
New ‘Project Runway' judge Law Roach shares his thoughts on criticism, plus what to stream this weekend
Remember when Heidi Klum drilled into our reality TV heads that, in fashion, one day you're in, and the next day you're out? Well, even she knows the past can come back in style. After a 16-season run on 'Project Runway' as host and judge, Klum departed the fashion competition series in 2018 and, along with the show's original mentor Tim Gunn, went on to create 'Making the Cut,' their version of a fashion tournament for Prime Video that ran for three seasons. (Model Karlie Kloss assumed Klum's 'Project Runway' duties in subsequent seasons.) Now, as 'Project Runway' launches its 21st season, moving homes yet again (to Freeform from Bravo), Klum brings the nostalgia factor to the show's revamping, which includes the addition of super stylist Law Roach to the judges panel. Roach stopped by Guest Spot to discuss joining the ranks of the long-running reality competition.
Also in this week's Screen Gab, our streaming recommendations include an illuminating documentary that explains how 'The Ed Sullivan Show' amplified Black music and culture, and a collection of '90s films that defined an era through their soundtracks.
Must-read stories you might have missed
For Jenna Ortega, Catherine Zeta-Jones and Luis Guzmán, 'Wednesday' proves 'weird is beautiful': The actors return for Season 2 of Netflix's hit YA series, which brings Gomez and Morticia Addams into focus.
'Chief of War' centers Hawaiian history and a warrior's story: Co-creator Jason Momoa stars as the late 18th century warrior Ka'iana in a story set at the intersection of the Hawaiian island kingdoms and the arrival of European colonists.
Go behind the scenes with the 'Alien: Earth' cast at Comic-Con 2025: Watch our exclusive follow-along with the cast of FX's 'Alien: Earth' cast at San Diego Comic-Con as they sign autographs, visit the show's immersive activation and more.
As AI changes how movies are made, Hollywood crews ask: What's left for us?: AI is supplying powerful new tools at a fraction of the cost, forcing below-the-line artists to wonder if the future of filmmaking has a place for them.
Recommendations from the film and TV experts at The Times
'Sunday Best: The Untold Story of Ed Sullivan' (Netflix)
Ed Sullivan was so famous, such an institution in his time, that his name became the text of a number in the musical 'Bye Bye, Birdie.' It's been half a century since 'The Ed Sullivan Show' ended its 24-season run, but Sullivan, who gave Elvis Presley a platform and introduced the Beatles to America, will be seen as long as they continue to matter, which is to say, forever. The 'Untold' in Sacha Jenkins' affecting documentary is the show's history with the many Black artists it presented to an audience of many millions, through years in which television networks bowed to the bigotry of what it called the Southern audience. Yet even had you taken Black acts on 'Sullivan' for granted, the extent of the host's progressivism might come as surprise. Those sharing memories include the late Harry Belafonte, Smokey Robinson and the Temptations' Otis Williams; seen in performance are Stevie Wonder, Jackie Wilson, Bo Diddley, James Brown, Nina Simone, Mahalia Jackson and the Jackson 5, in all their youthful glory. — Robert Lloyd
'90s Soundtrack Movies (Criterion Channel)
Now they exist as relics: banged-up soundtrack cassettes that slid around in the passenger side of everyone's cars. But we all listened to them and in many cases, they ended up being more memorable than the films themselves. A lot of good was done when acts like U2, Talking Heads, Depeche Mode and Nick Cave lent their drawing power to director Wim Wenders' mystifying 1991 sci-fi art thinker 'Until the End of the World.' The songs were an adventure (though I couldn't quote you a single line from the script). More substantially, Jim Jarmusch introduced his fan base to Wu-Tang Clan's RZA, who contributed a superb head-bobbing soundtrack to 1999's 'Ghost Dog: The Way of the Samurai,' proving there was plenty of crossover between Soho and Shaolin. David Lynch, always plugged in musically, drew from David Bowie's underrated 'Outside' album for the white-line opening credits of 1997's 'Lost Highway.' And even when Bowie wasn't game — as with the bio-in-all-but-name 'Velvet Goldmine' — an inventive glam-saturated soundtrack could carry the day. Criterion's new series is programming you can play in the background and still enjoy. — Joshua Rothkopf
A weekly chat with actors, writers, directors and more about what they're working on — and what they're watching
As one of Hollywood's biggest stylists and image architects, Law Roach has bolstered the fashion profile of stars like Zendaya, Hunter Schafer and Anya Taylor-Joy and set the tone for every red carpet he's touched with his viral styling choices. Now, he's bringing his unparalleled fashion sense to the judge's panel of 'Project Runway.' The new season premiered Thursday on Freeform with two episodes; it will air weekly and also stream on Hulu and Disney+. Roach stopped by Screen Gab to discuss his feelings on constructive criticism, the fictional character he'd like to style and what he's watching. — Yvonne Villarreal
As a creative in the fashion world, is 'Project Runway' a show you watched at any point over its run? What value did you see in it and how do you hope your involvement elevates the show?
