
Alicia Silverstone Talks ‘Irish Blood' Series And ‘Clueless' At 30
These days, Silverstone, 48, is taking on a brand new role in a lighthearted yet gripping drama series, Irish Blood, which is now streaming on Acorn TV. She plays Fiona, a successful lawyer who receives a note from her estranged father, which sets her on a journey to Ireland to uncover the truth about her longtime absent parent and to deal with the unresolved anger that his abandonment has had on her life.
Sitting down with Silverstone for a conversation over Zoom, I first wondered what it was about her Irish Blood lead character that initially intrigued her to want to make this the next project in her career.
'I think that I was attracted to the possibilities,' Silverstone said. 'When it came to me, it was just an idea, and I was attracted to the idea - this Irish land and the potential. Ultimately, what I think I love about the show and what I had hoped for was you've got the mystery, which is super fun, and the crime elements - but it's quirky. There's a quirky nature to the whole thing, and on top of it, I think it's an emotionally rich drama, and that's what I, as an actor, want - is to be able to sink my teeth into something. So, when they asked me to come onboard, I was able to be the producer, so that I could have the opportunity to make all these key creative hires and decisions. My focus was to make it as layered and nuanced and grounded as possible, so that I would have a lot to do - so it would be fun for me to act. I want to do things that are challenging and interesting.'
Being also an executive producer on Irish Blood at this stage of her seasoned career in and around the entertainment industry, I was curious if Silverstone has noticed that her creative interests in stories and characters have evolved at all over the years.
Silverstone said, 'I think I was lucky to do really complicated, layered things when I was young. I mean, The Crush is my first film and that's complicated, and there's lots to do there - and honestly, many of the roles I feel that I got to do - Clueless was a complicated pick. I got to work with James Gandolfini and Alain Corneau when I was little, and Kenneth Branagh on Shakespeare with Love's Labour's Lost. So, I think I've had a lot of juicy opportunities, but then I think those juicy opportunities got a little bit more light for a while, and then I went to theatre for that. I would go get all my workouts in the theatre with Laura Linney and with David Mamet, and that was incredible. And so, getting to do now, I think, when I'm looking at something, all I want is to be able to - if I can sink my teeth into it, I'm happy. I just want to be gnawing on that nylon bone and I think that it comes in different forms.'
She added: 'If it's with [filmmaker] Yorgos Lanthimos, I don't care what it is - I'm obsessed with him. He's a brilliant genius, so you just want to do whatever he wants to do. But sometimes, when it's something like this [with Irish Blood] that you get to kind of create it for yourself, or create it with people, and AMC has been so kind to me and so generous. I have a great relationship with their head of development, Rob Fox. We work great together - and so, I feel very lucky.'
With this year marking the 30th anniversary of Clueless, what is it in Silverstone's opinion that has made people, generation after generation, continue to resonate these three decades later with her beloved movie?
'Well, I don't think that any one of us could have ever imagined or known what a cultural phenomenon this would be. I mean, there is no way to know that. And certainly not all the executives that passed on it for a year, saying that no film should be made with a young girl in it as the lead - and they all had to eat that! So, I think none of us could have imagined what it would do, but I think when I look at it, what is it that makes it? My guess would be as good as yours, but my guess is Amy Heckerling wrote a brilliant script. Jane Austen ain't too shabby herself - the book Emma - and then Amy put her brilliant twist on it. She understands - I think she has her finger on the pulse of what is culturally happening in any given moment in such an incredible way. She worked with Mona May - and Mona May is the costume designer, and together, they just did this beautiful - I mean, the costumes are so incredible. They are a character in it and I think that it's lightning in a bottle. For some reason, all the magic came together at the same time.'
Silverstone added: 'I think that it's incredibly satirical, but it's also very, very warm, and I think that it's happy. I know that's what Amy wanted. She wanted this happy feeling that she didn't have in her. She talks about it. She's like - I was so miserable. I just wanted a happy place. I don't know if she says she's so miserable, but she's like - it's the opposite of her. She was interested in a character that was just happy all the time.'
With plenty of chatter going around of a Clueless sequel series being in development at Peacock with Silverstone involved, I wondered what she might be able to share at this point in the process.
