
Streaming surpasses traditional TV for first time as Netflix and Prime Video dominate screens
STREAMING giants including Netflix and Prime Video eclipsed traditional TV channels for the first time last month.
Some 44.8 per cent of TV viewership was through the newer media platforms.
2
Streaming took over traditional TV last month
It compares with 20.1 per cent watching terrestrial TV — known as broadcast — and 24.1 per cent tuning in to cable such as Sky.
It is the first time streamers have surpassed the combined total of their rival categories.
Big titles such as Clarkson's Farm on Prime, Andor on Disney+ and Netflix's final season of dark thriller You have helped boost the platforms' figures.
The milestone marks a steady shift which has seen a near-doubling of streaming viewership since 2021 when it made up 26 per cent of TV use.
READ MORE TV NEWS
Cable then dominated with 39 per cent while broadcast was on 25 per cent, figures reveal.
YouTube holds the biggest share for the streamers at 12.5 per cent.
Others contributing to the domination were Paramount (2.2 per cent) Warner Bros Discovery (1.5 per cent) and Peacock (1.4 per cent).
Karthik Rao, boss of data specialists Nielsen, which launched its Gauge report on viewing statistics in May 2021, said: 'It's a credit to media companies.
Most read in News TV
'They have deftly adapted their programming strategies to meet their viewers where they are watching TV, whether it's on streaming or linear platforms.'
Amazon Prime cancels beloved drama despite show having two-season order and furious fans vow to boycott streamer
2
Streaming giants including Netflix and Prime Video eclipsed traditional TV channels for the first time last month
Credit: Getty

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Irish Independent
34 minutes ago
- Irish Independent
‘We Were Liars' review: Clandestine affairs, failed marriages, scandals and secrets – the TV adaptation of the wildly popular YA book is here
That changed in 2005 when JK Rowling's Harry Potter novels were reissued with so-called adult covers, presumably to spare the blushes of people who might be embarrassed to be seen in public reading the same books their children or grandchildren read. The Potter books were reissued a second time in 2013 with a new, even more sober cover design. It might have been a cynical marketing exercise by a publisher eager to squeeze every last cent out of a successful property, but it had the effect of dissolving the line between adult and young adult (YA) fiction. Television has been taking notice. Any bestselling YA novel judged to have the slightest crossover appeal to an older audience is now likely to be snapped up and given the lavish miniseries treatment. We Were Liars (Prime Video, streaming from today) is based on a wildly popular 2014 YA book by E. Lockhart. It has all the hallmarks of what you'd expect from a story about filthy rich, privileged, cosseted, mostly white people – in this case the Sinclair family – enduring the agonies associated with being filthy rich, privileged, cosseted and mostly white people. There are clandestine affairs, failed marriages, scandals and secrets, closet alcoholism and drug use, and three bitchy, backstabbing sisters, all of them useless screw-ups who, despite the best education and opportunities money can buy, are unable to stand on their own feet without the cushion of inherited wealth. It's difficult at first to tell who's who among the three generations of Sinclair women, since they all have identikit long blonde hair. This is no Succession or The White Lotus. If there's any satirical intent towards the one-per-centers, it's completely undetectable. Aside from a few concessions to adult viewers (a bit of mild sex and a smattering of swear words), this is very much a routine YA mystery. It centres on Cadence (Emily Alyn Lind), the eldest of the Sinclair grandchildren, who tells us in an incessant voiceover that the family are regarded (most probably by themselves) as 'American royalty'. Every summer, the clan gather at the palatial vacation home on a private island near Martha's Vineyard, owned by formidable patriarch Harris Sinclair (David Morse, lending some undeserved class to the whole thing). Harris spends a lot of time glowering through his binoculars at the party