Sophie Cunningham's Twerk Goes Viral After Fever's Historic Commissioner's Cup Victory
After the Fever's stunning 74–59 win over the Minnesota Lynx in the 2025 Commissioner's Cup final, Fever reserve guard Sophie Cunningham decided to cap the night with some dance-floor flair. As her teammates rejoiced on the court and posed with the hardware, Cunningham turned her back to the camera, dropped low, and gave the lockeroom and Instagram Live a twerk, a brief but instantly viral moment that ignited a social media firestorm.
Some fans were all for it. Others, not so much.
Indiana's win was dominant and, more importantly, gritty.
With All-Star point guard Caitlin Clark sitting out her third straight game due to a groin ailment, the Fever trailed by 13 early in the second quarter. Instead of collapsing, they flipped the switch. The Fever closed the first half on a merciless 18–0 run, turning a 27–14 deficit into a 32–27 lead at halftime and silencing the Minnesota home fans.
From there, it was the Fever's game. The Fever's lead grew to 14 in the third quarter, and Minnesota was able to get no closer than six points of catching up again. Indiana's defense stifled the Lynx, holding them to 34.9% shooting and forcing 16 turnovers.
Seasoned Indiana forward Natasha Howard was the unanimous Cup final MVP with 16 points, 12 rebounds, four assists, and two steals. All-Star center Aliyah Boston was similarly effective at 12 points, 11 rebounds, and six assists. Cunningham started hot off the bench to provide a clutch jolt: 13 points, seven rebounds, and three threes.
But for many fans watching the game or catching the highlights online, the storyline pivoted from gritty defense to cheeky dancing.
Sophie Cunningham's postgame twerk didn't last more than a few seconds, but it was long enough for the internet to divide into camps.
On X (formerly Twitter), one fan gushed,
'Sophie so cute.'
Another simply wrote,
'Sophie Cunningham. That's the tweet.'
And of course, someone threw their support behind her completely:
'My fav WNBA player.'
Yet the celebration had its fair share of detractors and skeptics.
One unimpressed viewer wrote:
'ZERO motion back there. Embarrassing for an athlete.'
Another took issue with the entire concept:
'Why is this the go-to for so many women? I don't get it. No matter what happens they have to do this dumb shit.'
Another tweet, dripping with sarcasm, read:
'Was the twerking in the room with us..'
Still, others were more playful:
'That little thing moving.'
And of course, no social media moment is complete without someone shooting their shot:
'I would treat her so well man.'
But the sentiment that seemed to dominate the viral moment?
'Sophie for the culture!'
Though the Commissioner's Cup is technically a midseason competition and doesn't affect regular-season standings, the win and the $500,000 prize pool that came with it signal a culture shift for Indiana. The Fever are no longer the rebuilding team anchored solely by Caitlin Clark's spotlight. They are a unit.Deep.Versatile.Dangerous.
As for Sophie Cunningham, the 28-year-old Missouri alum might not have led the team in scoring, but she certainly led the postgame conversation. The seven-year WNBA veteran has always brought energy and edge to the court, and now, apparently, to the dance floor too.
Head coach Stephanie White was all business postgame.
'We have a resilient group,' White told reporters. 'They're tough – mentally, physically.They pull for one another… It's nice to take a trophy home, but this isn't the ultimate goal. It's a goal. And we've got to continue to get better.'
The Fever turn their attention back to the regular season now. They begin a five-game home stand on Thursday by hosting the Las Vegas Aces at Gainbridge Fieldhouse. Attendance will be watched closely, both for the game itself and the postgame celebration.
Sophie Cunningham's twerking viral moment may have divided folks, but here's something that's not debatable: in a league still fighting for relevance in the mainstream, she made sure the Fever's win was not overlooked.
And in 2025, half the game at times.
The post Sophie Cunningham's Twerk Goes Viral After Fever's Historic Commissioner's Cup Victory appeared first on Where Is The Buzz | Breaking News, Entertainment, Exclusive Interviews & More.
