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Alessandra Ambrosio exudes glamour in a plunging black gown as she joins stunning Shanina Shaik and Jessica Alba at Cannes gala

Alessandra Ambrosio exudes glamour in a plunging black gown as she joins stunning Shanina Shaik and Jessica Alba at Cannes gala

Daily Mail​16-05-2025
The red carpet was awash with glamorous stars on Thursday as celebrities attended the Red Sea Film Foundation's Women In Cinema Gala at Hotel du Cap-Eden-Roc.
Leading the way was Alessandra Ambrosio, who put her phenomenal figure on display in a plunging gown with a velvet bodice and satin skirt.
The garment cinched in at her slender waist and was embellished with silver brooches that matched the crystals on her long black gloves.
The Victoria's Secret model, 44, finished off her look with chandelier earrings and towering peep-toe heels.
Also dressed to impress was fellow VS model Shanina Shaik, 34, who turned heads in a low-cut silver dress that was encrusted with thousands of crystals and pearls.
The long-sleeved gown also featured a racy thigh high split to show off the Australian star's toned pins and silver heels.
Jessica Alba, 44, was also looking phenomenal for the evening, opting for a strapless black gown that she accessorised with a dazzling ruby necklace.
She wasn't the only actress in attendance, with Eiza Gonzalez and Imogen Poots also making a glamorous entrance.
Eiza, 35, looked radiant in a tan figure-hugging dress with a low-cut neckline that she paired with diamond jewellery.
Imogen, 35, also looked sensational in a butter yellow gown adorned with sequins.
The Red Sea Film Foundation hosted the Women in Cinema Gala to celebrate the achievements of emerging female talent in front of and behind the camera, who are redefining the film industry in the Arab World, Africa and Asia.
It is one of the many star-studded events taking place during Cannes Film Festival.
The Cannes Film Festival originally emerged in the World War II years, when the rise of fascism in Italy led to the founding of an alternative to the then-government controlled Venice Film Festival.
In the time since, Cannes´ resolute commitment to cinema has made it a beacon to filmmakers. Countless directors have come to make their name.
Alessandra's garment cinched in at her slender waist and was embellished with silver brooches that matched the crystals on her long black gloves
Jessica Alba, 44, was also looking phenomenal for the evening, opting for a strapless black gown that she accessorised with a dazzling ruby necklace
Eiza, 35, looked radiant in a tan figure-hugging dress with a low-cut neckline that she paired with diamond jewellery as she posed with Shanina
This year is no different, though some of the first-time filmmakers at Cannes are already particularly well-known. Kristen Stewart (The Chronology of Water), Scarlett Johansson (Eleanor the Great) and Harris Dickinson (Urchin) will all be unveiling their feature directorial debuts in Cannes´ Un Certain Regard sidebar section.
Many Cannes veterans will be back, too, including Tom Cruise (Mission: Impossible - The Final Reckoning), Robert De Niro - who´s to receive an honorary Palme d´Or 49 years after Taxi Driver premiered in Cannes - and Quentin Tarantino, to pay tribute to low-budget Western director George Sherman.
Over recent years the star-studded extravaganza has arguably won more attention for the outfits worn by its celebrity guests than the roster of feature films being screened on the Croisette.
But new nudity rules, devised for 'the sake of decency,' have been implemented at this year's festival.
According to organisers, the austere move is an attempt to stifle the celebrity trend for 'naked dresses' - namely provocative outfits that reveal considerably more than they conceal - on the red carpet.
'For decency reasons, nudity is prohibited on the red carpet, as well as any other area of the festival,' states a Cannes festival document.
'The festival welcoming teams will be obligated to prohibit red carpet access to anyone not respecting these rules.'
The surprise new policy features in a recent festival-goers charter - released with a series of outlines regarding expected public behaviour.
Guests are expected to converge on the Grand Auditorium Louis Lumière for some of the highest profile film screenings across a packed two-week schedule in Cannes.
It's understood that the iconic venue now adopts a more conservative dress code, with suits, dinner jackets and floor-length evening gowns generally favoured over headline grabbing ensembles.
Classic little black dresses, cocktail dresses, pant-suits, dressy tops and elegant sandals, 'with or without a heel', will also be permitted.
While the decision to implement a more stringent policy will be a first, it is not known if French TV broadcasters, wary of airing nudity, played a role in its enforcement.
Major red carpet events, including the Cannes Film Festival, are aired in France by France Télévisions
Recently attracting more models and influencers than actors and filmmakers, the annual ceremony has seen an increase in risque red carpet fashion statements.
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Fed up with all those superhero movies cluttering up the multiplexes and forcing your delicate black-and-white Lithuanian goat-herding tragedy on to a single screen at 10am on a Tuesday? Angry, like Martin Scorsese and Francis Ford Coppola, that a $300m CGI raccoon gets more screen time than the slow and haunting meditation on existential despair your favourite auteur spent a decade working on? For you, then, the darkest days of comic book movie hegemony may be over. A quick peek at the theatrical release calendar suggests that there is not a single new major-studio superhero flick due to hit multiplexes in the next six months. That's right, a full, blissful half a year – which hasn't happened since May 2011. For years, the anti-comic-book brigade have insisted superhero movies are sucking the oxygen out of cinema and killing originality. Now, the great superhero drought of 2025 makes it look as though their side has finally prevailed. And maybe, after the best part of two decades of interchangeable third-act rubble fights and billionaire orphans growling about destiny, that's as it should be. For those of us who are really rather fond of superheroes on the big screen, however, it feels like a worry. Six long months with no multiverse chaos or retconned origin stories?. What is going on? Is the comic book movie really dead? Did audiences finally get superhero fatigue? Or could it just be that the studios looked at their balance sheets, remembered Madame Web happened, and decided to give us all a six-month palate cleanse before trying again? The truth is that the gaping desert in the release schedule where quite a few superhero movies would usually be is the result of a perfect storm of misfires, budget panic and inter-studio meltdowns. DC fired its last cinematic universe into the sun (and hasn't given James Gunn much time to get its new one into shape), Sony quietly strangled its live-action Spider-Man spinoff plans after Kraven the Hunterflopped. And Marvel, once the unshakeable titan, has begun watching its pennies too. Reports in Hollywood suggest the studio's big plan for Phase 7 is to finally introduce the X-Men into the MCU, but with cheaper, younger unknowns rather than the expensive A-listers that permeated the 20th Century Fox films. This is partly because China no longer loves Hollywood cinema like it did in the halcyon, pre-Covid era, and partly because any studio that makes such eye-wateringly expensive duds as Eternals, Ant-Man: Quantumania and The Marvels is bound to have to consider cost-cutting issues sooner rather than later. Ironically, last month Gunn delivered Superman, the first well-reviewed film about a major DC titan since Patty Jenkins' Wonder Woman in 2017. Marvel looks to be getting back on track following early box-office success for Fantastic Four: First Steps, which has also been well-reviewed. But just as one swallow does not a summer make, two vaguely competent superhero movies don't magically erase a decade-long franchise hangover. The superhero slowdown isn't just about artistic self-reflection. It's a combination of bruised egos, battered spreadsheets, and the realisation that studios have relentlessly mined every character in the Marvel and DC back issues, including that one guy who appeared for two panels in a 1973 issue of Spider-Man whose power was talking to lightbulbs. The issue is basic box office maths. There was a time before Covid when you could slap a cape on an actor, throw in a Stan Lee cameo, and reliably hoover up a billion dollars before lunch. Now? Global audiences, particularly in China, have stopped treating every MCU release like a religious festival. And once your international market yawns, suddenly all those $250m CGI slugfests look less like guaranteed jackpots and more like prestige vanity projects in tights. The other elephant in the room is that streaming blew a hole in the business model. During the pandemic, Disney+ and HBO Max became superhero graveyards, funnelling B-tier projects to streaming audiences, and teaching them they could just wait a few weeks and then watch at home. The illusion of urgency – the idea that you had to see every film on opening weekend or risk missing the next puzzle piece – now seems ridiculous. Which brings us to the current vacuum, which may be less the heroic victory for cinema some may have hoped for, and more an emergency reset button. We may get six glorious months free from multiverse migraines and quippy alien invasions. But don't kid yourself: it's just Hollywood taking a breath and trying to figure out how to sell you more superhero movies next year.