'I can't share much,' Silverstone said, 'I can tell you that I'm excited about the possibility of it. We've been working on it and talking about it for a few years now, and we are at the stage - we're baby stages. It's just nothing is there yet. I mean, we know what we're doing, but we're not - we haven't shot anything yet. I certainly have to mum's the word there, but I'm hopeful that we'll get it right.'
Circling back to her Irish Blood six-part murder mystery, with Silverstone being a mom in real life to her son, Bear - I was curious if she noticed that her real world experiences as a parent benefited her father-daughter and mother-daughter dynamic on-screen within this series.
'Well, I think all of your life experience, if you bring it to your work, helps with everything. I mean, that's what makes it interesting, right? When you have experience to bring to your work - so, for sure. I mean, that stands true for all of it. I will say Bear loves the show very much. He's 14 and I let him watch when we would get to what's called pre-lock. I would do like five rounds of edits before we would get to pre-lock, and when you get to pre-lock, I would let him watch it with me. He was like - Mom, this is so good! And he wanted to see the next one and the next one and the next one. So, it was really cool.'
While I concluded my conversation with Silverstone, I wondered what she is most excited for audiences to see come of her portrayal as protagonist Fiona in Irish Blood, as they witness how this story unfolds.
Silverstone said, 'Audiences will be really happy with the storytelling, and I think they will enjoy how fast it moves. You know, it really – it does move very fast and I think it's a fun ride. I think they're going to feel all the things. They're going to laugh, they're going to feel emotional about things, and I think they're going to be really drawn in and enjoy this ride.'
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BONO Apart from the attack on the Nova music festival on October 7th, which felt like it happened while U2 were on stage at Sphere Las Vegas, I have generally tried to stay out of the politics of the Middle East… this was not humility, more uncertainty in the face of obvious complexity… I have over recent months written about the war in Gaza in The Atlantic and spoken about it in The Observer, but I circled the subject. As a cofounder of the ONE campaign, which tackles AIDS and extreme poverty in Africa, I felt my experience should be on the catastrophes facing that work and that part of the world. The hemorrhaging of human life in Sudan or Ethiopia hardly makes the news. Sudan alone is beyond comprehension, with a civil war that has left 150,000 dead and 2 million people facing famine. 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The rape, murder, and abduction of Israelis at the Nova music festival was evil. On that awful Saturday night/Sunday morning of October 7/8 2023, I wasn't thinking about politics. On stage in the Nevada desert, I just couldn't help but express the pain everyone in the room was feeling and is still feeling for other music lovers and fans like us — hiding under a stage in Kibbutz Re'im then butchered to set a diabolical trap for Israel and to get a war going that might just redraw the map from 'The river to the sea'… a gamble Hamas' leadership were willing to play with the lives of two million Palestinians… to sow the seeds for a global intifada that U2 had glimpsed at work in Paris during the Bataclan attack in 2015… but only if Israel's leaders fell for the trap that Hamas set for them. Yahya Sinwar didn't mind if he lost the battle or even the war if he could destroy Israel as a moral as well as an economic force. Over the next months as Israel's revenge for the Hamas attack appeared more and more disproportionate and disinterested in the equally innocent civilian lives in Gaza… I felt as nauseous as everyone, but reminded myself Hamas had deliberately positioned themselves under civilian targets, having tunneled their way from school to mosque to hospital. I hoped Israel would return to reason. I was making excuses for a people seared and shaped by the experience of Holocaust… who understood the threat of extermination is not simply a fear but a fact… I re-read Hamas' charter of 1988… it's an evil read (Article Seven!) But I also understood that Hamas are not the Palestinian people… a people who have for decades endured and continue to endure marginalization, oppression, occupation, and the systematic stealing of the land that is rightfully theirs. 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And disappear it from membership in a community of nations built around even a flawed decency? As someone who has long believed in Israel's right to exist and supported a two-state solution, I want to make clear to anyone who cares to listen our band's condemnation of Netanyahu's immoral actions and join all who have called for a cessation of hostilities on both sides. If not Irish voices, please please please stop and listen to Jewish ones - from the high mindedness of Rabbi Sharon Brous, to the tearful comedy of the Grody-Patinkin family - who fear the damage to Judaism, as well as Israel's neighbours. Listen to the more than 100,000 Israelis who this week protested for an end to the war. Our band stands in solidarity with the people of Palestine who truly seek a path to peace and coexistence with Israel and with their rightful and legitimate demand for statehood. We stand in solidarity with the