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The Switch 2 Is My Favorite Way to Play Cyberpunk 2077, and It's Not Just Mouse Controls

The Switch 2 Is My Favorite Way to Play Cyberpunk 2077, and It's Not Just Mouse Controls

Gizmodo16-06-2025
2025
I've tested Cyberpunk 2077 on so many different systems, handhelds, and PCs, you would assume the word 'choom' would send me into a state of cyberpsychosis. But I'm midway through yet another playthrough of the game on Switch 2, and I can already tell this will be the first system I use to finally complete the game since I last played it in 2020. The version of Cyberpunk 2025 tuned for Nintendo's new handheld is the most seamless and comfortable edition that still showcases the game's beautiful environments.
Cyberpunk 2077 on Switch 2
The game looks great handheld or docked, and while mouse mode isn't great for long sessions gyro controls make up for it.
Pros Runs at playable frame rates in most scenarios
Runs at playable frame rates in most scenarios Incredible graphics in 1080p (even in handheld mode)
Incredible graphics in 1080p (even in handheld mode) Accurate gyro controls
Accurate gyro controls Mouse mode offers more options for aiming
Cons Some visual glitches caused by DLSS
Some visual glitches caused by DLSS Inconsistent buttons in games and menus (especially in mouse mode)
Inconsistent buttons in games and menus (especially in mouse mode) No automatic mouse mode control switching
You can play CD Projekt Red's open-world cyber ninja simulator on either Xbox Series X or PlayStation 5 with solid visuals at 60 frames per second in 'performance' mode, but it won't ever be as fluid a playable experience as it is on Switch 2. Yes, it's handy to take your console on the go without having to finagle any streaming over Wi-Fi, but when docked, the experience is still better due to tighter controls. By default and with two Joy-Con 2 controllers, Cyberpunk 2077 offers joystick plus gyro controls for aiming. There's a separate option you can turn on to enable Joy-Con 2 mouse mode. Either way, you can achieve better pinpoint-accurate gunplay than you can with thumbsticks. I could sit back on the couch and enjoy the game without hunching over a keyboard and mouse and still feel like I wasn't missing out on its high-octane, spectacle-fueled combat systems.
In about 15 hours of gameplay, I tried both control sets and played in handheld mode as well. The mouse controls are very accurate, but the issue is always finding a comfortable position to rest your palm. My hand started cramping rather fast as I tried it on the couch cushion next to me or a chair's armrest. I was using the Killswitch case grip made by Dbrand, which made it far more ergonomic for mouse controls. The issue is how often you need to roll your hand to press face buttons for actions and menus. On the flip side, I found that the upgraded gyros on the Switch 2 are so clean, I was able to line up headshots with such ease I would rarely swap to mouse.
The game also supports hand-wavy controls for reloading weapons or swinging melee weapons. I found these could feel far too much like the original Wii—where I would sweep my controller at open air and pray that my character performed the action I wanted. I kept to buttons and found it to be a much tighter experience. I also wish CD Projekt Red allowed me to keep both gyro/thumbstick and mouse controls on at the same time. If you enable mouse controls, you disable thumbsticks and gyros. Metroid Prime 4: Beyond promises to allow players to swap from thumbsticks to mouse just by plopping their controller on a surface. Something like that for Cyberpunk 2077 would go a long way to helping players avoid wrist pain.
Cyberpunk 2077 plays at 1080p resolution in both handheld mode and when docked. Either way, you can expect it to get between 30 and 40 fps under 'quality' graphics settings, even during an intense gunfight. That's equivalent to what you may get on a Steam Deck, though I found the performance to be more consistent on Switch 2. I experienced some frame rate dips when driving in third person in dense environments (first-person mode aids frame rates by taking up a portion of the screen with the players' gun or car models—a longtime performance trick used by most first-person shooters). Any occasional performance hitching wasn't enough to distract from the game's visuals. If you're somebody who absolutely demands 60 fps from every game they play, you're not going to find that experience with Cyberpunk 2077 on Switch 2.
There are occasional visual glitches. On complicated textures like rugs or fabric, the game rendered odd kaleidoscope effects that could become distracting in cutscenes. This is likely due to the use of Nvidia's DLSS. The Nintendo Switch 2 uses a custom Nvidia-made chip, and this means it can run AI upscaling to take a frame rendered at 720p and massage it to look like it's 1080p. The most recent version of Nvidia's upscaler, DLSS 4, is normally devoid of these glitches. The Switch 2's graphics processor is essentially equivalent to Nvidia's Ampere microarchitecture built close to five years ago, though Nvidia has obviously fine-tuned the system-on-chip (SoC) for Nintendo's hardware specs. This allows for some ray tracing lighting effects, though it can't ever be as punch-to-the-face spectacular as it can be on an ultra-expensive PC running with path tracing effects.