boat full of 'drunk, trashy tourists' that's spoiling the lovely view. For Cadence, however, summer on the island is an idyllic time. She gets to hang out with her cousins Johnny (Joseph Zada) and Mirren (Esther McGregor), who are both blonde, naturally, and their best friend Gat (Shubham Maheshwari), who's Indian. His uncle is the partner of one of Cadence's aunts. She's been doing this every year since they were kids and named their happy little group 'The Liars'. One summer, something terrible happened in which Cadence was involved. The trouble is, she can't remember what it was. The brain trauma she suffered during the incident has wiped out her memories. The novel's teenage readers will no doubt eat up this adaptation The story toggles between two summers: 'summer 16', the one when the awful thing happened, and 'summer 17', two years later, when Cadence, who was whisked away to recuperate in Europe for the summer, returns to the island, her hair now short and dyed black, to try to piece together the mystery. Strangely, none of the adults will tell her what happened, while Johnny, Mirren and Gat haven't been responding to her messages for the last year and appear to have been cold-shouldering her. She's dismayed to discover that the splendid old Sinclair house has been knocked down and replaced by a grim, modernist eyesore. What's going on? All is revealed in the finale. You see, We Were Liars comes with – drum roll – A BIG TWIST. How much you're surprised by it will depend on how many of the numerous clues, some very obvious, scattered throughout it you pick up on during the eight drawn-out episodes. The novel's teenage readers will no doubt eat up this adaptation, but with so much more substantial TV drama out there to choose from, the rest of us might prefer to put away childish things. Rating: Three stars


Irish Independent
35 minutes ago
- Irish Independent
Today's top TV and streaming picks: The Eclipse, The Violent Men and America's Sweethearts
Mark Moriarty: Cook Like a Chef RTÉ One, 8pm On the menu this week are baba ghanoush with grilled focaccia, barbecue striploin steak with a béarnaise sauce and a classic Caesar salad and, last but not least, burnt Basque cheesecake with dressed berries. Mark Moriarty: Cook Like a Chef The Repair Shop on the Road BBC One, 8pm Dominic Chinea and Lucia Scalisi visit Glasgow to help a local blacksmith and her apprentice re-gild the local cathedral's weathervane. A mask also needs painting conservator Lucia's expertise. Race Across the World Race Across the World BBC One, 9pm Six months after completing their epic journey across China, Nepal and India, the five couples reunite to discuss their experiences. There's a chance for viewers to watch previously unseen footage too. The Eclipse TG4, 11.15pm New French mystery thriller set within a picturesque rural community in the Aubrac region. As the locals gather to celebrate a forthcoming eclipse, tragedy strikes, and it's up to local police officers Manue and Johanna, who have a personal connection to the case, to investigate. The Violent Men The Violent Men Film4, 2.50pm Western starring Edward G Robinson as a ruthless cattle baron whose bullying ways drive his wife away and earn him the enmity of a civil war veteran. Barbara Stanwyck, Glenn Ford and Brian Keith head the excellent supporting cast. Yolanthe Prime Video, streaming now Some eyeball bubblegum in the form of Netflix's 'first Dutch reality series'. It follows Yolanthe Cabau as she builds a life in LA with Wesley Sneijder's son. America's Sweethearts: Dallas Cowboys Cheerleaders Netflix, streaming now Expect gussets galore and grinning faces all over your Netflix landing page for the foreseeable. The creators of Cheer and Last Chance U bring you season two of the auditions. We Were Liars We Were Liars Prime Video, streaming now Based on E Lockhart's YA 2014 book. You can guess the rest. Trainwreck: Mayor of Mayhem Netflix, streaming now Initially dismissed as a joke by politicians and the media alike, Rob Ford's unexpected 2010 Toronto mayoral election bid defied expectations with a stunning landslide victory. However, his administration soon spiralled into chaos, marred by scandals and allegations of hard drug use, igniting an international media frenzy. Rob was 15 years too early; no one