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George Takei's Journey Through Fear, Silence, and Activism - The Assignment with Audie Cornish - Podcast on CNN Podcasts
Audie Cornish 00:00:00 In journalism, sometimes we go over the top with the superlatives, the best, the tallest, the oldest. The truth is something better, taller, and older is bound to come along, right? But honestly, it's hard to overstate how great today's guest is. Star Trek clip 00:00:17 Check elapsed time, Mr. Sulu. My chronometer is running backwards, sir. Audie Cornish 00:00:25 George Takei is a cultural force. His influence is generational. 3rd Rock from the Sun clip 00:00:30 Seeing all of you here makes me feel like a kid again. Almost as if, as Mr. Sulu once said, my chronometer's running backwards. Audie Cornish 00:00:39 His career spans seven decades. For years, people embraced his work on TV, in films, theater, and even video games. Skylander video game clip 00:00:48 Thank you, Lord Chaos. Thank you very much. Audie Cornish 00:00:52 He's been a regular on Howard Stern. Howard Stern clip 00:00:55 George? Yes? Would you call it a guacamole? Guacamole. Audie Cornish 00:00:59 But he's also become an internet culture icon, marrying his Star Trek fandom with a killer instinct for memes. Oh my clip 00:01:06 Oh my. Audie Cornish 00:01:09 'Along the way, he's found ways to be vulnerable about his path growing up in the civil rights struggles of post-war America. It Rhymes with Takei trailer clip 00:01:18 'From about the time I was nine years old, I knew I was different. I am Japanese-American, so I was already different in an obvious way. But then came this growing realization that I had another difference... Audie Cornish 00:01:37 'As far back as the 70s, he was speaking out against war and speaking for black civil rights. And although it took him decades to come out publicly as a gay man, he did so in the most public way, on the heels of the national legislative movement for same-sex marriage. It Rhymes with Takei trailer clip 00:01:55 I lived life as a rhyme of myself for so long, but when selfish politicians threatened the rights of my community, I finally decided enough was enough. Audie Cornish 00:02:11 Now, at 88, George Takei has written a new memoir. It's called, It Rhymes with Takei, a nod to the joke he once made in protest of a law that banned teachers from saying the word gay. This is an illustrated telling of the experiences that shaped him, growing up behind barbed wire during World War II, marching for civil rights, coming out late in life after decades of watching others take the risks he felt he could not. So today I'm talking to George Takei about the cost of silence, the power of protest, and what his life says about democracy in a moment when it feels like it's under threat. I'm Audie Cornish, and this is The Assignment. Audie Cornish 00:03:05 George Takei's new graphic memoir is the story of his life, from his time in a Japanese internment camp as a child during World War II, to his fight for LGBTQ civil rights. Before Takei became an activist or even an actor, he was just a teenager falling in love with the stage and quietly learning what that could cost someone like him. George Takei 00:03:29 'During my teenage years, I discovered that I loved acting. I loved the theater, both the stage, film, and television, and the radio. My favorite actor, my heartthrob, was Tab Hunter, a good-looking, blond, blue-eyed guy who regularly took his shirt off, and he had a great physique. And He was my favorite movie star. He had a term contract with Warner Brothers Studio and he was the lead in almost every new picture. But when I was about 14 or 15, I think it was, a scandal sheet exposed him as being gay and suddenly he disappeared. Warner's didn't cast him in any movies. They just let the contract run out. And... That was an object lesson for me. I knew that there was a social disapproval of gays and lesbians, but you could not aspire to be an actor, to be hired by a producer in Hollywood if it was known that you were gay. And so I put myself in my own self-created, invisible barbed wire prison camp. The term then was closeted. I was visible in other social and justice issues, but I never touched my own situation because I desperately, passionately wanted to be an actor. Audie Cornish 00:05:13 How did coming out shift your sense of purpose? And I believe he came out in your late 60s, right? George Takei 00:05:19 It was 2005. Because of the activism of the people that were out campaigning for LGBTQ equality, things were starting to happen. In 2003, in Massachusetts, through the Massachusetts State Supreme Court, marriage equality was granted. It was a landmark event. But two years later, on the West Coast in California, And this time, the people's representatives, the state legislature, the state senate, and the state assembly passed the marriage equality bill. It was a thrilling experience. Now it was starting to happen, but that bill needed one more signature. The signature of our governor, a movie star, Arnold Schwarzenegger. When he campaigned for the governor's seat, He campaigned by saying, I'm from Hollywood. I've worked with the gays and lesbians. Some of my friends are gays and lesbiens creating the impression that marriage equality was not a problem for him. But when Bill landed on his desk, he vetoed it, the hypocrite. I was outraged because of that campaign. And that's when I teamed up with the Human Rights Campaign. And went on a nationwide speaking tour speaking against Schwarzenegger's hypocrisy and veto. Audie Cornish 00:06:57 'We're now in this interesting moment where you have Donald Trump returning to office and making sweeping executive orders that affect the LGBTQ community. You mentioned same-sex marriage in Massachusetts way back when, and I was actually like a cub reporter in Massachusetts at the time, so I followed that story really closely and a lot of the weddings and marriages that happened then, and it is a really interesting moment to be in right now. Where you have executive orders, policy changes, and almost more importantly, state-level proposals