
Connie Britton created the TV show she needed as a single mom who felt all alone
Connie Britton created the TV show she needed as a single mom who felt all alone
Show Caption
Hide Caption
Mother's Day: Easy ways to make your mom feel special
Here are some easy ways to celebrate your mom this Mother's Day.
Problem Solved
For Connie Britton, mum's frequently not the word; it's the role.
Supportive Tami Taylor on NBC's 'Friday Night Lights,' singing Rayna Jaymes on ABC's 'Nashville,' tech CFO Nicole Mossbacher on HBO's 'The White Lotus' and more recently mom from beyond Elizabeth in Netflix film 'The Life List.' Up next, she'll appear in the Amazon Prime comedy 'Overcompensating,' debuting May 15, as the mom of a closeted college student (Benito Skinner).
'I just kind of realized recently, I'm like, 'Oh gosh, I've played a lot of moms. What's that about?' Britton says with a laugh. The Emmy-nominated actress, 58, says she received an offer for her first mom role in her early 30s. She remembers being "so horrified at the idea, like, 'How could I possibly be old enough to be playing a mom?' Now, I love playing moms because every single mom I play, I try to understand each one as the unique human being that they are.'
In real life, Britton is a mother to her teenage son Yoby, whom she adopted from Ethiopia in 2011. The following year she moved to Nashville (where she didn't know anyone) for the ABC drama and worked 16- to-18-hour days. Her experience as a single parent inspired Britton to create 'The Motherhood,' a Hallmark Channel reality series enlisting the help of experts to make life easier for single moms, debuting May 5 (Mondays, 8 ET/PT).
Britton describes 'The Motherhood' in the show's premiere as 'a community of single moms created to provide support to one another when you need it the most.' Britton helped out when a friend who worked in costumes on 'Nashville,' a single mom to four kids, forgot to give her son lunch money. The actress dropped off money at his school.
'And it was in that moment that I thought, 'Gosh, it would be so great to create some kind of resource and community for single moms, where people could volunteer and just one day a week go grocery shopping for them or take care of the kids, or just do something that would give that mom a little bit of support and a little bit of help,'' she says.
Over six hourlong episodes, Destini Ann Davis offers women parenting advice, Taryn Hicks elevates their style and Angela Rose makes their homes more beautiful and functional. (If the premise seems a little familiar, the show is produced by Scout Productions, also behind Netflix's 'Queer Eye.')
'The thing is – and this is the point of my show – you can't just do it on your own,' Britton says. Single moms need community, she says, a support system. 'I adopted my son and I've always been kind of an independent gal. So I sort of thought, 'I got this,' and I feel like I have a lot of maternal instincts, all the things. But when I suddenly was really the mother of an infant child and I was all by myself, it was quite an eye-opening experience.
'The feeling of being alone in it was really profound,' she says. 'And let me be clear, this is with me having the resources to be able to afford help. That, to me, is just an enormous, privilege and blessing, and also it doesn't necessarily fill all the void. There's still a lot of feeling of, 'What am I supposed to do?' and 'I don't know how to do this,' which I think, by the way, that resonates for all parents.'
The series premiere introduces viewers to Tasha, a professor with a 5-year-old daughter, Busy. Tasha's living room is overrun with her daughter's toys, and Tasha admits she 'realized I don't see myself in this house anymore.' She needs to create a space for herself in her home and reconnect to her identity outside of being a mom.
An 'overwhelmed and overextended' Rochelle is the focus of Episode 2. She has two young sons, Jacob and Owen, and works several jobs to support her family. Rochelle manages a foundation and is a parent aide for foster care. She has also started a T-shirt design company and balloon decorating business to save money for her sons' college. Rochelle tells Connie, 'I want my boys to see how resilient mommies can be.'
Britton says she observed that each of the single moms featured 'had real tangible change in their lives, from the things that they learned about themselves and the support that they were able to put in and the idea that they could actually ask for help.'
One participant got a job after her episode, Britton says, another went on a date.
