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Ekka review: Yuva Rajkumar's film is an almost perfect Kannada actioner

Ekka review: Yuva Rajkumar's film is an almost perfect Kannada actioner

India Today4 days ago
A director's vision often ends up being compromised for the sake of various variables in the market. Whether the call is taken by the producers, other market forces, or the director themselves, the compromise takes away a part of the essence of a film. Sometimes it might go unnoticed. But, when a film lays its foundation exceptionally, builds characters, establishes conflict and is well on course to be an absolute entertainer, an obvious compromise hurts a lot. Unfortunately, 'Ekka' suffers from the compromise. But, let's get to that later!advertisementMuthu (Yuva Rajkumar, grandson of matinee legend Dr Rajkumar and nephew of Shiva Rajkumar and the late Puneeth Rajkumar) is a happy-go-lucky guy spending his days eating, sleeping and loafing with his friends in his village. Introduced as someone who embodies innocence but also carries a beast within, Muthu lives a peaceful life until adversity strikes, and his mother Rathna (Shruti) sends him off to Bengaluru to make a living.As Muthu sets up his life in the metro city, he meets several characters who start testing his innocence and triggering the inner beast. What happens if Muthu loses himself? Will he be able to tame his inner beast? Will he keep the promise he made to his mother? The answers to these questions, and too much more, form the plot of the film.
The first half of 'Ekka' is simply amazing, giving you goosebumps at the interval point. In fact, it is so good that one gets emotionally attached, and several technical shortcomings are easily ignored due to the brilliant emotional story-building. However, 'Ekka' is the prime example of a compromise gone wrong. As the ingredients cook up a solid film, one compromise leaves behind a sense of dissatisfaction. Director-writer Rohit Padaki shows great potential - a filmmaker to look out for - as he excels at communicating emotions and hooking audiences to the world he creates. The world that's built, the emotions at stake, the layers in storytelling, gritty presentation, elevation sequences, and the technical departments dressing up the film to look and sound dapper - the captain of the ship has certainly displayed his potential.'Ekka' is loaded with everything going its way. But perhaps by the time it reaches the climax, it gets overloaded, as there is a significant chunk of the film that gets wrapped up in a matter of seconds. This is the very 'compromise' mentioned earlier, and it hampers the overall experience of the film, which was otherwise a really good theatrical experience. Is it right to place the blame on the director for this, or were other influences involved in the decision? The answer must bear the blame for keeping the film 'Ekka' from reaching great cinematic heights.advertisementYuva Rajkumar, who leads from the front in the film, delivers a good performance as Muthu. He carries the narrative till the end and has visibly improved his acting potential compared to his first film 'Yuva', and this thought echoed among the audience as well.Sampada Hulivana, who plays Mallika - Muthu's partner through the second half - delivered an impressive performance too. Sanjana Anand's character, Nandini, seems to have been cut short and ends up being underutilised in the overall narrative. With a cast involving several other prominent actors like Sadhu Kokila, Shruthi, Atul Kulkarni, Poornachandra Mysore and several others, everyone seemed to have understood the assignment and delivered what was required.The music by Charan Raj in 'Ekka' is simply brilliant, seamlessly elevating both the emotional beats and the storytelling arc. The songs blend organically into the narrative, while the background score does heavy lifting in enhancing the mood of each scene - be it tenderness, rage or suspense. Complementing this is the cinematography by Satya P Hegde, whose frames lend grit and grace, and Deepu S Kumar's editing, which ensures the film stays engaging in most parts.Overall, 'Ekka' is a film that delivers more hits than misses. It's an emotionally charged, technically sound and performance-driven story that showcases Yuva Rajkumar as a promising leading man in Kannada cinema. Despite the evident compromise that holds it back from achieving its full potential, the film offers a memorable theatrical experience with several high points. Backed by strong music, compelling visuals and Rohit Padaki's grounded storytelling, the film is definitely worth the watch.- Ends3 out of 5 stars for 'Ekka'.Must Watch
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Amitabh Bachchan asks Abhishek Bachchan to ‘fight till the very end'; praises him for never comparing himself to others: ‘One should never give up'
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Imitation is the sincerest form of flattery, goes the old saw. But in the case of M K Muthu, it became the obvious but not sole reason for his fall in the Tamil film industry. This despite debuting in a film scripted by the redoubtable pen of his father M Karunanidhi . Muthu's debut film 'Pillaiyo Pillai' in 1972 had script, screenplay and dialogue by Karunanidhi and was directed by veteran filmmaker duo Krishnan-Panju, who made 'Parasakthi', the film that cemented Karunanidhi's place as a screen writer. It was a hit and ran for more than hundred days in theatres. Around this time, Murasoli Maran, nephew of Karunanidhi, decided not to produce any more films under his banner Mekala Pictures. This despite the success of its last venture, MGR starrer 'Engal Thangam' (1970). This was also when MGR gradually started to distance himself from Karunanidhi. You Can Also Check: Chennai AQI | Weather in Chennai | Bank Holidays in Chennai | Public Holidays in Chennai At that point, Karunanidhi brought Muthu to tinsel town. The production house Anjugam Pictures was founded to launch Muthu. Though there were misunderstandings between Karunanidhi and MGR, they tried not to show it in public. That is why MGR had inaugurated the shooting of 'Pillaiyo Pillai' wielding the clapperboard. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like No annual fees for life UnionBank Credit Card Apply Now Undo Many years later, the film distribution of 'Pillaiyo Pillai' was included in the investigation by Sarkaria Commission. It was alleged the distributors were compelled to buy the film by the then DMK govt. Muthu's second film 'Pookkari' was also scripted by Karunanidhi. Though Muthu also acted in the films written by others, it was in the scripts of Karunanidhi that he got memorable roles. In the first two films, from his hairstyle, body language to sartorial choices, Muthu imitated MGR. Many of film critics consider this lack of originality led to Muthu's downfall. Muthu was also a singer He had a light music troupe, which was famous for the song 'Tamilar ellaam maanathodu thalai nimirnthu nirpatharku yaar kaaranam', an anthem for Periyarist organisations. The moniker 'Nadippisai Thilagam' given to Muthu in his third film 'Samayalkaran' (1974) also added fuel to the talk that Muthu was pitted against MGR who was called 'Makkal Thilagam'. Though many considered Muthu as a rival to MGR, they both shared a bonding beyond politics and films. Muthu used to call MGR 'periyappa'. Muthu's time in tinsel twon ended with a cameo in 'Nyaya Tharasu' (1989) written by Karunanidhi.

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