
Shortland Street Returns For 2026 - Thanks To NZ On Air
NZ On Air funding, which was confirmed this morning, combined with eligibility for the Screen Production Rebate, will enable the continuation of New Zealand's longest-running drama in the new year.
Shortland Street is one of the most recognisable and loved television programmes in Aotearoa. It provides immense cultural value on screen, while also offering a rich training ground for actors and crew behind the scenes.
Shortland Street is a key pillar of the TVNZ 2 slate, but its dedicated rangatahi audience has placed it at the forefront of audience fragmentation. As one of TVNZ+'s most streamed programmes, Shorty fans are split across broadcast and digital platforms. With audiences migrating online, effort is underway to increase the digital revenue needed to support Shortland Street as a digital first content proposition.
Prior to 2023, Shortland Street operated without funding support for 28 years. TVNZ and South Pacific Pictures are focusing on transitioning Shortland Street to a commercially funded, digitally delivered show and NZ On Air's funding provides a crucial pathway towards making that ambition a reality.
TVNZ's Chief Executive, Jodi O'Donnell says, 'We're extremely grateful for NZ On Air's support in helping us keep this taonga on screen. Our audiences love Shorty and NZ On Air's funding ensures we can continue to bring this iconic drama to viewers in 2026 while we work through its digital transition.'
South Pacific Pictures Chief Executive, Kelly Martin says ' Shortland Street continues to entertain NZ audiences with its diverse and relatable stories, and it continues to play a crucial role in the NZ production sector, providing consistent employment and fostering local talent. We are incredibly thankful to both TVNZ and NZ On Air for their support.'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Spinoff
a day ago
- The Spinoff
‘Didn't win their confidence': Paul Glover's first day blunder on Love It Or List It NZ
The actor, turned realtor, turned Love It Or List It NZ host, shares his life in television. Paul Glover fell in love with acting by accident. As a child, his parents owned a fruit shop down a lane behind Auckland's Civic Theatre, and he remembers sneaking into the theatre, over and over again, just to watch whatever movie was showing on the big screen. 'I think my dad and mum gave heaps of fruit to the ushers, because I used to go and watch movies for free,' Glover says. 'I didn't even know what acting was, but I knew I wanted to do that sort of thing.' Since those inauspicious beginnings, Glover has become a fixture on New Zealand screens, building an extensive career that includes television shows like Educators, 800 Words, Head High and Spartacus, and films like Nude Tuesday, Out of the Blue and Snakeskin. But three years ago, Glover decided it was time for a change, and trained as a real estate agent in Auckland. Ironically, his new career led him straight back to the small screen, with Glover now the co-host of not one but two TVNZ property TV shows: Location Location Location NZ and Love It or List It NZ, which begins this Sunday night. Love It or List It NZ is based on the British property series hosted by Phil Spencer and Kirstie Allsopp. Glover and his interior designer co-host Alex Walls meet homeowners around the motu, with Walls renovating existing homes to convince the owners to love them, while Glover tempts the homeowners to list their house by showcasing the best local homes for sale. Glover has relished the unexpected opportunity to mix his real estate skills with his experience in front of the camera. 'I've spent the better part of my life watching renovation shows, but I never imagined I'd be a realtor, let alone co-hosting one of the shows I loved.' Ahead of the launch of Love It or List NZ, we sat down with the actor-turned-realtor-turned-TV-host to find out what other shows he loves, including an After School favourite, a side-splitting Educators scene and an emotional local documentary series. My earliest TV memory is… When I went to church with my dad, I was allowed to watch Hammer House of Horror afterwards as a special treat. I watched a lot of really old Christopher Lee vampire movies, The Bionic Man, all that sort of stuff. The TV show I used to rush home from school to watch was… After School with Olly Ohlson. I loved that show so much. Also The Dukes of Hazzard and What Now. My first appearance on television was… A Chesdale Cheese commercial. I thought it was my big break. I was doing Northland youth theatre up in Whangārei, and I came back especially to shoot this TV commercial. I was about 15 years old, and I went to Waiuku and stayed in the army