Latest news with #Utsav
Time of India
3 days ago
- Business
- Time of India
Last day to lock in at 9.10% FD rate: This bank to cut fixed deposit interest rates from tomorrow
For fixed deposit investors, today is the last date to book FD at higher rate of up to 9.10% per annum. This is because Suryoday Small Finance Bank announced a revision in FD interest rates effective from June 1, 2025. The revision in FD rates will impact both general public and senior citizen investors. Notably, the bank is currently offering one of the most attractive FD interest rates in the market — up to 9.10% per annum on five-year FD tenure for senior citizens. Special FD interest rate up to 7.8%: IDBI Bank revises FD rates across special deposits, check Utsav FD deadline This highest FD interest rate of 9.10% is applicable for a 5-year deposit tenure and is available only until May 31, 2025. That means investors have just today to take advantage of this high return before the revised, likely lower, rates come into effect. Why banks are revising FD rates now In the recent months, banks are on the spree to revise the FD interest rates. This includes both for their regular FDs and special FDs launched. FD interest rates are revised because the Reserve Bank of India (RBI) has cut the repo rate from the start of 2025. In total, RBI has cut repo rate by 50 basis points. The next policy is on June 6, 2025, where RBI can cut repo rate again due to low inflation. New FD rates from June 1, 2025, for Senior Citizens For senior citizens, the revised FD rates will be between 4.4% and 8.8% per annum, starting June 1, 2025. The highest FD interest rate of 8.8% is offered on tenure above 30 months to 36 months. The bank has uniformly reduced rates by 10 bps across all tenures, while the 5-year FD tenure sees the sharper cut of 70 bps-down from 9.1% to 8.4%. Live Events Till May 31, 2025, the bank offers highest FD interest rate 9.10 % on tenure of 5 Years. New FD rates from June 1, 2025 for general public From June 1, 2025, Suryoday Small Finance Bank will offer interest rates on FDs ranging from 4% to 8.4% for general citizens on deposits below Rs 3 crore. The high FD rate of 8.4% is offered tenure above 30 months to 36 months. The most notable change is in the 5-year FDs, where the interest rate has been reduced by 60 basis points (bps)-from 8.6% to 8%. Till May 31, 2025, the bank offers highest FD interest rate 8.6% on tenure of 5 Years. New rates from June 1, 2025 Period Interest Rate (Per Annum) Senior Citizen Rate (Per Annum) 7 Days to 14 Days 4.00% 4.40% 15 Days to 45 Days 4.25% 4.65% 46 Days to 90 Days 4.50% 4.90% 91 Days to 6 Months 5.00% 5.40% 6 Month 1 Day 7.25% 7.65% Above 6 Month 1 Day to 9 Months 5.50% 5.90% Above 9 Months to less than 1 Year 6.00% 6.40% 1 Year 7.90% 8.30% Above 1 Year to 15 Months 8.00% 8.40% Above 15 Months to 18 Months 8.25% 8.65% Above 18 Months to 2 Years 8.10% 8.50% Above 2 Years to 30 Months 8.15% 8.55% Above 30 Months to 36 Months 8.40% 8.80% Above 3 Years to less than 5 Years 6.75% 7.15% 5 Years 8.00% 8.40% Above 5 Years to 10 Years 7.25% 7.65% FD rates till May 31, 2025 Period Interest Rate (Per Annum) Senior Citizen Rate (Per Annum) 7 Days to 14 Days 4.00% 4.50% 15 Days to 45 Days 4.25% 4.75% 46 Days to 90 Days 4.50% 5.00% 91 Days to 6 Months 5.00% 5.50% 6 Month 1 Day 7.25% 7.75% Above 6 Month 1 Day to 9 Months 5.50% 6.00% Above 9 Months to less than 1 Year 6.00% 6.50% 1 Year* 7.90% 8.40% Above 1 Year upto 15 Months 8.00% 8.50% Above 15 Months to 18 Months 8.25% 8.75% Above 18 Months to 2 Years 8.10% 8.60% Above 2 Years to 30 Months 8.15% 8.65% Above 30 Months to 36 Months 8.40% 8.90% Above 3 Years to less than 5 Years 6.75% 7.25% 5 Years 8.60% 9.10% Above 5 Years to 10 Years 7.25% 7.75%
Daily Tribune
21-05-2025
- Entertainment
- Daily Tribune
Cultural Exchange Takes Center Stage at Odia Asmita Utsav in Manama
SK The Bahrain Odia Samaj proudly hosted the Odia Asmita Utsav 2025, a vibrant celebration aimed at promoting the rich cultural heritage of Odisha on a global stage. Held under the theme of unity through culture, the event brought together dignitaries, performers, and members of the Odia diaspora in a dazzling display of tradition, talent, and identity. Dr. Arun Kumar Praharaj, Founder of Bahrain Odia Samaj, warmly welcomed the audience and expressed heartfelt gratitude for their support in making the event a grand success. The Utsav served not only as a cultural showcase but also as a platform to reinforce Odia identity worldwide. safdas edrtgd Honouring Culture and Diplomacy The event was graced by an esteemed lineup of dignitaries. Indian Ambassador to Bahrain, H.E. Vinod K. Jacob, served as the Chief Guest and commended the Bahrain Odia Samaj for its role in strengthening cultural bridges between India and Bahrain. Special Guests