Brianne Howey Teases ‘Ginny & Georgia' Season 4 Might Be Juicier Than Ever
Spoilers below.
There's no such thing as 'normal' for the 'Mayoress Murderess' Georgia Miller, which means there's no such thing as 'easy' for her children, Ginny and Austin. Season 3 of the Netflix hit dramedy Ginny & Georgia sees both kids have to make some terrible choices when it comes to covering for their mother's crimes, choices that include—but are not limited to—lying on the witness stand; blackmailing their neighbor; and conspiring to get Austin's abusive father, Gil, thrown in prison. Still, that's all before the season 4 finale drops another major curveball: Georgia is pregnant with their future sibling. Oh, and she doesn't know the father's identity.
With that in mind, you can rest assured Ginny & Georgia will aim to capitalize on such a soapy cliffhanger. Season 4 is in the works, and the cast and crew are already teasing what's in store for the Millers when Georgia's own mother and stepfather come into the picture. (As if this family needs any more drama.) Here's what we know so far.
Yes. Ginny & Georgia was renewed for a fourth season way back in May 2023, when the third-season renewal was also announced. Deadline cited 'Ginny & Georgia's very strong performance and very appealing economics' as reasons for the two-season green light.
In February 2025, show creator Sarah Lampert posted a photo of the season 4 writers' room on Instagram, captioning it, 'First day of the season 4 writer's room!!! Based on today alone season 4 is going to be a RIDE.'
We can anticipate most of the main cast will return for the next installment, including Howey, Gentry, La Torraca, Felix Mallard as Marcus Baker, Sara Waisglass as Maxine Baker, Jennifer Robertson as Ellen Baker, Raymond Ablack as Joe, Katie Douglas as Abby, Chelsea Clark as Norah, Nathan Mitchell as Zion Miller, and Scott Porter as Mayor Paul Randolph.
In a post-finale interview with Netflix's Tudum, Lampert and showrunner Sarah Glinski shared that the 'official theme' of season 4 will be 'Cycles and Origins.' Neither of them clarified exactly what that means, but we can infer it hints at audiences learning more of Georgia's background, especially as it pertains to her mother and stepdad, who show up in a blink-and-you'll-miss-it drive-by in the season 3 finale.
As Howey told Tudum, 'Sarah [Lampert] has some incredible things planned, and I can't wait to see more about the circumstances that shaped Georgia,' adding that she's looking forward to Georgia having a lot of 'Ginny moments' and concluding, 'We're going to need that therapist.'
She also added that Gil, Austin's father, might not have made his final appearance in season 3. 'Look, the last time Georgia framed Gil, we thought that was the last time we were going to see him, and then he got out—so I would imagine there's more to the story,' she said.
As for her unborn child (and the identity of that child's father), expect that particular storyline to take up a major chunk of season 4. Teases Howey, 'Perhaps someone new is about to be a dad.'
Glinski also shared that a major theme of season 4 will be the 'burden' Georgia has inadvertently placed on her son and daughter. 'We thought the biggest consequences are how her children are changed through the process [of Georgia's trial],' Glinski told Tudum. 'The burden she leaves on Austin and Ginny at the end of season 3 is what we'll have to deal with in season 4.'
Netflix has yet to announce an official date for season 4, but given that the writers' room began work in February 2025, we can expect it will still be some time before production launches on the next chapter. If the show's previous release cadence is any indicator, we can guess season 4 will drop sometime in 2027. But, for now, that's purely conjecture.
This story will be updated.
