Latest news with #WelcometotheFringe
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Scotsman
3 days ago
- Entertainment
- Scotsman
Fringe theatre review: Welcome to the Fringe, Palestine
Sign up to our Arts and Culture newsletter, get the latest news and reviews from our specialist arts writers Sign up Thank you for signing up! Did you know with a Digital Subscription to The Scotsman, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... Welcome to the Fringe, Palestine ★★★★ Portobello Town Hall (Venue 469) until 15 August In her introduction to Tuesday's opening day of the Welcome to the Fringe, Palestine mini-festival of Palestinian artists taking place out at Portobello Town Hall, co-producer Sara Shaarawi said one of the key purposes of the event is to make sure those artists know they always have a home in Scotland. 'It's never been more vital to raise up and listen to Palestinian voices,' she told a warmly appreciative crowd. Running across four days, from Tuesday until Friday this week, Welcome to the Fringe, Palestine is a showcase of music, dance, storytelling and discussion, organised and crowdfunded by a group of Scotland-based artists with support from Scottish theatre charity Independent Arts Projects and the Workers Theatre Co-operative. On the opening day, the focus rested mainly on theatrical and performance-based works, although a couple of the afternoon's events were hit by travel issues. Advertisement Hide Ad Advertisement Hide Ad The opening artist was intended to be Noor Abuarafeh, with her performance-lecture An Orange Tree, An Olive Tree and a Painting That Knows No Borders (★★★★), but the artist was sadly unable to attend. Shaarawi explained this had nothing to do with UK visa issues; in fact, everything was in order for Abuarafeh's visit, but an impromptu visit to Ireland on the way and a delayed passport return after Schengen approval meant Abuarafeh couldn't make it here in time. Instead, the short work was delivered by actor Sofia Asir, who had only been delivered the script on the train up from London earlier in the day and had managed just forty-five minutes' rehearsal time with it. However, both the nature of the piece and the quality of Asir's delivery meant it was still a perfectly beautiful, satisfying piece, which lightly but resoundingly outlined the human condition of life in Palestine, specifically in the West Bank. Seated at a desk in front of a laptop, with a back projection showing photographs and films of a gorgeous, arid landscape, Asir speaks Abuarafeh's words, telling of the simple act of going for a countryside walk. Outlining with maps the areas of the West Bank which are actually Palestinian towns and which are areas under Israeli army control and currently being settled, the text tells us solo-walking is inadvisable and that wherever you set out from, you'll always end up back in the same place. The piece opens out into a memory of Abuarafeh's father, who painted the trees of the title and the shoreline of Gaza with an inkling, she believes, that these would no longer exist one day. She describes Israeli attempts to create national parkland in this area, the Aleppo pine of the western Mediterranean being brought in, resulting in the replacement of those orange and olive trees. With a delicate, absorbing focus on nature throughout, Abuarafeh (through Asir) reminds us that settlement and displacement go hand-in-hand. Advertisement Hide Ad Advertisement Hide Ad Later in the day, the Arab Puppet Theatre Foundation delivered their darkly comedic piece Performance Desperately in Need of An Audience (★★★), and sadly, this play was disrupted by a visa refusal. Created for a trio of actors, only two were able to perform it this time, so the version we saw was excerpted and abridged. Still, there was much to like about it, not least a great set made out of a towering arrangement of cardboard flecked with pen windows and little lights, giving the impression of a dusty hillside town in Palestine. Performed silently, save for comedic grunts and gasps, the piece sees Mahmoud Hourani's ordinary, tracksuited Palestinian guy going about his day, when he's accosted first by a large cardboard bomber which searches him, ordering him to show his ankles and turn out his bag of vegetables, and then by a cardboard drone which in turn lands on a cardboard chicken the man has befriended, and which he tries to revive. The tone is light, the weapons of destruction (both puppeteered by Mariam Balhas) cartoonish, but the events it brings humour to are impossibly dark.
