
The worst sports movie in history? I asked Sepp Blatter about Fifa's United Passions
There are movies that bomb at the box office. And then there is the Fifa biopic United Passions, starring Tim Roth, Sam Neill and Gérard Depardieu, which was hit with the cinematic equivalent of a thermonuclear strike when it opened in the US 10 years ago this week.
You might remember the fallout; the fact it took only $918 (£678) in its opening weekend, making it the lowest grossing film in US history at the time, and the stories detailing how two people bought tickets to see it in Philadelphia, and only one in Phoenix, before it was pulled by distributors.
Then there were the reviews. 'As cinema it is excrement,' Jordan Hoffman wrote in the Guardian. 'As proof of corporate insanity it is a valuable case study. United Passions is a disgrace.' Admittedly, there was never going to be a good time to launch 109 minutes of soft-sheen history and propaganda about Jules Rimet, João Havelange and Sepp Blatter. But when 14 Fifa members were indicted on corruption charges just days before the $26m (£19m) film's US release, the film became a byword for hubris and excess. Only in Russia, where it made £140,000 at the box office, did it muster any sort of audience. Although what they made of Neill's attempt at Havelenge's accent, which veered wildly between Brazil, New Zealand and Ireland, is anyone's guess.
The 10-year anniversary seemed like the perfect time for me to grit my teeth and watch United Passions for the first time. I also hoped that those involved might have got over their collective embarrassment and would be prepared to talk about it. Was it really the worst sports movie in history? Worse than Rocky V? Or the Love Guru, which starred Mike Myers as a bearded Indian whose task, in the words of the Observer's then critic Philip French, 'is to counsel a black ice-hockey star whose wife has run off with a French Canadian goalkeeper known as 'Le Coq' for the prodigious size of his membrum virile'.
Having watched it, I can say that United Passions really is right up there. The script feels like it was written by a 2015 version of ChatGPT that has been programmed to hate the English, who come across as universally pompous. The dodgy stuff in Fifa's history is danced around, or ignored. And some of it is so cringey it makes you gasp. At one point, for instance, Blatter expresses his fears over the 1978 World Cup in Argentina because the military government is murdering its opponents. 'Who cares,' Havelange replies. 'During the World Cup they only dream of one thing, that ball. Because football brings consolation to all tragedies and sorrows!' That is the same Havelange who took millions in bribes and kickbacks from Fifa's deals with the marketing company ISL.
In fact, United Passions is so comically awful the Internet Movie Database gives it 2.1 out of 10, a ranking so dismal it would qualify for its worst 100 films of all time list if it had the 10,000 votes needed to qualify.
When the film came out Roth, who plays Blatter, admitted: 'This is a role that will have my father turning in his grave,' before confessing he did it only to put his kids through college. You can fault his performance, but not his honesty. A decade on, however, few others want to revisit it. The publicist sent me a lovely email but didn't remember many specifics. An ex-Fifa employee jokingly referred to the film as a 'blockbuster' but had only vague memories of its genesis. Fifa, meanwhile, didn't want to comment.
The only exception? Blatter himself. When I spoke to his official spokesperson, Thomas Renggli, he asked me to fire over a few questions. A day later, he came back with the replies. 'Obviously the movie was not a success,' Blatter, who turns 90 next year, told me. 'A movie about Fifa is always controversial, so for me it was not a surprise that the opinions were so different in Russia and in the US.'
Blatter also insisted that the concept of United Passions had not come from him and, contrary to internet rumour, he had not tinkered with the script to make himself the hero. 'The idea came up after there was a small movie called Goal,' he said. 'And in this environment, the Fifa management brought up the idea of producing a big movie. It was definitely not only me behind it. And concerning my part in the production, I was only an adviser. I was not involved in the script.'
Which is just as well, because it is bad. Really, really bad. A few minutes into the film, for instance, Rimet tries to get Football Association bigwigs to join Fifa while speaking to them at half-time during a game. 'Our boys are two goals down gentlemen!' Rimet is told. 'There are things much more important than life and death. There is football. And at half-time things are deadly serious!'
Blatter also insisted he was OK with how the film turned out, but Renggli told me that there was befuddlement when it was shown to Fifa employees before its premiere at the Cannes film festival. 'We were all sitting there in this big auditorium and everybody was thinking, 'what do they want to tell us with this film?' To me it did not make sense at all.'
There are some, of course, who think Fifa will be making another expensive mistake in the US this weekend when it launches its 32-team Club World Cup. The early signs are not positive, with tickets for the opening game between Lionel Messi's Inter Miami and Al Ahly going for $55 – 16% of the original asking price of $349.
