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How Did Chrissy Metz Lose Weight? The ‘This Is Us' Actress's 100-Lb. Health Transformation

How Did Chrissy Metz Lose Weight? The ‘This Is Us' Actress's 100-Lb. Health Transformation

Yahoo11-04-2025
Chrissy Metz opened up about her amazing 100-pound weight loss transformation in April 2025. The This Is Us actress shared how she reached her health and fitness goals, all while debunking Ozempic and gastric bypass surgery rumors.
Life & Style reflects on Chrissy's weight loss journey and reveals how she dropped 100 pounds.
The When I Talk to God, I Talk About Feelings author lost weight by choosing a workout she enjoyed participating in: Weight lifting.
'I have always enjoyed strength training. I've always enjoyed lifting weights, like I don't want to run unless I'm being chased,' Chrissy told The Daily Mail in April 2025 before explaining her relationship with her Nashville-based personal trainer.
'We have things in common where it's not just like, 'Why are you doing this?' Like, I don't want to be yelled at. I want to be lovingly supported in whatever it is that I'm doing,'' she continued to the outlet.
During Chrissy's April 2025 interview with The Daily Mail, she addressed speculation that she turned to surgery and medication to achieve her weight loss results.
'But I also think it's people's personal decision to decide what it is that they want to do for their body. I think ultimately, at the end of the day, we all just want to feel good and feel good about ourselves,' Chrissy told the publication at the time. 'I think if you're not hurting anybody, and you're not hurting yourself, you should do what you feel is right for your body or your mind or whatever.'
Meanwhile, the Breakthrough star revealed she would 'never' undergo a weight loss procedure.
'I don't even take Tylenol, like, I really am such a weirdo that way. I'm like, 'Yeah, no,'' she said. 'It wouldn't take with me. I could eat past it. With anything, it's a lifestyle change. I mean whatever is best for the person, but, like, also for me, with like a bariatric surgery, so much of my food issues, personally, are psychological in that like, yes, you could sort of put a band-aid on the problem. But like, What's the bigger issue? There's a bigger issue for me.'
Chrissy dove headfirst into her weight loss journey while trying to avoid health complications that come with aging while being classified as obese. Ultimately, she wants to be 'strong' and 'age the best way [she] can.'
'I'm literally doing it because I am nervous about aging, about osteoporosis or arthritis, you know, and because they are now discovering so much about health overall [and] it's really about being and staying strong and flexible,' the Emmy-nominated actress told The Daily Mail.
Back in 2016, Chrissy explained how she needed to lose weight as a stipulation in her contract while starring on This Is Us. While the starlet was on board about improving her lifestyle, she made it very clear she wasn't interested in losing weight for aesthetic purposes.
'That was a win-win for me. Because it's one thing to try to do it on your own. But as human beings, it's an ego thing: We're more likely to do something for someone else,' she told TVLine at the time. 'I just have to be very clear. Whether or not I lose weight or stay the same, it's purely a choice of mine for health. Not because I think that plus-size, curvy, voluptuous, big bodies aren't attractive — because I think they're awesome and sexy.'
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Blind models work the runway at fashion show for the visually impaired
Blind models work the runway at fashion show for the visually impaired