would bat an eyelid nowadays. Trainwreck: Mayor of Mayhem Sally Disney+, streaming now Sally Ride made history as the first American woman in space, but behind her serene exterior lay a deeply personal story. For 27 years, she shared her life with writer and professional tennis player Tam O'Shaughnessy, who now unveils the untold journey of their relationship in this Cristina Costantini-directed film. American Thunder American Thunder Prime Video, streaming now Celebrating its 100th anniversary in June 2023, the legendary 24 Hours of Le Mans — one of motorsports' most prestigious endurance races — introduced an unexpected competitor: stock car aficionados Nascar. As for what they brought to proceedings? A Chevrolet Camaro to compete against cutting-edge Ferrari and Porsche prototypes in this almost fabled, gruelling test of long-distance racing. Competing at Le Mans was the lifelong dream of Nascar chairman and CEO Jim France. As such, he brought in Hendrick Motorsports, the most successful team in Nascar history, to build and race the car (which, again, was a Camaro). On the plus side, he also enlisted the help of elite drivers Jenson Button, Jimmie Johnson and Mike Rockenfeller. Over the course of 18 months, this team transformed a car built for (at most) three-hour oval track races in the US into one capable of surviving the relentless 24-hour challenge. Deep Cover Deep Cover Prime Video, streaming now Not to be mistaken for the 1990s movie starring Fishburne and Goldblum, this film is about an improv teacher and her two students posing as criminals to slip into London's underworld. Bryce Dallas Howard, Orlando Bloom, Nick Mohammed and Sean Bean have their work cut out for them to make this fly. Return to the Wild Return to the Wild Disney+, streaming now Famed as 'the greatest living explorer', Sir Ranulph 'Ran' Fiennes joins his cousin, actor Joseph Fiennes (no sign of brother Ralph, unfortunately), on a breathtaking journey through British Columbia. As they navigate its rugged terrain, they reflect on Ran's legendary expeditions, his battle with Parkinson's, and the deepening bond forged through their shared adventure. Echo Valley AppleTV+, streaming now Julianne Moore and Domhnall Gleeson are getting all the work of late. Both co-star in this thriller about a mother who will do anything to keep her drug-addled daughter 'safe' (including body disposal). Written by Brad Ingelsby ( Mare of Easttown ), this moody (if a tad predictable) number stars Sydney Sweeney alongside 'dad' Kyle MacLachlan and Fiona Shaw.


The Irish Sun
6 hours ago
- The Irish Sun
Streaming surpasses traditional TV for first time as Netflix and Prime Video dominate screens
STREAMING giants including Netflix and Prime Video eclipsed traditional TV channels for the first time last month. Some 44.8 per cent of TV viewership was through the newer media platforms. 2 Streaming took over traditional TV last month It compares with 20.1 per cent watching terrestrial TV — known as broadcast — and 24.1 per cent tuning in to cable such as Sky. It is the first time streamers have surpassed the combined total of their rival categories. Big titles such as Clarkson's Farm on Prime, Andor on Disney+ and Netflix's final season of dark thriller You have helped boost the platforms' figures. The milestone marks a steady shift which has seen a near-doubling of streaming viewership since 2021 when it made up 26 per cent of TV use. READ MORE TV NEWS Cable then dominated with 39 per cent while broadcast was on 25 per cent, figures reveal. YouTube holds the biggest share for the streamers at 12.5 per cent. Others contributing to the domination were Paramount (2.2 per cent) Warner Bros Discovery (1.5 per cent) and Peacock (1.4 per cent). Karthik Rao, boss of data specialists Nielsen, which launched its Gauge report on viewing statistics in May 2021, said: 'It's a credit to media companies. Most read in News TV 'They have deftly adapted their programming strategies to meet their viewers where they are watching TV, whether it's on streaming or linear platforms.' Amazon Prime cancels beloved drama despite show having two-season order and furious fans vow to boycott streamer 2 Streaming giants including Netflix and Prime Video eclipsed traditional TV channels for the first time last month Credit: Getty