The National
4 days ago
- Entertainment
- The National
Randa Jarrar on how her Fringe show tackles the Palestinian genocide
This is her first solo show, her first time in Scotland, her first time at the Edinburgh Fringe. Jarrar is part of Welcome to the Fringe, Palestine, a mini-festival at the Edinburgh Festival Fringe aiming to showcase Palestinian art 'with freedom and without censorship'. Her show is a sci-fi solo performance set in 2055, where a Palestinian woman wakes up to find she's the last person alive. 'I would not have thought to come to the Fringe if it were not for this fantastic group of theatre workers and volunteers who just have worked deeply with Palestinian artists in the past and feel passionate about Palestinian culture and art,' she says. 'They put out a call at the beginning of the year saying 'hey, if you would like to come, pitch us a show, tell us your ideas'. 'I hadn't written the show yet, but I love deadlines, I'm a Capricorn, so I was like, 'I want to do this'. I applied thinking, if I get it, that's a challenge.' In the show, the protagonist discovers an AI companion, which is modelled after UN special rapporteur Francesca Albanese. Together they piece together how the world ended, and how people resisted before the end. We meet six different characters who are all played by Jarrar and share their stories. The show deals with genocide, survival and numbness, but never only as devastation. 'It's the severe pain and trauma of going through the genocide that has her, and her entire community, choose her to be the one they try to preserve,' Jarrar explains. 'It's my way of talking about the ways that Palestinians in Gaza [now] and historically have used their innovations and sense of inventiveness to survive these horrific circumstances and crimes that are imposed on them by outside forces.' Jarrar draws inspiration from Palestinian folklore which she describes as 'weird and futuristic and ancient all at the same time'. READ MORE: 'Double-edged': Gianmarco Soresi on identity, Israel, and his sold-out Fringe run She adds: 'These magical things happen and the impossible is not the impossible anymore. These folktales have a really big influence on me and rereading them over the past few years during Israel's attempt at annihilating the Palestinian people has brought me a very deep sense of comfort.' She also draws from speculative fiction writers like Octavia Butler, 'accessing women and queer stories and ideas of survival and the ways our communities have historically been able to survive through innovation and through mutual aid and working together'. Censorship and subsequent refusal have long shaped Jarrar's work. 'If you look at my history with censorship, my first novel, getting that published took a long time, almost five years and then in 2018 I dealt with a very extensive doxxing campaign begun when I called out Barbara Bush,' she explains. 'I dealt with a year-long attack by the right wing and newspapers, calling for civil speech instead of just celebrating what we all supposedly had in the US, which is the First Amendment.' In early 2024, she was physically removed from an event hosted by PEN America, who she had volunteered with for almost 20 years, after protesting the inclusion of pro-Israel celebrity Mayim Bialik. She continues: 'For them to platform a Zionist ... I thought I had the right to go there and protest. Of course, only certain people's speech is allowed. And so, I was escorted out of a free speech event. 'Censorship is a thing. And obviously, Palestinians pay with their literal lives. We have had more than 200 journalists, and we owe them a debt we will never repay as humanity. So, for me, I find that it's a privilege to deal with censorship and continue to live my life. So, I will not stop fighting against it.' More recently, she withdrew from the Edinburgh International Book Festival. It dropped Baillie Gifford as its sponsor last year after several visitors and authors threatened to boycott the festival due to the company's alleged links to Israel and fossil fuel firms. 'They invited at least two Zionist Israeli writers to come, and when I brought it up to them out of concern, especially about the one person I was concerned about who had been making statements about how what's happening in Gaza is not a genocide, I said I don't feel comfortable attending if he's there, and they said, 'Oh, you know, we're inviting him for his fiction',' Jarrar says. She adds that she was the first to withdraw, followed by Fady Joudah and Omar El Akkad: 'The person who I wanted to drop out, he also dropped out, which is a wonderful triumph for us – for me, personally.' For audiences, Jarrar wants to provide space, not just to witness, but to feel, to grieve and to move. 'I guess I want them to have an hour to immerse themselves in Palestinian art, culture and characters and to be entertained, but also have some ideas for what to do next,' she says. 'I would love for audiences to learn something new about Palestine and about being human and be given space to grieve with each other and with these characters what's been happening over the last few years, find joy in human resilience and the way humans can take deep, deep grief and anger and transmute it to comedy and art.' And for herself? 'Mostly I'm learning about the ways that people can really get together and make magic happen. That's the number one reason I'm going to Edinburgh – getting to sit for four days in one place and really enjoy Palestinian art and culture and the diversity of it. We're not just one story. We are so many different stories.' The Last Palestinian Alive is on Friday, August 15, 4pm at Portobello Town Hall. Tickets are available at and the full Welcome to the Fringe, Palestine programme can be found at
Scotsman
30-07-2025
- Entertainment
- Scotsman
The Palestinians bringing theatre, comedy and music to the Edinburgh Fringe 'Art is a way for people to survive.'