that could have an impact on same-sex couples. What is that like? Do you feel the atmosphere changing? What are your concerns? George Takei 00:07:44 'It is changing. And it's because we have what I call Klingon in the White House, this authoritarian, self-important, singularly-minded person. They're advocating for the erasure. Audie Cornish 00:08:01 But is this different from what you experienced in prior decades, the political atmosphere? I mean, you just talked about Schwarzenegger and sort of how that drew you into the political arena. Does this feel like another time that is better or worse than what you experienced? George Takei 00:08:18 'It was worse for us as Japanese Americans. It was a lie. They categorized us as enemy alien. We were neither. We were American-born, educated, patriotic Americans. And yet, they had this falsity. And they fanned the flames of hatred. The whole country was swept up. My poor parents couldn't even walk down the sidewalk in front of our home without cars roaring down and yelling, spy, saboteur, Jap, get out. Audie Cornish 00:08:53 Let me pause for a second because I want to break down this story a little bit so people understand kind of what happened to you. You were talking about being a kid basically in LA when your family under this executive order that where the government could basically turn all kinds of whole states into military zones where certain people were excluded and your family was among those 120,000 Japanese Americans who were— George Takei 00:09:21 A hundred and... We have the precise number now. Audie Cornish 00:09:23 Oh, tell me. George Takei 00:09:24 125,181. Scholars had been doing the research. And we at the Japanese American National Museum in Los Angeles, we have this huge tome that lists the name of every person that was rounded up in 1942. Audie Cornish 00:09:45 One of the things that's interesting about that moment is it also, obviously you were a child and today there are also families in detention. What comes to mind when you think of children in this moment who are experiencing this? George Takei 00:10:03 I can only use myself because I was a child then. We had very protective parents and they were exemplars for me. And after the war too, my father explained to me. The American Constitution is a great form of government. He used to quote to me Abraham Lincoln's Gettysburg address, ours is a government of the people, by the people and for the people. He said, those are noble words. That's what makes American democracy great. But the weakness of American democracy is also in those words because people are fallible human beings and they make mistakes. Even great presidents can get swept up in the hysteria of the times because to Roosevelt, the West Coast of the United States was just like Pearl Harbor. It was open. Unprotected and vulnerable. And here were these people that looked exactly like the people that bombed Pearl Harbor. And so he panicked out of ignorance. And this is where teachers and librarians are the pillars of democracy. They can teach them this truth that people, even great presidents, can be stampeded by hysteria. And that's what we're going through right now. However, we, Japanese Americans of our generation, in the 70s, began a campaign to get an apology and redress. In 1980, under Jimmy Carter's leadership, Congress created a commission on getting information on the internment, and they held hearings. And I testified in 1981 at that. And in 1984. They came out with a report stating that the cause of the imprisonment of innocent Japanese Americans was based on three factors. One, war hysteria, two, racism, and three, the failure of political leadership. Audie Cornish 00:12:23 You have a president who is now saying he's carrying out mass deportations because it's popular, or saying that he has popular support for going after undocumented migrants. And it made me think, as I was reading your book, about the fact that a majority of Americans at the time, in the 40s, supported the removal of Japanese Americans. And so how does your experience of that inform your thinking of the way the president is saying now? That there's somehow, there are at times popular support for these kinds of actions. George Takei 00:13:01 'The important thing, and my father taught me this when I was a teenager, I had many, many after dinner conversations. Americans need to speak out. We were a small minority and cowed really under the force, the huge tidal wave force against us. And the Japanese Americans, when you have rifles with the bayonets pointed at you. And I, as a five-year-old, I saw a bayonet pointed at my father right at our front door. I was terrified. I'll never forget that. But politicians lie, and people believe that lie because there's hysteria rampant at that time. And in our time today, right now, people got swept up by a lie and elected him. And now people have regrets. People must speak out. Audie Cornish 00:14:02 More with George Takei after this. Audie Cornish 00:14:07 As we're speaking, the president is going to be visiting Florida, he's going to be visiting a new migrant detention center, which is being called Alligator Alcatraz, because it's going be in the Everglades. And I was reminded of all the stories you've told over the years about how isolated those Japanese American internment camps were. What do you think when you hear our modern government getting excited? About the prospect of putting detainees in far or dangerous or isolated places. George Takei 00:14:39 'That's Old Hat. We were in the swamps of Arkansas. And actually to a five-year-old boy from Southern California, it was an exotic place. Trees, great giant trees that grew out of water and their roots came out and twisted and went back in and out and in and now like a snake. And I've got, my father waited out and cut off one of those sculptural root pieces that came out of the water. He had it mounted and we had it in our living room. After my father passed, I stopped by and I walked in the living room and it was gone. I said, mama, what happened to daddy's kobu? We called it a kobu, daddy's Kobu. And she said, oh. It