Eva Longoria Goes Strapless in Willy Chavarria Dress for CNN's ‘Eva Longoria: Searching for Spain' New York City Screening
Eva Longoria joined a string of special guests for the CNN special screening of her forthcoming series 'Eva Longoria: Searching for Spain' on Monday in New York City. The series follows the 'Flamin' Hot' filmmaker across Spain as she discovers and connects with the cuisine, culture and people of the country.
For the special red carpet occasion, Longoria opted for a contemporary design courtesy of Willy Chavarria. The 'Desperate Housewives' alum styled a strapless midi dress in a shade of dark charcoal with buttons running down the front placket of the garment.
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The neckline of Longoria's dress featured a slightly asymmetric detail, with a triangular piece of white fabric folded for added angular tension. Longoria complemented the dress with a pair of white, pointed toe pumps. As for accessories, Longoria went minimal, save for a pair of statement earrings.
When it came to her glam, Longoria's makeup featured bold brows, a smokey eye and a glossy lip courtesy of Carolina Gonzalez. The actress, filmmaker and producer's hair was styled in a sleek, straight style with a side part by stylist Ricardo Rojas. Longoria's look was curated by stylist Maeve Reilly.
Over the course of the last few years, designer Willy Chavarria has made a name for himself as a bold new voice in fashion. The Mexican American designer curates his eponymous label around empowerment, particularly focusing on identity and fashion as an extension of personhood.
'Growing up mixed race in a Mexican American environment, mostly Mexicans, it was immigrants who were living in the town that I grew up in, and given the fact that my parents had met after desegregation, I was always very aware of the politics behind race. So when I started my own label — and just living my life — I felt it was very important to share that awareness with others, and I've incorporated the need for equality and the need for recognition of Latino empowerment in all my work,' Chavarria told WWD in September 2024.
The CNN series 'Eva Longoria: Searching for Spain' follows Longoria through the country and into cities like Madrid and Barcelona as she mingles with locals, tries new food and connects with the culture. 'Eva Longoria: Searching for Spain' premieres on CNN on Sunday.
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Yahoo
38 minutes ago
- Yahoo
Where Are Elizabeth Smart's Kidnappers Now? Here's What Happened to Brian David Mitchell and Wanda Barzee
Elizabeth Smart's life was forever changed when she was abducted in the middle of the night by Brian David Mitchell and Wanda Barzee. During the early morning hours of June 5, 2002, Mitchell broke into the Smart family's Salt Lake City home and snatched then-14-year-old Elizabeth from her bed. Mitchell — who claimed to be a religious prophet named Immanuel — and his wife Barzee then held the teenager captive for the next nine months, with Mitchell repeatedly raping Elizabeth while Barzee watched on. As Elizabeth endured this terrifying ordeal, her missing persons case captivated the nation and her family never lost hope that she would be rescued. 'We always knew that if Elizabeth was alive it would be a miracle,' her uncle Tom Smart told PEOPLE. 'But we always believed that the miracle was very, very possible. And sure enough, it was.' On March 12, 2003, Elizabeth and her kidnappers were spotted walking in Sandy, Utah. Despite being dressed in a disguise and giving police a fake name, Elizabeth was ultimately saved by authorities and reunited with her family — while her kidnappers were taken into custody. About a week later, Mitchell and Barzee faced charges of aggravated kidnapping, burglary and sexual assault, according to the Los Angeles Times. In the more than two decades since her abduction, Elizabeth has managed not just to survive the traumatizing experience — but thrive in spite of it. With a focus on sharing survivors' stories, Elizabeth is an accomplished author, TV correspondent, motivational speaker, philanthropist and victims' rights advocate. In her personal life, Elizabeth wed Matthew Gilmour in 2012; the couple are parents to three children together. So where are Elizabeth Smart's kidnappers, Brian David Mitchell and Wanda Barzee, now? Here's everything to know about the husband-and-wife who abducted the Utah teenager and their lives today. Mitchell and Barzee first met in the mid-1980s at a group counseling session in Salt Lake City run by the Mormon