remaining hostages and plead that someone rational negotiate their release. Could it be Marwan Barghouthi who the former head of Mossad Efraim Halevy described as 'probably the most sane and the most qualified person' to lead the Palestinians? Wiser heads than mine will have a view, but surely the hostages deserve a different approach — and quick. We urge more good people in Israel to demand unfettered access by professionals to deliver the critical care needed throughout Gaza and the West Bank that they best know how to distribute… and to let the correct number of trucks through. It will take more than 100 trucks a day to take seriously the need - more like 600 - but the flooding of humanitarian aid will also undercut the black marketing that has been happening to benefit Hamas. The band is pledged to contribute our support by donating to Medical Aid For Palestinians. The Edge We are all deeply shocked and profoundly grieved by the suffering unfolding in Gaza. What we are witnessing is not a distant tragedy - it is a test of our shared humanity. I have three questions for Prime Minister Netanyahu. I ask them in the hope of engaging the conscience and sanity of the people of Israel. First: Do you truly believe that such devastation—inflicted so intentionally and relentlessly on a civilian population—can happen without heaping generational shame upon those responsible? Do you not see that the longer this continues, the more Israel risks becoming isolated, mistrusted, and remembered not as a haven from persecution, but as a state that, when provoked, systematically persecuted a neighbouring civilian population? Second: If the end goal is, as the Likud platform suggests, the removal of Palestinians from Gaza and the West Bank to make way for a 'Greater Israel,' then that is not peace—it is dispossession; it is ethnic cleansing, and, according to many legal scholars, colonial genocide. It is an injustice on a massive scale. And injustice, as we learned in Ireland, is never the path to security: it breeds resentment, it hardens hearts, and it guarantees that future generations will inherit conflict rather than peace. The oppressed do not forget. How can this course of action possibly make your people safer? Third: If you reject the two-state solution—as your government now openly does—then what is your political vision? Simply perpetual conflict? A future of walls, blockades, military occupation? A state of permanent inequality? And if this apartheid state transpires don't you destroy the very argument for Israel's existence as a moral response to the horrors of the Holocaust? For if Israel comes to be seen as a state that systematically denies another people their rights, then the world will inevitably ask whether the only just and sustainable future, the only tolerable future, is a shared state—one where Jews and Palestinians live together as equals under the law. We know from our own experience in Ireland that peace is not made through is made when people sit down with their opponents—when they recognise the equal dignity of all, even those they once feared or despised. There can be no peace without justice. No reconciliation without recognition. And no future unless we refuse to let the past be repeated. The road to peace is difficult. But it is never too late, or too early, to begin walking it. Adam Clayton The humanitarian crisis in Gaza caused by Israel's aid blockade and bombing looks like revenge on a civilian population who are not responsible for Hamas' murderous attack on October 7. If Israel moves to colonise the Gaza Strip, it will permanently undo any possibility of lasting peace or solution for hostilities. Forgetting the morality of the situation for a moment, doesn't the technical superiority of Israel's modern army make a boast of its precision targeting of individuals from thousands of miles away? 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It's difficult to comprehend how any civilised society can think starving children is going to further any cause and be justified as an acceptable response to another horror. To state the obvious, starving innocent civilians as a weapon of war is inhumane and criminal. Where is the outrage from within Israel, outside of a small, if increasingly vocal, minority?Where is the outrage from the diaspora?Beyond some reluctant and muted acknowledgement of a famine inflicted, power to change this obscenity is in the hands of IsraelI undoubtedly support Israel's right to exist and I also believe Palestinians deserve the same right and a state of their serves none of us. Israel has been accused of carrying out genocidal acts during the ongoing war in Gaza by numerous organisations, including the UN Human Rights Council. Israel's military campaign has resulted in the death of over 60,000 Palestinians, according to the Hamas-run health ministry. 50 hostages from the October 7, 2023 attack remain held in captivity by Hamas in the Gaza has denied any genocidal intent, which requires certain thresholds to be met in order to be legally recognised; a case brought forward by South Africa to The International Court of Justice accusing Israel of committing genocide against Palestinians is ongoing. The conflict has been on-going for decades, with official UN figures for the 15 years before the 2023 escalation recording 7277 Palestinian deaths and 162,121 Palestinian injuries in occupied Palestinian territory and Israel since 2008, and 368 Israeli deaths and 6,670 Israeli injuries during the same time span in the region.