Yes, I watched it religiously, of course. The season that Christian won is hands down still my favorite. I think it gave me an inside look at an industry that I was craving to be a part of. I think my real-world experience and passion will come through not only to the viewers but also to the contestants.
You bring a bold and direct feedback style to the judges panel from the start. How do you prefer to receive feedback on your work and when do you trust it?
Criticism is a part of every job. I think it is important to hear it and if it fits you or can help you grow, take it in, and learn from it, but if it doesn't, ignore it.
As a stylist and image architect, which fictional character of TV or film — past or present — would you most like to create a fashion profile for?
Jessica Rabbit because we only got to see her in one look!
What's your go-to 'comfort watch,' the film or TV show you return to again and again?
'Top Chef' [Peacock] or any cooking competition show. I love food and witnessing the thought that goes into making the food.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
an hour ago
- Yahoo
‘Leanne' review: From stand-up comedian to awkward sitcom star
The multi-camera sitcom has been on its last legs, which is too bad because it can be such an uproarious format when it prioritizes jokes over the kind of comedy that tends to predominate on streaming: Pleasant enough — fun, even — but straight-up laughs aren't their reason for being. Television is cyclical, and maybe the fizzy possibilities inherent in sitcoms will eventually make their way back onto our screens. Alas, 'Leanne' on Netflix will not be leading the charge. Stand-up comedian Leanne Morgan stars as the mother of two grown children in Knoxville, Tennessee, who is suddenly informed that her husband of 33 years is leaving her for another woman. That setup, coupled with the Southern twang of the cast, may bring to mind 'Reba,' another eponymous show with a similar premise that premiered more than 20 years ago and ran for six seasons, starring Reba McEntire as a spitfire making do with her new circumstances. But the energy here is vastly different, with Morgan's genteel suburbanite hazily floating through this next chapter in her life. Co-created by Morgan and sitcom veterans Chuck Lorre and Susan McMartin ('Mom'), the series also stars 'Mom' alum Kristen Johnston as Leanne's kinda-sorta bawdy sister (she's too tame to really pop as a subversive presence), Celia Weston and Blake Clark as their aging parents, and Ryan Stiles ('Whose Line Is It Anyway?') as Leanne's ex. I wish 'Mom' were more instructive as a test case, because it also started off unevenly but eventually found its groove. The push-pull, codependent relationship between a mother and daughter, both of whom were in addiction recovery and struggling financially, gave the show its spark, as did the friend group of fellow recovering addicts, who deepened the bench of characters. 'Leanne' feels somewhat claustrophobic by comparison, and isn't populated with anyone who feels especially defined or even interesting. It's just Leanne and her sister as gal pals who mostly get along bouncing off themselves, their needy parents and Leanne's forgettably superfluous children. Most comedies built around a comedian's stand-up act draw directly from their lives. But it's worth noting that the real Leanne is very much not divorced from her longtime husband; in fact, her gentle barbs about their personality differences make up the bulk of her material. Morgan is also not an actor by training, so it makes no sense that the show didn't adapt more of her stage persona here, and instead asks her to play something unfamiliar: That tricky sad-funny middle ground of a woman whose marriage has imploded. There's a deliberate pace to the show — and to the dialogue itself — that results in punchlines just laying there. It's weird, because there's an unhurried pace to Morgan's Netflix stand-up special as well ('I'm Every Woman'), but in it she has some bite and her leisurely cadence is undercut by the sharp comedy of her material, whereas this version of Leanne is oddly bland and lacking a point of view. Exactly one joke lands. Looking at a miserable Leanne, her sister offers to share some of her pill stash: 'I got Xanax, Ativan, Ambien, I think this might be a laxative …' Leanne grabs the last one: 'I'll always take a laxative.' There's a certain amount of violence that's played for laughs, but the show seems uncertain where the humor actually lies in these moments. One