'All of these things where it's like, they allowed themselves to be courageous enough to open up to the community that we were trying to provide and create,' she says. 'And they have now run with that.'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
27 minutes ago
- Yahoo
We want the best: Our demands for the forthcoming Kiss movie starring Nick Jonas
Earlier this week, we learned that Kiss, initially dubbed "the hottest band in the land" before they upgraded to "the hottest band in the world," will soon share their story on the silver screen. Shout It Out Loud, named after a particularly catchy song on their third album, is due to start production at the end of this year or early 2026. The film will be directed by McG, the Charlie's Angels auteur whose last five movies have been Netflix releases including Rim of the World and Family Switch. Nick Jonas is currently in negotiations to play Paul Stanley, Kiss' lead singer (but second banana to bassist Gene Simmons, whose casting remains a mystery, as spokesman for the group). We're going to be optimists and say we eagerly await the finished product. For those raising eyebrows at Jonas' casting (and the Kiss Reddit page is a good source for that sentiment), one must recognize that while Kiss is considered a hard rock group — what with their demonic face paint, leather-and-spiked costumes, lusty tongue wiggling, blood spitting, and onstage fireballs — a lot of their music is just as poppy as the Jonas Brothers' material. That may sound like sacrilege, but when you break down what makes a song like "I Was Made for Lovin' You" work, you'll see it's not that different from "Play My Music." Much like the Bob Dylan film A Complete Unknown, this upcoming project is reportedly about the early days of the group, watching Gene Simmons and Paul Stanley transform from two Jewish kids in Queens (Chaim Witz and Stanley Eisen) into "The Demon" and "Starchild." We'll likely see how the pair, with guitarist Ace Frehley and drummer Peter Criss, created their flamboyant, theatrical style, which, mixed with simple chords and prurient lyrics, eventually led to 14 platinum albums and 75 million records sold worldwide. A Kiss movie has the potential to be a lot of fun, which is why we're going to assume that McG and the roughly 700 listed producers on this project are eager for some notes. Especially since there already was a movie, Spinning Gold, that detailed Kiss' pre-superstar years, which was pretty lousy. (It was more about record executive Neil Bogart, but Kiss is a big part of his story.) To that end, here's what needs to be in a Kiss movie. Several behind-the-scenes sequences detailing the production of Kiss Meets the Phantom of the Park, the 1978 television film starring Kiss. For those who haven't seen it, Kiss play themselves facing down an evil inventor who keeps his secret lair in an amusement park. It's kind of a mix of The Phantom of the Opera and Westworld, and features a lot of sunny California girls and roller coasters. We would also like a songwriting scene rivaling the Mozart-Salieri conclusion of Amadeus, but with Simmons and Stanley composing the lyric "You pull the trigger of my love gun." We also insist that they include the moment (which many believe to be an urban myth) where the members of Kiss dripped some of their blood into the vats of red ink used to create a Marvel Kiss comic book. A notary was witness to it, to ensure that this really happened, and that fans who purchased a copy would know they had real Kiss DNA in their homes. (Imagine reading this comic after cleansing yourself with some Sydney Sweeney bathwater soap!) Another highlight would be one of Simmons' first television appearances, on The Mike Douglas Show, where comedian Totie Fields saw right through his Dracula act and the two started making Jewish jokes. We'd also like to see the notoriously pugnacious Simmons accepting the fact that the band's biggest hit was the syrupy ballad "Beth," sung and co-written by Criss. (And that many people believe that the best song in the entire Kiss oeuvre is Frehley's cover of "New York Groove," which Simmons had nothing to do with.) There should also be a montage of Jonas belting out some of Stanley's signature screeching stage banter. (Do not click this unless you have an hour to kill and are in a location where you feel comfortable roaring with laughter.) Similarly, please give us more details about The Elder, the never-produced fantasy film that gave us the uncharacteristic album Music From the Elder, Kiss' attempt to create something similar to Pink Floyd's The Wall. The film must also show Simmons and Stanley's true métier. Recording albums is one thing, but finalizing merchandising deals is where Kiss truly shined. From shirts and posters and lunchboxes and figurines to the most final of purchases, the Kiss Kasket. To that end, we should also see how Kiss will live forever, as the members of the group have uploaded their likenesses (and maybe their consciousness?) into digital avatars. Read the original article on Entertainment Weekly


CNET
33 minutes ago
- CNET
You Probably Hate This Masterpiece Sci-Fi Show. Here's Why You Need to Rewatch It in 2025