It has never felt more urgent to platform Palestinian artists at the Edinburgh festivals, says Susan Mansfield Sign up to our Arts and Culture newsletter, get the latest news and reviews from our specialist arts writers Sign up Thank you for signing up! Did you know with a Digital Subscription to The Scotsman, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... Journeys to the Fringe begin from all over the world and, for most, the biggest hitch will be no worse than a delayed flight. However, performers from inside the Occupied Palestinian Territories face a double barrier: being allowed to leave their country of origin, and being allowed to enter the UK. Yet hearing Palestinian voices at the Fringe has never felt more urgent. That's the reason Welcome to the Fringe, Palestine, which ran as a one-day event at Forest Fringe in 2015, is back for a four-day festival-within-a-festival at Portobello Town Hall. Advertisement Hide Ad Advertisement Hide Ad And Here I Am is among the Palestinian shows coming to the 2025 Edinburgh Fringe | Oliver King Playwright Sara Shaarawi, born in Egypt and now living in Glasgow, is one of a team of artists giving their time for free to organise the event (others include David Greig and Grid Iron's Ben Harrison). She says: 'We wanted to bring it back in response to the immense violence, to the genocide happening in Gaza, and also in response to the inaction of the UK Government. But also it's a response to the immense dehumanisation of Palestine in the media. We think it's urgent now for people to engage with Palestinian art in order to engage with Palestinian narratives, Palestinian struggles. I feel we're reconnecting with what theatre means — a space to process together, to listen to that which is hard, that which is joyous or that which is complicated.' After an open call for Palestinian artists from around the world, Welcome to the Fringe will present artists from the UK, Europe, the Middle East and North America in a wide-ranging programme which includes music, comedy, drama, dance, puppetry and musicals. Palestinian artists will attend from the 1948 territories (inside the state of Israel), however organisers could find 'no routes open' to bring artists within Gaza, such as rapper Mohammed Lafi, who was initially programmed, or playwright Rafat Al Aydi, whose play Rul Al Ruh (The Soul of My Soul) will be presented as a rehearsed reading. Also on the way to Edinburgh are the four comedians in Palestine Stands Up: Alaa Shehadeh from Jenin in the West Bank, Diana Sweity from Hebron, Hanna Shammas from Haifa and London-based Sami Abu-Wardeh. The event is organised by Palestine Comedy Club, set up in 2019 by Shehada, British director Sam Beale and film producer Charlotte Knowles to help Palestinian comedians make and tour their work. 'We're so used to seeing Palestinians as victims or as terrorists,' says Beale. 'Being Palestinian is never just one thing, so we're trying to tell all these different stories.' Advertisement Hide Ad Advertisement Hide Ad While making comedy in the midst of war might seem a strange thing to do, Alaa Shehada says it's also an important survival strategy. 'Of course, you hear about Palestinian comedy and think 'how can that work?' But this is part of the reality that people abroad don't know, that we joke, we make fun of everything, it is a way for us to keep going with our daily life.' He says the divisions created by the occupation have become a basis for humour. 'They have created stereotypes, from Jenin to Nablus, from Nablus to Ramallah. We have a lot of jokes about the people who are living in '48 territories, and about Palestinians who are living abroad and dreaming about coming back, while I'm living in Palestine and trying to get out. Right now we have 900 checkpoints in the West Bank. All of these things create comedy.' Then Shehada suddenly becomes very serious, and for a moment the reality of the occupation is right here with us in the room. 'It feels like I'm doing a lot of effort to convince you with the idea of 'Look at me, I'm a human being'. We have, as Palestinians, to find creative ways to reach people abroad, it's just mad - and sad at the same time - what we need to do to have our freedom, to have some justice. 