
27-year-old ran a One Direction fan account as a teen—now she runs a media brand with 3.4M followers including Lorde and Bella Hadid: 'I love my job'
Instead, the 27-year-old runs her media empire, S--- You Should Care About, from her bedroom in Wellington, New Zealand, where she lives with six of her hometown friends and prefers the quieter life.
The cheerful room is "where the magic happens," Blakiston tells CNBC Make It. It's where, starting at 5 a.m., she writes her daily newsletter that covers political and pop culture news for some 80,000 readers around the world, and posts updates to an Instagram following 3.4 million people strong, including Lorde, Bella Hadid, Madonna and, most surprisingly to Blakiston, Joe Rogan.
"All I need is my friends, my family, my bike and my laptop, and I'm so happy," Blakiston says.
Covering the news can be exhausting and depressing, yet Blakiston considers it a privilege to fill a gap in legacy media by providing access to global news to Gen Zers in language they can relate to — and make a living out of it. "I love my job," she says.
Blakiston launched SYSCA in 2018 with two of her best friends, Ruby Edwards and Olivia Mercer. At first, the blog was a hobby for the three college students to break down complicated world issues, like the Rohingya crisis, for themselves and their friends while in between classes and part-time jobs.
They aimed to deliver information that wasn't so "black and white" or "boring," Blakiston says. Part of making the news accessible to fellow Gen Zers was meeting them where they are — on social media pages like Instagram, TikTok and the platform now known as X.
Blakiston says she channeled the skills she learned from running a One Direction fan account as a teen (social media management, photo editing and mobilizing an engaged audience) into creating SYSCA's distinct voice and approach to delivering "the news without the blues." For every post about war or the climate crisis is a "timeline cleanse" post featuring Harry Styles, or a mundane poll about whether cookware belongs in the dishwasher to help commenters channel their frustration into a lighthearted online debate.
The news page exploded during the summer of 2020 as SYSCA worked to make sense of the Covid-19 pandemic, Black Lives Matter protests, and elections in the U.S. and New Zealand. Celebrities like Ariana Grande and Billie Eilish shared SYSCA posts on Instagram, and the news page swelled to over 1 million followers.
By the end of 2020, Blakiston was working for a media company and says her boss encouraged the trio to take SYSCA from a hobby to a full-fledged business.
"He was like, 'Girl, you have 3 million people listening to what you're saying. Why are you not getting paid for this?'" Blakiston says.
Blakiston, Edwards and Mercer rented an office in Auckland to turn SYSCA into a business; Edwards handled business partnerships, Mercer led design and Blakiston wrote the voice behind the brand.
"People say, 'Don't go into business with your friends, but they obviously don't have friends like mine,'" Blakiston says of her co-founders. "I'm talking sisters. We've been friends since we were 14, and so we knew each other deeply."
Over the years, Edwards and Mercer left to pursue other opportunities abroad. By 2023, Blakiston was the sole co-founder who wanted to keep SYSCA running.
"They set it up; they got it looking great; they got us the confidence that people would pay for the work we did," Blakiston says. "And then it was kind of like, 'OK Luce, we've built you up. You can go and do it on your own.'"
It's not always easy being a young woman working on the internet, let alone building a media company when the industry faces significant challenges. Global trust in the news is lower than it was during the height of the pandemic, according to research from Reuters, while selective news avoidance and concern about what's real and fake in online news ticked up in recent years.
Blakiston counts her ex-boss, the one who encouraged her to take the leap with SYSCA, as a mentor and says he's given her the best advice: "Just be cute for you."
Blakiston recalls him telling her, "You just need to make sure you're doing something that you're proud of, and don't take criticism from people that you wouldn't take opinions from in your real life."
"I'm just being cute for me, and if people love it, great," she adds. "But at the end of the day, if I don't love it, I'm not going to be good at my job."
That mindset is also why Blakiston says she doesn't shy away from being cringe on the Internet. "In the age of social media, if you want to be someone or put your work out there, you actually cannot worry about the audience. You have to be yourself and just do it. And if other people are gonna think that's cringe, that is a projection of them. That is not your problem. What other people are thinking about you is not your problem."
These days, Blakiston runs her media company with another hometown friend and current roommate, Abby Laurenson, who handles design and runs the group's book club. The co-founder resists advice from others to scale up, which she considers "such a tech bro mindset."
"I never want my job to be managing a team," she says. "I want my job to be talking directly to the people."
SYSCA provides its daily newsletter for free and doesn't advertise on Instagram; it's funded by subscribers who pay $8 USD per month, or $80 USD per year, for access to premium content including the group's book club, personal essays and additional articles from paid contributing writers. Earlier this year, Blakiston co-wrote a book, "Make It Make Sense," and she also takes paid speaking and consulting gigs in order to re-invest earnings back into the business.