There are also concerns with player welfare, given the increase in the number of games and Blatter, who was recently cleared of fraud by a Swiss court, is not a fan of the tournament, or next year's expanded 48-team World Cup. 'Havelange once told me that I made a monster when I created this wedding between TV and football,' he told me. 'But now it's all too much. There are too many games. And too many teams in the tournaments. Sooner or later, we will have 128 teams, like in a tennis grand slam.'
And whatever you think of Blatter, or indeed United Passions, it is hard to disagree too much with those sentiments.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Leader Live
11 minutes ago
- Leader Live
Trailblazer Uriah Rennie remembered as a ‘special person' and ‘true gentleman'
The trailblazing official was born in Jamaica before moving to Sheffield aged six with his family and went on to oversee more than 300 games between 1997 and 2008, including 175 in the English top flight. Once labelled the 'fittest' match official in world football, Rennie recently revealed he was learning to walk again after a rare neurological condition left him paralysed from the waist down. His death was announced on Sunday and Chris Foy, a fellow former Premier League referee, paid an emotional tribute to his ex-colleague in an interview with talkSPORT on Monday morning. 'He was a gentleman, a gentle giant,' Foy said. 'He was a friend to me, a mentor to me, he was just a special person who put everybody first before himself. 'He was a real presence on the field and he was a real presence off the field, a true gentleman. He had a great personality. It was the things off the field that made him special. The Premier League is deeply saddened to hear of the passing of Uriah Rennie. As the first black referee in the Premier League, Uriah was a pioneering trailblazer whose legacy will live on, continuing to inspire future generations. Our thoughts are with his family and friends. — Premier League (@premierleague) June 9, 2025 'I remember one Christmas time, we were at training camp and he had organised for us to go into a special education needs school in Daventry. We spent some time with the children in that school. 'That was the mark of the man, off the field he was just special, he was a great communicator and a real people person.' Rennie started refereeing locally in 1979 before making history in 1997 when taking charge of his first Premier League match between Derby and Wimbledon. Vinnie Jones was among those booked. Rennie became a FIFA-listed referee in 2000 and joined the select group of professionals one year later before retiring in 2008. 'If it was difficult for him, he never showed it because he was always grounded. He loved refereeing,' Foy said. In November 2023 martial arts expert Rennie was awarded an honorary doctorate by Sheffield Hallam University for his distinguished contributions to sport and his work with South Yorkshire communities. Incredibly sad to hear of the passing of referee Uriah Rennie. A pioneer, trailblazer and a bloody good ref. Rest in peace, Ref. — Stan Collymore (@StanCollymore) June 8, 2025 He was last month installed as the chancellor of the university and was described by Foy as a 'real community hero in that part of the world'. Foy added: 'Away from football, he always had an escape from refereeing because of the other things he did in his life. He loved his community and charity work. He loved other sports, which we used to talk about fondly. 'We used to talk all the time. We only exchanged text messages on Friday. It's tough at the minute.' We are deeply saddened to hear the heartbreaking news about Uriah Rennie. A trailblazer in every sense, he will always be a Premier League legend by becoming its first Black referee, providing leadership, talent and visibility that proved inspirational to many. Uriah played a… — Kick It Out (@kickitout) June 9, 2025 Anti-discrimination charity Kick It Out said in a statement on X: 'We are deeply saddened to hear the heartbreaking news about Uriah Rennie. 'A trailblazer in every sense, he will always be a Premier League legend by becoming its first black referee, providing leadership, talent and visibility that proved inspirational to many. 'Uriah played a massive role in shaping the game as we know it today. Football should always be grateful to him.'