You may be thinking, "Really, Macy? You're going to the mat over a show that came out over 20 years ago?" Well, yes. Because it simply isn't given the respect it deserves. Like many Americans, my family and I loved our nights huddled around the TV to watch our favorite TV shows live. For us, that meant American Idol, Dexter and, of course, ABC's network hit, Lost. There's a good chance you watched Lost in the early 2000s, too. And there's an even better chance you think it got bad. Or you have some sort of perspective that it started strong but went off the rails after the first three seasons. Somewhere along the way -- maybe when the flash-sideways began, or when a smoke monster turned into a man, or when you realized there wasn't going to be a clear-cut answer to every mystery -- you bailed. Maybe you saw the finale and thought it ruined the whole show. (More on that later.) I watched Lost when I was a kid, but hadn't revisited it for close to a decade. Until it came to streaming services, first Hulu and now Netflix and Disney Plus. One day, I decided to replay the pilot episode and, well, it transformed me into the person writing this 1,500-word defense. I binged the show and then immediately turned around and binged it again. I'm truly mad at myself for wasting so much time thinking this show was a disappointment. In truth, it's a glorious, ambitious near-masterpiece. It's my favorite show. That's why I'm writing this. I'm here to ask you to do something radical: Rewatch Lost in 2025. Yes, all of it. And this time, go in with fresh eyes -- see it not as a weekly network drama, but as a serialized, character-driven odyssey that, along with The Sopranos and Mad Men, paved the way for the prestige genre TV we obsess over now. Because the truth is, Lost wasn't a failure. It was just ahead of its time. Here's why. It's time to go back to the island for a 2025 rewatch. ABC's Lost Looking for more streaming recommendations? You should also watch my favorite movie, a historical drama packed with modern themes, for free now. No, the ending is not what you think The last thing I want to do is spoil the ending of a show I'm trying to get you to rewatch. But I feel like I need to address this early since one of the main reasons audiences ultimately turned on the show was a misconception about the ending. I'll tell you right now, spoilers be damned. They. Were. Not. All. Dead. The. Whole. Time. The idea that the characters were really all dead the whole series and that the island was just a purgatory-like state is completely untrue. It's been debunked by the creators of the show, the actors who starred in the show and the dialogue in the series finale itself. A twist ending like that -- revealing they had all died in the plane crash right at the start -- would be a horrible one. It would retroactively reduce the entire plot of the show to meaningless, empty nothingness. So, thankfully, that's not how it actually ended. Now, you can just enjoy the show knowing that it all matters. The cinematography of Lost is some of the best ever put to television. ABC's Lost TV in 2004 didn't look like Lost When Lost premiered in 2004, there was nothing like it on network television. A lush, cinematic sci-fi mystery shot on 35mm film, with a massive ensemble cast of mostly unknown actors and an evolving mythology? On ABC, of all places? In the era of CSI, Desperate Housewives, and the dozens of other cop shows and formulaic TV, Lost was a risk. Lost is a sci-fi show (I think a lot of people forget that) with horror and supernatural elements. It's serialized, meaning you must see each episode to understand the next one, unlike so many shows that were airing on network TV at the time. The show follows a group of drastically different people who have just survived a plane crash on a remote, tropical island that seems to harbor deep, dark mysteries. But each survivor has secrets of their own. And they must live together in order to survive. (I can vividly remember hearing protagonist Jack Shepard say, "If we don't learn to live together… we're gonna die alone.") These characters come together with their differences, their pasts (beautifully depicted in flashback scenes), their traumas, their hopes and their desires, to collectively navigate this horrible situation. What unfolds is six seasons of intense, heart-wrenching plot points that subvert expectations and are rich with themes of faith, spirituality, dualism, philosophy and the mystical. It's pretty normal for TV shows now to be cinematic. Shows like The Last of Us, Succession, Stranger Things and Severance all make use of big budgets, high-quality production, engrossing performances and teams of insanely talented writers. But Lost was doing that in 2004 on ABC, which means the showrunners were dealing with the many obstacles and restrictions of network television. For instance, the show's creators -- J.J. Abrams, Jeffrey Lieber and Damon Lindelof -- wanted Lost to only be three seasons, but ABC said no, and pushed them to do 10 seasons when they saw what a hit the show had become. They eventually negotiated down to the six seasons we have today. But that's twice the amount of runtime the original creators intended. Despite this, the writers crafted compelling story lines and introduced some of the most intriguing characters (Ben, Juliet, Jacob, Penny, Miles) into the later seasons. It's easy to forget that Lost was doing time jumps, shifting perspectives and emotional bottle episodes long before The Leftovers, Dark or Severance existed. It experimented with structure constantly: a flashback here, a flash-forward there, a time loop in season 5. Entire