'I'm educating people, I'm making people laugh, and people are engaging and I'm loving that, but it's painful when the reality is that nothing on the ground is changing. People are going for their food in Gaza under the bullets. My family are at home in Jenin with no work, no life, no money.' Advertisement Hide Ad Advertisement Hide Ad Meanwhile, Diana Sweity, perhaps the only comedian performing in a hijab at this year's Fringe, faces not only the usual barriers of travel but specific barriers because she is a woman. She says: 'In Palestine, for women it is not easy to be an actress, comedian, dancer, singer. You must fight to make comedy and fight to make art. And if you want to travel, you must suffer to go and you must suffer to come back. Somehow, I don't know how, we must speak about the situation, about the war in Gaza, we cannot close our eyes. You want to make a comedy show, but you feel broken inside.' It is not only Palestinian performers who are finding ways to talk about Gaza at the Fringe. A new version of My Name is Rachel Corrie, about a young American activist killed by an Israeli bulldozer while defending Palestinian homes in 2003, is being performed by Jewish actor Sascha Schinder at Zoo Southside. The creative team, who are predominantly Jewish, say they are 'adding their voices to the many speaking up for Palestine'. And Jewish writer/performer Sandra Laub explores the issues in her solo play, Picking Up Stones: An American Jew Wakes to a Nightmare at TheSpace @ Surgeons Hall. Everyone is agreed on the power of stories to communicate in ways that news bulletin cannot. Alaa Shehada's one-man play, The Horse of Jenin, developed with Amsterdam-based company Troupe Courage, is about the 16-foot tall horse sculpture built in 2003 by German artist Thomas Kilpper from the wreckage of homes and vehicles. An important symbol of strength and resilience, it was destroyed by the Israeli military in October 2023. Advertisement Hide Ad Advertisement Hide Ad Shehada says: 'It became a meeting point in Jenin, we loved it because it expressed who we are. When it was taken away in front of us, it was very painful for everyone. Why is there fear from a statue of a horse made out of rubbish?' Storytelling has also become central for London-based Palestinian comedian Sami Abu-Wardeh (Channel 4's The Sheikh) who is presenting his second solo show at the Fringe, Palestine - Peace de Resistance. He says: 'I guess it's very difficult to be a Palestinian creator now and not in some way address what is happening. There was an added layer of difficulty for me because I'm a character comedian and clown by background, and that form doesn't lend itself to talking about politics. When everything kicked off [in Gaza] I started writing political jokes for the first time in my comedy career. Speaking in my own voice was a big shift for me.' In the show, he draws on stories of resistance in the Arab world, as well as elements of his own family story. He says that, while he has not yet found a way to make Britain's supplying Israel with parts for F-35 jets funny, 'idiotic physical theatre' will still be part of the show. Comedy, he says, can 'galvanise groups of people who have similar ideas'. 'But going and seeing comedy and having a laugh at all the things we agree about, in and of itself, is not activism. It is a jumping-off point, I hope.' Scotland-based dancer and performer Farah Saleh explores the colonial roots of the occupation with her solo show, Balfour Reparations, at the 2025 Edinburgh Fringe. | Lucas Chih-Peng Kao Meanwhile, Scotland-based dancer and performer Farah Saleh explores the colonial roots of the occupation with her solo show, Balfour Reparations. Saleh was a guest at the first Welcome to the Fringe, Palestine in 2015 and is another organiser of this year's event. Advertisement Hide Ad Advertisement Hide Ad She says: 'Arthur Balfour was Prime Minister (1902-1905) and Foreign Secretary (1916-1919). When he was Foreign Secretary, he wrote the Balfour Declaration in which he promised Palestine as a homeland to Jewish people, while denying Palestinians political rights and self-determination. The show is very much about the accountability and responsibility of the UK.' Set in 2045, it is a performance-lecture, imagining a fictive apology issued by the UK in 2025. Audience members become participants in a 'social choreography' which explores elements of past, present and future. Saleh adds: 'Art has always been a way for Palestinians to resist. My friends in Gaza, the West Bank, or in what is now called Israel are using art to survive. When they write poems or when they practice and perform circus tricks to children in the tents in refugee camps, it's a way for people to survive, to get in touch with their humanity. It is also [a way] for others to share joy again, to feel like humans.'
