Anirudh Ravichander's Chennai concert postponed to August 23 at a new venue
The pre-sales of the tickets will go live on August 2 at 5 pm. The tickets, which were sold for the July 26 concert, were refunded. Hence, fans will have to book for the concert again.While the app has listed the details, Anirudh Ravichander hasn't announced the concert date and venue.On July 20, Anirudh announced the postponement of the concert and said, "Due to overwhelming ticket demand and limitations in accommodating more audience at the current venue, the Hukum Chennai concert scheduled for 26th July at Thiruvidanthai is being postponed (sic)."
He hinted at a bigger and better venue in his post. "To welcome all fans and deliver a seamless, high-quality experience - including smooth entry and exit and enhanced production - we are shifting to a different venue on a new date, which will be announced soon. We'll be back bigger, better, and louder! (sic)," read the note.Composer Anirudh Ravichander announced Chennai as the finale of his Hukum world tour. Work-wise, he is gearing up for the release of Vijay Deverakonda's 'Kingdom' and Rajinikanth's 'Coolie'.- EndsMust Watch
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Hans India
14 minutes ago
- Hans India
‘Kingdom'review: Delivers a powerful cinematic experience
Kingdom, starring Vijay Deverakonda and Satya Dev, is the latest Telugu action drama helmed by Jersey director GowtamTinnanuri. Released amidst huge expectations, let's see how it fares at box-office. Story: Set in the early 1990s, the story follows constable Soori (Vijay Deverakonda), who is on a mission to track down his missing brother, Shiva (Satya Dev). Discovering that Shiva is now a key player in a smuggling cartel in Sri Lanka, Soori goes undercover to bring him back. As he gets deeper into the gang's inner circle, Soori faces tough moral dilemmas — torn between duty and familial love. The narrative unfolds as the brothers confront their past, their choices, and each other, leading to a climactic resolution. Performances: Vijay Deverakonda shines in a restrained role, successfully portraying the quiet turmoil of a man caught between professional loyalty and personal bonds. His performance brings authenticity to the film. Satya Dev, while competent, is held back by underwritten material that limits the emotional potential of his character. The chemistry between the two leads is palpable, though not fully explored. Venkitesh as Murugan leaves a decent impression despite limited screen time. BhagyashriBorse appears in a grounded role, but her character lacks narrative impact. Technicalities: Film director GowtamThinnanuri made a successful attempt in blending an emotional story of brotherhood with gritty action set in the 1990s. Visually, Kingdom stands tall. The cinematography by Girish Gangadharan and Jomon T. John is immersive, especially during the action set pieces. Anirudh Ravichander's background score supports the tone but doesn't elevate it memorably. Editing by Naveen Nooli could have been sharper, especially in the sluggish second half. The film is well-produced, with solid action choreography and location work. Analysis: Kingdom is a commendable blend of emotion and action. GowtamTinnanuri's direction brings out the emotional conflict at the heart of the story, and his world-building makes the narrative immersive. The film's core theme — the bond between brothers — is subtly yet powerfully handled. While some arcs hint at more in future installments, the current story feels satisfying and complete. Unlike many genre films, Kingdomdoesn't sacrifice emotional integrity for action — it strikes a fine balance that's rare. With impactful performances, gripping visuals, and an emotionally resonant storyline, Kingdom stands out as a strong action-drama. Vijay Deverakonda's composed presence and GowtamTinnanuri's assured direction make it a compelling watch. It may start slow, but Kingdom ultimately delivers a powerful cinematic experience that stays with you. Rating: 3/5
Hans India
14 minutes ago
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‘Coolie' team comes with innovative promotional campaign
With just two weeks left for release, the promotional engine for Coolie—starring Superstar Rajinikanth and directed by Lokesh Kanagaraj—is in full throttle. Slated for a grand worldwide release on August 14, the Sun Pictures-backed film is being touted as a pan-India spectacle with a multi-language release strategy and an ensemble cast. What's creating waves now is Coolie's unique partnership with Amazon India, which marks a first-of-its-kind publicity campaign in Indian cinema. Parcels shipped across the country are now arriving at doorsteps wrapped in specially designed Coolie posters—customised for each region. This direct-to-home promotion reflects a smart blend of visibility and localisation, signalling a new trend in film marketing. In Andhra Pradesh and Telangana, packages feature posters of Rajinikanth alongside Nagarjuna, who plays the main antagonist. In Hindi-speaking regions, it's Rajini with Aamir Khan, another key cast member. Upendra is highlighted in Karnataka-bound parcels, while Soubin Shahir features on those delivered in Kerala. This region-specific approach taps into local fan bases by spotlighting familiar faces alongside the superstar. The film also features Shruti Haasan, Pooja Hegde, and Sathyaraj, with music composed by Anirudh Ravichander. So far, three songs have been released, with the much-anticipated trailer expected to drop soon. By embedding itself in daily routines through Amazon parcels, Coolie is pushing the boundaries of how films engage with audiences. The campaign draws comparisons to the Kabali promotion, where Air Asia unveiled a Rajini-themed aircraft. With advance bookings expected to open shortly, Coolie's smart marketing play could be a game-changer in connecting with diverse language markets across India.