barracks. It was a lot of fun. A career highlight for me was… Working on Educators. It's all improvised. The story arc is there, and the wonderful thing about Jesse Griffin and Jackie Van Beek is that they say, 'what are your ideas around your character?' If there's gold, they will use it. There's no script, so we're literally just riffing off each other. I'm in constant awe of Kura Forrester and Cohen Holloway and Jonny Brugh and Jackie van Beek and Rick Donald. All of them are just so insanely talented. It's so much fun working in that space. The TV series I loved watching recently was… Choir Games. I love television that shows real people being extraordinary, and seeing them grow and step outside of themselves. That was really epic. I wish it was longer than four episodes. The funniest moment from my own TV career is… A scene from Educators, where my character was in a men's support group. I was sitting beside Rick Donald's character, who was talking about his cellmate in jail, a guy called Bushy. Organically, I went, 'oh, how did he get the name Bushy?' As soon as I asked it, I felt like it was a mistake, and then Rick just dug into this story. People behind the camera were laughing, and I was sitting there trying to keep a straight face until somebody laughed a little bit too much, and that set me off. It was hilarious, even though I felt terrible for ruining the take. My favourite TV project that I've ever been involved with is… Love It or List It NZ. I never imagined I'd be a TV presenter. I've been challenged to step out and reinvent myself, and I really value that opportunity. There were also loads of funny moments. The very first day of filming, I almost crashed the electric Mustang into the house that we were about to renovate. That probably didn't win their confidence in me. You'll find out whether they decide to love it or list it. A moment from my own career that has stayed with me is… Working on Out of the Blue. We felt a tremendous sense of responsibility making that film. The director Robert Sarkies did an amazing job of respecting everyone and honouring the story. It's a harrowing story, but tremendous people were involved and those people that survived were incredibly gracious. It was amazing to make those connections. The TV show I keep going back to is… Probably the movies we all watch together as a family, like Land of the Lost. It's a Will Ferrell movie that tanked, but it's actually very funny. We'll watch that and then play a game where one of us pretends to be the lizard running around the house, trying to capture everybody else. It's quite dangerous, because you turn off all the lights. I'm surprised nobody's run into something and broken their bones.


Scoop
2 days ago
- Scoop
Shortland Street Returns For 2026 - Thanks To NZ On Air
TVNZ and South Pacific Pictures are pleased to announce Shortland Street will return for its 2026 season, thanks to ongoing funding support from NZ On Air. NZ On Air funding, which was confirmed this morning, combined with eligibility for the Screen Production Rebate, will enable the continuation of New Zealand's longest-running drama in the new year. Shortland Street is one of the most recognisable and loved television programmes in Aotearoa. It provides immense cultural value on screen, while also offering a rich training ground for actors and crew behind the scenes. Shortland Street is a key pillar of the TVNZ 2 slate, but its dedicated rangatahi audience has placed it at the forefront of audience fragmentation. As one of TVNZ+'s most streamed programmes, Shorty fans are split across broadcast and digital platforms. With audiences migrating online, effort is underway to increase the digital revenue needed to support Shortland Street as a digital first content proposition. Prior to 2023, Shortland Street operated without funding support for 28 years. TVNZ and South Pacific Pictures are focusing on transitioning Shortland Street to a commercially funded, digitally delivered show and NZ On Air's funding provides a crucial pathway towards making that ambition a reality. TVNZ's Chief Executive, Jodi O'Donnell says, 'We're extremely grateful for NZ On Air's support in helping us keep this taonga on screen. Our audiences love Shorty and NZ On Air's funding ensures we can continue to bring this iconic drama to viewers in 2026 while we work through its digital transition.' South Pacific Pictures Chief Executive, Kelly Martin says ' Shortland Street continues to entertain NZ audiences with its diverse and relatable stories, and it continues to play a crucial role in the NZ production sector, providing consistent employment and fostering local talent. We are incredibly thankful to both TVNZ and NZ On Air for their support.'


