Latest news with #WillyChavarria
Yahoo
18-07-2025
- Entertainment
- Yahoo
Pamela Anderson Turns Heads in a Sleek Monochrome Look Straight From the Runway
Pamela Anderson has mastered the art of effortlessly refined style. In recent years, the actress has re-entered the style scene, attending fashion weeks and redefining traditional glamour, often opting for a bare face but exciting silhouettes. Yesterday afternoon was no exception: The cultural icon was spotted in New York City while promoting her upcoming film, The Naked Gun, sporting two different monochrome outfits. Anderson started off bright and bold in a cobalt blue Akris ensemble. Though vibrant, the look was relatively simple, featuring a pencil skirt and a tie-neck blouse. Accessories were also minimal—she stuck to nude heels and a pair of tortoiseshell cat-eye sunglasses. Both complemented her lightly curled bob hairstyle (a newer update to her blunt bob and baby bangs from this year's Met Gala), which only added to the mid-20th-century effect. The second was an exciting look from New York City-based wunderkind Willy Chavarria, fresh from his spring 2026 collection, which debuted in Paris last month. The mint green blouse and ankle-length matching brocade skirt felt fit for Old Hollywood royalty—a subtle shift in the womenswear we traditionally see from the designer. The runway also returned to lesser explored codes, presenting a handful of strikingly voluminous gowns reminiscent of Chavarria's fall 2023 collection, creating an exciting change of pace. On the runway, the look was styled with an equally glamorous hat and a bold red clutch for contrast. Anderson, however, chose a more understated route, pairing it with perfectly color-matched heels and a cream handbag for a relaxed yet put-together finish. You Might Also Like The 15 Best Organic And Clean Shampoos For Any And All Hair Types 100 Gifts That Are $50 Or Under (And Look Way More Expensive Than They Actually Are) Solve the daily Crossword
Washington Post
15-07-2025
- Entertainment
- Washington Post
Protesters' most powerful weapon: Art
Designer Willy Chavarria's presentation of his 2026 spring/summer collection in Paris last month began as any other fashion show. The room went dark and the opening notes of José Feliciano's 'California Dreamin',' poured from the sound system. As the lights crept on, a model dressed in baggy white shorts and an oversize white T-shirt strutted onto the runway and knelt. Another model in the same ensemble followed, then another and another. As Feliciano soulfully crooned, 'I got down on my, on my, on my bended knees/And I began to pray,' the men had assembled into a kneeling queue, their hands clasped behind their backs. What had started as a fashion show became a performance evoking the scenes of captives at the Salvadoran megaprison called the Terrorism Confinement Center, known as CECOT. Chavarria, a Mexican American designer who hails from California's Central Valley, told GQ's Eileen Cartter in advance of the show: 'We're living in a time with the most horrifying atrocities happening all around us and what we're seeing is the erasure of cultures, the erasure of people, the erasure of education, the erasure of compassion, and the erasure of identity.' After the presentation, some online commenters accused the designer of exploiting the issue, but many more praised him for drawing attention to the plight of undocumented people — who face the prospect of not just deportation, but being dispatched to a foreign prison without due process. Images of the Chavarria's show went viral on platforms such as Instagram and TikTok, and became all anyone in fashion seemed to talk about. This was exactly the point. Protest is a driver of political change. Mass protests in Rio de Janeiro in 1984 helped end Brazil's military dictatorship. Protests in Tunisia in 2011 forced from office dictator Zine el-Abidine Ben Ali and helped spark the Arab Spring. In the United States, large-scale protests have led to civil rights legislation (the 1963 March on Washington) and environmental action (the Earth Day protests of 1970, which drew an estimated 20 million participants around the country, preceded the establishment of the Environmental Protection Agency). Just as important are targeted actions like Chavarria's that wield culture as a tactical weapon. Even the most progressive person might avoid a news report about CECOT because it can be difficult to countenance the prison's grinding dehumanization. But for those in the audience at the Salle Pleyel in Paris as the show got underway, there was no scrolling past the men kneeling with heads bowed. Chavarria told GQ last year that 'fashion can't change politics.' But, as he has demonstrated, it can affirm identity and function as protest. (It can also support a cause: The white T-shirts the designer presented at the show were created in support of the American Civil Liberties Union.) As we pass through the sixth month of President Donald Trump's second term, and protests against his administration's thuggish deportation methods intensify, artifacts of culture — art, design, music, dance — have surfaced as important elements of the fight. In Los Angeles, on the front lines of raids by Immigration and Customs Enforcement agents, visual arts groups such as Meztli Projects have produced free, downloadable posters; other artists have created custom bandannas