Dean Cain calls out James Gunn for calling Superman an 'immigrant'
The actor's comments come shortly after Gunn described Superman as America's story, which bats for "basic human kindness" at a time when the idea itself has lost its meaning. Meanwhile, the filmmaker's brother Sean Gunn, playing Maxwell Lord in Superman, supported him and underscored the vital part that immigrants play in American society. The actor stated, "The people that we support in this country are immigrants and if you don't like that, you're not American."
While Cain agreed with the notion about Superman being an immigrant, he argued that the USA has certain rules and policies in relation to immigration for a reason. According to the actor, the country cannot let in every foreigner because otherwise, "society will fail". He went on to suggest that, if not for these rules, it would be similar to Somalia.
Conservatives in the USA seemingly believe that progressive social agendas have diluted Superman, moving it away from his classic heroic archetype and associating it with undesirable elements, such as the superimposition of 'MS-13' on the superhero suit. Besides James and Sean Gunn, actor Nathan Fillion, who plays Guy Gardner (Green Lantern) in Superman, also tried to defuse the controversy, terming it "just a movie".
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Time of India
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Time of India
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Ocean Vuong: Indian students are struggling with visas but the most exciting literature will come from them
Ocean Vuong 1. You have quite a huge fan base here in India. Have you had any memorable interactions with Indian readers or writers? My earliest friendship was with a boy from Mumbai and I grew up with him. But my major encounter with India actually comes from my students. This is my 11th year teaching as a professor at NYU — I've also taught at UMass — and every year, I have Indian students. They are the ones who really raise the bar for my American students because they have a different worldview. They also don't worship the canon as much as Americans do. They say, 'Okay, well, the Anglophone English canon is fine, but there are other things.' Their ambivalence toward it is much more objective than the dogma that's often taught here. I'm really excited for them to write. I'm telling you, it's a matter of when, not if, you'll see their books soon. The most talented and exciting literary works from the Anglophonic sphere will come from India. 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If I did write for myself, what would that even look like? So, it was both the satisfaction of completion, but also a sense of betrayal and guilt. Which is why it's the hardest book. 3. You grew up marginalised on multiple fronts — class, race, sexuality — in a violent household. Now, at 36, you're a celebrated writer and a poster-boy for the American dream. How do you personally reconcile your journey with the shifting idea of America today with Trump at the helm? That's a beautiful question. I'm not so interested in the American dream as I am in Americans who dream. Despite all my scepticism about the myth of this country, the infrastructure does allow for some to come through — like myself. But again, it's always the exception rather than the rule. I think America should just be more honest with itself and say: 'We only want and support the exception. We can't support everybody else.' That's why we have some of the largest income gaps in the world. We're losing the middle class. I'm a product of the welfare state. I'm a product of democratic socialist reforms in blue states. We had Medicare before Obamacare because I was in Connecticut, which is a liberal state. We had welfare. I had scholarships. I wouldn't have made it without the welfare state, without government assistance. And that's still relatively new. Once upon a time in this country — the early 20th century — you couldn't go to college unless you were a citizen. And through the Chinese Exclusion Act, all Asian Americans were barred from citizenship. That meant none of us could go to school or have upward mobility for a long time. So, I'm a product of the 21st century, and also of American politics and social reforms. That gave me opportunities that weren't there before. But again, that's still an exception. Not everyone gets that. 4. You're also a product of war. Experiences shaped by your family's journey from Vietnam. In 2025, we've had so many new waves of conflict and displacement. 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Economic Times
3 hours ago
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New Movie Releases 2025: Here's complete list of upcoming films in cinemas and streaming platforms
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