church, The New Yorker reported. At the time, Mitchell's marriage to his second wife, Debbie, was falling apart amidst allegations that he had abused Debbie's two younger children from a previous marriage, according to CNN. Meanwhile, Barzee alleged in court that she was in the process of ending a 20-year abusive marriage while also losing custody of her six children, per CNN. The two were married within nine months of their first meeting, on Nov. 29, 1985 — the day Mitchell's divorce was finalized, Deseret News reported. In the following years, Mitchell worked as a die cutter at O.C. Tanner, while Barzee stayed home to practice and study the organ. Both were active members in the Church of Jesus Christ of Latter-day Saints. But by the mid-1990s, all of that changed when Mitchell quit his job and stopped paying taxes, according to CNN. The couple sold off all their possessions and began living off the land, panhandling to get by as they hitchhiked across the country. During this time, they also distanced themselves from the Mormon church and began to wear religious robes, as Mitchell had become convinced he was a prophet who was to have seven wives. Mitchell first encountered the Smart family and their Utah home in November 2001, PEOPLE previously reported. Lois Smart met Mitchell while he was panhandling on the streets of Salt Lake City. At the time, she gave him $5 and an offer to do some roofing work on the family's home — an extension of kindness that was not uncommon for Lois and her husband Ed, who were Mormons. Mitchell returned to the family's Salt Lake City home months later with sinister intentions. On the night of June 5, 2002, the self-proclaimed prophet cut a hole in the Smart's kitchen screen and entered the bedroom that Elizabeth shared with her younger sister, Mary Katherine. He then abducted the 14-year-old Elizabeth at knifepoint. 'He placed his hand on my chest and then put the knife up to my neck,' she said in federal court in October 2009. 'He told me to get up quietly and if I didn't then he would kill me and my family.' Mitchell then forced Elizabeth to march three miles through the woods to a makeshift camp where Barzee was waiting. Elizabeth was changed into a robe and wed to Mitchell in a pseudo-ceremony performed by the religious zealot himself. Mitchell then raped Elizabeth for the first time. Over the next nine months, Mitchell raped Elizabeth up to four times per day and kept her tethered to a tree with a cable when he was not assaulting her. Barzee not only witnessed everything but also did nothing to stop it, Elizabeth later revealed. 'She would encourage him to rape me. She would sit next to me. The side of her body would be touching me while he was raping me,' Elizabeth said during a September 2018 interview with CBS This Morning. 'There were no secrets. She knew what was going on.' In July 2002, seven weeks after Elizabeth was taken, Mitchell attempted to abduct Elizabeth's cousin, 18-year-old Jessica Wright. Mitchell allegedly cut through Wright's bedroom window screen and attempted to enter her room using a chair he placed below the window — similar to how he had broken into Elizabeth's home, according to ABC News. However, in Wright's case, Mitchell fled when the family dog began barking. 'When I heard that, I thought they were trying to get a companion for Elizabeth,' her uncle David told PEOPLE in March 2003. 'We were like, 'No question, she's alive.' ' Elizabeth later revealed in her 2018 book, When There's Hope: Healing, Moving Forward, and Never Giving Up, that Mitchell had attempted to kidnap another girl while she was in captivity. According to Elizabeth's recollection, Mitchell began looking for his 'next wife' and searched local churches for young girls. He befriended a Mormon family in El Cajon, Calif., and after learning they had a young daughter, selected her as 'his next victim,' Elizabeth wrote. One night, Mitchell left their campsite dressed in dark clothes and with a knife in hand to kidnap the young girl. However, his plan was foiled when he entered the home and was alarmed by a man snoring. The sound compelled Mitchell to leave and abandon his plans to take the young girl. 