in support of day laborers. Earlier this month, during an anti-ICE protest, graphic artist Pauline Mateos installed in front of Los Angeles City Hall a wall-sized collage of images of deportees. The black-and-white close-ups of so many faces evoked the protest aesthetics of South America in the 1970s and '80s, when the display of headshots of the missing was a standard response to state-sanctioned disappearances. Music and dance have been particularly dynamic in transforming ordinary protest into something more visceral, more memorable. At an anti-ICE gathering in downtown Los Angeles in June, mariachis and ballet folklórico dancers in bright, ribboned skirts performed on the steps of City Hall. When the 'No Kings' rally took over a vast swaths of downtown L.A. last month, the rock act Ozomatli, whose music is infused with cumbia and Mexican norteño, boarded a flatbed truck and put on a rolling show. This month, when hundreds of people staged an anti-ICE protest in Boyle Heights, one of the oldest Mexican neighborhoods in L.A., the march was led by mariachis playing violins. Countless protests have featured line dancing to 'Payaso de Rodeo' (rodeo clown), an infectious tune by the Mexican band Caballo de Oro. 'As the pressure mounts, music becomes more than performance,' said photographer David Lopez in a recent video dispatch for L.A. Taco, an independent media outlet that has assiduously covered the raids. 'It becomes presence. It becomes protest. It becomes power.' A piece of music can express defiance and joy; in dance, the body conveys what words cannot. Even the smallest aesthetic gesture can have outsize resonance in the context of protest. In the introduction to their 2019 essay collection, 'The Aesthetics of Global Protest: Visual Culture and Communication,' scholars Aidan McGarry, Itir Erhart, Hande Eslen-Ziya, Olu Jenzen and Umut Korkut note that the aesthetics of a protest can 'rupture conventions of doing politics.' An ocean of protesters can be powerful. More powerful is seeing them come together to sing 'We Shall Overcome,' with its refrain of 'We are not afraid/We are not afraid today' — as civil rights advocates did during the 1963 March on Washington. Dance has been an especially formidable tool. During the military dictatorship of Augusto Pinochet in Chile in the 1970s and '80s, wives and mothers of the disappeared would dance in public the cueca, a flirty partner jig that is typically performed by a man and a woman — except the women would dance it alone, drawing attention to their missing male partners, who presumably were dead or imprisoned. No more than a handful of women participated in these actions, but their choreographies of grief became so iconic, they inspired Sting to write a song about it in 1987 called 'They Dance Alone.' As the British pop star told Spin magazine at the time, 'Its power is that it's ostensibly a peaceful gesture. It's innocent in a way: Security forces can't arrest you for dancing.' Dance has been deployed to protest apartheid in South Africa and corruption in Puerto Rico. And it was used in the 2020 protests against the murder of George Floyd in Minneapolis. In June of that year, a dancer by the name of Jo'Artis Ratti stood before a row of police officers in Santa Monica, California, and began to krump, a dance that combines exaggerated arm swings, sharp stops and chest pops. Krumping can feel expressive and angry. As Ratti later told The Post, 'How else do we cry to the grotesque?' In Los Angeles, where I live, ICE raids have left families broken, sent people into hiding and transformed bustling commercial districts into veritable ghost towns. In this context, playing Latin music has become a form of defiance, whether blared from a pickup or performed live at a march. As the scholars of 'The Aesthetics of Global Protest' note in their book, this approach can be especially important for 'minority and marginalized voices that might remain invisible or not heard.' Music has become a remarkable way of asserting a Mexican presence in a city that is Mexican in origin. In early July, while making my way through downtown L.A., I ran into a small anti-ICE protest at Plaza Olvera, a historic corner of the city that was laid out by the city's Mexican founders. There, the Mexican norteño band Los Cadetes de Linares, and the long-running local act Los Jornaleros del Norte, founded by day laborers in the 1990s, were performing on the back of a truck. Organizers distributed fliers about legal rights as Los Jornaleros sang their catchy, off-color ditty, 'La migra desgraciada' (wretched immigration). No speeches or chants were heard, only music and dance. In the days prior, Trump had taken a media-saturated tour of a newly built immigrant detention camp in the Florida Everglades, and far-right influencer Laura Loomer had posted a jibe to social media about feeding the nation's 65 million Latinos to alligators. In Plaza Olvera, men, women and children were on the dance floor, defiantly shaking their hips to bouncy Mexican polkas and classic cumbias, some waving placards that read 'ICE out of LA!' In the face of depravity, art has become a way for a community to articulate its humanity — and, more important, to make itself heard. Post Opinions wants to know: What piece of art best captures this moment in America? Share your responses and they might be published as Letters to the Editor.