reminds me too much of camp. I put it in the garage. And I said, in the garbage, can I have it if you don't want it? And she said, take it, take. And so I have in my library at home to this day, the swamps reminded me of my parents and the love that they gave us and the guidance that they give us under horrific circumstances. My father told me about how seeing his two boys playing on the dirt road right by the barbed wire fence. And he thought he had so much hope for us. And it just tore him apart that here we were with this unknown future. He didn't know what kind of future his children had. And I'm reminded of that story too. Audie Cornish 00:16:32 One of the things that I have a hard time processing is what it was like for your family and others to come back to their communities. I mean, when you were forcibly removed, you had to leave behind your belongings. And I was reading that sometimes people in those neighborhoods took those belongings. How do you join the community that rejected you again? How do feel American again and come back after you're released? George Takei 00:17:00 It wasn't just the loss of our home. I mean, my parents knew it probably would not be there, but it was a nation that still hated us. We weren't behind barbed wires anymore, but they still saw us as the enemy, and their son or their husbands may have been killed by people that looked like us in the Pacific War. And so we were going back to a hostile America. We couldn't find housing, jobs. Our first home was on Skid Row in downtown LA. And I thought probably the worst part was coming home. Coming home was terrible. Audie Cornish 00:17:46 And still hostile, that's the part that I think in a way I'm surprised by. George Takei 00:17:53 Yes, this is America. American history. More people should know that. And that's why I say teachers and librarians are the pillars of our democracy. We need to have an educated electorate so that they can participate with information on the issues of our time. Because there are bulldogs like the one we have now, who will just bluster their way through, and people are easily sold. We are fallible human beings, as my father said. Audie Cornish 00:18:35 Did it shake your patriotism? Did it shake the patriotism of your parents? George Takei 00:18:41 'When I became a teenager, I remember the terror, but I wanted to understand why we were incarcerated and subjected to that. So I had many after-dinner conversations with my father, and that's when he talked about the Gettysburg Address, and that the important thing is that citizens... have the beneficiary of all those ideals, but also the responsibility of citizenship to participate, to speak up and engage. It was the example of my parents, both my father and mother, that guided us to be activists in the democratic process. Audie Cornish 00:19:28 I have gotten a chance to look at both books. And the thing that struck me is that your dad was always helping one community understand the other. And I wonder if you're still doing the same thing in telling these stories over and over again. George Takei 00:19:44 'I'm an American, and America's strength is its diversity. And I was blessed in being cast in Star Trek, which has as its guiding idea. Oh, we had an acronym, IDIC, I-D-I-C, infinite diversity in infinite combinations. And so you saw that in the makeup of the cast. Audie Cornish 00:20:09 And when you think about your personal history, how does that help you understand what it means to be an American? George Takei 00:20:20 So many young people of my generation didn't have a father like my father. They're very, they don't speak up. They're reluctant to. So many Japanese Americans, we have this Japanese saying, the nail that sticks up is the one that gets hammered down. It's a terrible saying, discouraging young people to speak up, My father urged us to speak up and be actively engaged in society. And so many of my Japanese American generation didn't do that. Audie Cornish 00:21:01 You've said that if we don't know the unpleasant aspects of American history, and we don't learn the lesson those chapters have to teach us, we will repeat them, right? Very famous saying. As you've written this story so many times in different formats, right, introducing it to different generations at different ages, do you feel heard? Do you feel like Americans are taking away the right lessons from the Japanese American internment story? George Takei 00:21:30 I've been doing a lot of promotionals with the book and I am encouraged. When I'm introduced to speak to a large audience of 200, 250 people in a huge auditorium, it's a standing ovation largely because of my Star Trek notoriety and it feels good. To an actor or a speaker to be greeted like that. But that's a select audience. And I am always mindful that there is a flip side of that. As a matter of fact, both my books, "They called us Enemy" and my Star Trek book where I talk about the internment were banned in various schools. But the thing that gets me hard is the Star Trek fans then, and they're very organized and they are a powerful group, they teamed up and took different parts of the issue and they went to the library board or whatever board that banded. And they argued so successfully that the book was put back on the shelves. Our democracy... feflects the people. And if the people are cowed and silent, it fails. Democracy fails. It's because we have people that are informed and do speak up on the information that they have, that our democracy is healthy. And that's where I have hope, even beyond this horrific period that we're living through. We've survived before, and we'll survive again. Audie Cornish 00:23:34 George Takei, actor, writer, and activist. His graphic memoir, It Rhymes with Takei is on shelves now. The Assignment is a production of CNN Podcasts, and this episode was produced by Lori Galarreta. Matt Martinez is our senior producer, our technical director is Dan Dzula, and the executive producer of CNN podcast is Steve Lichteig. Special thanks to Wendy Brundige. We're gonna be back with a new episode on Thursday Thanks for listening, I'm Adi Cornish.