included H.E. Ahmed Alhaiki, Undersecretary for Labor and Social Development in Bahrain; the Ambassadors of Japan and Russia; and Dr. Jamal Fakhro, Managing Partner at KPMG and member of Bahrain's Shura Council. H.E. Ahmed Alhaiki praised the initiative as a reflection of Bahrain's commitment to multiculturalism and mutual respect. The event also witnessed the participation of Mr. Abdulla Al Mannai, Executive Director of the King Hamad Global Centre for Peaceful Coexistence, who lauded the exhibition of Odisha's heritage products. Celebrating Odia Art and Identity A major highlight of the evening was the presentation of prestigious awards: internationally acclaimed sand artist Sudarsan Pattnaik was honoured with the Odia Asmita Samman, while classical dance exponent Guru Saswat Joshi received the Odia Asmita Nritya Kala Samman for his contribution to Odissi dance. The audience was captivated by a series of cultural performances, including mesmerizing Odissi, Sambalpuri, and Ranapa dance renditions by the Lasyakala team. A special ethnic walk showcasing GI-tagged Odia products added a unique flavour to the event, celebrating the craftsmanship and heritage of Odisha. Adding to the festivity, the community's official publication 'Bahrain Utkalika' was unveiled during the event, serving as a voice for the Odia diaspora in the Kingdom. Words of Support and Vision In a message delivered during the Utsav, Mr. Arbind Padhee, IAS, Principal Secretary (Agriculture), Government of Odisha, extended his warm appreciation to the Bahrain Odia Samaj for preserving and promoting Odia culture abroad. The newly elected Chief Minister of Odisha, Mohan Charan Majhi, reiterated his government's commitment to strengthening the global presence of Odia culture and expressed his full support for such diaspora-led cultural initiatives. A Cultural Bridge Between Nations The Odia Asmita Utsav 2025 stood as a testament to the power of culture in bridging nations and nurturing identity. With heartfelt performances, cross-cultural engagement, and recognition of Odia excellence, the festival not only highlighted Odisha's deep-rooted traditions but also strengthened the bonds between Bahrain and the Indian community.
Nylon
20-05-2025
- Entertainment
- Nylon
Interview with Leica photographer, Laxmi, on her incredible photo exhibition that showcases photos of three major festivals in India
Leica Singapore presents one of the most captivating photo exhibitions ever, featuring three major festivals in India, photographed by Laxmi using Leica cameras. The pictures speak for themselves; they are colourful, they evoke emotions, and more than anything, they are thought-provoking, making you wonder how these photos were achieved and the blood and bruises that went into creating them. We had the privilege to speak with the photographer Laxmi, about her pictures, and the meaning behind them. Laxmi Kaul, photo courtesy Leica Singapore. NYLON: What is this exhibition about? LAXMI: Utsav is my love story with India — with its sacred festivals, its deep-rooted traditions, and the people who live them fully. For over a decade, I've immersed myself in documenting three of India's most powerful spiritual festivals: the Kumbh Mela, Holi, and Theyyam. Each one is different in sound, rhythm, and energy — but they're all anchored by one thing: undying faith. If there is no undying faith, there will be no festivals. The photos in this exhibition are basically an amalgamation of three very major festivals that are held; one being the Kumbh Mela, which comes once every 12 years. Then there's Holi — a festival of colours, which happens every year. And Theyyam is another festival down south. The other two are up north in India. The Leica Gallery at Leica South Beach Quarter, featuring Utsav – India in Celebration, a photo exhibition by Laxmi. Photo courtesy Leica Singapore. Each festival is very different in its own way. But the one anchoring point for all the festivals is basically faith. And faith, to me, is a very deep subject. Everybody has their own faith, and everybody likes to follow their own faith in their own way. Faith manifests in different ways, so these are just manifestations of faith in different ways; one with colour and dance, one with taking a dip in the holy rivers and believing that you will get purified and you will be closer to salvation in the journey of your spiritual life… Photo by Laxmi, used with permission. N: What made you want to photograph all these festivals? L: This wasn't a pre-planned project. I didn't start with a roadmap or even a destination. I followed instinct, emotion, and curiosity. What began as something deeply personal — a need to witness, to understand — quickly became something far bigger than me. Photo by Laxmi, used with permission. I photographed the mass