The fact that we're still talking about Cyberpunk 2077 as a high bar for graphically demanding games five years after launch is a testament to just how beautiful—and intensive—the game can be. What gets lost in the obsession with performance is just how rich of a world CD Projekt Red established for the game. It's a game where the environment informs the story. Every bag of trash dumped on the side of the road speaks to a world that has become so corporatized there are no social services as simple as garbage pickup available to all but the wealthy. The player can climb to the top of an overlooking skyscraper and watch the evening haze choke Night City and all its inhabitants in a thick gloom.
You need some amount of visual fidelity to represent that, and the Switch 2 version of Cyberpunk 2077 maintains that atmosphere. The first time I played the game shortly after launch, I ran through the full 60 hours in a state that would better be described as an interactive slideshow. The game was so bugged I sometimes felt like my PC was infected with an in-game neurovirus. But I still loved it for the wonderful, human-centric story it told—of characters who felt real and personable and themes of corporate oppression that feel more pertinent today than they did in 2020.
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I Asked ChatGPT and a Financial Advisor How To Become a Millionaire: Here's How Their Advice Compared

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Sarah whispers that he shouldn't argue with Drummond. Drummond keeps pushing. Sarah keeps indicating that he should back down. Rudy dives in. Drummond isn't impressed and calls on Sarah to refute Rudy's argument. She does, summarily. When Rudy effectively counters Drummond with Drummond's own words, Brad Noonan (Wade Briggs), a senior associate, sitting at the front, looks impressed. Drummond and Noonan leave the room. Fired Sarah meets Rudy at the elevators after he's been fired. Quoting her father, she tells him the flip side of everyone's best quality is their worst, and Rudy's is that he never backs away from a fight on both counts. She says she'll talk to Leo and get him his job back. Rudy refuses to let her get pulled down by his bad judgment. She heads up the glass-walled elevator, watching him walk down the street below her as she rises. (Heavy-handed metaphor, but it works.) 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Koontz and Luke Boyce on Crafting 'Weird' New Series Bruiser explains that associates get $2000 a month, and he keeps a third of the fees he generates. If he doesn't cover the $2000 with his share, he owes her the balance. Bruiser diagnoses his situation: He got screwed on the wrong side of hiring season, and now he's pissed. She advises that he'll make good use of that anger to help represent their clients, people they're meeting on the worst day of their lives. Once Rudy's resigned to signing up, he asks for a $20,000 advance to rent an apartment. Bruiser counters with $5,000 and tells him that he starts on Monday. Finders, Grinders, and Minder In the Tinley Britt corporate box, VIP guests mingle and watch tennis. Sarah's standing by the food when Wilfred Keeley (Hugh Quarshie), the CEO of Great Benefit Hospital Systems, walks over, looking for a hot dog. She shows him where they are, addressing him by name. He asks if they've met. She tells him that Great Benefit is one of Tinley Britt's most important clients and introduces herself. When she attempts to help him with a hot dog, she drops it and quotes the opening line from Susan Mallery's novel, Only Yours, 'Perfectly good morning, thwarted by a hot dog,' confusing Keeley. She explains that she remembers the first line of every book she's ever read. He tests her with Jane Austen's Pride and Prejudice and John Irving's A Prayer for Owen Meany , which she aces. As she's showing off her party trick, Noonan approaches from behind her. Keeley asks Noonan if she's on his account. Noonan tries to tell him she's not even a lawyer yet, but Drummond is suddenly next to him, confirming that Sarah's on the Great Benefit account. The Rainmaker — Photo by: Christopher Barr/USA Network Noonan and Keeley move away to talk. Drummond steps closer to Sarah and tells her about finders, who bring in clients; grinders, who do the writing and research; and minders, who keep everyone out of trouble. He tells her he's wondering which she is. RELATED: Revival 's Romy Weltman on Becoming Em and Working With Melanie Scrofano Moving Out and Onwards Sarah helps Rudy move into his new apartment. She asks why they aren't moving in together. He replies that they've never discussed it. When she tries to discuss it, he states that he won't let her parents pay his rent via her trust fund. On Monday morning, Rudy arrives at Bruiser's office. She tells him he needs to find some clients ASAP