The National
07-06-2025
- Entertainment
- The National
Palestinian artists to take to the stage at Edinburgh Fringe
Among the 3352 shows announced at the launch of the Edinburgh Festival Fringe programme on Tuesday is Welcome to the Fringe, Palestine, which looks to celebrate Palestinian art and culture "with freedom and without censorship". The event last took place in 2015, and thanks to a successful crowdfunding campaign and the tireless work of volunteers, it will return to the world's largest performing arts festival in the summer. READ MORE: UK won't recognise Palestine at UN conference despite 'discussions', reports say The mini-festival, taking place in Portobello Town Hall between August 12 and 15, will feature a number of Palestinian artists involved in a wide range of different practices – including music (both traditional and electronic), dancers, a puppet show, poetry, a musical, an autobiographical one-man show, live art and lecture performances. The crowd-funding campaign, which has so far raised £37,979, has paid for the artists' travel and visa costs, as well as the fees they will be paid during the festival. Artists are travelling from all over the world, such as from Lebanon, Jordan, Turkey, the US, Ireland, Holland as well as from within the UK. Organisers are also hoping to bring across several artists who are currently in Gaza, although there is currently "no clear route" to enable this to happen under Israel's brutal bombardment of the enclave. One of those currently in Gaza is playwright and director Rafat Al Aydi, from Theatre Day Productions, who has translated his play, titled Ruh al Ruh, into English to be performed at the festival. READ MORE: Israeli forces kill six Palestinians near Gaza aid site The play was written in one day and one night in Gaza last summer and focuses on a couple trying to come to terms with life under war and occupation. After the performance, a talk with Al Aydi will then take place if a connection with Gaza can be established. Other artists in Gaza which organisers are trying to bring over include Lafi, a rap artist from the Jabalia refugee camp, and his sound technician Abdelrahman Nabahin, who is also a visual artist. 'There's joy and warmth in Palestinian art' Sara Shaarawi, an Egyptian playwright now based in Scotland, is one of the festival's organisers. She was also involved with the festival back in 2015, and hopes this year's event will "give people a chance to feel all the different types of art that Palestinians artists make". She praised the support from volunteers and those who have donated to the crowdfunder, but stressed more needed to be done to ensure the artists performing at the festival have the best experience. (Image: Beth Chalmers) Shaarawi (above) said: 'There's a huge amount of donated labour and time and it's been lots of people offering and volunteering their skills, which has been really moving. 'The support is very much coming from the grassroots, which has its challenges and its hazards, but it's also a beautiful thing to see the arts community come together to make this happen. 'While we're almost there and we're confident, we still need about £15,000 to make this fully happen.' READ MORE: Owen Jones: The UK media has ignored this hugely revealing scandal in Israel Shaarawi said the money would go towards specialist equipment, "to make sure that performers' work is presented in the highest quality we can", as well as on things like community meals to make the hosting of the artists more "special". 'It's about making sure that we can actually properly host this group of people and make sure they're taken care of and that they enjoy their time in Edinburgh," she added. The filmmaker said that Israel's ongoing assault on Gaza has made it even more necessary for Palestinian artists to have a space at a festival as big as the Fringe. She said: 'This festival [the Fringe] came to be post-war as a place of healing, as a place of processing and coming together. 'With what's happening in Gaza and Palestine right now and to the Palestinian community all over, it's really important that they have a space in a festival that's on the scale of the Fringe." Shaarawi added that it was important for art to "reach out to people and humanise stories, especially when enormous violence happens". READ MORE: Majority of people in the UK support sanctions against Israel, new poll finds 'The narratives, stories and voices you see in Palestinian art, they're such joy and celebration and warmth and hospitality," she continued. "At this moment it's particularly important with all the challenges and censorship that they've been facing that they feel they are not only welcomed but celebrated." Shaarawi also said that artists have an "immense responsibility" to support Palestinian artists. "Our institutions are not stepping up in the way that they could, our Government is not really doing anything about this. "It's a way for us to reach out and support our colleagues and friends at a time when things are really difficult. "As governments and countries are lacking in words, it's important for artists to not only look outward, but to reach outward as well." The Welcome to the Fringe, Palestine mini-festival will take place at Portobello Town Hall between August 12 and 15. More information can be found here. Click here to donate to the group's fundraiser.