Chicago Tribune

time9 hours ago

  • Chicago Tribune

Blind models work the runway at fashion show for the visually impaired

Brenda Nicholson waited in the Nordstrom fitting room, listening intently as the staff described the colors, textures and cut of the outfits hanging on a rack. She typically gravitates toward clothing with pops of color, but this time Nicholson selected a gold, mesh-embroidered dress that cut down to her ankles. She chose the outfit based on the staff's vivid description and the way it felt when she touched the material. When a partially blind model's eyes can't help, she must rely on her other senses — touch and hearing, in this case — to help ready her for the runway. Nicholson was one of 10 visually impaired models who walked in the Beautiful Lives Fashion Show earlier this month at the CD Peacock Mansion in Oak Brook. The inaugural event celebrated the idea that everyone can enjoy clothing — even if they experience it in a different way than most. 'Good fashion feels like the textures that send tingling sensations through your fingers,' said Beautiful Lives Project co-founder Bryce Weiler, who has been blind since birth. 'Textures mean something.' The show's models were students at the Chicago-based Illinois Center of Rehabilitation and Education-Wood, which offers vocational and life skills training for blind and visually impaired adults. Students can receive instruction on everything from cooking and computers to reading braille and crossing eight-lane streets. The event gave many participants their first exposure to modeling — something several said they had never considered. 'Is the runway ready for me?' model Monty Rogers, who lost his sight more than three years ago, asked his fellow models. Rogers said he has always had a sense of style. Prior to selecting his runway outfit, he wore a patterned kilt with 'pride colors' and knee-high socks. A former telephone engineer and photographer, Rogers motioned to his outfit: 'I still have aesthetics,' he said. Rogers, who feels almost all his clothes before buying, selected jeans and a striped, navy blue sweater with a soft jacket. The sweater's collar, lifted and distinct from the sweater's main material, framed his neck, which was accessorized with a thin chain. 'I'm blind as hell and I'm still a fashionista,' he said. In a 'vacation vibe' salmon shirt with khaki pants, Lawrence Lacy made his runway debut alongside experienced model Jennifer Cruz, the reigning Mrs. Illinois International 2025. Moments before walking, Lacy, who's blind, gave Cruz tips on one aspect of runway modeling that she had never encountered: how to be his guide. On a daily basis, Lacy said he uses the application 'Be My Eyes,' to assist in planning outfits. The app helps users who are blind or have low vision by providing visual descriptions of daily tasks such as navigating unfamiliar surroundings and explaining the color of an object. From his clothing needs, Lacy uses the 'Be My Eyes' to match outfits to a hanger, including specifics, 'like the color (patches) on his socks,' he said. Prior to the show, runway walkers filled out surveys, describing the styles, textures, feelings and colors they wanted to showcase most. The show's organizer, 16–year-old Aria Holtzman, then worked with the Nordstrom staff to select outfits that matched the model's personal style. 'A lot of models wanted patterns,' Holtzman said. Holtzman also accessorized the outfits with shoes and jewelry, borrowed from CD Peacock, to complete the looks. The Hinsdale teen, who is beginning her junior year at Culver Academies in Indiana, came up with the idea for the show after attending a summer camp at Vogue's New York office. She came home inspired to make fashion accessible for everyone regardless of their abilities or medical conditions. With the support of her father — CD Peacock Chairman Steven Holtzman — she teamed up with Weiler and the Beautiful Lives Project. Along with Beautiful Lives Project co-founders Weiler and Michael Gudino, Holtzman worked with CD Peacock interior designers to make sure the event space resembled a runway and was clear of obstacles that could prove difficult for models and spectators as they moved around the mansion's first floor. She also ensured the 6-foot-wide runway was wide enough for both the models and their escorts. With just 39 days to put on the show, Holtzman wrote the script and served as the evening's emcee. She also encouraged the models to make their own personalized introductions before they headed down the runway. After Holtzman introduced Lacy, he took the microphone and offered a short message of appreciation. He thanked the ICRE-W program and the Beautiful Lives Project for 'transforming me into the person you see before you.' 'Just know that anything that you love, that gets a little help, you can be a part of,' he told the audience. Rogers, during his runway walk, sang a rendition of 'Feeling Good' to the spectators' delight. 'Monty lives his life knowing that the only thing he can't do is see, ' Holtzman told the audience. But Roger wasn't the only model with a talent to display. Nicholson, who lives in downstate Bellview, was the night's last model, concluding her walk with a dance to Rebirth Brass Band's 'Do Whatcha Wanna.' Before her stepping onto the runway, organizers reminded her of the song's six-minute duration, 'I can do it,' she said without hesitation. Nicholson substituted her white cane for a translucent umbrella as the music played. The audience rhythmically clapped to keep the beat. Although the music was cut off by applause before the full song could end, Nicholson said she 'was born dancing to this.' She could do it in her sleep, she said. The models kept their Nordstrom clothing, which had been purchased for them by the Holtzman family. Although this is the first fashion show the Beautiful Lives Project participated in, Weiler said he hopes for other opportunities like it. 'We are surrounded by people who want to help (others) live out their dreams,' he said. 'To help you to find employment, and to say that there are no barriers that can hold someone back with a disability.'