'I know most people consider snoring a health risk or an annoyance, but in the case of this young girl, it saved her life,' Elizabeth wrote. The road to rescuing Elizabeth — and catching her captors — got its first break in October 2002, when Elizabeth's sister Mary Katherine told her parents she remembered who had taken her sister. Mary Katherine revealed it was the worker she knew as 'Immanuel,' and Ed knew immediately it was the man who had worked on their roof, PEOPLE previously reported. Based on Mary Katherine's recollections, a police sketch of Mitchell was revealed in February 2003. Following the police sketch, Mitchell's sister came forward and provided photos, which were then featured on a February episode of America's Most Wanted. Additional photos of Mitchell were shown for a second time on the program in March. On March 12, 2003, two separate couples who had seen America's Most Wanted spotted Mitchell walking around Sandy, Utah, with two females and called 911, PEOPLE reported at the time. When they were approached by police officers, Elizabeth — who was disguised in a gray wig and sunglasses — claimed her name was Augustine Marshall. At the police station, Elizabeth eventually confirmed her identity and was reunited with her family, while Mitchell and Barzee were arrested on suspicion of aggravated kidnapping, The New York Times reported. Due to delays, mental evaluations and competency hearings, it took nearly eight years for Barzee and Mitchell to be brought to trial for the kidnapping of Elizabeth. In November 2009, Barzee pleaded guilty to kidnapping and unlawful transportation of a minor in a deal with prosecutors, The New York Times reported. As part of her plea deal, Barzee also agreed to cooperate in the case against her estranged husband, Mitchell. (Barzee filed for divorce in November 2004, per the outlet.) In exchange for her guilty plea and cooperation, Barzee was sentenced to 15 years in federal prison, according to The New York Times. 'I am so sorry, Elizabeth, for all the pain and suffering I have caused you and your family,' Barzee said in court. 'It is my hope that you will be able to find it in your heart to forgive me.' Mitchell's trial began in November 2010, and his defense tried to argue he was not guilty by reason of insanity, but was found competent to stand trial, per The Seattle Times. In December 2010, a jury found Mitchell guilty of kidnapping and transporting a minor across state lines with the intent to engage in sexual activity, The New York Times reported. He was sentenced to life in prison. After getting arrested by Utah authorities in March 2003, Barzee spent the next several years in custody when she pled guilty in November 2009. She was subsequently sentenced to 15 years in federal prison for her role in Elizabeth's abduction, but received credit for time served. In 2016, Barzee was transferred from a federal prison to a Utah state prison to begin serving her separate one-to-15-year sentence for the attempted abduction of Elizabeth's cousin, NBC reported. However, in June 2018, Barzee's attorney requested that she receive credit toward her state sentence for her time spent in federal prison. Utah parole officials initially denied that request and set Barzee's sentence to run until January 2024. But the parole board unexpectedly reversed that decision in September 2018 — ruling that, after 'further review and advice from legal counsel,' Barzee's time spent in federal prison, as well as in a state hospital and jail, must be credited toward her current term. The news left Elizabeth 'surprised and disappointed,' she revealed in a statement at the time, per KSL. 'It is incomprehensible how someone who has not cooperated with her mental health evaluations or risk assessments and someone who did not show up to her own parole hearing can be released into our community,' Elizabeth said in her statement. During a press conference, Elizabeth urged the parole board to reconsider their decision. 'I do believe she's a threat,' she said about Barzee. 'I believe that she is a danger and a threat to any vulnerable person in our community, which is why our community should be worried.' Barzee was let out of prison on Sept. 19, 2018, and began five years of federal supervised release. She was first placed in a halfway house before moving into an apartment in Salt Lake City near an elementary school, The Salt Lake Tribune reported. Following her early release, Elizabeth spoke out about how she refused to let the past affect her present happiness. 