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
2 hours ago
- Yahoo
Tapping into the sixth sense of resilience: Resilient Magazine to celebrate sixth year
SAVANAH, Ga. (WSAV) — A magazine produced right here in Savannah is celebrating their sixth year. Resilient Magazine works to highlight the resilience of women, entrepreneurs from all walks of life and the roles Black women play in the prevalence and relevance of culture. 'Throughout each issue, you will find stories of women who are RESILIENT in their walk, their thoughts, and their actions,' the magazine said. They've been featured on the Oprah Winfrey Network, Tv One and Apple TV. Founder Teia Acker-Moore will join WSAV News 3 on Monday at 11 a.m. To purchase this month's addition or get a monthly subscription, click or tap here. Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
Yahoo
3 hours ago
- Yahoo
Aryna Sabalenka's Appearance in New Photos With Boyfriend is Turning Heads
Aryna Sabalenka's Appearance in New Photos With Boyfriend is Turning Heads originally appeared on Athlon Sports. Women's tennis World No. 1 Aryna Sabalenka is making sure she enjoys her time in Paris beyond just competing for another Grand Slam title at the French Open. Advertisement Prior to her quarterfinal match against Chinese sensation Qinwen Zheng, Sabalenka spent her day off with her entrepreneur boyfriend, Georgios Frangulis. Based on the photos the Belarusian star uploaded to Instagram on Monday, she and Frangulis visited the iconic Hermes boutique at 24 rue Faubourg Saint-Honore 24. It is where the popular rooftop garden in Paris is located, and Sabalenka took several photos from her trip to the iconic landmark. "An @hermes garden is the best garden," she wrote in the caption of her post. Aside from fans commenting on the several boxes of Hermes merchandise she bought, many also took notice of Sabalenka's appearance with her boyfriend. Advertisement The 28-year-old was wearing a simple red shirt paired with wide-leg denim pants, giving off a relaxed vibe. Her supporters also noted how happy she looked. "You are glowing girl," a commenter wrote. Another one said, "U look so cuteeeeee." A fan praised her color of choice for her outfit, noting, "red is ur collor!!" "Loveee this outfit," a fourth fan stated. "We love ur smile!!!!" a supporter added. A follower remarked, "Beautiful," while another social media user echoed a similar sentiment, saying, "You look super beautiful Aryna." Aryna Sabalenka reacts after missing a shot against Zheng Qinwen.© Geoff Burke-Imagn Images Sure enough, it looked like the time she spent away from tennis helped Sabalenka, as she went on to beat Zheng in their quarterfinal showdown on Tuesday, 7-6(3), 6-3. Advertisement Sabalenka will face Iga Swiatek next at the French Open semifinals. Should she keep dominating, fans will probably see more of her off-court adventures in Paris in the next few days. Related: Aryna Sabalenka's Behavior After French Open Match is Turning Heads This story was originally reported by Athlon Sports on Jun 4, 2025, where it first appeared.
Forbes
3 hours ago
- Forbes
Creating Costumes For Teen True Love In Netflix's 'Forever'
Justin Edwards (Michael Cooper Jr.) and Keisha Clark (Lovie Simone) star in "Forever" on Netflix. Credit: Elizabeth Morris/Netflix © 2024 Elizabeth Morris/Netflix Tanja Caldwell designed the wonderful costumes for Mara Block Ali's Netflix series, Forever. But before that, it feels important to mention the source material on which the series is based. The novel, which has almost the same name, was first published in 1975, by beloved American author Judy Bloom. (Are You There God? It's Me, Margaret was also by Blume.) Forever-the-book won the Margaret A. Edwards Award in 1996, for its 'significant and lasting contribution to young adult literature,' and in 2019 was included in the BBC's list of the 100 Most Inspiring Novels. But regardless of its many commendations, the novel, intended for older teenagers, remains one of the 100 Most Frequently Challenged Books according to the American Library Association, 50 years after its original date of publication. Why? Because the book discusses sex and acknowledges that teenagers might be competent to both engage in the act and be able to deal with whatever consequences might arise afterwards. The reason the book resonated with teens in the 1970s and the 1990s is the same reason that the series resonates with viewers right now; it is a story that respects the voices of its young characters. In her adaptation, Ali made a point of conveying that respect, and of never looking down on her characters simply because they are young. Tiffany (Paigion Walker), Christian (Xavier Mills), Brittany (Adriyan Rae), and Shelly Clark (Xosha Roquemore) . Cr. Elizabeth Morris/Netflix © 2024. Elizabeth Morris/Netflix 'That