pilgrimage of the Kumbh Mela, where millions gather to bathe in sacred rivers. I stood in the explosion of colour and chaos that is Holi. And I was drawn to the trance rituals of Theyyam in the south, where men transform into deities through ancient performance. But more than the spectacle, what moved me was the quiet in-between moments; I didn't want to just photograph the chaos — I wanted to find tenderness within it. I searched for the stolen glances, the sacred silences, the rituals happening quietly behind the noise. The truth of these festivals lives in those moments. Photo by Laxmi, used with permission. At the heart of every image I made is faith. Faith in something larger, something unseen — and deeply felt. Photo by Laxmi, used with permission. If there is no faith in people, That belief is still important; it's very relevant. Photo by Laxmi, used with permission. And if you're not going to hold on to our past, what are we going to show our kids and what are we leaving for them? We're leaving only technology and social media, and that's about it. What about our roots? What about our culture, whether it's Indian, Chinese, Thai, be it anywhere in the world; even Christian or Muslim — what are we leaving for them? I want to leave something. I want to leave a footprint behind for people to know that, okay, maybe 50 years down the line, there's no more Holi celebrated; but look, these are the pictures. This is how it used to be. This is my documentation. This is my love. This is the oxygen that flows through my veins. N: How long did it take you to shoot all the photos in this exhibition? L: This exhibition was shot over a decade starting in 2013. Photo by Laxmi, used with permission. N: What were some of the challenges that you faced while shooting these pictures? These spaces were not easy to navigate, especially as a woman. Often, I was the only female photographer in intensely male-dominated environments. I was met with suspicion, resistance, and in some moments, outright hostility. I felt violated. I cried. I broke down. But I stayed. I had to. If I walked away, what message would that send to the women coming after me? Photo by Laxmi, used with permission. Photo by Laxmi, used with permission. Photo by Laxmi, used with permission. Photo by Laxmi, used with permission. N: What gear did you use to create these photos? L: My Leica cameras were more than tools. They were companions — extensions of my presence. Whether it was the weatherproof SL during Holi, the intimacy of the M10 with my favourite 50mm lens, or the agility of the Q and Q3 — I shot openly, vulnerably. I never shielded the gear — or myself. I leaned in. For Holi, I used the Leica SL a lot because it's all weatherproof. I also used the Leica M10. I was wearing a raincoat, and I would open the zip and quickly take the M10 out and take a picture and put it back in, just to conceal it. Portraiture has always been the soul of my work. I gravitate to the 50mm because I crave connection — eye to eye, human to human. When the space got tighter and the crowds closed in, I adapted. I went wide. I moved quickly. But always with intention, and always from the heart. Photo by Laxmi, used with permission. But because it's Holi and it's such a large scape, I did shoot with the 28mm lens a lot. [Compared to the M], the SL, of course, is a bit more lenient. I had the 24-70 lens so it gave me a little bit more breathing space so I could be a little further away from the line of fire, and the men getting upset about a woman being there. I could move away and zoom in and use the 70 and shoot. The Leica Gallery at Leica South Beach Quarter, featuring Utsav – India in Celebration, a photo exhibition by Laxmi. Photo courtesy Leica Singapore. I don't go to take photographs. I go to feel. My camera is not just how I see — it's how I listen. The photostories in this exhibition, Utsav, have been unfolding since 2013. This is not just a collection of images. It's a testimony — of identity, of belief, of survival. These traditions are fading, slipping through our fingers. If we don't preserve them, what are we leaving behind? Algorithms? Filters? Noise? Where are the roots? These images are my offering. My proof that this existed. That it mattered. They are not perfect pictures. They are lived truths — of devotion, surrender, resilience. This is the story of faith. The story of people. And through it, I found not just their soul, but my own. Laxmi Kaul's Photo Exhibition, Utsav – India in Celebration runs from 16 May to 30 July 2025 at Leica South Beach Quarter (located at 36 Beach Rd, #01-01 South Beach Quarter, Singapore 189766).
India.com
19-05-2025
- Entertainment
- India.com
Hema Malini's mother wanted the actress to marry this actor, not Dharmendra, Jeetendra it didn't work out because.., he was..