Yahoo
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Former Florida Star Slugger Named Starter in 2025 MLB All-Star Game
Former Florida Star Slugger Named Starter in 2025 MLB All-Star Game originally appeared on Athlon Sports. Former Florida Gator standout Kyle Tucker has been named a starting outfielder for the National League in the 2025 MLB All-Star as game, as announced by the official Chicago Cubs X account on Wednesday night. Advertisement Tucker, who was acquired by the Cubs in a blockbuster trade with the Houston Astros in December of 2024, has emerged as one of the best outfielders in baseball. A rare combination of power and speed, Tucker has amassed 129 home runs, 412 runs batted in, and 100 stolen bases dating back to 2021. The star outfielder has gotten off to a blazing start in the 2024-25 campaign, batting .290 with 17 home runs and 52 runs batted in 84 games played. Tucker's .926 OPS ranks sixth in the entire major league, a testament to his ability to hit for power while also prioritizing contact. Chicago Cubs outfielder Kyle Tucker (30) is greeted in the dugout after scoring against the Colorado Rockies during the first inning at Wrigley Banks-Imagn Images The Cubs, who sport a 51-35 record and sit atop the NL Central right before the All-Star break, will be doing everything in their power to extend Tucker when he becomes a free agent in the summer of 2025. Advertisement Tucker's teammate, Pete Crow-Armstrong, also earned himself a spot in the All-Star game, underscoring the meteoric rise of the Cubs this season. As the Cubs navigate the second half of the season, they will continue to rely on Tucker to lead them to wins. Tucker, now a four-time All-Star, continue to add accolades to his already decorated career. With the Cubs looking like a major contender for the World Series this year, perhaps Tucker can deliver even more magic come October. Related: Florida Makes Exciting Announcement Before 2025 College Football Season This story was originally reported by Athlon Sports on Jul 3, 2025, where it first appeared.
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Mauricio Pochettino is bringing fight and focus back to the USMNT
There is something cosmically funny about all of this. Late last summer, the United States men's national team went out and hired the most qualified manager it could find. The one with the most impressive coaching resume far of anyone US Soccer had ever employed on the men's side. The most expensive, certainly. By a multiple. The man brought in to arrest the tailspin the USMNT had slowly slipped into after the 2022 World Cup. To finally unlock that elusive next level. To help a golden generation, or at least a shiny one, come good at last. To salvage something, anything, from a World Cup played mostly on home soil a year from now. Not to squander it all. Related: Diego Luna double fires US past Guatemala and into Gold Cup final Advertisement And what should Mauricio Pochettino add to the US national team's brew of aptitudes and attitudes but pluck and grit? The very same underdog mentality, the ferocity and fitness, that had once taken the US from global laughingstocks to merely unembarrassing and then to internationally competitiveness. That sort of mindset had a ceiling, it was decided a decade and a half or so ago. And the Yanks kept on bumping their heads into it. So they hired Jürgen Klinsmann to sprinkle his fairy dust over the team, except he didn't understand how to execute his own lofty plans and dismantled the team's mentality-monster culture in the process. And then Gregg Berhalter brought it back for a bit, only to misplace it again. That was still more or less the shape the US was in three weeks ago. A mirthless two-loss debacle at the Concacaf Nations League in March. Two more defeats to Turkey and Switzerland, both playing at three-quarters speed, in early June. The Americans were underdogs again. Long shots. A soccer community mumbled to itself about those 10 regulars lost to rest and injuries and the Club World Cup. Since then, something elemental has been reclaimed. The USMNT are competitive again, proud again. By going back to basics. Advertisement They ground out a 2-1 semi-final result against Guatemala in St Louis on Wednesday, courtesy of Diego Luna's 15-minute brace, to reach Sunday's Gold Cup final with Mexico in Houston on Sunday – a record 13th appearance in the regional title game. In the broad assessment of Pochettino's time in charge of the US – likely following the World Cup when he'll probably go chase after some other project, as is the wont of the most sought-after managers – Sunday's penalty shoot-out win over Costa Rica in the quarterfinal will likely loom large. The Americans prevailed in a feisty game, matching the intensity of an opponent intent on making a slugfest out of the bout, showing some personality at long last. On Tuesday, Pochettino elaborated on just how much he appreciated the urgency with which his team had rallied around Malik Tillman that day. The American attacking linchpin was taunted by some of his Tico opponents after missing a penalty, whereupon a big scuffle broke out involving the entire US team. 