Yahoo
08-07-2025
- Entertainment
- Yahoo
NBA Star James Harden Responds to Fan Trolling After Paris Fashion Week
NBA Star James Harden Responds to Fan Trolling After Paris Fashion Week originally appeared on Parade. James Harden embraced a variety of off-court pursuits as the NBA offseason began. Among his recent activities, the LA Clippers standout made a striking appearance at Paris Fashion Week—this time not as a celebrity guest in the audience, but as a model confidently strutting down the runway. The 11-time NBA All-Star traded the hardwood floor for a fashion runway as he walked for Willy Chavarria's Spring/Summer 2026 show. The Mexican-American designer not only showcased his designs but also had a special collaboration with sneaker giant Adidas, which made Clippers shooting guard the perfect headliner for the show. In a sportswear-centric section of the fashion show, the 2018 NBA Most Valuable Player showcased his signature dapper aura in a jersey-inspired T-shirt and baggy cargo shorts. Harden's runway look exuded a major street-style vibe, sporting the new Adidas model, mid-calf socks and a paisley bandana worn under a black cap. Adding a touch of mystery and swagger to his confident strut, he completed the outfit with dark sunglasses. Unfortunately, his runway appearance didn't sit well with fans, with some pointing out his stiff walk and lack of typical model poise. 'It's a Paris Fashion Week runway and James Harden is here walking like an Optimus bot,' a user shared on X. 'James Harden walking at Paris Fashion Week like his knees only have one more NBA season left in them. Is retirement near for the superstar?' another post reads. Instead of feeling bad about the criticism, the NBA superstar joined in the fun with a playful comment responding to the reactions. 'Runway Uno. Finally got the chance to walk the runway in Paris, especially thanks to @willychavarrianewyork. Y'all been frying my walk for 24 hours straight though chill,' he captioned his Instagram post, showing that he acknowledged the Star James Harden Responds to Fan Trolling After Paris Fashion Week first appeared on Parade on Jun 30, 2025 This story was originally reported by Parade on Jun 30, 2025, where it first appeared.