Otago Daily Times
2 days ago
- Otago Daily Times
How a local TV station became a global powerhouse
By Eva Kershaw for Frank Film It's hard to compare Dunedin to Hollywood. However, for four decades, the small, academic city in New Zealand's deep south was home to a powerhouse of global documentary filmmaking. Born in Dunedin's TVNZ studios in the 1970s, Natural History New Zealand – known globally as NHNZ – developed from a government-run unit to an Emmy Award-winning international producer, reflecting not only the growth of an industry, but the evolution of New Zealand's place in global media and the emergence of a strong conservation movement. One of the unit's earliest series followed the critically endangered Chatham Island black robin out of extinction. There were only seven birds left. 'We came in at exactly the right moment to start telling these stories of hope,' says former frontperson Peter Hayden, 'and the audiences around New Zealand loved it.' It was new territory. Dunedin TV was known for children's programme production. TV audiences were not used to seeing their own natural environment on screen; and natural history was virtually unknown. Hayden, now 76, began working for TVNZ's Natural History Unit in 1980. 'Coming down here I thought I'd better go and buy a bloody book about natural history,' he tells Frank Film. 'I went to the Heinemann's Bookshop... and there was no such thing as a natural history section. 'That reflected the knowledge of New Zealanders at the time. We knew nothing.' On the team with Hayden were producer/director Neil Harraway, film-makers Rod Morris and Max Quinn, and the charismatic and committed Dunedinite, managing director Michael Stedman. '[Michael] was our leader,' says Harraway. 'Quite a stroppy little guy.' Using the hidden camera as a 'silent witness' to the natural world, the team put together personable documentaries of the wildlife of Aotearoa: rare footage of takahē and kākāpō, films on bats, sharks, locusts and a range of birdlife. In looking for a logo, they hit upon the kea, chosen for its intelligence, inquisitiveness, and adaptability – critical traits, says Hayden, for the company's survival. From 1981 until the early '90s, what was then called the Natural History Unit produced Wildtrack – a nature programme for both children and adults that won the Feltex Television Award for the best children's programme, three years running. In 1989, the unit produced Under The Ice, the first nature documentary to be filmed under the Antarctic sea ice. 'I don't know what we were thinking,' says Harraway. Under-water camera housing units were yet to be commercially available, 'so some of the local geeks climbed on in and whipped stuff up like this,' says former NHNZ technician Wayne Poll, gesturing to an early model unit kept in the basement of the company's Dunedin offices. Despite NHNZ's ingenuity, television was changing, and production in New Zealand was migrating largely to Auckland. In 1991, TVNZ closed its Dunedin studios. While the Natural History Unit escaped closure, its future was uncertain. Undeterred, Stedman began looking for new funding relationships overseas. Harraway recalls him picking up business cards from the floor and out of waste baskets at a Cannes event. 'Darwin said, it's not going to be the strongest or the most intelligent animal that survives on the planet, it's going to be the most adaptable,' says Morris. 'Michael sort of understood that intuitively, really, that adaptation was where survival of the unit rested.' And adapt they did. In 1992, in an early co-production with Discovery and Rai3, NHNZ produced the Emperors of Antarctica documentary – a pioneering film on Emperor penguins. 'I think Emperors of Antarctica sold to over 100 different territories around the world,' says Quinn, who devised a hand-made cover to insulate the moving parts of his camera in Antarctica's sub-50 degree temperatures. In 1997, the Natural History Unit was purchased by Fox Television, owned by Rupert Murdoch. Murdoch 'brought a bucket of money,' says Morris, and supplied the team with funding for equipment they desperately needed. Stedman forged co-productions in the USA, Europe, Japan, and China. As a fan of science communication, he helped build a post-graduate diploma in natural history film making at the University of Otago. 'We were into science, we were into health, we were into adventure,' says Hayden. As Stedman said in a 2001 TVNZ interview, NHNZ focussed on reading the market in order to make programmes that would appeal to their audiences, 'as opposed to a British system where they would make a programme that they wanted to make and then go and look for a market for it.' At its height, NHNZ had $50 million worth of documentaries in production. It was working on up to 20 films at any one time and employed 200 people. 'When it started, there was about five of us,' recalls Hayden. New Zealand was a hard audience to break into. 'I don't think New Zealanders were seeing a lot of these programmes,' says Hayden. 'I remember Michael saying, you know, you're selling to so many countries, but one of the hardest countries to sell to is your own country.' Internationally, NHNZ's reputation shone. Among numerous other awards, the company's films earned multiple Emmy nominations, and won Emmy awards in 1999 and 2000. In 2011, Stedman's health declined. 'The golden years were over,' says Morris. 'From Fox buying us in 1997, those fantastic years of growth and spreading its wings had sort of got to the end of its road,' says Harraway. 'The market had changed from the good film-making we liked. Reality kind of took hold.' Stedman resigned in 2013, and in the decade following, NHNZ scaled down. In 2022, a much smaller NHNZ was sold to Auckland-based Dame Julie Christie. With the company re-branded to NHNZ Worldwide, just three staff remain in Dunedin. With this month marking three years since Stedman's death in 2022, the original NHNZ team gather around a TV unit, watching a video of Stedman giving a speech. 'It sort of brings the dear old man back to life again,' says Quinn. 'He was an extraordinary person,' says Morris. 'He sponsored us for a period of time so that we could fulfil our dreams.'