Blakiston say she's "proud" that the money to keep SYSCA afloat "comes from people just supporting the newsletter and the work. I always say, 'Normalize paying for the media you love,' and that's what they do."
Blakiston declined to share additional details about the business's earnings but says her main financial goals with SYSCA are to make enough money to cover her rent, pay contractors that help different parts of the business, and grow her network of paid contributing writers.
"I make enough money to be able to do what I love and be happy," she says.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
12 minutes ago
- Yahoo
AMC Lincoln Square closed after video shows flooding
NEW YORK CITY (PIX11) – An AMC in Manhattan is closed after videos posted to social media show the movie theater flooding during Monday's storms. The location on Broadway and West 68th Street is 'temporarily closed' on Tuesday, according to a message on the theater's website. Is your subway station flooded? Don't try to go inside, MTA says 'We apologize for the inconvenience, but this theatre is temporarily closed for unforeseen maintenance. Please continue to check back here for updates,' reads the message. A video posted to TikTok Monday show water bursting out of the ceilings, dousing the concessions area and covering the ground. Another video posted to TikTok shows moviegoers evacuating the theater. 'Didn't get to watch the last 15 minutes of Superman,' wrote Yasmine. 'AMC Theatre Lincoln Square flooded, whole theatre had to evacuate.' A spokesperson for AMC did not immediately respond to PIX11's request for comment. Subway stations and streets also flooded during the intense rainstorm Monday evening, including the 28th Street station in Manhattan. Emily Rahhal is a digital reporter who has covered New York City since 2023 after reporting in Los Angeles for years. She joined PIX11 in 2024. See more of her work here and follow her on Twitter here. Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.


The Verge
22 minutes ago
- The Verge
Facebook creators who steal and repost videos could lose their monetization
Facebook is cracking down on accounts that steal and repost content from other users in an effort to reduce spam in feeds. Meta announced on Monday that creators who repeatedly reuse someone else's videos, photos, or text posts will lose access to Facebook monetization programs for 'a period of time,' and see reduced distribution of their posts on the platform. 'Too often the same meme or video pops up repeatedly — sometimes from accounts pretending to be the creator and other times from different spammy accounts,' the company explained in its blog post. 'It dulls the experience for all and makes it harder for fresh voices to break through.' When Facebook's systems detect duplicate videos, the platform will reduce the distribution of the copies to prevent them from taking views away from the original creator. Meta says it's also exploring ways to give creators the credit they deserve, such as testing a feature that adds links directing viewers to the original content. The changes will start rolling out gradually over the coming months, according to Meta's post. There's no mention of whether Meta will introduce features for reducing repetitive content on its Instagram and Threads platforms. The Facebook changes are part of a larger effort to tackle spam and make original content more visible in feeds. The site has already taken action against 500,000 accounts in the first half of 2025 that engaged in spammy behavior or fake engagement. YouTube is making a similar push to tackle spammy, reposted content, announcing last week that it was updating its policies regarding mass-produced and repetitive videos, which have become far easier to churn out en masse thanks to increasing access to generative AI tools. Meta says the incoming change is designed to address 'unoriginal content,' and shouldn't impact creators who 'add their unique take' when they reshare content, add commentary in a reaction video, or join in on a viral trend. The Facebook announcement includes some best practices to help creators avoid being penalized, such as adding meaningful edits, voiceovers, or commentary to reused content. It also suggests creators avoid using 'visible third-party watermarks and content that is visibly recycled from other apps or sources.'