Hypebeast
08-07-2025
- Entertainment
- Hypebeast
Levi's Denim Adorns the Nike Air Max 95 in This Week's Best Footwear Drops
The NBA may have fully entered its offseason, however, there's still plenty of basketball to enjoy as the WNBA nears its All-Star break. While brands prepare for the festivities, we have more sneaker releases to track, featuring drops fromNike,adidas,New Balance,PUMA,ASICS, andJordan Brand. Per usual, let's look back at last week's headlines before diving into what's next. Our latest sneaker feature recapped the10 biggest footwear moments from Paris Fashion Week SS26, touching on everything from Willy Chavarria's latest creations with adidas to a new partnership between _J.L_A.L_ and PUMA. As for the typical slate of news,Arts-Recrevealed its collaborative take on the Nike SB Air Trainer 1. Meanwhile, Nike Basketball unveiled theNike Giannis Freak 7. Looking ahead to next year, the Air Jordan 4'Toro Bravo'is rumored to be returning. Another signature basketball shoe to be officially announced was theadidas Dame X. The Three Stripes also had a collaborativeClipsex adidas Samba design hit the net. It also offered a complete preview of the newClimacool Lacedsneaker. For New Balance, a 'Silver Metallic' pack of204Lsappeared alongside our exclusive preview of theJunya Watanabe MANx New Balance TF100. Rounding out our key coverage,Westside Gunnteased an all-red 'Scorpion' take on the Saucony Grid Jazz 9. With all of the past week's major headlines revisited, let's dive into our list of the 10 most important sneaker drops of the week, starting with Nyjah Huston's new signature shoe with the Swoosh. Afterwards,head over to HBX to shop for shoes that are available to purchase today. Release Date: July 8Release Price: $115 USDWhere to Buy:Select Skate ShopsWhy You Should Cop: Nike SB and Nyjah Huston's partnership takes an exciting step forward this week with the introduction of the fourth shoe in his signature line. The skate-ready sneaker is kicking things off in two fresh looks: a versatile off-white iteration and a 'Light Thistle' purple. The new model's key attributes include a mesh upper covered by a larger rubberized mudguard, Zoom Air cushioning, and a large TPU heel overlay. Release Date:July 9Release Price:$140 USDWhere to Buy:adidasWhy You Should Cop:adidas has experimented with footwear designs featuring 3D-printed materials for years. While often stirring up interest, the designs have struggled with price accessibility, limiting the audience to early adopters. However, with the Climacool, the Three Stripes has struck a balance of uniqueness and relative affordability. 24 hours of spinning, baking, and compression result in the minimalist shoe. The sneaker is back in 'Off-White' this week, leaving it absent of any other color throughout its eye-catching structure. Release Date:July 10Release Price:$170 USDWhere to Buy:New BalanceWhy You Should Cop:One of the breakout new models of the year has been the New Balance ABZORB 2000. First arriving on the market in 'Blue Agate' last month, it quickly flew off of shelves. For those who missed out, there's plenty more colorways to come, including this week's double header of 'White/Silver Metallic' & 'Black/Dark Silver Metallic.' The duo offers a silver-accented version of the ABZORB 2000 in either light or dark mode. No matter which you choose, it'll be backed by full-length ABZORB cushioning that features four distinct segments supporting each step. Release Date:July 10 (Levi's) and July 11 (Nike)Release Price:$225 USDWhere to Buy:Levi'sandSNKRSWhy You Should Cop:Levi's and Nike have united again, combining the former's renowned denim expertise with a classic sneaker from the latter. The Nike Air Max 95, which is celebrating its 30th anniversary this year, has been upgraded with three different denim uppers. A classic indigo leads the way with white and black versions accompanying it. The tie to Levi's is emphasized with the inclusion of the brand's red woven tag at the right shoe's lateral heel. OG 'Big Bubble' tooling combines with frayed raw edges across the denim layering and a two-tone woven upper. Release Date:July 10 (JJJJound) and July 12 (PUMA)Release Price:TBCWhere to Buy:JJJJoundandPUMAWhy You Should Cop:It's been almost three years since JJJJound first teamed up with PUMA. The two dropped several Suede sneakers as exclusives to China, leaving many waiting for their opportunity to grab something from the duo. Now, this chance is being delivered as the red-hot PUMA Mostro has received the JJJJound treatment. Brown and navy suede uppers each feature off-white notes at the laces and lining while the spiky sole unit maintains a black backdrop. Release Date:July 11Release Price:$170 USDWhere to Buy:ASICSWhy You Should Cop:Cecilie Bahnsen's partnership with ASICS continues to blossom. The two have expanded their output of flower-adorned sneakers by taking on the GEL-CUMULUS 16. This ushers in ASICS' new 'Signature Series' program, which pairs designers' popular motifs with seasonal silhouettes. For