
Netflix fans all watching 'one of the best series' with dramatic twist ending
Originally aired in 2023, the Australian-produced North Shore first graced UK screens on ITV and has now found a new lease of life on Netflix, captivating a fresh audience.
In less than a week since its Netflix debut, it has soared to become one of the platform's most-watched titles among subscribers, clinching the top spot for most-watched series in the UK.
It's outperforming new crime thrillers like The Waterfront and Dept. Q, but those without a Netflix account need not worry as it's still available for free streaming on ITVX.
The six-part series weaves a tale of Australian and British detectives who join forces to solve a murder, only to stumble upon an international conspiracy with far-reaching political implications, all set against a backdrop of cultural collision, reports Surrey Live.
Joining Froggatt in the cast is Game of Thrones actor John Bradley, adding to the show's allure.
Despite not garnering enough critical attention to earn a Rotten Tomatoes score, the series has sparked considerable buzz online among viewers.
One particularly enthusiastic fan took to social media to praise the finale: "One of the best twists of all time. The final episode has the most surprising twist of any crime/ murder mystery series since the first season of Broadchurch! Not as emotionally dramatic but still shocking!".
Echoing the same sentiment, another viewer expressed: "I really enjoyed this as it kept me guessing. Most crime dramas are too obvious and full of plot holes."
They further elaborated: "This one was very well written and I really didn't have any idea which way it was going to go, which kept me on the edge of my seat. The acting was also excellent and the backdrops a testimony to the beauty of Sydney."
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Wales Online
28 minutes ago
- Wales Online
ITV This Morning's Craig Doyle's surprising age, wife, net worth and career before ITV job
ITV This Morning's Craig Doyle's surprising age, wife, net worth and career before ITV job This Morning presenter Craig Doyle has been a regular on the ITV show since 2021, but how old is he and what else has he been in over the years? In November 2021, Irish presenter Craig Doyle became a part of the This Morning team. Initially, he presented competitions for the ITV flagship show before stepping up as a relief presenter when any of the main hosts were unavailable. Doyle quickly won over viewers, with many praising the Dublin-born star's chemistry with then co-host Josie Gibson. Now the TV favourite is back on the ITV morning show alongside Emma Willis. The presenter's journey into the entertainment industry began in the early noughties when he started as a sports anchor for the BBC. But how old is Craig, who is his wife and where else might you have seen him on screen? Here's all you need to know about the presenter. How old is Craig Doyle? Craig is 54 years old, born in Dublin on December 17, 1970. Who is Craig Doyle married to? Craig tied the knot with his long-term partner, Doon Doyle, in December 2001. The couple have four children together - Quin, Muireann, Milo and Elsa, and they reside just outside Dublin in County Wicklow. Article continues below Doon used to work as an interior designer, but her current profession is not known. She and Craig first crossed paths before Doon started university in Ireland. What's Craig's net worth? Various celebrity net worth websites estimate that Craig's wealth is somewhere between $6 million (£4,728,288.00) and $7 million (£5,483,135.00). According to Subzin, this includes earnings from his television work, endorsements, and broadcasting ventures. What else has Craig been in? Throughout his career, Craig has presented a vast range of shows on the Irish Network channel RTÉ, in addition to his other work commitments with channels such as BBC, ITV, and BT Sport. The popular presenter even had his own chat show on RTÉ One back in 2010 titled Tonight with Craig Doyle, as well as RTÉ Two's Craig Doyle Live, which aired from 2011 to 2013. Following the end of the show, Craig took on the role of lead anchor for BT Sport's rugby coverage, including Premiership and European Champions Cup matches. The Irish presenter has been at the helm since 2013, and he continues to cover it to this day. Last year he appeared on Celebrity MasterChef and came runner-up to Vito Coppola from Strictly Come Dancing. You can catch Craig on This Morning on ITV and the latest TV and showbiz gossip sign up to our newsletter Article continues below


The Independent
28 minutes ago
- The Independent
Downton Abbey star says role felt like a ‘straitjacket' at times
Elizabeth McGovern, who plays Cora Crawley in Downton Abbey, has stated she wished her character had been given "more interesting" storylines. The actor said she found it challenging to portray Cora due to the "straitjacket" of the period, reflecting the limited agency women had at that time. However, McGovern said that it would have been historically inaccurate to grant Cora more political or social power. The popular period drama ran for six seasons and has produced two films, with a third, Downton Abbey: The Grand Finale, scheduled for release this September. McGovern also commented that the presence of the late Dame Maggie Smith, who played Violet Crawley, still "permeates" the filming atmosphere.