and sends him out with Deck. They arrive at the hospital, and Deck pays a doctor for information about the patient in room 886, a man hit by a drunk driver. At Tinley Britt, Leo Drummond sits at a table about to eat a cheeseburger and fries. Sarah arrives, and he tells her that she should watch and learn while she's on the Great Benefit team. She makes a pitch to get Rudy his job back. In response, Drummond deliberately drops a French fry on the ground. Sarah picks it up and puts it in the trash. He does it again. And a third time. When she asks him why he's doing it, he explains he's defining their relationship. He dismisses her. A Natural Deck approaches a badly injured man lying in a medical bed, whispering his name to wake him up. Deck hits him with a high-pressure pitch to get him to sign them as his representation. The patient wants to wait for his wife. Rudy steps in as the conversation gets heated and offers to help in more reassuring, slightly humorous tones. The patient smiles at Rudy and nods his assent. With Deck's pen, the man signs the contract. The Rainmaker — Photo by: Jonathan Hession/USA Network Out in the hospital hallway, the man from the burning house sits in a wheelchair, his right hand heavily bandaged. A man approaches him and calls him Melvin Pritcher (Dan Fogler). He introduces himself as Rod Nunley (Jonathan Forbes) and offers to help him out. Deck spots them through a hospital door window and hurries to beat Nunley to the client. RELATED: Revival : Check Out 9 First-Look Photos From Melanie Scrofano-Led Series As they scuffle over Pritcher, an officer comes over to see what they want. Pritcher says he's talking to his lawyer and points to Nunley. Rudy watches from a distance and walks away. Deck finds him outside by the car. Rudy's disenchanted by this side of lawyering. Deck reminds him that, unless he has a whale of a client, ambulance-chasing is what makes money. Rudy realizes he might have that whale. The Rainmaker — Photo by: Jonathan Hession/USA Network Dot Black's Case Rudy and Deck drive out to Dot Black's house. Rudy sits down with her. She loved her son, and he's gone. She wants someone to answer for Donny Ray's death. Rudy finds common ground with her. They both want Tinley Britt to pay. He leaves the house with a signed contract. Back at the office, they start researching the case. Rudy finds two nurses who no longer work for the hospital — Jackie Lemancyzk (Gemma-Leah Devereux) and Melvin Pritcher. Deck connects Pritcher to their meeting in the hallway and discovers he's being arraigned the next day. The Rainmaker — Photo by: Jonathan Hession/USA Network At Dot Black's house, her dog, Daisy, runs off into the forest, barking. Dot challenges anyone who might be lurking in the woods to show themselves. Eventually, Daisy returns alone. Someone watches as Dot and Daisy return to the house. RELATED: Read our Revival recaps Sarah arrives at Rudy's with two bottles of wine. He starts cleaning up the papers on his table. She recognizes Dot Black's box, and Rudy tells her about taking the case. She reveals that she's on the Great Benefit team now. They fight. She leaves. In the Light of Day In the morning, Daisy is sniffing around the forest line. Dot picks up a spent vape cartridge. The scene shifts to a woman vaping as she watches Rudy standing outside the Charleston Police Department from her car. Deck comes out and reports that Pritcher made bail. Pritcher comes out with Nunley, but Nunley refuses to let Deck and Rudy talk to his client. Deck and Rudy bring the case to Bruiser. She's skeptical they can win it, but lets them run with it. However, she warns Rudy that he's crossing a line with this case. She tells him that if he wants to beat Drummond, he has to ask himself what he is willing to do to be a rainmaker. Pritcher Late at night, Pritcher approaches a row house unit's patio door and knocks. It's unlocked, so he lets himself in. A neighbor woman comes by and tells him that Jackie moved out. He tells her that he's the new tenant, but she knows he's lying. He jabs her with a needle, drags her inside, and closes the patio door. The Rainmaker airs new episodes on Fridays at 10/9c on USA Network. Episodes stream a week later on Peacock. TV Review: BUTTERFLY Season 1 Diana lives in Vancouver, BC, Canada, where she invests her time and energy in teaching, writing, parenting, and indulging her love of all Trek and a myriad of other fandoms. She is a lifelong fan of smart sci-fi and fantasy media, an upstanding citizen of the United Federation of Planets, and a supporter of AFC Richmond 'til she dies. Her guilty pleasures include female-led procedurals, old-school sitcoms, and Bluey. She teaches, knits, and dreams big. You can also find her writing at The Televixen, Women at Warp, TV Fanatic, and TV Goodness.

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