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New York Times
12-03-2025
- Entertainment
- New York Times
A Burned-Out Designer Tried to Heal by Making a Cozy Game
Nothing moves quickly in Wanderstop. To make a single cup of tea in the new video game is a meditative ritual of deliberate steps. The recovering hero, Alta, has to forage for tea leaves, dry out those leaves, plant seeds for fruit to flavor the tea, water those seeds, watch the plant grow, harvest the fruit individually, and then, with a fantastical apparatus the player traverses using rolling ladders, heat up the water, drain it into a brewing pot, throw the ingredients in one by one, go to a shelf of bespoke mugs, select one, place it under a tap and — finally — pour. There is recognition for doing so without spilling a single drop but no punishment if it is not perfect. It is not that kind of game. Davey Wreden, the 36-year-old writer and director of Wanderstop, has not released a stand-alone game in a decade. He burned out after commercial success with The Stanley Parable (2013), an absurd meditation on cubicle life and choice that has been cited as an inspiration for the TV show 'Severance,' and artistic acclaim with the game's follow-up. Wanderstop was supposed to be different from those mind-bending works, a calming experience set at a woodland tea shop. It did not end up that way. 'I started out trying to make this game in a way that it wasn't going to be a complex story about me and my life, and I failed to do that,' Wreden said. 'The more that I began having Alta speak the words in my own head, the more compelling it got.' The Stanley Parable was intended as a job application but became a career. In the 2000s, the dream gig for cerebral gamers was at Valve, a studio known for games like Portal and the Half-Life series that paired innovative gameplay with witty but affecting writing. Landing a job at Valve was the only goal for Wreden, who grew up in Sacramento and always wanted to make video games. When he started working on The Stanley Parable in his junior year at the University of Southern California, it was not a full game but rather a mod formed out of the building blocks of Valve's game engine. It was set in an office because he used some assets from Half-Life's research facility. Stanley's job is to follow instructions and push buttons. But one day, as a genteel British narrator notes, something peculiar happens. The orders disappear, as do his co-workers. The player explores the empty office to find answers, but encounters choices to abide by the path announced by the narrator or to divert from it instead. The alternatives lead to branching endings: Stanley can find freedom, be blown up or lose his mind. After working over Skype with a teenage level designer, William Pugh, to create an aesthetic, Wreden released the full version of The Stanley Parable in October 2013. Its offbeat writing made it a hit with critics and players. But Wreden now describes those days, which should have been a triumph, as an indistinguishable brown mush. The Stanley Parable existed, Wreden later said at a public talk, because he felt like Stanley: completely alone. He said it came from a 'Look at me!' desperation. But being looked at did not help. In a comic he drew after receiving industry accolades, Wreden compared winning awards for his art to being given the sun: 'No matter how you dress it up, the gift is ultimately intangible, distant, trying to hold onto it will kill you.' Six months after the game was released, Wreden started therapy. To relax, he took months of drawing lessons, repeatedly sketching woodland scenes that he later channeled into Wanderstop. Cozy games like Animal Crossing and Stardew Valley, with their cute environments and achievable tasks like delivering gifts and farming, became escapist havens during stressful times like the coronavirus pandemic. But the pull of productivity still trickles in. Crops, fruits and fish are sold for gold. Daily cycles keep players running around to complete tasks before nightfall. Wanderstop subverts many of those mechanics. Although the game is set in a shop, no money changes hands. Even the tutorial urges players to slow down: When they grab a watering can before the tool is introduced, they are gently scolded for rushing ahead. Alta can give each cup of tea to another character or drink it herself; each flavor prompts a different reflection. There are no sudden fourth-wall turns or meta depths, as some fans speculated because of Wreden's earlier work — only sincere emotion. 