Bahnsen, flowers are again the focal point, covering yellow, silver, and black colorways of the runner. Toggle cord laces are present for Bahnsen's pair, with a special flower-shaped lace lock. Release Date:July 12Release Price:$200 USDWhere to Buy:NikeWhy You Should Cop:Michael Jordan's legacy as an athlete is one-of-a-kind and it's only fitting that his impact on the world of sneakers mirrors this. 40 years after introducing the industry-changing Air Jordan 1, the Air Jordan 40 is here. For the first time, Nike has combined full-length ZoomX cushioning with a complete Zoom Strobel unit. Meanwhile, designers cleverly nod to the 40 with 40-degree angles creating the AJ40 logo and unique traction pattern. Rather than present an endless flow of colorways, nine have been prepared for the coming year, with each pair featuring unique material compositions at the upper. Release Date:July 12Release Price:$140 USDWhere to Buy:adidasWhy You Should Cop:CLOT and adidas' collaborative East meets West approach to footwear again offers a unique perspective this week. The two have reinterpreted the iconic Stan Smith as the Stan Smith Espadrille. Not only does the tennis shoe sport an espadrille sole, it also sees a deconstructed upper present in white leather and black in a synthetic jute-inspired construction. The silhouette's beloved green is also present as an accent color to both pairs, establishing a balance of retro aesthetics and newness. Release Date:July 12Release Price:$180 USDWhere to Buy:SNKRSWhy You Should Cop:Nike has reminded the world of its prominence in the football (or soccer) space this summer. It reintroduced the Total 90 III, bringing energy to its lifestyle lineup, and has just upgraded its output by revealing the Total 90 Shox Magia, assembled here in collaboration with Maha Amsterdam. The 2003 sneaker returned last weekend and is back for a wider drop, combining the Total 90 with Shox technology at the heel. Two-tone colorways of 'Metallic Silver' and 'Metallic Black' highlight the heel in shimmering black and silver respectively. Release Date:July 12Release Price:$6,580 TWD (approx. $226 USD)Where to Buy:INVINCIBLEWhy You Should Cop:Taiwanese streetwear boutique INVINCIBLE's latest ASICS collaboration made its debut at Paris Fashion Week. For those who didn't gather at the fashion capital, it's time for the global launch of the duo's GEL-NIMBUS 10.1 'HTTP 404' pack. Not only will the previously spotted blue pair be launching, but a new green one is as well. Both feature white, silver, and black compositions that see the sneaker take a deconstructed form with oversized branding and loose threads.
Forbes
04-07-2025
- Entertainment
- Forbes
Three Trends From Paris Fashion Week Men's Spring/Summer 2026
Backstage at the Dior Homme show as part of Paris Men's Fashion Week on June 27, 2025 in Paris, ... More France. (Photo by Kuba Dabrowski/WWD via Getty Images) As Paris Fashion Week Men's Spring/Summer 2026 comes to a close this week, there is undoubtedly a well of inspiration coming from the City of Lights. This season blended bold designs, subdued silhouettes and interesting footwear to tell us one thing: menswear is slowly but surely becoming on-par with its female counterpart. Keep reading to see how design hours like Dior, Dries Van Noten and Willy Chavarria are leading the charge in defining the potential of menswear. Keeping It Colorful Bright colors are nothing new when it comes to a spring wardrobe—one needs something to combat the gloomy rain—but Paris brought this to another level. Unexpected color combinations and fabric patterns took center stage at more than one show this season. For example, Dries Van Noten was a masterclass in showing us that being effortlessly elegant doesn't mean succumbing to a monochromatic wardrobe. Quite the opposite, in fact. As the first collection under the house's new creative director, Julian Klausner, there is an undoubted weight in showing such a bold collection, but keeping within the brand's well-established design principles made the transition all the easier for fans of this Belgian brand. Red was the star of the show, cropping up throughout the presentation, paired with equally eye-catching blue sweaters, silky purple button-downs and impossibly short shorts. For a more principles approach to color theory, three brands stood out. The first among them is Sanderlak, whose debut presentation in Paris was inspired by the washed-out tones of Los Angeles. 