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New York Times
6 days ago
- Entertainment
- New York Times
Lorde's Anthem of Transformation, and 9 More New Songs
Every Friday, pop critics for The New York Times weigh in on the week's most notable new tracks. Listen to the Playlist on Spotify here (or find our profile: nytimes) and at Apple Music here, and sign up for The Amplifier, a twice-weekly guide to new and old songs. Lorde, 'Man of the Year' 'I've become someone else, someone more like myself,' Lorde sings, somewhere between pride and astonishment, in 'Man of the Year,' the second single from her album due in June, 'Virgin.' It's a crescendo of self-transformation, from quietly plucked cello to full-band stomp, as Lorde seizes the masculinity within herself. In the video clip, she flattens her breasts, taping them down with duct tape; she ponders, 'Who's gonna love me like this?' and then proclaims, 'Now I'm broken open / Let's hear it for the man of the year.' Miley Cyrus featuring Brittany Howard, 'Walk of Fame' 'Walk of Fame,' from 'Something Beautiful,' the new Miley Cyrus album, turns the proverbial morning-after walk of shame into something prouder: 'I walk the concrete like it's a stage.' The song is mostly formulaic disco, thumping away. But the voice of Brittany Howard — adding little responses and wordless overlays, then promising 'You'll live forever'— gives it some gravity. Kaitlyn Aurelia Smith, 'Urges' Kaitlyn Aurelia Smith, an dedicated electronic-pop experimenter, toys with and displaces dance-floor rhythms in 'Urges,' from her coming album, 'Gush.' She whisper-sings 'I keep getting urges / I can't understand them' while brittle programmed syncopations, disembodied voices and distant, tootling arpeggios materialize around her voice; even as the sounds disintegrate, the pulse is danceable. Santana and Grupo Frontera, 'Me Retiro' Two generations of Mexican American musicians — the Texas band Grupo Frontera and the guitarist Carlos Santana — make a natural combination in 'Me Retiro' ('I'm Leaving'), a song about trying to drink away a heartbreak. Santana sits in with the Grupo Frontera band and, rightly, takes over; his guitar slices through the clip-clop beat and accordion chords and compounds the sorrows that Adelaido 'Payo' Solís III sings about. Obongjayar featuring Little Simz, 'Talk Olympics' Obongjayar — Steven Umoh, a Nigerian musician based in London — has a new album, 'Paradise Now,' that's full of inventive, Pan-African electronic grooves like the zippy staccato propulsion of 'Talk Olympics.' With an octave-bouncing bass line and the sounds of balafons, drums, synthesizers and sampled voices, Obongjayar and Little Simz take turns complaining about someone who's far too chatty: 'I let you speak, that was my mistake,' Little Simz notes; Obongjayar adds, in his sweetest falsetto, 'Shut up! Shut up!' Want all of The Times? Subscribe.
Irish Times
19-05-2025
- Entertainment
- Irish Times
New Irish albums reviewed and rated: The Would-Be's, Varo, Curtisy and Pete Holidai
The Would Be's: HindZeitgeist (Roundy Records) ★★★★☆ The Would Be's were stalked by several big record labels back in the 1990s, but notions of mainstream commercial success quickly unravelled. The Co Cavan band persevered fitfully, split up and then returned with all their original members almost 15 years ago. Some bands are best left to memory, but HindZeitgeist shows that there's always room for indie-pop melodies that linger in the sunshine. Stay Tuned is a superb James Bond theme song in waiting. That's How It Gets You is a shoo-in for a song of the summer, and Stupid Little Heart is a love anthem that Johnny Marr would be happy to have written. It continues with a persistent DIY superiority: three Finnegan brothers (guitarist Matty, bassist Eamonn, drummer Paul), one sassy saxophonist/trombonist (Aidine O'Reilly) and one quality singer (Julie McDonnell). Varo: The World That I Knew (Self-released) ★★★☆☆ Varo – Lucie Azconaga and Consuelo Nerea Breschi – have been integral to Ireland's trad/folk scene for about a decade. During this time they've gathered like-minded musical friends and delved into the song archives. The aim of this resourceful collaborative album, which sees the Dublin-based duo perform with John Francis Flynn, Ruth Clinton, Niamh Bury, Junior Brother, Ian Lynch, Anna Mieke and Lemoncello, among others, is to highlight the value of authentic human experiences, good and bad, across the centuries. Between elegant versions of Green Grows the Laurel (with Flynn), Let No Man Steal Your Thyme (with Lemoncello) and Work Life Out to Keep Life In (with Bury), Azconaga and Breschi have achieved that and more. Curtisy: Beauty in the Beast (Brook Records) ★★★★☆ Hot on the heels of last year's RTÉ Choice Music Prize nomination for What Was the Question, his debut album, the Dublin rapper Curtisy releases a collaborative 12-track mixtape that sieves happiness out of hopelessness. Working with the producer Hikii (who arranged several tracks on What Was the Question), the new songs flow smoothly across a blend of sample-heavy soul/jazz-influenced hip-hop. There's a particularly smart cinematic sensibility on tracks such as Fuss, Milk & Honey, Eyes, RIP2ME and The Necessary Evil, the collection's standout track, which includes a sample of Bela Lugosi as Dracula. Curtisy's lyrics and delivery are equal to those of any contemporary rapper you care to mention. Pete Holidai: Electric Jukebox Volume One (Pilgrim Sounds) ★★★☆☆ Anyone who fancies playing a game of spot the glam-rock music act can safely listen to Electric Jukebox without fear of boredom. The latest solo album from the stellar musician and producer Pete Holidai pays homage to the music that foreshadowed punk rock. A New Revolution is such a New York Dolls tribute that you can almost taste the lipstick, Daydream Girl has David Essex channelling Roxy Music, and We Had a Vision is the cheekiest blend of two David Bowie songs you know very well. In other words, this is good, clean fun delivered by someone who knows what's what every which way and inside out. Volume Two soon, if you don't mind.