was very important to Mara,' Caldwell told me, 'it was very important to Regina, who directed the first episode and was one of the executive producers, and all the directors that came on. Everyone, with Mara's lead, was about making it real and genuine to the time and to the people, the adults and especially the young people who are our main characters in this series. It was important to show that growth throughout. I think it's important to show young people in the diversity that they have, even at a young age. I think that gets them interested in their own storytelling, when we tell them in a way that's real and genuine to them.' [Caldwell, I need to tell you, was an assistant costume designer on Black Panther and Black Panther: Wakanda Forever, working under the incomparable Ruth Carter. It is so cool, I had to make sure you knew this.] Forever takes place in 2018 and 2019, a time which, post-Covid, feels almost technicolor in its innocence. These are also years that many members of Gen Z, the generation immediately following us millennials, spent in high school. Seven or eight years later those kids are all adults. Caldwell understood this, and she worked very hard to make her costumes Los Angeles in exactly those two years. Her research was incredibly extensive and the costumes reflect this fact, they are better for her diligent attentions but they never pull from the action occurring in a scene. Justin Edwards (Michael Cooper Jr.), Keisha Clark (Lovie Simone), Chloe (Ali Gallo), Aunt Katherine (Polly Draper) , Uncle Michael (Tim Bohn), and Jeanine (Sherri Saum) at the beach in episode five. Credit: Elizabeth Morris/Netflix © 2024 Elizabeth Morris/Netflix 'There are significant fashion differences between 2018-2019 and today,' Caldwell said, 'but there are also a lot of similarities. It was really important to make some distinguishing wardrobe options and choices, but we also were able to still play with more modern fashion, which helped us out a lot. The process for me really is discovery and research, about these different characters from the script, but also what young culture was in LA at that time.' Wardrobe on any production is a blend of apparel purchased, rented, tailored, remade, made from scratch. This show was no different, but needing clothing that was from a specific window of time, less than a decade old, meant the costume designer spent a lot of time in Los Angeles vintage stores. 'It was fun to dabble in vintage things, archive things, rare sneakers, rare t-shirts, things of that nature,' she told me when I asked about this. 'It was really fun to dig. When I was a teenager, I really loved vintage, I loved shopping for vintage. I think what I loved more than anything was the hunt, when you were able to find something really beautiful, really amazing, or more than one piece, and it was in great condition, or if it was a designer piece and in your size, so you just so happen to be able to fit it in.' Justin Edwards (Michael Cooper Jr.) and Keisha Clark (Lovie Simone) begin to bond in "Forever." Credit: Elizabeth Morris/Netflix © 2024 Elizabeth Morris/Netflix Figuring out who each character is, what they would wear and why, is something worked out between more than one person. The script might be specific about clothing, the showrunner and/or director will have thoughts, the production designer and the scenes they stage will impact how costumes read. Actor spend a lot of time figuring out who they are portraying, and for some performers that involves collaborating with the costume designer. It's a lot to think about and remember. 'Part of what I love about costume design is the research,' Caldwell said to me with a smile, deflecting my praise with precision. 'The discovery, who these characters are and how we see them through a lens of fashion, what will be distinguishing about their characters. One thing I talked about with Mara was creating somewhat of a uniform for Justin. Not that he was wearing the exact same thing, but if you look, you'll see most of the time he has a certain uniformity to what he's wearing.' 'He's always in Dickies,' the designer continued, 'different colors, some may be shorter or longer or more narrow or a little more aged. But he's always in Dickies, some form of a t-shirt, whether it's a plain shirt or it's a band shirt or something with a subliminal message on it. Then he's got a flannel shirt or some type of second layer, which I think is really indicative of Los Angeles culture. Layering is a big thing out here, just with the change of the weather.' Justin Edwards (Michael Cooper Jr.) in an awesome Dr. Dre tee from Episode 1 of "Forever." Credit: Hilary Bronwyn Gayle/Netflix © 2024 Hilary Bronwyn Gayle, SMPSP/Netflix When she was reading the script, the costume designer told me, she could feel the influence on Justin's character from his parents. She thought this might be something that would peek into his wardrobe, a tiny bit. 