Yahoo
23 minutes ago
- Yahoo
They're influential — and invisible. Inside the high-stakes world of celebrity social media managers
When The Kelly Clarkson Show won a Daytime Emmy in December 2023, Kelly Clarkson wanted the news on her personal Instagram fast. 'Hey Jake, do you mind getting this up for Kelly tonight?' someone from Clarkson's team texted her personal social media manager Jake Updegraff, along with the approved message. Updegraff, who was in the middle of a Friday-night holiday gift exchange with friends, quickly jumped on it. He logged into Clarkson's account, because, yes, having a celebrity's password is just part of the job. The message itself was standard — a thank-you to the Daytime Emmys and a shout-out to her team. But something about the post was unusual once it went live. It turns out Updegraff forgot to delete the internal note that preceded the approved copy. It began, 'Hey Jake, do you mind getting this up for Kelly tonight?' Updegraff had put his phone on Do Not Disturb after he finished the assignment. He didn't realize the mistake until hours later, when a flood of missed calls and texts hit. 'My heart dropped,' he recalls. The gaffe made headlines. 'BECAUSE OF JAKE: Kelly Clarkson baffles fans with Emmy Award message blunder as they beg for a 'Jake reveal' & say 'he deserves a raise,'' read one headline. Clarkson, for her part, found it hilarious. In the comments section of her own post, she thanked Updegraff for 'simply killing it ... I have never laughed so hard!!' "That just shows you the kind of person she is," Updegraff says. "She could have easily been like, 'You're fired.' That's what I thought was going to happen." Moments like this reveal just how close — and high-stakes — the job of a celebrity social media manager can be. If you've ever wondered whether your favorite celebrity is actually the one hitting "post" on their social media accounts — their selfies, their beauty routines, an oddly relatable meme — the answer is: Maybe. Or maybe it's someone like Updegraff, one of the many digital ghostwriters and content strategists working behind the scenes. Their job? Curate every pixel of a celebrity's personal brand online — on their verified account, in their voice, as if they posted it themselves. It's not a new role in Hollywood, but it's one that has evolved significantly. Today's celebrity social media manager is part brand strategist, part confidant, part crisis manager — and, most important, an invisible architect of influence. It's a high-stakes, high-speed job that requires precision, patience and a sixth sense for timing. And while the work is mostly behind the curtain, the impact is often front-page. I spoke to four social media managers — two on the record, two anonymously — who've run social media accounts for some of the biggest names in Hollywood. They revealed what celebrities are like on the other side of the apps, how the culture of posting has changed since the early Instagram era and why, as the people running the show, success often means leaving no trace. While it may seem second nature now, there was a time when celebrities wanted nothing to do with Instagram. When the platform launched in 2010, few saw the value in sharing glimpses into their private lives, especially while they were still figuring out how to make the most of 140 characters on Twitter. 'When we first started publishing for celebrities, not only did they not really think about social media to any great extent, they were very cynical about it,' says Patrick Mulford, former chief creative officer and later CEO of theAudience, one of the first agencies to manage celebrity feeds. 'They already made a lot of money. This was kind of fractional compared to what they'd make on a movie.' Founded in 2011 by Ari Emanuel, Sean Parker and Oliver Luckett, theAudience offered full-service 'ghostposting,' where the agency would craft content that is then published on a star's social media channel. It counted stars like Hugh Jackman, Emma Watson and Charlize Theron as clients. 'We managed a good 40 or 50 big stars,' Mulford says. 'Only about 10 were really engaged. The rest didn't even realize we were posting for them.' When I ask who was disengaged, he politely declines to give names but says his company found ways to work around the challenge. For example, they would build posts from scratch — using image libraries or stock photos to create the illusion of activity when stars weren't available or willing to share personal content. Mulford says stars' early hesitation with Instagram came down to privacy and image control. But over time, celebrities like Chrissy Teigen, Will Smith and the Kardashian-Jenners changed the game. He cites these stars as ones who leaned into the medium, embracing personality-driven posting and helping reset industry expectations. Their successes — coupled with the rise of influencer culture — rewrote the rules. Suddenly a strong online presence wasn't just helpful; it was vital. Social media became a brand engine, and behind every glossy post, there needed to be someone pulling the strings. Enter the celebrity social media manager. What started as a nice-to-have role quickly became essential. As celebrities embraced social media as a tool to shape their personal brands, the expectations grew — not just from their teams but also from their followers. Stars were expected to be 'authentic' and always on. Fans didn't just want promotional posts; they wanted birthday shout-outs, behind-the-scenes glimpses and unfiltered moments — all while maintaining a level of polish and control that only a professional could provide. The real challenge became finding someone who could manage the pace, protect the brand and disappear into the background. Today Instagram feels like the one platform stars have to be active on. It's the digital front door to both a celebrity's brand and personal life, where a single post can launch a product, spark a headline or shift a narrative. For one social media manager who worked closely with two A-list stars, a key part of her job wasn't the content strategy or the caption copy — it was knowing how to disappear. She asked to remain anonymous due to NDAs she signed with both celebrities, so we'll call her Sarah. 'The most important quality of being a celebrity social media manager is the art of being invisible,' she told me. Her job required her to be with one actress almost 24/7. 