels. She responded: "It's like a slap in the face. It's like you weren't valued in that ... in that set-up. So, yeah, I know what it feels like. It's hard." Seemingly suggesting that she's now estranged from some of her family, Suzanne added: "But what it causes is then divide, and y'know we don't no longer speak to those people who were a big part of our lives and that's sad. That's sad in itself. So I think communication is a must in this situation." Vanessa airs weekdays on 5 from 12.30pm. The Macmillan Support Line offers confidential support to people living with cancer and their loved ones. If you need to talk, call us on 0808 808 0000.