Hema Malini's mother wanted the actress to marry this actor, not Dharmendra, Jeetendra it didn't work out because.., he was.. In the dazzling world of Bollywood, there are many tales of celebrities that mesmerise millions, but what happens behind the scenes when the curtain falls is more than what meets the eye. Sometimes, behind the scenes is more intriguing than how the love stories pan out on screen. One such story was of a legendary Bollywood actress from the golden era, Hema Malini. Today, Hema Malini celebrates beautiful years of togetherness with superstar Dharmendra. However, only a few know that before Dharmendra, there was a man who was almost selected for Hema Malini, not by fate but by her mother. This actor wasn't Jeetendra or Dharmendra, but it was a famous actor and playwright, Girish Karnad. He was once the perfect husband candidate for Hema Malini, as judged by none other than her mother herself. His mother was impressed by Girish's cultured personality, intellect, and powerful artistic presence. Hema's mother had him in mind as the perfect son-in-law. This lesser-known story emerged in a report in the 250th issue of the film magazine Mayapuri. As per the article, Hema's mother was so much in awe of Girish Karnad that she went one step ahead, she directed a film named Rangdeep in which both Hema Malini and Girish Karnad were featured as main characters. The motive behind the film was not merely cinematic—it was personal. It was her quiet effort to get them near each other so that something serious might develop between the duo. But then, Hema Malini was already falling in love with Dharmendra, who was married. Interestingly, Jaya Bhaduri, an actress, also had a film project that did not come through around the same time. Hema never showed romantic interest in Girish Karnad despite her mother's schemes. Hema's romance took more dramatic turns. She was engaged for a brief while to actor Jeetendra, and the wedding was almost set. But, in a traditional Bollywood-turn-of-events move, Dharmendra stepped in on the day of the engagement. He revealed his love for Hema, and she picked him over Jeetendra. Eventually, after persuading her family, Hema Malini married Dharmendra in 1980. Meanwhile, Girish Karnad continued with his life and career. In 1981, he got married to Saraswathi Ganapathy. By this time, he was already a well-established name in Kannada as well as Hindi cinema. He acted in and wrote screenplays for strong films such as Utsav, Nishant, Manthan, Iqbal, Ek Tha Tiger, Tiger Zinda Hai, Dor, and many more. He even made a notable appearance in the popular Doordarshan show Malgudi Days. Born on 19th May 1938 in Maharashtra, Girish Karnad led a highly productive career in theatre and cinema, emerging as a cultural icon. He died in 2019 and left behind an unrivaled legacy of storytelling and intellect. Even though Hema and Dharmendra are one of Bollywood's favorite couples, this forgotten remembrance of Girish Karnad shows us how family, fate, and individual decisions frequently produce the most surprising histories—ones we hardly ever get to see on the big screen. Not Dharmendra, not Jeetendra, this was the actor who was almost selected as Hema Malini's husband by her mother, it didn't work out because.., he was..
India.com
09-05-2025
- Entertainment
- India.com
Meet actor who once worked as Madhuri Dixit's driver, romanced Dimple Kapadia, Padmini Kolhapure, never gave solo hit, still has net worth of Rs…, his name is…
The life of a Bollywood celeb is not really as easy as it looks. While the world of glitz and glamour may seem exciting, the dark realities lie in the rabbit hole. Today, we will uncover a story of an actor who had his highs and lows. He came to Mumbai with big dreams and an empty pocket, but this city gave him everything he ever wished for. He became a famous actor, romanced A-list actresses. However, he then vanished from B-town. Now, once again, he is all set to make a comeback with a bang. This actor in discussion is someone who made his debut in style. He featured alongside Rekha and worked with actresses like Dimple Kapadia, Padmini Kolhapure and more. However, despite these superhit pairings, this actor was unable to give a single hit. If you are wondering who this actor is, then let us tell you we are discussing none other than Shekhar Suman. Shekhar Suman debuted in the Bollywood film industry with the movie Utsav in 1984. He was paired opposite Rekha. The actor gained widespread prominence after his debut, especially due to the intimate scenes between Shekhar Suman and Rekha. However, despite a power-packed debut against one of the leading ladies in Bollywood, Shekhar's journey was filled with ups and downs. During his career, there came a time when Shekhar was shooting for a low-budget film Manav Hatya opposite Madhuri Dixit, and during these times, Shekhar also worked as Madhuri's driver. He often rode his bike to pick her up for shoots and drop her home. Hence, he acted as a driver for Madhuri Dixit. Over the years, Shekhar worked in several movies. However, none of them turned out to be a hit. Meanwhile, in an interview with popular TV show host Siddharth Kannan, the Heeramandi actor shared that, 'It was probably the most incredible opportunity for any newcomer in Indian cinema. Within just 15 days, I was signed for the film, barely unpacked my bags and then just two months later, I found myself shooting with Rekha. I will always be grateful to Shashi Kapoor, Girish Karnad and Rekha.' While Shekhar couldn't do much on the big screen, the actor made a name for himself in the TV industry. Meanwhile, Shekhar made a comeback with Sanjay Leela Bhansali's Heeramandi. As per media reports, Shekhar Suman has a net worth of Rs 20 crore.