episodes would focus on side characters you hadn't seen in weeks. It was complicated, sure, but thrillingly so. The show trusted its audience to keep up, even when it was confusing. And yes, that led to frustration at the time, but trust me, it works much better now that Lost is on streaming services. It's a show that really should be binged, so that you can truly appreciate the nuance and hidden details of the writing. The things that made Lost so good at the time are why it hasn't been fully appreciated. It was simply ahead of its time. Small plot seeds would be introduced and then left unvisited for several episodes, making Lost a show that's perfect for binge-watching. ABC's Lost Lost indeed was a risk, but one that paid off in six seasons of wild, genre-bending storytelling and a gut-punch, emotional ending that will land as long as you give it another chance with an open mind. Read also: The 21 Best Sci-Fi TV Shows to Stream on Netflix It holds up in 2025 Part of what makes Lost such a rewarding rewatch in 2025 is that it doesn't feel dated. The series still looks and sounds incredible. Because it was filmed on 35mm, which can be upscaled and remastered. Plus, shot on-location in Hawaii, the series still looks gorgeous. Lost was shot on 35mm film, which means it can be upscaled and still look brand new 20 years later. ABC's Lost The performances of the 14 regularly recurring leads of the cast are absolutely brilliant, too. Even though this was a cast of mostly unknown actors at the time, they all, guest actors included, reached a caliber of performance that is still so rare to witness in a TV series. And the music is absolutely remarkable. Michael Giacchino (The Incredibles, Up, Coco, Inside Out) created what I think is the best TV score of all time for Lost. I mean, he used debris from the crashed plane from the pilot episode to create the unique, bizarre sounds you hear each episode. The score is a perfect fit for a unique storyline. More than anything else, Lost is a show that will make you feel. Lost is a show that is full of emotionally poignant moments. ABC's Lost Is every plotline perfect? No. Do the final seasons get a bit complex? Absolutely. But on balance, Lost is one of the most ambitious, strange, beautiful things ever put on television, and it is emotionally satisfying from start to finish. Lost opened the door for serialized sci-fi and genre storytelling on TV, especially character-first narratives with weird, metaphysical themes. What I'm saying is that without Lost, it's hard to imagine Severance, Stranger Things or other TV sci-fi faves. So if you haven't watched it since 2010 -- or if you've never watched it at all -- now's the time. The entire series is available to stream on Hulu, Netflix, Disney Plus and Prime Video for rent. Skip the Reddit threads. Forget the hot takes. Just hit play. And maybe, just maybe, you'll find that Lost didn't lose its way. We just didn't know how to watch it yet. For more, you can explore the 13 best sci-fi shows on Apple TV Plus and the 18 best sci-fi shows on Prime Video.


Business Upturn
an hour ago
- Business Upturn
How anime is shaping global pop culture: Top trends to watch in 2025
Anime is no longer confined to Japan or niche fandoms—it has become a significant driver of global pop culture. With its unique blend of artistic expression, storytelling, and emotional resonance, anime has captured the imaginations of millions worldwide. The last decade has seen exponential growth in anime's international appeal, powered by streaming giants like Netflix and Crunchyroll, increased accessibility, and a surge in global events celebrating anime culture. As we step into 2025, the trends indicate that anime will continue to weave itself deeper into the fabric of global culture. From influencing fashion runways in Paris to inspiring blockbuster Hollywood films, anime's footprint is undeniable. Not only does it impact entertainment, but it also shapes music, gaming, social media, and even lifestyle trends. These trends range from technological advances in animation, cross-cultural collaborations, and evolving storytelling styles to the rising prominence of virtual influencers and the blending of anime aesthetics into mainstream media. Understanding these trends provides a glimpse into the future of global entertainment and cultural exchange fueled by anime. Whether you're a longtime fan or new to the medium, the year ahead promises exciting developments that will transform how anime is produced, consumed, and celebrated worldwide. Let's dive into the key trends shaping anime's global revolution in 2025. Streaming Platforms Are Powering Anime's Global Reach The rise of streaming platforms like Crunchyroll, Netflix, and Amazon Prime has revolutionized anime's accessibility. No longer limited to physical media or regional broadcasts, anime is now instantly available to viewers worldwide. This democratization has led to a surge in international fanbases, which in turn fuels demand for more diverse and globally appealing anime content. In 2025, expect streaming services to continue investing heavily in anime, commissioning original productions and securing exclusive rights to popular series. Netflix's collaboration with iconic studios like Studio Ghibli and Kyoto Animation exemplifies this trend. Such partnerships not only boost production quality but also ensure anime stories resonate with a global