BBC News
12 minutes ago
- BBC News
'They've become extinct, and are we next?': How Jurassic Park made dinosaurs into film stars
In June 1993, Steven Spielberg's adaptation of Michael Crichton's novel brought prehistoric monsters to life. Crichton spoke to the BBC about why dinosaurs continue to fascinate us. One of the most celebrated moments in Steven Spielberg's Jurassic Park has two scientists, played by Sam Neill and Laura Dern, staring agasp at a Brachiosaurus towering above them – it's the first time these characters and the audience have glimpsed the colossus in all its onscreen glory. As John Williams's iconic overture swells, a wave of childlike wonder washes over their faces. And ever since the film premiered 32 years ago, on 9 June 1993, audiences have felt a similar awe. The franchise now includes animated television series, comics, video games, and seven major films, including the latest instalment, Jurassic World Rebirth, which is released in July. But it all started with Michael Crichton's bestselling novel, published in 1990. While writing the novel, Crichton visited a museum in the UK which featured a video exhibit on dinosaurs. "Little boys and girls of three [years old] would scream 'Stegosaurus!' and 'Tyrannosaurus!' when they would appear," Crichton told the BBC's The Late Show in 1993. "You wouldn't think they'd know how to pronounce these words, but they do." Since the discovery of the first dinosaur fossils two centuries ago, and the first official scientific naming of a dinosaur – the Megalosaurus – in 1824, our fascination with these titans of the natural world has never really waned. But it has evolved. "We have in every period some [new] aspect of interest, not so much in our own reinterpretation of the dinosaurs from a scientific standpoint, but from a cultural standpoint," said Crichton. In 1854, a number of supposedly life-sized model dinosaurs, sculpted by Benjamin Waterhouse Hawkins and cast in cement, were displayed in Crystal Palace Park in south London. At this point, Crichton believed, "the underlying issue soon became whether these were evidence that ought to be employed for or against Darwinian evolution, so after the initial interest in dinosaurs as simply large extinct animals, they came to be viewed from the standpoint of their religious significance." By the time Crichton wrote Jurassic Park, however, our view of dinosaurs had moved on, both scientifically and philosophically. The podgy beasts sculpted by Hawkins had been replaced in the imagination by fast, agile, birdlike creatures – and the issue of the dinosaurs' extinction was considered of greater philosophical interest than their creation. "The question that we have when we look at dinosaurs is, 'They've become extinct, and are we next,'" Crichton said. In between these two periods, dinosaurs stomped through cinema history. The first onscreen dinosaur starred in an animated film, Gertie the Dinosaur, in 1914. A classic silent film, The Lost World (1925), boasted stop-motion dinosaurs created by Willis O'Brien, who went on to animate the prehistoric monsters who fought King Kong in 1933. The dinosaurs in King Kong then inspired legendary animator Ray Harryhausen to create his own unique dinosaur hybrid for the film 20,000 Fathoms (1953), a Tyrannosaurus-Brontosaurus mix that rampaged through the streets of New York City. Harryhausen would go on to direct his own prehistoric monster film, One Million Years B.C. (1966), in which Raquel Welch and other fur-clad cave-people came face-to-face with dinosaurs. "We were criticised many times that human beings, particularly cavemen… never lived anywhere near the time of the dinosaur," Harryhausen said on The Late Show. "But that's a licence one has to take for the cinema because you have no drama unless you have people in with the dinosaurs." Breaking box-office records The film of Jurassic Park, with a screenplay co-written by Crichton, brought together people and dinosaurs more believably than ever before. Spielberg used a groundbreaking and earth-shaking combination of computer-generated imagery and practical animatronics for his cautionary tale of a corporation miraculously resurrecting long-extinct species. The corporation's CEO, John Hammond (Richard Attenborough), intends to use the creatures to populate a wildlife amusement park on an island off the coast of Costa Rica. But when the dinosaurs escape their enclosures, a group of scientists learn the hard way that Hammond's plan may have its drawbacks. The film was a blockbuster hit in the summer of 1993, grossing $357 million domestically and $914 million worldwide in its original theatrical run. It shattered box office records, becoming the highest grossing film ever at the time of its release. Jurassic Park "delivers where it counts, in excitement, suspense and the stupendous realization of giant prehistoric reptiles", said Variety's 1993 review. In 2018, it was added to the Library of Congress's National Film Registry for being "culturally, historically, or aesthetically significant". More like this:• How a child star saved a Hollywood star from bankruptcy• The film that made Arnold Schwarzenegger a superstar• Hitchcock reveals the secret to his masterpieces None of the sequels or spin-offs has been quite so significant, but all of the films have been Brachiosaurus-sized hits. Spielberg directed The Lost World: Jurassic Park (1997), and then Joe Johnston took the reins for Jurassic Park III (2001). That film appeared to be the end of the big-screen series, but eventually Jurassic World (2015) roared into cinemas, beginning another trilogy: at the time, it was the third highest-grossing film ever released. Dinosaurs still instil childlike wonder, it seems, and as long as they do, the Jurassic Park franchise won't remain extinct for long. -- For more stories and never-before-published radio scripts to your inbox, sign up to the In History newsletter, while The Essential List delivers a handpicked selection of features and insights twice a week. For more Culture stories from the BBC, follow us on Facebook, X and Instagram.


The Independent
14 minutes ago
- The Independent
Robert De Niro attacks Donald Trump in Tony Awards speech
Robert De Niro used his Tony Awards speech to take aim at US President Donald Trump. The Hollywood star took centre stage at the prestigious ceremony on Sunday (8 June) and it didn't take him long to launch a scathing attack on Trump. 'I am going to say one thing... F*** Trump,' the 81-year-old said. His speech was met by applause from the audience. De Niro added: 'It's no longer down with Trump, it's f*** Trump.' This is not the first time the actor has hit out at the US president. He also used his speech at the Cannes Film Festival to take aim at him, stating the US's re-elected president posed a global threat.