'There's something about the light in LA that always gets me. It's soft yet harsh and dry, and it settles over everything in this quiet way,' says founder Sander Lak. Taking inspiration from endless vistas and the Golden Coast, these same colorways made it into the 51-piece collection, predominated by desaturated pinks, yellows and blues. Similarly inspired by place, Willy Chavarria used his hometown of Huron, California as the starting point for his politically-charged collection. The opening of Chavarria's show highlighted thirty-five men, dressed in white shirts, who knelt on the runway, hands behind their back, as a symbolic statement of the impact the Trump Administration's weaponization of ICE has caused in his hometown. Models on the runway at the Willy Chavarria show as part of Paris Men's Fashion Week held at the ... More Salle Pleyel on June 27, 2025 in Paris, France. (Photo by Swan Gallet/WWD via Getty Images) 'The opening piece was to contrast against the beauty of the people that are actually being kidnapped and shipped away, broken away from their families, the chaos that we're seeing right now,' explains Chevarria about his controversial opener. And in stark contrast to this opening was a collection that was big, bold and full of character—or, as the designer put it—it's 'color as an act of rebellion.' Utilizing oversized silhouettes at near-zoot suit level proportions, Chevarria's collection was filled to the brim with pink, yellow and turquoise, a visual representation of rebellion against the norms which define menswear—and, to an extent, the broader political tensions that are happening outside the runway. Model on the runway at the Willy Chavarria show as part of Paris Men's Fashion Week held at the ... More Salle Pleyel on June 27, 2025 in Paris, France. (Photo by Dominique Maitre/WWD via Getty Images) Old-Money Aesthetics Are Here to Stay There seems to be an interesting dichotomy at play when it comes to the cultural conversation around money. At once, income equality is at an all-time high and continues to be a flashpoint across the political spectrum (for example, the criticisms following the Bezos-Sánchez wedding last week). And yet, there is a continued fascination with the upper-class way of life, with elements of that familiar TikTok trend of hashtag-Old Money becoming ever more present in recent collections. It is as if society is saying: If you're going to have money, at least look the part. Leading this aesthetic is Jonathan Anderson, whose highly anticipated first collection as the newly creative director of Dior was presented during Paris. Pulling elements from French aristocracy, Jean-Michel Basquiat and the Dior archives, Anderson presented a collection that was understated, yes, but entirely singular in its vision of understated elegance. From cravats tied around models' necks to slouchy pullovers loosely draped across their backs, the small details of this collection show an innate understanding that style is as much how you wear something as to what you're wearing to begin with. It should come as a surprise to no one to find The Row, Lemaire and Hermès as strongholds in the conversation around sophisticated styling. Each brand kept within a similar monochromatic color palette of black, tan and grey, making for a wardrobe in which one can create a kind of uniformity to their personal style. Loose-fitted garments remain the standard, with flowing shirts and loose-fitted pants focusing more on comfort and fabric versus the model's body, giving one room for movement when walking the streets of New York, Paris or Milan. A model presents a creation by Dior Homme for the Menswear Ready-to-wear Spring-Summer 2026 ... More collection as part of the Paris Fashion Week in Paris, on June 27, 2025. (Photo by Bertrand GUAY / AFP) (Photo by BERTRAND GUAY/AFP via Getty Images) Footwear Gets Its Moment Here is a riddle for you. What do beachgoers in the southern United States and models on the runways in Paris have in common? If you said an appreciation for sandals, then you'd be correct. More and more, designers this year have embraced the sandal, making for an interesting departure from the more sophisticated boots and trainers that have long dominated the spring shows. Lemaire, Louis Vuitton, Hermès and Dries Van Noten all styled their models with a toes-out look, showing a bit of unconventional skin during an otherwise conservative runway. Another designer who showed us that footwear remains an untapped canvas for creativity in menswear was Wales Bonner. While this should come as no surprise (the British brand has held a longstanding partnership with Adidas since 2020). Now, designer Grace Wales Bonner seems to have adapted an almost feminine ballet flat-style driving shoe for her menswear collection, with a flat, low sole that hugged the models' feet as they walked down the runway in clothes that were a continuation of the Met Gala's earlier theme, Superfine: Black Tailoring Style. PARIS, FRANCE - JUNE 28: (EDITORIAL USE ONLY - For Non-Editorial use please seek approval from ... More Fashion House) A model walks the runway during the Hermès Menswear Spring/Summer 2026 show as part of Paris Fashion Week on June 28, 2025 in Paris, France. (Photo by Pascal) Mark Your Calendars Just because Paris is now behind us, there remains a full calendar of fashion weeks still ahead, both for menswear and womenswear. To see all upcoming shows, visit the official calendar by the CFDA. Backstage at Wales Bonner show as part of Paris Men's Fashion Week on June 25, 2025 in Paris, ... More France. (Photo by Kuba Dabrowski/WWD via Getty Images)