'His mother, especially,' Caldwell said. 'Whether he wants it or not, her influence, her hand on him is extremely close and heavy. I thought, if she's buying his clothes and she's watching him that closely, she's make sure he does his homework, she's got a tutor for him. She stays in touch with everything that he has going on. She's going to have some hands on his clothes. He's not going to have ripped distressed jeans with a lot of holes, w he's always going to look clean and put together, but still having his thumbprint on it some way, somehow.' 'With Karen Pittman's character, Justin's mother, having to be so strict because she loves him so much, maybe even a little bit to her fault, maybe a little bit overbearing. I think she still wants her son to show up in the world a certain way, that's how my parents were. You have some freedom to express yourself. But there are certain things in fashion, certain trends that you're allowed to do at this age and others you're not allowed to do, that's not the type of image you want to present yourself at this age or under my roof. These are the standards. I feel like that was more or less the way Justin's mother influences his style. His dad, I think he's the good cop. He doesn't say a lot, but when he speaks to his son, he always says something really profound and you just get it and there are some similarities in even the way that they dress. Even in the sweatshirts and hoodies, dad usually is very well put together, but he has this laid back feel. He's never super buttoned up or stuffy, but he doesn't look drabby or disheveled either. I think that's part of him being a chef and also an artist. I think that's why he may understand his son a little bit better.' Justin Edwards (Michael Cooper Jr.) and Darius (Niles Fitch) in personalized variation of their school uniforms. Credit: Elizabeth Morris/Netflix © 2024 Elizabeth Morris/Netflix As my regular readers will know, I am fascinated by uniforms, by the many, many ways there are to make or source garments en masse. I do love the challenge of military uniforms, but the sort worn to private schools offer similar challenges. 'We bought a ton of uniforms in the beginning,' Caldwell told me, 'because we knew we were going to need a multitude of them for background. We got a multitude of sizes. But before we even did that, we locked down with production, Mara especially, what the colors of the school are. Because there's a whole lot of work that goes into just clearing the name of a school and the colors that you use.' This is what I mentioned a little earlier, how no decision can be made independently of others. Telling stories on film is, by the nature of the medium, a collaborative art form. 'Once we decide what the colors are and what the name of the school is,' Caldwell told me, 'then we go out and we purchase from a uniform store. Then we go out and buy things for the main characters, just to add a little zhuzh to their particular uniform. But in this case, we tried to keep it really true to what it really is in LA. And a lot of private schools give you certain guidelines, on certain days you can wear this, and on certain days you can't. We were modeling their school off of a school that Mara and her nieces or nephews had actually gone to in Los Angeles. We tried to keep to what those standards and rules were. They all had their own little something because I think that's important.' Keisha Clark (Lovie Simone) in her school's uniform. Courtesy of Netflix Our main characters, Justin Edwards and Keisha Clark, don't attend the same high school, though they both do go to schools in LA. 'So, different colors and also two different standards of what the procedures are for those uniforms,' Caldwell reminded me. 'We did that research, and then we came about it organically. We tried on a bunch of different versions, the vest with the skirt, the vest with the plain skirt versus the plaid skirt. Her school didn't have a blazer. His school did, but didn't feel right for him but it felt great for Darius.' I asked the designer what she was concerned about most for Forever, what part of her job seemed to be most vitally attached to the arc the characters follow. 'For me, it was about trying not to draw so far outside the lines. I wanted to still be real and honest. And I love that the kids can wear their own sneakers, we definitely played that up with both of them. We definitely went in on the shoes. I think that was important, I think It's important to see representations of ourselves at every stage of life. If art is to imitate life, and vice versa, we have to show all those different stages, and we need to show it in the rawest, realest way. I think that sometimes we can be persuaded or influenced to show things in a way that we think we know it to be, not what it really is. So it is all about discovery and asking questions and observing people.' While I watched the series I kept noticing small things, like the way that the sportswear the teens wear after school at practice is carefully curated to the character who wears it. 