Latest news with #WhatRemains
Arab News
21-03-2025
- Entertainment
- Arab News
Muhannad Shono: ‘This work is fragile. It is not here forever'
RIYADH: Saudi contemporary artist Muhannad Shono is the sole representative of the Middle East at this year's Desert X — the site-specific international art exhibition in California's Coachella Valley — which runs until May 11. For the latest updates, follow us on Instagram @ Shono's piece, entitled 'What Remains,' consists of 60 long strips of locally-sourced synthetic fabric infused with native sand. 'The fabric strips, orientated to align with the prevailing winds, follow the contours of the ground, fibrillating just above its surface,' a description of the work on the Desert X website reads. 'As the wind direction shifts, the natural process of aeolian transportation that forms dunes is interrupted, causing the fabric to tangle and form chaotic bundles. In this way, the ground itself becomes mutable — a restlessly changing relic or memory.' This isn't the first time Shono has created a large-scale installation in the desert. At Desert X AlUla in 2020, he presented 'The Lost Path,' composed of 65,000 black plastic tubes snaking through the Saudi desert — a work exploring themes of transformation, memory and impermanence. And while 'What Remains' is an entirely separate piece of art, it also delves into those topics, as has much of Shono's work over the past decade. 'I'm first-generation Saudi,' Shono tells Arab News. 'A year after I was born, I was given the nationality. For half of my life, I didn't feel Saudi. I'd say Saudi was an authentic space that had specific motifs and cultural narratives that we were very disconnected from as a family. Why? Because we're immigrants; my father is not Saudi, and my mom is not Saudi. 'But now I think the narrative of what is 'Saudi' is changing,' he continues. 'And it feels like it's part of this correction.' A feeling of not belonging was apparent in Shono's early artistic endeavors. He loved comic books and wanted to create his own because he couldn't find a true representation of himself in them. 'Saudis expect you to produce a figure they can relate to — with Saudi features or skin color — but I didn't think they could relate to me,' he says. 'I was more referencing myself, and what I thought 'home' looked like, or the 'hero' looked like, so there was a disconnect there.' That disconnect continues to manifest in his work. 'You can see it in Desert X and in a lot of my other projects tapping into materiality. I realized I couldn't really fully connect with the materiality of the narrative of being Saudi. 'An interesting psychological thing that I haven't really come to grips with is that I'm more comfortable doing work in Saudi because I'm responding to this natural source material,' he continues. 'I'm disrupting — I'm offering divergence, narratives that can spill out from that experience of the work. I'm invested in the narrative of what's happening (in Saudi). I think it's the closest I've felt to being 'at home.' Something that I was missing in the beginning was being connected to the narrative of the place, because if you engage with that narrative, you can call it home. 'When I go to California, I miss the landscape (of Saudi) that I'm contrasting. In California, it's not juxtaposed against the experience of growing up. I'm still figuring out how to take these feelings and be able to show work overseas, because my backdrop is missing — the backdrop of Saudi.' His early interest in comic books, he says, was partly down to 'being able to create the world, the space, the setting for the story.' That was also a reason he decided to study architecture at university. 'I felt like it was creative problem solving,' he says. 'A lot of my projects that I did in college were in 'world making.' My graduation project ended up being the creation of a whole city, and how it would grow on a random landscape. I got kind of caught up in the urban planning of it — the streets, and the rivers flowing through it. I never really got to the architectural part of designing a building.' But that willingness to explore ideas in ways others might not has made Shono one of the Kingdom's most compelling contemporary artists. 'I've created my own kind of material palette, or language, or library, that I use,' he says. In his current work, 'The land is holding the narrative on this adventure within the seemingly barren landscape,' he explains. 'These land fabrics become this idea of being able to roll up, carry and unroll ideas of belonging: What is home? How do we carry home?' Shono and the team who helped him install 'What Remains' had to 'constantly adapt expectations' based on understanding the land and the environmental conditions, he says. It took them around a month, working seven or eight hours a day, to put it in place — flattening, aligning, and flipping fabric under Shono's direction. His vision was clear, but he also allowed instinct to guide him. 'This work is fragile,' he says. 'It's an expression that is not here forever… that will change. And my ideas will change, the way I think about stories and concepts through my work. It's important to change.' With 'What Remains,' he is offering that same opportunity to viewers. He wonders: 'What portals will you pass through, through this unrolling of the earth in front of you?' And change is a vital part of the work itself. 'They're always different,' Shono says of the fabric strips. 'At some points, they're opaque and earth-like — almost like a rock. But when the wind picks up, they become lightweight — like sails — and they animate and come to life. And when the light hits as they move through the sky, they reveal their translucency and there's this projection of the trees and bushes and nature that they're almost wrapped around or sailing past.' Although the 'What Remains' seen by Desert X visitors on any particular day will not be the same 'What Remains' seen by visitors on any other day, or even any other hour, one part of it, at least, is constant. 'The work is a self-portrait,' Shono says. 'Always.'