'I'm not gonna let these people or this woman stop me from living the life that I want to live, and that's how I still feel,' she said. Most recently, in May 2025, Barzee was arrested for violating her parole. She allegedly visited parks in Salt Lake City, which she is restricted from doing due to her status as a registered sex offender. A spokesperson for the Salt Lake City Police (SLCP) told PEOPLE that "detectives developed information." Barzee was later released on judicial orders and the SLCP will continue monitoring the situation, requiring her to do weekly check-ins. While Barzee was released early from prison, Mitchell has been serving a life sentence with no possibility of parole since being convicted in 2010. Mitchell is currently an inmate at the United States Penitentiary, Terre Haute, a high-level security federal prison in Indiana, per its inmate directory. With Mitchell behind bars, Elizabeth revealed she does not spend much time thinking about the man who permanently altered the course of her life over two decades ago. 'They're not people that I think of regularly,' she told PEOPLE about her captors in September 2024. 'I guess every now and then, part of me wonders how you could get to a point where you would think it's okay to kidnap a young girl.' Mitchell, she added, 'should never get out' of prison. 'I just think no matter what, if he got out, he would be a danger if not to me than to another young girl,' Elizabeth said. 'I think he will always pose a threat.' Read the original article on People
CNN
7 hours ago
- CNN
‘Journalists have always been under siege': Kara Swisher reflects on state of journalism
Anderson Cooper hosts a panel of journalists, including Abby Phillip, Jorge Ramos, Connie Chung, Walter Isaacson, Bret Stephens, and Kara Swisher, to discuss the state of journalism after CNN's telecast of 'Good Night, and Good Luck.'
Los Angeles Times
8 hours ago
- Los Angeles Times
‘Good Night, and Good Luck' CNN live broadcast brings George Clooney's play to the masses
Saturday afternoon out west and evening back east, as citizens faced off against ICE agents in the streets of Los Angeles, 'Good Night, and Good Luck,' George Clooney's 2005 dramatic film tribute to CBS newsman Edward R. Murrow, became a Major Television Event, broadcast live from Manhattan's Winter Garden Theater, by CNN and Max. That it was made available free to anyone with an internet connection, via the CNN website, was a nice gesture to theater fans, Clooney stans and anyone interested to see how a movie about television translates into a play about television. The broadcast is being ballyhooed as historic, the first time a play has been aired live from Broadway. And while there is no arguing with that fact, performances of plays have been recorded onstage before, and are being so now. It's a great practice; I wish it were done more often. At the moment, is streaming recent productions of Cole Porter's 'Kiss Me, Kate!,' the Bob Dylan-scored 'Girl From the North Country,' David Henry Hwang's 'Yellow Face' and the Pulitzer Prize-winning mental health rock musical 'Next to Normal.' Britain's National Theater at Home subscription service offers a wealth of classical and modern plays, including Andrew Scott's one-man 'Vanya,' as hot a ticket in New York this spring as Clooney's play. And the archives run deep; that a trip to YouTube can deliver you Richard Burton's 'Hamlet' or 'Sunday in the Park With George' with Mandy Patinkin and Bernadette Peters is a gift not to be overlooked. Clooney, with co-star Anthony Edwards, had earlier been behind a live broadcast of 'Ambush,' the fourth season opener of 'ER' as a throwback to the particular seat-of-your-pants, walking-on-a-wire energy of 1950s television. (It was performed twice, once for the east and once for the west coast.) That it earned an audience of 42.71 million, breaking a couple of records in the bargain, suggests that, from a commercial perspective, it was not at all a bad idea. (Reviews were mixed, but critics don't know everything.) Like that episode, the 'live' element of Saturday's broadcast, was essentially a stunt, though one that ensured, at least, that no post-production editing has been applied, and that if anyone blew a line, or the house was invaded by heckling MAGA hats, or simply disrupted by audience members who regarded the enormous price they paid for a ticket as a license to chatter through the show, it would presumably have been part of the broadcast. None of that happened — but, it could have! (Clooney did stumble over 'simple,' but that's all I caught.) And, it offered the groundlings at home the chance to see a much-discussed, well-reviewed production only a relatively few were able to see in person — which I applaud on principal and enjoyed in practice — and which will very probably not come again, not counting the next day's final performance. The film, directed by Clooney and co-written with Grant Heslov (who co-wrote the stage version as well), featured the actor as producer and ally Fred W. Friendly to David Strathairn's memorable