'That's the thing about costume design,' Caldwell told me when I asked her about this,'just about everything is intentional, whether the viewer is aware of it or not.' How did this work practically? I was very curious, because things never happen on screen by accident, and when I see consistency across time, like I saw over and over in this series, I know it is because a person made certain that it did. The designer told me how she used color to subtly nod to the character wearing each costume. Tammy (Emyri Crutchfield) and Keisha Clark (Lovie Simone) in Episode 1 of "Forever." Credit: Elizabeth Morris/Netflix © 2024 Elizabeth Morris/Netflix 'For Tammy,' Caldwell explained, 'we put more in these darker muted colors, but they were still rich. We kept Keisha in the bright fluorescents, just because she's the star not only of the show, but she's also the star of the team. She's really pushing herself to get on a university track team and get that scholarship so she can attend. So I wanted her to stand out, even amongst her peers, when she was running. Even when she was with Christian at the Nike camp, I wanted her to seem bright. When she's at the Canyon, which worked really well because it was dawn, she's in a fluorescent orange, two-piece sports bra and matching shorts. When she's first running against Tammy and wins, she's in a fluorescent yellow Nike bra top and Nike shorts.' I asked Caldwell if she would tell me about something she was really proud of, something she figured out or made happen for Forever. There are so many more solutions than we are conditioned to see, and costume design is excellent proof that I am correct. A dozen costume designers presented with the same challenge would come back with a dozen different ways of making it happen. So, while working on this Netflix series, Caldwell generously told me this story, 'This was a really crazy story and something you don't see as much. We were doing interstitials, towards episode eight, Instagram shots that you see really quick that helps us pass time. There is a shirt that we actually made, one that we found, that was vintage,' the designer told me. 'We had to get it made because we needed multiples of it. And later we ended up revisiting it in a scene with Keisha and with Justin. ' 'In those shots,' Caldwell explained, 'Mara was putting them at a Little Uzi Vert concert. We went and found the Little Uzi Vert tour t-shirts from 2018, 2019, saw what those shirts looked like, and we really tried to get them. We only found one or maybe two. Scouring the world, you know, Etsy and vintage shops online and here in LA. The one thing about vintage is that when you're not looking for it, that's when you find it. If you look for something, you never find it. A few of them we had to recreate because we didn't have enough to place on all four actors. Costume designer Tanja Caldwell. Courtesy of Tanja Caldwell 'What's great about our process is in the beginning of prep, we were able to just start collecting a lot of beautiful vintage things. LA still has quite a few really great vintage stores that still collect, an assortment of really great tees in great condition. That was something from the research, in 2018, 2019, what did band tees look like? What concerts were going on? What artists were big then that teenagers were listening to?' Would she be willing to share any names of the places she likes to shop for vintage. 'I'm not a gatekeeper,' the designer said to me with a laugh. 'I like to share information because I like to get their information back. 'We found some really good t-shirts at American Rag on Melrose,' she continued. 'They're always really helpful and were really great, especially with Justin's band tees. They have a great assortment of vintage; skater, hip hop, old vintage Ralph Lauren… It was a really one-stop shop that we could go to. There's a really great shop, Virgo, that I love personally. It's in downtown LA and the owner is this really special young woman who started it. I go there to shop and I love their stuff.' When the last episode of Forever came to a close, I desperately wanted to warn the characters that Covid-19 was coming. That is how real these characters and story feel; the suspension of disbelief is as seamless as the costumes Tanja Caldwell designed for the series. 'I'm just really fortunate that I was able to be a part of it,' said the designer. All episodes of season one of Forever are available to stream on Netflix.