audience. Moreover, simultaneous releases of new episodes worldwide—known as simulcasts—help reduce piracy and keep fans engaged in real-time discussions online, strengthening the global anime community. Cross-Cultural Collaborations and Global Storytelling Anime is increasingly becoming a collaborative platform where Japanese creators work with international talent. These partnerships broaden the creative horizon and diversify storylines, appealing to a wider demographic. A notable example is the increasing influence of Western writers, artists, and musicians contributing to anime projects. The fusion of Eastern and Western narrative styles results in fresh, genre-blending content. This trend reflects the global nature of modern storytelling, where cultural boundaries blur to produce universally compelling narratives. As we move into 2025, expect to see more projects born from cross-cultural cooperation, expanding anime's thematic and stylistic range. Anime Influences Fashion and Lifestyle Trends Worldwide Anime's visual style and characters have a profound impact on global fashion. From Harajuku streets in Tokyo to Paris fashion weeks, anime-inspired designs are becoming mainstream. Brands collaborate with anime franchises to release limited edition collections, merging streetwear with iconic anime aesthetics. In 2025, the influence of kawaii culture and anime-inspired fashion is expected to grow further. Social media platforms like Instagram and TikTok amplify these trends, where influencers showcase anime-themed looks and cosplay as lifestyle statements rather than mere fan activities. Moreover, anime cafes, themed pop-up stores, and merchandise collaborations in major cities fuel this lifestyle trend, making anime a cultural force beyond the screen. Technological Innovations in Anime Production Advances in technology are reshaping how anime is created. AI-assisted animation tools, virtual reality (VR), and augmented reality (AR) are pushing creative boundaries. AI helps streamline labor-intensive tasks, allowing animators to focus more on artistic storytelling. VR anime experiences, where viewers can immerse themselves in anime worlds, are gaining traction. These immersive narratives elevate audience engagement to new heights. In 2025, expect to see more anime integrating VR and AR, creating interactive experiences that blend traditional storytelling with cutting-edge tech. The Rise of Virtual Influencers and VTubers VTubers—virtual YouTubers—are an extension of anime's cultural influence into digital social spaces. These anime-style avatars, controlled by real people, have exploded in popularity, especially among younger audiences. They blur the lines between anime fandom, content creation, and digital celebrity culture. In 2025, VTubers will continue to grow, supported by improved motion capture technology and expanding into new platforms. Many major companies and studios are backing VTuber talent, signaling their importance in the future of digital entertainment. Diverse and Inclusive Storytelling Anime is embracing diversity more than ever. Stories featuring underrepresented voices, complex female protagonists, and LGBTQ+ characters are gaining prominence. This inclusivity reflects global social progress and broadens anime's appeal. Titles like Given , Yuri!!! on Ice , and Wonder Egg Priority paved the way for more nuanced portrayals of identity and relationships. In 2025, expect this trend to deepen, with studios taking bold creative risks that mirror contemporary social realities. Music and Anime: A Symbiotic Relationship Anime and music industries are intertwined, with anime soundtracks and theme songs often becoming chart-topping hits. J-Pop, Vocaloid, and rock bands frequently collaborate with anime productions. The year 2025 will see further innovations such as live virtual concerts featuring anime characters or VTubers, blending music performance with anime fandom. Collaborations with global pop stars incorporating anime aesthetics are also on the rise, expanding the genre's reach. Anime's Influence on Video Games and Esports Video games inspired by popular anime have a huge international following. The integration of anime art styles and narratives into games creates immersive experiences for fans. Esports tournaments often feature anime-themed games, drawing massive audiences. The crossover between gaming and anime fandom continues to deepen, creating dynamic communities and expanding the cultural influence of anime. In 2025, expect tighter collaborations between game developers and anime studios, creating seamless cross-media storytelling. Conclusion: Anime's Expanding Cultural Footprint Anime's journey from a Japanese subculture to a global pop culture powerhouse is a remarkable story of creative evolution and cultural exchange. In 2025, anime's influence will only grow stronger across entertainment, fashion, technology, and lifestyle. The blending of global talent, technological innovation, and diverse storytelling promises exciting new directions for anime. As fans worldwide engage with anime on more platforms and through innovative formats, the medium will continue to inspire and shape global culture. For anyone looking to understand the future of entertainment and pop culture, watching how anime evolves and spreads its influence is essential. The coming year will be a fascinating chapter in anime's ongoing global revolution.