The 9 Best Sports Bars in Barcelona
The 9 Best Sports Bars in Barcelona

Time Business News

time18 hours ago

  • Time Business News

The 9 Best Sports Bars in Barcelona

Barcelona isn't just a paradise for architecture, beaches, and tapas, it's also a city where sports culture runs deep, from the roar of Camp Nou to the hum of neighborhood bars on match day. Whether you're a die-hard football fanatic, a casual NBA watcher, or someone who simply enjoys a cold beer with friends while the game's on in the background, the city offers a wide variety of venues to suit every taste. From bustling beer halls with craft brews and multiple screens to cozy local pubs steeped in tradition, here's a look at some of the best spots to watch sports in Barcelona. 1. CocoVail Beer Hall Nestled in the Eixample district, CocoVail stands out as a spacious, American-style craft beer haven. With 24 rotating craft beers on tap, including local Catalan and Spanish brews, it's a beer lover's paradise. They also serve up to 17 flavorful chicken wing variants, burgers, and sandwiches, perfect for sharing, especially when paired with board games while you wait. CocoVail features 6–7 large-screen TVs, ensuring you can catch multiple games, from NBA and NFL, to UCL, golf, rugby, Formula 1, and March Madness. Reviewers love the laid-back vibe and friendly service. 2. Belushi's Bar A familiar face among expats and students, Belushi's offers an international pub atmosphere with multiple screens and a global crowd vibe. Expect a solid mix of pub food, beers, and broadcasts of major sports from around the world. 3. The George Payne Located centrally near Plaça Catalunya, this lively Irish pub delivers a genuine match-day atmosphere. With ten 60' screens across two floors, you'll never miss a moment. Known for its long beer list, 'Messi World Class Burger,' fiery chicken wings, and even humorous food challenges like the 'Luis Suárez Big Bite,' this spot turns sports viewing into full-on entertainment. 4. Flaherty's Irish Bar & The Old Irish Pub Also recognized as strong choices in Barcelona's sports bar lineup. Both offer cozy, authentic pub interiors and frequent broadcasts of football, rugby, and more, great for tourists or locals seeking a classic Irish pub vibe. 5. Sonora Sports Tavern Listed among the top sports pubs in the city, Sonora rounds out a solid lineup with its welcoming setting and reliable sports coverage. It's also in an interesting area of the city that is more modern, Poble Nou. 6. Casa de Tapas La Cañota For those seeking a family-friendly, restaurant-style alternative, this Montjuïc gem delivers seafood tapas and burgers, alongside four TV screens to catch Barça matches in a relaxed, but vibrant setting. 7. L'Ovella Negra A rustic, convivial tavern with large spaces, table football, sangria-by-the-pitch-volume vibes, and big screens for match nights. It's a mix of local tradition and festive sports culture. 8. Bar Llopart & Bar Versalles For a more local experience, these neighborhood havens offer an authentic sporting atmosphere with Catalan flair. Bar Llopart in Sants, with its Barça scarves, chants, and budget-friendly beers, attracts true fans. Bar Versalles in Sant Andreu, with historic charm and modernist touches, screens matches amid a genuine community feel. 9. Additional Favorites & Local Tips Travelers and students frequently recommend Irish pubs like Michael Collins, James Joyce, and George Payne as go-to places for casual match watching, even if the concept of a 'sports bar' isn't ingrained in Catalan culture. Others point to a local ambiance, where regular bars simply tune into big games in the background. Final Word Whether you're hunting for craft beers, fiery wings, and big screens (CocoVail), or an adrenaline-charged, challenge-fuelled environment (George Payne), Barcelona offers diverse options. Belushi's and other Irish pubs keep things steady and social. Meanwhile, more traditional locales like Bar Llopart or La Cañota cater to local fans, families, and foodies alike. There's a perfect place in Barcelona for every kind of match-day mood, cheers to that! TIME BUSINESS NEWS

The Slow Death of the Contemporary Art Gallery
The Slow Death of the Contemporary Art Gallery