'That stuff was nothing,' Wreden said of the twists in his previous games. 'Trusting in small moments of humanity to be actually compelling narratively? That's hard,' he said, using an expletive. Balancing the charm of the tea shop with Alta's struggle was a challenge for Wreden, who said writing the character felt at times like mining his own diary entries. His follow-up to The Stanley Parable, The Beginner's Guide (2015), centers on a game designer named Davey, voiced by Wreden, whose friendship with another game designer, Coda, deteriorates after Davey oversteps boundaries with his work. Players speculated how autobiographical the game was, leading Wreden to clarify it was fiction. But it does have roots in the dissolution of relationships after The Stanley Parable. One of Coda's games is about cleaning a house ad infinitum, being asked to straighten up pillows and make up a bed over and over. Instead of monotony, it is a calming domestic scene. 'My place is just to see a bit of peace brought here,' says a figure seated at a table. Coda envisions it as a loop, but Davey edits the game to have an ending. (It was inspired, Wreden said, by a romantic relationship he regrets he could not let himself be happy in.) When Coda confronts Davey in the form of a video game, he directly quotes a former real-life friend of Wreden's: 'When I am around you I feel physically ill.' Davey responds through shaken narration: 'I'm starting to feel like I have a lot of work to do.' Wanderstop feels like a fulfillment of that work. Alta is an undefeated warrior who, one day, finally loses. Her sense of self is shaken and her sword becomes too heavy to lift. She runs through a forest to consult a master but passes out and awakens at a tea shop in a clearing. The man who tends to the shop, Boro, invites her to stay awhile as she recovers; Alta has to quiet every impulse to go faster. Alta was a silent protagonist in a mechanics-driven game until Wreden started having her voice his own fears and his belief that he could power through anything. Wreden and Karla Zimonja, Wanderstop's narrative lead, would dissect Alta's character on hourslong walks, trying to better understand her personality and motivations. She said it was a challenge meeting Wreden's standards for personal writing that did not feel forced; they fretted to make sure Boro's lines did not sound like rote motivational quotes. 'Part of my job, in the editorial capacity, was being like, 'That's it, you got it,'' she said. 'Everybody gets that feeling when you're making something and you're like, 'Is this actually garbage?'' Wanderstop is Wreden's most collaborative work yet and the first game from his studio, Ivy Road. Zimonja interviewed women who practice jiu-jitsu to inform Alta's arena career. Temitope Olujobi, the game's 3-D art director and environment lead, studied the sightlines in botanical gardens for the vistas that Alta contemplates with her tea. Daniel Rosenfeld, who created the ambient score in Minecraft, crafted shifts in music between the serene clearing and livelier tea shop. Yet Wreden's influence on Alta is still clear. In Wanderstop, absurd action novels about a detective named Dirk Warhard are delivered to the tea shop. The scholarly 'Chasing Bullets: A History and Critical Theory of the Dirk Warhard Novels' that arrives seems strange, until it mentions that the author went from crowd pleasers to stories of 'justice cannibalism.' When asked if he felt like a 'justice cannibal,' eating at himself to set something right through his protagonists, Wreden demurred and said Dirk Warhard was just a cool name. (One that shares his initials.) Healing, like tea making, is slow. After 10 years and a lot of therapy, Wreden said he felt more at peace. He spends time outside, riding his bike to the waterfront in Vancouver, British Columbia. Despite Wanderstop's peaceful theme, game development is a punishing job. Wreden, who has the luxury of not really needing to worry about money because of The Stanley Parable's success, plans to take some time off. He does not know how he will be involved in Ivy Road's next game, if at all. He is OK with that. 'It would be really freeing in a lot of ways to begin to release myself from the obligation and the expectation of churning out hit after hit,' Wreden said. 'Even if the obituary comes down for the greatness of my work, I'd like to be able to go to its funeral and grieve it, and then go home and have a cup of tea.'