Yahoo
14-02-2025
- General
- Yahoo
East Austin residents fight to preserve a changing neighborhood
AUSTIN (KXAN) — Delores Duffie and Myrtle Holmes Wilson are among a dwindling group of native east Austinites who have held on to their homes and businesses amid a wave of sales and redevelopment across East 11th and East 12th Street. From community members attempting to save a historic century-old building purchased by a developer to the story of a family holding on to their father's dream, the documentary 'What Remains' explores decades of gentrification and a community pushing to evolve while fighting to preserve what remains of a historically Black neighborhood. Please join us on Sunday, Feb. 16, at 12:30 p.m. on KXAN to watch 'What Remains.' KXAN Senior Designer Chris Ayers, Photojournalist Kevin Baskar, Photojournalist Jordan Belt, Photojournalist Richie Bowes, Editor Sean Farrar, Graphic Artist Wendy Gonzalez, Senior Editor Eric Lefendfeld, Patrick Mullen, Producer Ashli Parks, Evening Anchor Jennifer Sanders, Executive Producer John Thomas, Executive Producer Laney Valian, Weekend Morning Anchor Jala Washington, Investigative Reporter Kelly Wiley, Photojournalist Ed Zavala contributed to this report. Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
Leaders
31-01-2025
- Entertainment
- Leaders
Saudi Artist Muhannad Shono to Illuminate Desert X 2025
Saudi artist Muhannad Shono will showcase his innovative vision at Desert X 2025 in California's Coachella Valley from March 8 to May 11. The Desert Biennial selected Shono among artists from Asia, Europe, the Americas, and the Middle East for this renowned exhibition. His participation underscores Saudi Arabia's rising influence in global contemporary art. Artists Explore Identity Through Desert Landscapes Shono's installation, What Remains, merges identity and environment using fabric strips infused with Coachella Valley sand. Wind dynamically reshapes the work, mirroring desert dunes' fluidity. This interplay highlights nature's impermanence and humanity's evolving footprint. Curators Neville Wakefield and Kaitlin Garcia-Maestas praised the piece for bridging cultural narratives with ecological awareness. 'Desert X 2025 challenges myths of untouched wilderness,' Wakefield stated. Artists now confront climate realities, blending time, light, and space into sustainable dialogues. Shono's work aligns with themes of temporality, urging creative solutions for imperiled ecosystems. Global Artists Unite for Sustainability The lineup includes Sanford Biggers (USA), Jose Davila (Mexico), and Kapwani Kiwanga (Canada), among others. Each artist reimagines desertscapes through site-specific installations. Saudi Arabia's inclusion reflects Desert X's commitment to diverse perspectives. Based in Riyadh, Shono gained acclaim for large-scale, material-driven works exploring memory and transformation. His Desert X debut follows exhibitions at Venice Biennale and Diriyah Biennale Foundation. Cultural leaders hail his selection as a milestone for Saudi creative exports. Event Details and Cultural Impact Produced by The Desert Biennial, the free exhibition attracts global audiences. Visitors can experience Shono's work near Palm Springs, a hub for art and sustainability debates. Follow Desert X social channels for updates. Desert X 2025 amplifies urgent climate conversations through art. Shono's participation elevates Saudi Arabia's role in global cultural diplomacy, fostering cross-border dialogue on environmental stewardship. Short link :
Arab News
31-01-2025
- Entertainment
- Arab News
Saudi artist Muhannad Shono to take part in California's 2025 Desert X
DUBAI: Saudi artist Muhannad Shono has been selected to take part in the fifth edition of Desert X, the international site-specific art exhibition which will take place across California's Coachella Valley from March 8 to May 11. For the latest updates, follow us on Instagram @ Produced by non-profit organization The Desert Biennial, the event will feature artistic talent from across Asia, Europe, the Americas and the Middle East. Curated by artistic director Neville Wakefield and co-curator Kaitlin Garcia-Maestas, the 2025 iteration will feature themes of temporality and nonlinear narratives of desert time. Shono's work, 'What Remains,' explores the ever-changing nature of identity and land. The piece features long strips of fabric infused with native sand, allowing them to move freely with the wind. As the wind shifts, the fabric twists and reshapes while the sand forms dunes. 'The land of Desert X is no longer the mythical and endless expanses of the American West but has come to include the effects of our ever-growing human presence,' said Wakefield. 'Artists continue to be inspired by the idea of unadulterated nature but … they have also come to recognize that this is an idea and that the realities of the world we live in now are both more complex and contested. Time, light and space permeate every aspect of this work but so too does an urgency to find new sustainable approaches to living in an increasingly imperiled world.' The full list of participating artists is as follows: Sanford Biggers, Los Angeles, California; Jose Davila, Guadalajara, Mexico; Agnes Denes, Budapest, Hungary; Cannupa Hanska Luger, Mandan, Hidatsa, Arikara and Lakota, b. Standing Rock Reservation, North Dakota, based in Glorieta, New Mexico; Raphael Hefti, Neuchatel, Switzerland; Kimsooja, Daegu, Korea; Kapwani Kiwanga, Hamilton, Canada; Sarah Meyohas, New York; Ronald Rael, Conejos Country, US; Alison Saar, Los Angeles, California; Muhannad Shono, Riyadh, Saudi Arabia.