Hypebeast

timea day ago

  • Hypebeast

The Slow Death of the Contemporary Art Gallery

The contemporary art gallery as we know it is dying. In cities like New York and Los Angeles, dedicated spaces that once buzzed with foot traffic and formal openings are now struggling with rising rents and changing expectations. The old model, where a gallery does everything for its artists, feels like it's falling apart. Big gallery chains, the ones built on endless art fairs, multiple cities and huge rosters of artists, are losing their grip. Last month, Tim Blum announced he would close his Blum & Poe galleries in L.A. and Tokyo and even stop plans for a new one in Tribeca. He was blunt about the reason: 'This is not about the market. This is about the system,'he told ARTnews, pointing out that collectors have more power than ever to negotiate. His decision echoes a wider feeling across the industry with many giving up on the idea of building giant gallery empires. You can see this shift happening at major events. The latestArt Baselconfirmed that galleries are showing more mid-priced work, not just the massive, ultra-expensive pieces they once counted on. A recentreport from Art Basel and UBSshowed that while the overall art market shrank last year, the number of actual sales went up. It's a clear signal that the business is no longer just about a small group of big spenders, it's now about reaching a wider audience at lower price points. 'The old model was built on scarcity and prestige. The new one runs on access and attention.' A significant force behind this change is the shifting demand for different types of art. The once-dominant 'blue-chip' artists, masters whose work commanded staggering prices, are no longer the only game in town. Collectors are increasingly turning their attention to 'red-chip' artists, a new class of talents whose value is built on viral hype and cultural relevance rather than institutional endorsement. These artists are attractive for two main reasons: their work is often more accessible and affordable, and it brings fresh, diverse cultural perspectives that feel relevant and exciting to a global audience. This hunger for new voices and unconventional methods is reshaping the market. A key example isOlaolu Slawn, a London-based artist who sold out his solo show,I present to you, Slawn, at the Saatchi Yates gallery in 2024 by creating and selling 1,000 individual, more accessible pieces, an approach that challenges the fine art world's focus on scarcity and prestige. A separate but related trend sees celebrities entering the art market with their own work, often commanding high prices based on their fame. Actor Adrien Brody is a notable example. His art, which he described is about celebrating the little nuances in life has sold for significant amounts, as per a convo withInterview Magazine. For instance, a painting he created of Marilyn Monroe was sold at a Cannes gala auction for $425,000 USD, illustrating how star power can directly translate into commercial value. However, his work has drawn sharp criticism from the industry, with critics often labeling it as kitschy and derivative. One critic writing forARTnewsdescribed his work as having a 'faux naïve aesthetic' and 'mediocre production value,' while others have accused him of cheaply appropriating the styles of Jean-Michel Basquiat and Andy Warhol. As the old guard shrinks, smaller galleries are finding new ways to thrive. In New York,Tiwa Galleryshows self-taught artists in a relaxed space, rejecting flashy Landddcombines Latin American crafts with immersive events. In L.A.,Marta galleryblends art and design right into everyday life. These new spaces care more about quiet, genuine connection than putting on a spectacle. Retail is also becoming a new kind of gallery. Stores like South Korea's Gentle Monster and London's Dover Street Market are blurring the lines between art and commerce, transforming shopping into an immersive cultural experience. Gentle Monster's stores are famous for their fantastical, ever-changing installations, from surreal kinetic sculptures to robotic figures that draw in visitors who are just as interested in the art as they are in the eyewear. Dover Street Market, founded by Comme des Garçons's Rei Kawakubo, is a 'beautiful chaos' where each brand and artist is given a dedicated space to create a unique installation, turning the store into a constantly evolving exhibition. By blending high-end retail with cutting-edge art and design these spaces offer a new kind of public access to creativity, making the gallery experience a part of a commercial transaction rather than a separate cultural outing. 'If your space is fueled by DJs and cocktails, maybe it isn't really a gallery anymore.' It's clear that going to a gallery is no longer the only way to see or buy art. Today, buyers can just scroll on their phones and purchase work directly from studios or social media. This instant access has replaced the slow dance of white-cube shows and champagne previews. Some galleries are trying to keep up, creating online art drops and hosting pop-ups in different retail spaces. But others are pushing back, as one veteran gallerist puts it: if your space is fueled by DJs and cocktails, maybe it isn't really a gallery anymore. Art isn't disappearing. It's just moving, becoming more accessible and less tied to one physical location. The old model was built on scarcity and prestige. The new one runs on access and attention. The question isn't whether galleries will survive, but which ones can change fast enough to matter.

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