Yahoo
11-03-2025
- Entertainment
- Yahoo
Wanderstop review: why I found Ivy Road's de-stressing tea-making game surprisingly intricate
When you buy through links on our articles, Future and its syndication partners may earn a commission. Wanderstop details Publisher Annapurna Interactive Developer Ivy Road Release date 11 March 2025 Format PC (reviewed), PS5 Platform Unreal Engine What do you do when you've met with personal failure? Do you mope in despair, try to talk about it with someone, dust yourself off and put all your energy into getting back on the saddle? Or maybe before any of that, you just put the kettle on first. That is to some extent what Wanderstop is built around. Centred on celebrated arena fighter Alta who one day loses her undefeated streak, her quest to find a mysterious master who can train her back to her best leads her to waking up in a forest clearing, the site of a tea shop run by a gentle giant named Boro. Unable to leave this clearing without quickly collapsing from exhaustion again, and lacking the strength to even pick up her own sword, her goal instead is to rest. But knowing that to do nothing would have you feeling excruciatingly restless, she decides to grudgingly help run the titular tea shop, trying to make the most of it. Wanderstop is a cosy game where the protagonist doesn't want to be there, the kind of narrative twist you would expect from the creator of The Stanley Parable and The Beginner's Guide. But in between its story beats, it's also arguably quite conventional as it commits to the bit of being a cosy game. (For more background, read my interview with the Wanderstop dev.) Wanderstop will feel familiar to other cosy management sim games that have grown in popularity in recent years. Running the tea shop involves taking requests from the quirky customers who randomly also find their way into this clearing. But the actual tea-making process is quite deliberate in its many intricate steps. You have to collect enough tea leaves with a basket then wait for them to dry, while you'll also learn to plant multicoloured seeds in different patterns that result in hybrid plants that grow different fruits that can be used to flavour the tea. Once you have the ingredients, you have to operate the large tea machine in the centre of the shop itself, which you can conveniently navigate with a ladder that swivels around it. That involves heating the water just right by manually stoking the fire with bellows, before tossing in your ingredients, and then pouring the results into a clean cup. A lot of busywork just to make a brew, and yet it's all the care that goes into these small interactions that makes the process feel rewarding in its own way, especially as you watch different ingredients change the colour of the tea. You'll even realise that there's a right timing to ensure you pour just the right amount without any of it spilling over. It's not all just about tea-making, as you also have tools to keep the clearing tidy, from trimming weeds to cleaning dirt piles with a broom. Over time, you may also notice other elements, such as the strange mushrooms you can pluck and use to modify your plants or pulpy action novellas that come through the mailbox you can happily leaf through. You might even want to decorate the shop by taking pictures with a camera and framing them, or fill the pots with plants. But they're all simply suggestions rather than objectives you have to tick off, though will undoubtedly play into the psychology of trophy hunters. Perhaps due its cosy trappings of taking your time, Wanderstop's story is also a slow brew that requires patience to develop, especially when compared with writer and director Davey Wreden's previous games, which had much shorter playtimes and therefore never outstayed their welcome. Without going into spoilers, as you fulfil your customers' requests, something strange happens that means all your hard work will routinely reset as a new cycle begins, also changing the clearing's colour palettes as well as the customers you encounter. In between these cycles, narration and illustrations also piece out the internal conflict Alta is experiencing. Wreden had already spoken explicitly about how the game has a personal story based on his own feelings of burnout that comes from obsession and perfectionism, and knowing that, those parallels with Alta's struggles are pretty direct. But I also found myself relating to her impatience, questioning why I'm making all these teas for people, some of whom you borderline have to force into making a request for tea, when it's also impermanent and inconsequential before the story moves onto its next beat. Perhaps I'm just in denial of my own sense of encroaching burnout, with the need to always be on, searching for the next game to cover, the next work assignment, the next pay cheque. In other words, Wanderstop is a game I needed to play to get myself to slow down, but it's also better to describe it as meditative medicine rather than a must-play you can't put down. While it may drip-feed its story for longer than necessary and doesn't really go out of its way to subvert the cosy game, those who are looking for a way to relax will find comfort in the intricate and charming processes of making tea to pass the time. What do you think of Wanderstop and it's art direction? Let us know in the comments below.