'When I'm in the glam room, when I'm in the hotel room getting my content, she doesn't even feel my presence — but I'm always at the ready. I'm getting what I need, but I'm never in the way.' Sarah started as a personal assistant to a television personality, eventually running that star's personal and business social accounts before moving on to an A-list actress. "There's a lot of perks to the role," she tells me. " When I traveled, I got to stay where they stayed. They're staying at the f***ing nicest hotels, I get to stay at the nicest hotels. We're flying first or business class. The best part, bar none, is the exposure to their worlds — not from a gossip level but just being able to attend events and go to the premieres and get all the perks.' But with those perks came pressure and unpredictability. "The hardest part is the emotional roller coaster that comes with [the job]," she says. "Every day is a different emotion and a different hurdle, but you also learn to be super empathetic to what they deal with. There's somebody needing something from them 24/7. They're never alone. And I think you forget that they're people too.' That emotional proximity gave her a front-row seat to something else: just how involved celebrities actually are in crafting their online images. Far from being hands-off, many stars are invested in what they post and how they're perceived. They care about the tone of the caption, the order of the photo carousel and the filter used on pictures. For them, every post is a piece of the puzzle: a carefully calibrated extension of their public persona. And they expect the people running their accounts to not just understand the vision but to execute it flawlessly. Quickly learning that the job required emotional intelligence as much as creative instincts helped Sarah be successful. For the A-list star, she knew all personal socials were "the front door into all her business verticals." "I was with her every single day, traveling the world with her, in her home," she says. But with proximity came pressure. The closer you are to a celebrity, the more disciplined you have to be. 'Where people in this job really struggle is they make their presence too known,' she said. 'They try to insert themselves into their lives too much. The people who are successful in a celebrity's life want nothing in return. I don't need to be in the video. I don't care if my socials grow. I just want to do a good job and make sure she's comfortable and happy.' I spoke to another woman, I'll call her Kate, who also asked to remain anonymous as she's still running all personal and business social accounts for a major multi-hyphenate celebrity. Like Sarah, she assumed the star she worked for might be more hands-off. After all, said star should be busy running an empire. 'I come from a news background, and I was like, she's one human being — how much work could there possibly be?' Kate says. 'But with her in particular, she's omnipresent. She's constantly doing stuff.' Kate manages a small team who assist her with drafting copy, pulling selects from photo shoots, scrubbing through shared albums for raw content, and posting across platforms like Facebook, Instagram, TikTok and X. She's in direct contact with the celebrity daily, reviewing captions, approving content and texting about trends. While Kate's client is unusually open — 'shockingly so for a celebrity at her level' — she's also extremely hands-on. 'She'll say, 'Swap photos seven and nine.' She has 800 other things to do, but she still wants to see everything before it goes up.' Waiting for approvals across time zones can stall content for hours — and the back-and-forth is round-the-clock. 'She's stunning, obviously,' Kate says. 'But there's a f*** ton of editing that goes into even her [photos].' Still, the star's involvement is part of what makes her feel real to fans — even when it's not technically her posting. 'Sometimes I'll DM someone and say, 'Hey, this is Kate from [celebrity]'s team. She saw your comment and wanted to send you something.' Meanwhile, she didn't. But it makes their day. And my boss loves that — she wants to uphold that reputation because she really is very fan-first,' she explains. That kind of quiet, careful work might be the norm for this job — but it's not the only way to manage a celebrity account. Although some social media managers live in a world of day-to-day maintenance and approval loops, there's a more strategic side too — building campaigns that go viral and making headlines. For Updegraff, who also works with clients like Pentatonix and Alicia Silverstone, his work is about creating the moments fans (and press) can't stop talking about. Updegraff helped launch Alicia Silverstone's TikTok account in 2021 — and turned her debut into a full-blown cultural event. It was Updegraff who had the idea to re-create the "As if" scene from Clueless for her first-ever post, complete with a cameo from her son Bear. 'She gained like two million followers in 24 hours,' he says. 'It was insane.' The idea came together quickly, but strategically. Silverstone was collaborative, even asking if he thought the 'As if!' moment was the film's most iconic scene. 'I knew we could make a splash,' Updegraff says. 'We posted it on a Friday. And it was everywhere.' Silverstone's willingness to lean into nostalgia and share glimpses of her personal life — like including her son — has made her and Updegraff a successful team. Another win: the 'That's Not My Name' trend, which he and Silverstone also kicked off together. 'That one was pretty big,' he recalls. Updegraff says his job is part creative director, part executive assistant. He pitches ideas, films content, edits videos, builds UGC campaigns and posts each one across a dozen different platforms. 'People don't realize how much time it takes just to post,' he says. 'It's the same piece of content, but you have to format it 20 different ways.' Not every celebrity wants to get personal, and that's fine with him. 'If you're not comfortable [with an idea], I have 12,000 more,' he says. 'But I'll gently push you if I think something's worth the risk.' He's always encouraging stars to be more vulnerable but never in a way that feels forced. 'Authenticity wins,' he says. 'You just have to know what's real for each person.' While all the social media managers I spoke to came from different backgrounds and approached their roles differently, they all believe one thing: The job is misunderstood. 'People think it's just posting,' Updegraff says. 'But it's emotional labor. It's creative strategy.' To be successful, all four say it isn't just the skill or the access that makes it possible — it's the trust that allows them to operate in the background without disrupting the spotlight. In a culture where everyone is watching — fans, brands, press, Reddit threads — the most important thing might be making it all look effortless.