Scotsman
28 minutes ago
- Scotsman
Edinburgh Fringe cabaret and variety reviews: Apocalypse Cabaret: Songs for the End of the World Arthur Hull's Flop: The Best Songs From The Worst Musicals Ever Written
If it's the end of the world as we know it then go out feeling fine with Scout Durwood's first-rate one-woman karaoke-confessional Apocalypse Cabaret Sign up to our Arts and Culture newsletter, get the latest news and reviews from our specialist arts writers Sign up Thank you for signing up! Did you know with a Digital Subscription to The Scotsman, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... CABARET AND VARIETY Apocalypse Cabaret: Songs for the End of the World ★★★★ Underbelly, Bristo Square (Venue 302) until 24 August What better way to end the night, or the world, this Fringe, than with Scout Durwood in Apocalypse Cabaret – a first-rate one-woman karaoke-confessional exploring her family history, and personal experience, of depression. It starts with laughter as Durwood shimmers stage-wards, flaunting a spangled shawl, a tell-tale bottle of Malbec, and a brown paper bag. 'If you're not drinking, you're a loser,' she drawls. 'We all know it's only a problem if you drink alone.' Apocalypse Cabaret: Songs for the End of the World | Contributed Sequences of movement punctuate song-stories and puppetry. 'Is this too phallic?' she quips, commencing a compromising duet with the microphone stand, before initiating an encounter with the front row in close quarters. As can be expected of an after-hours cabaret, audience interaction abounds. Each iteration will be as unique as the audience that attends, especially since the audience also plays a vital role as Durwood's imaginary friends. Advertisement Hide Ad Advertisement Hide Ad 'Am I dead?' she asks, then. Not dead, just unconscious, as it happens – stuck in some interstitial space between avoiding her feelings and a first-person apocalypse. The brown paper bag assumes googly eyes and an Australian accent, schooling Durwood in the therapeutic potential and community-building aspects of singing karaoke, specifically Journey's Don't Stop Believin'. We learn of Arnold, the stuffed toy that represented safety for her as a child, the road to recognising her own sexuality, and the ways in which Durwood and her mother mitigate their discomfort around communicating feelings of closeness. Durwood ricochets from R.E.M.'s It's the End of the World as We Know It (And I Feel Fine), to Love Story by Taylor Swift, and finally, Shakespeare's Romeo and Juliet provides a surprising note of hope, as when 'a pair of star-cross'd lovers take their life' (their singular life, she reminds us) their epic capacity for love ultimately becomes the anthem for her own. JOSEPHINE BALFOUR-OATTS CABARET AND VARIETY Dangerous Goods ★★★ Assembly George Square Gardens (Venue 23) until 24 August This high voltage cabaret from Australian intersectional company Polytoxic unites two acclaimed festival artists: Lisa Fa'alafi, who created the hit Hot Brown Honey, and Leah Shelton, who won a Fringe First Award for her solo show Batshit at the Traverse Theatre last year. Advertisement Hide Ad Advertisement Hide Ad Over 70 minutes, it features a series of acts from its seven-strong cast, each of which rejects or subverts a misogynist, patriarchal, or colonial trope of some sort. Bridie Hooper reacts to an unwanted catcall with a stylish straps routine. Mayu Muto performs a twisted version of Red Riding Hood on the rope. Fa'alafi performs a cowboy-themed dance, then whips the head off a barbie doll. Best of all, Jazida performs an eyebrow-singing fire-eating routine, gulping down balls of flame like marshmallows. Some of the acts underwhelm, there is quite a lot of miming, and the socio-political sentiment feels generic at times – but there is a pulsating megamix of Cardi B, Doja Cat and more, a spectacular array of costumes, and a coherent staging incorporating slick lights, big sound, and a lot of hi-viz jackets and danger signs. Most of all, there is an infectious atmosphere of anger and celebration. FERGUS MORGAN CABARET AND VARIETY Advertisement Hide Ad Advertisement Hide Ad Arthur Hull's Flop: The Best Songs From The Worst Musicals Ever Written ★★★ Gilded Balloon Appleton Tower (Venue 140) until 24 August Arthur is 20 years old with ridiculous amounts of stagecraft and skill, all of which are on display here. He commands the room, even when standing upside down to introduce Spiderman: Turn Off The Dark, which is, to date, at $70 million, Broadway's biggest flop. But it did have one nice song, which Arthur sings, he says 'as' a creative, 'to' the creatives and 'for' the creatives who go down with the ship of a failed musical. Not all the songs here are lovely, in fact most of them are quite awful – particularly those from Diana, The Musical, Tammy Faye(for which Elton John was guilty) and an unsettlingly sexual anthem from Grease II – but, as he tells us, Arthur just likes singing them. Doing so with a little more vocal light and shade would improve things. Both King Kong and Lord Andrew Lloyd Webber make appearances and the latter's Love Never Dies (doomed sequel to Phantom of the Opera) gives us one of the show's loveliest songs. Arthur brilliantly eviscerates Tom Hooper's film version of Cats, does a mean Prince (as he then was) Charles impression and gives us an impressively 'Scandalous' version of A Girl's Gotta Do What A Girl's Gotta Do. KATE COPSTICK