The National
07-06-2025
- Entertainment
- The National
Palestinian artists to perform at Edinburgh Fringe
Among the 3352 shows announced at the launch of the Edinburgh Festival Fringe programme on Tuesday is Welcome to the Fringe, Palestine, which looks to celebrate Palestinian art and culture "with freedom and without censorship". The event last took place in 2015, and thanks to a successful crowdfunding campaign and the tireless work of volunteers, it will return to the world's largest performing arts festival in the summer. READ MORE: UK won't recognise Palestine at UN conference despite 'discussions', reports say The mini-festival, taking place in Portobello Town Hall between August 12 and 15, will feature a number of Palestinian artists involved in a wide range of different practices –including music (both traditional and electronic), dancers, a puppet show, poetry, a Scottish-Palestinian musical, an autobiographical one-man show, live art and lecture performances. The crowd-funding campaign, which has so far raised £37,979, has paid for the artists' travel and visa costs, as well as the fees they will be paid during the festival. Artists are travelling from all over the world, such as from Lebanon, Jordan, Turkey, the US, Ireland, Holland as well as from within the UK. Organisers are also hoping to bring across several artists who are currently in Gaza, although there is currently "no clear route" to enable this to happen under Israel's brutal bombardment of the enclave. One of those currently in Gaza is playwright and director Rafat Al Aydi, from Theatre Day Productions, who has translated his play, titled Ruh al Ruh, into English to be performed at the festival. READ MORE: Israeli forces kill six Palestinians near Gaza aid site The play was written in one day and one night in Gaza last summer and focuses on a couple trying to come to terms with life under war and occupation. After the performance, a talk with Al Aydi will then take place if a connection with Gaza can be established. Other artists in Gaza which organisers are trying to bring over include Lafi, a rap artist from the Jabalia refugee camp, and his sound technician Abdelrahman Nabahin, who is also a visual artist. 'There's joy and warmth in Palestinian art' Sara Shaarawi, an Egyptian playwright now based in Scotland, is one of the festival's organisers. She was also involved with the festival back in 2015, and hopes this year's event will "give people a chance to feel all the different types of art that Palestinians artists make". She praised the support from volunteers and those who have donated to the crowdfunder, but stressed more needed to be done to ensure the artists performing at the festival have the best experience. (Image: Beth Chalmers) Shaarawi (above) said: 'There's a huge amount of donated labour and time and it's been lots of people offering and volunteering their skills, which has been really moving. 'The support is very much coming from the grassroots, which has its challenges and it's hazards, but it's also a beautiful thing to see the arts community come together to make this happen. 'While we're almost there and we're confident, we still need about £15,000 to make this fully happen.' READ MORE: Owen Jones: The UK media has ignored this hugely revealing scandal in Israel Shaarawi said the money would go towards specialist equipment, "to make sure that performers' work is presented in the highest quality we can", as well as on things like community meals to make the hosting of the artists more "special". 'It's about making sure that we can actually properly host this group of people and make sure they're taken care of and that they enjoy their time in Edinburgh," she added. The filmmaker said that Israel's ongoing assault on Gaza has made it even more necessary for Palestinian artists to have a space at a festival as big as the Fringe. She said: 'This festival [the Fringe] came to be post-war as a place of healing, as a place of processing and coming together. 'With what's happening in Gaza and Palestine right now and to the Palestinian community all over, it's really important that they have a space in a festival that's on the scale of the Fringe." Shaarawi added that it was important for art to "reach out to people and humanise stories, especially when enormous violence happens". READ MORE: Majority of people in the UK support sanctions against Israel, new poll finds 'The narratives, stories and voices you see in Palestinian art, they're such joy and celebration and warmth and hospitality," she continued. "At this moment it's particularly important with all the challenges and censorship that they've been facing that they feel they are not only welcomed but celebrated." Shaarawi also said that artists have an "immense responsibility" to support Palestinian artists. "Our institutions are not stepping up in the way that they could, our Government is not really doing anything about this. "It's a way for us to reach out and support our colleagues and friends at a time when things are really difficult. "As governments and countries are lacking in words, it's important for artists to not only look outward, but to reach outward as well." The Welcome To The Fringe, Palestine festival will take place at Portobello Town Hall between August 12 and 15. More information can be found here. Click here to donate to the group's fundraiser.