Murrow. Here, a more aggressive Clooney takes the Murrow role, while Glenn Fleshler plays Friendly. Released during the second term of the Bush administration, the movie was a meditation on the state of things through the prism of 1954 (and a famous framing speech from 1958 about the possibilities and potential failures of television), the fear-fueled demagoguery of Wisconsin Sen. Joseph McCarthy, and Murrow's determination to take him on. (The 1954 'See It Now' episode, 'A Report on Sen. Joseph McCarthy,' helped bring about his end.) As in the film, McCarthy is represented entirely through projected film clips, echoing the way that Murrow impeached the senator with his own words. It's a combination of political and backstage drama — with a soupcon of office romance, represented by the secretly married Wershbas (Ilana Glazer and Carter Hudson) — even more hermetically set within the confines of CBS News than was the film. It felt relevant in 2005, before the influence of network news was dissolved in the acid of the internet and an administration began assaulting the legitimate press with threats and lawsuits; but the play's discussions of habeas corpus, due process, self-censoring media and the both-sides-ism that seems increasingly to afflict modern media feel queasily contemporary. 'I simply cannot accept that there are, on every story two equal and logical sides to an argument,' says Clooney's Murrow to his boss, William F. Paley (an excellent Paul Gross, from the great 'Slings & Arrows'). As was shown here, Murrow offered McCarthy equal time on 'See It Now' — which he hosted alongside the celebrity-focused 'Person to Person,' represented by an interview with Liberace — but it proved largely a rope for the senator to hang himself. Though modern stage productions, with their computer-controlled modular parts, can replicate the rhythms and scene changes of a film, there are obvious differences between a movie, where camera angles and editing drive the story. It's an illusion of life, stitched together from bits and pieces. A stage play proceeds in real time and offers a single view (differing, of course, depending on where one sits), within which you direct your attention as you will. What illusions it offers are, as it were, stage magic. It's choreographed, like a dance, which actors must repeat night after night, putting feeling into lines they may speak to one another, but send out to the farthest corners of the theater. Clooney, whose furrowed brow is a good match for Murrow's, did not attempt to imitate him, or perhaps did within the limits of theatrical delivery; he was serious and effective in the role if not achieving the quiet perfection of Strathairn's performance. Scott Pask's set was an ingenious moving modular arrangement of office spaces, backed by a control room, highlighted or darkened as needs be; a raised platform stage left supported the jazz group and vocalist, which, as in the movie, performed songs whose lyrics at times commented slyly on the action. Though television squashed the production into two dimensions, the broadcast nevertheless felt real and exciting; director David Comer let the camera play on the players, rather than trying for a cinematic effect through an excess of close-ups and cutaways. While the play generally followed the lines of the film, there was some rearrangement of scenes, reassignment of dialogue — it was a streamlined cast — and interpolations to make a point, or more directly pitch to 2025. New York news anchor Don Hollenbeck (Clark Gregg, very moving in the only role with an emotional arc) described feeling 'hijacked … as if all the reasonable people went to Europe and left us behind,' getting a big reaction. One character wondered about opening 'the door to news with a dash of commentary — what happens when it isn't Edward R. Murrow minding the store?' A rapid montage of clips tracking the decay of TV news and politics — including Obama's tan suit kerfuffle and the barring of AP for not bowing to Trump's Gulf of America edit and ending with Elon Musk's notorious straight-arm gesture, looking like nothing so much as a Nazi salute — was flown into Clooney's final speech. Last but not least, there is the audience, your stand-ins at the Winter Garden Theatre, which laughed at the jokes and applauded the big speeches, transcribed from Murrow's own. And then, the curtain call, to remind you that whatever came before, the actors are fine, drinking in your appreciation and sending you out happy and exhilarated and perhaps full of hope. A CNN roundtable followed to bring you back to Earth.