'It's the whole group,' Pochettino said, clearly delighted that the press conference had landed on the merits of a good scuffle. 'It's the keeper [Matt Freese] also, because he ran 100 meters to be in the fight. That was amazing. That means something. For me, I'm Argentino – we love to fight – that means a lot. 'That means that we are connected, that we care about my teammates,' Pochettino continued. 'That needs to be natural between them. We can select 26 players, but to be a team is a different thing.' Advertisement He liked, the Argentine said, that after four weeks together, team meals were lively. That the three tables the USMNT eats at have an energy sparking between them that makes them feel like one. Or something. 'That is a spontaneous situation that you cannot force, you cannot push,' said Pochettino. The long and short of it is the Americans are a team again. Certainly, there is sophistication at work in their run to the Gold Cup final as well. This incarnation of the USMNT is increasingly well-drilled in its defensive organization and attacking patterns. A team that was inexperienced and unfamiliar a month ago moves as a unit, shifts shapes in transition, zings the ball around cleanly. Within a clear structure, there is room for Tillman and Luna to express themselves, to roam and to assert their influence both creatively and as the team's high pressers. The Americans have scored some wonderfully well worked goals in this tournament. The victory over Guatemala made for a strange sort of game. The US were utterly dominant early and ran out to a quick 2-0 lead, only to spend the rest of the game defending it increasingly frantically against the world's 106th-ranked team, getting outshot 20-12. Advertisement Before a heavily pro-Guatemalan crowd at Energizer Park in St Louis, one of the spiritual homes of the American game, Guatemala played in their first Gold Cup semi-final in 29 years. They turned up with a roster that was domestically based but for six players active in the US and Canada and one each in Romania and Moldova. These were not pedigreed players, yet their countrymen in the stands roared for a second successive upset, after Los Chapines dispatched Canada on penalties in the last round. 'Today, I need to tell you, it was like to play in Guatemala, in Tegucigalpa,' said Pochettino. 'And that was good for our players, because it was an atmosphere we didn't expect.' In the fourth minute, Luca de la Torre shot from outside the box, following a long, crisp American buildup. Luna snuck ahead of his marker, José Rosales, snagged the rebound and then tucked it past Kenderson Navarro. Ten minutes later, Luna ran at the box, beat his man with a stepover and located a crack of space and time to rip his shot past Navarro at the near post. From that point, Guatemala would be the aggressors, forcing several strong saves by Freese and seeing a goal disallowed as it put ever more attackers on the field. In the 80th minute, 18-year-old Olger Escobar found some room in the American area and finally beat Freese to narrow the score, provoking a furious final assault. Few things in soccer are quite as dangerous as an unchained team, playing for the equalizer with absolutely nothing to lose. Still the US held on, avoiding the penalty lottery that nearly undid them in the previous round, collecting just enough clearances and disrupted Guatemalan attacks to see out the clock. Perhaps there was something slightly undignified in clinging on against a team that, on paper, ought not be a threat. The other interpretation is that it was a sign of growth. Advertisement 'It's the grit, it's the determination that we've been lacking, to be honest,' Luna told Fox. 'It's fighting to the end, every ball, every moment.' Presently, it's no use arguing with the USMNT's pint-sized scrapper. For he has come to embody its new ethos.