episode ends with Leanne decking her husband across the jaw. In another, she finds him in the bathroom they once shared, making himself at home, and in response she grabs a shotgun, marches back in and blows a hole through the ceiling to disabuse him of this notion. If she were really trying to stifle deep rage under a polite, decorous exterior, and that was a running theme in the show — of a woman's worst impulses taking over as she's finally driven off the deep end — that would be so dark, it might come around the other side and be funny as well. But that's not the kind of sitcom this is. Leanne lives in a spacious, well-appointed suburban-style home that apparently goes uncontested in the divorce. In fact, money barely comes up at all. Rarely does divorce not affect either party's finances, but also because Morgan acknowledges the realities of money in her stand-up act. It's clearly on her mind. Spotting an array of attractive men in the front row of her special: 'Look at y'all in these half-zip golf pullovers — hello, that says 'health insurance' to me. Alright, y'all make me think of my husband, lemme tell you about him, 'cause he's got a 401(k).' (Even her grown son in real life — who loves nature so much he raised a baby beaver in his college dorm room, a story she tells in her stand-up — sounds a lot more interesting than the character on the show, whose only trait appears to be 'henpecked husband.') Now in middle age, Leanne's life as she's known it (the sitcom version, at least) has been turned upside down. Except it hasn't. She's in the same sprawling house. She doesn't seem worried about money. She didn't have much filling her days even before the divorce apparently — she has no professional life nor a social life outside of her sister (who doesn't seem to need to work, either). Leanne's existence is like science fiction — resembling something human but in a contextless bubble that has no connection to anything outside the walls of her home. 'You have a blessed Sunday,' she says at one point, and it's the kind of Southern putdown that's in the same neighborhood as 'Bless your heart.' May 'Leanne' have a blessed run. And may Morgan have another shot at a TV role better suited to her talents. ——— 'LEANNE' 2 stars (out of 4) Rating: TV-14 How to watch: Netflix ——— Solve the daily Crossword
Yahoo
2 hours ago
- Yahoo
Mom Defends Waiting 4 Hours In Wendy's Drive-Thru for Wednesday-Inspired Meal Instead of Going to Amusement Park (Exclusive)
A California mom is setting the record straight after a now-viral TikTok revealed she skipped a trip to Universal Studios with her kids to instead wait over four hours in a Wendy's drive-thru line for a spooky meal inspired by Netflix's Wednesday. On Thursday, July 31, Kel Warner, a Los Angeles local and theme park content creator, made the unexpected detour with her three kids, ages 10, 8 and 7, to check out the one-day Wednesday-themed Wendy's pop-up in Norwalk, Calif. The event, a collaboration between Netflix and the fast food chain, featured a custom meal and a fully immersive drive-thru experience — complete with eerie decor and surprise freebies. Solve the daily Crossword


Indianapolis Star
3 hours ago
- Indianapolis Star
WWE SummerSlam 2025 Night 1 match card tonight live: Where to watch SummerSlam matches today
The WWE brings SummerSlam 2025 back to the masses with the event's first two-day lineup taking place at MetLife Stadium in East Rutherford, N.J., on Saturday and Sunday. Will CM Punk keep his promise to reclaim gold when he faces World Heavyweight Champion Gunther? Can Tiffany Stratton withstand the power of Jade Cargill and retain the Women's WWE Championship? Here's what we know about the Summerslam start time, match card, where to watch in theaters and more: The slate of matches for each night are listed below, and not in any specific order: The event takes place at MetLife Stadium in East Rutherford, New Jersey. SummerSlam 2025 starts at 6 p.m. ET on both Saturday, Aug. 2 and Sunday, Aug. 3, 2025. Watch all the SummerSlam 2025 action on Peacock SummerSlam 2025 airs on Netflix and Peacock, starting at 6 p.m. ET on both Saturday, Aug. 2 and Sunday, Aug. 3, 2025. Watch WWE SummerSlam 2025 tonight on Peacock SummerSlam 2025 will also be available to watch at select Regal Cinemas theaters around the country. Tickets to see Day 1 and Day 2 in theaters are available on Fandango's website. Catch every SummerSlam match with a Peacock subscription Netflix offers customers three plans: standard with ads, standard and premium.