Indian Express
14 minutes ago
- Indian Express
Kingdom movie review: Vijay Devarakonda bleeds and broods in this emotionally distant epic
Kingdom movie review: Without a doubt, Kingdom is a product of the current filmmaking environment. In the digital era, Indian filmmakers have increasingly grown fascinated with being enterprising and ambitious on the big screen, albeit by forgoing the narrative clarity that their predecessors valued. There's a palpable chase for glory around us right now that has come to define the modern theatrical experience as an escape, sans the sense of leisure one always sought from it. And in that very pursuit of dazzling us, Gowtam Tinnanuri's new film runs frantic and incoherent, and winds up a tad exhausted from the weight of its own ambition. Those who remember the film's first-announcement poster will recall that the makers initially teased an intriguing espionage thriller. Themes of truth and betrayal dripped from the artwork that featured a shredded half-face of the film's leading man, Vijay Devarakonda, whose formidable look further piqued interest in the months that followed. The title Kingdom then set the stage for a tale that would potentially marry an epic, vivid cinematic vision with rugged, real-life-like intensity. The trailer enunciated the same, revealing a sprawling world full of drug cartels, violence, familial bonds and, of course, a strong undercurrent of emotional catharsis. It would be unfair to suggest that the makers of Kingdom have misled their audience all along, because the resulting film contains just what was advertised. The story introduces us to Vijay Devarakonda's police constable Suri (this is some time post an ex-Indian prime minister's assassination), who is not only upright but also dogged in a way that's both self-damaging and inspiring. Suri seems less hassled by what his profession dictates and demands, and a lot more by a personal void left behind by his older brother Siva (Satyadev), who left home many years ago on the heels of a grave error. Devarakonda portrays Suri with a yearning that's heartfelt yet 'heroic', so it doesn't take us by surprise when the character, from out of nowhere, is tasked with going undercover and infiltrating an indigenous tribe in cahoots with a Sri Lankan weapon cartel. His superior (played by the ever dependable Manish Chaudhari) raises the personal stakes, while another thread ties Suri to a past and a culture that he must confront once again in the present. Gowtam Tinnanuri does a fine job in setting up this portion of the story. His world's fantastical attributes are underplayed yet embellished by cinematographers Girish Gangadharan and Jomon T. John, who infuse a gritty texture into the visuals. The screenplay, too, stays taut (helped immensely by Naveen Nooli's editing) as it barrels through a load of information. Suri's assimilation into his new reality, the emergence of the deadly Lankan cartel and its own nitty-gritty politics, the tribe's (and Siva's) coerced involvement with the criminals, and their shared longing for poetic justice – these and many other details unfold with a matter-of-fact tone that keeps the narrative relentless yet largely gripping. However, despite the painstaking setup, Kingdom never truly tethers us emotionally to its story. Though the film juggles many elements, it never settles on a central thread to bring them into harmony. If Siva and Suri's pensive relationship forms the foundation, another layer about Suri's deep-rooted connection with the suffering tribe puts forth a coming-of-age arc. The original strand of national duty and the associated moral ambiguities quickly loses prominence, while all the power-play that the cartel's prince Murugan (Venkitesh V.P. in an unnecessarily gory role) was involved in begins to lose steam as the narrative grows wayward. Bhagyashri Borse's character Dr. Anu is drowned out in this denseness, and almost every character feels lost in a material that doesn't do fair justice to anything it lays eyes on. Even the tribe, which is said to be inspired by the Srikakulam uprisings against British rule in the 1920s, is made to look exotic without any identifiable characteristics. It could be said that Tinnanuri also errs in not exploring his protagonist's subjective point of view, and he instead opts to be detached from the proceedings. His writing doesn't concern itself with Suri's psychological complexity at any point, meaning that we do not get to know about his feverish journey unless it is stated out loud. The same goes for Satyadev's Siva, whose association with the tribe feels flimsy. Kingdom's essence has echoes of Joseph Conrad's Heart of Darkness as well as a potboiler like Yash Chopra's Deewar (1975), yet the Telugu film never finds its footing to take us deeper into its world. Also Read | Hari Hara Veera Mallu movie review: Pawan Kalyan's epic is a long, loud misfire Much like Nag Ashwin's Kalki 2898 AD (2024), Kingdom boasts an originality that is now rare to find in big-ticket adventures. What also connects the two films is the lack of intimacy in their storytelling. In Kingdom's case, the opportunity to craft a profound tale is squandered when it engages neither the real-world realities and politics (Does the tribe indicate any kind of human subjugation we see around us? I doubt that.) nor the aspect of human desire and morality; an epic isn't just a spectacle after all, but also a document of what it is to be human. Gowtam Tinnanuri's film gestures at those explorations, but it doesn't commit to them, coming across as though it is unsure of the audience's intelligence. The result is a film with a beating heart, but still emotionally distant. Kingdom movie cast: Vijay Deverakonda, Satyadev, Bhagyashri Borse Kingdom movie director: Gowtam Tinnanuri Kingdom movie rating: 2.5 stars