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Caerphilly's nominees at the Welsh Hospitality Awards
Caerphilly's nominees at the Welsh Hospitality Awards

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Caerphilly's nominees at the Welsh Hospitality Awards

These awards aim to highlight excellence in Wales' vibrant hospitality industry, recognising outstanding businesses and individuals to showcase the very best in hotels, restaurants, bars, spas, and other sectors within the industry. Mountain View Ranch has lots of hidden surprises (Image: Web) First up in Caerphilly's list of nominees is Mountain View Ranch, nominated for Caerphilly. This destination for family adventure covers over 100 acres of woodland and trails in Caerphilly, giving youngsters and adults alike an opportunity to get out into nature and get some fresh air. Their map-guided trails ensure discovery at every turn, packing the forest full of surprises. Visitors have been known to stumble upon secret tree houses, tree swings, soft archery experiences, and enchanting fairy forests that you could get lost in. The Ranch is home to Wales' first official Gruffalo Trail. Based on the hugely popular storybook, this trail allows visitors to take a stroll through the Deep, Dark Wood and encounter some of their favourite characters from the story. Those who prefer to relax can kick back at the Ranch Coffee Shop and chose to indulge in a range of coffees, snacks, ice creams, and even 'artisan' pizza during school holidays. Maxime gives customers a cost effective trip to the cinema (Image: Facebook) Blackwood high street institution Maxime Cinema has been nominated for Best Cinema Experience. Originally opened in 1938, this cinema operated until 1976 for public use before it was turned into a bingo hall. After re-opening as a five-screen cinema in 2014, the cinema has become a wallet-friendly favourite for locals to visit, playing on the art deco aesthetics of its predecessor. The five seats can collectively seat at least 500 people at once and the licenced bar in the foyer draws in those who wish to put their feet up and enjoy the latest releases on the big screen. They even offer ALN sensory screenings for customers who may need them. Their 'affordable' refreshments and 'incredibly cheap' ticket prices mean that the cinema experience is kept affordable for everyone at Maxime. Bryn Meadows offers up a golf course and spa for hotel guests (Image: Web) Not too far away is nominee for Hotel of the Year, Bryn Meadows Golf Hotel and Spa. This family-owned four-star resort is set in over 100 acres of land, hidden in the heart of the valleys. Their luxurious hotel features 42 bedrooms, most with balconies or patios to overlook the picturesque countryside. The resort houses a spa, allowing guests to rediscover their wellbeing through a range of traditional spa treatments that have been designed by Bryn Meadows' team of therapists, or through use of the indoor pool, sauna and steam room. Their 18-hole championship course offers something to the sport lovers who visit, along with use of their state-of-the-art golf simulator. This 'fantastic' course paired with the staff's 'attention to customer satisfaction' makes it a must-visit resort for golfers. Visitors to Volare can enjoy authentic Italian cuisine (Image: Facebook) Caerphilly Italian restaurant Volare Italian Restaurant has been nominated in the Best Family Dining category. The restaurant was 'born from the passion of food by two Calabresians'; Ernesto Rappoccio and Fortunato Favasuli. The pair arrived in Wales in early 2008 and, after beginning to learn English, immediately fell in love with the country. The restaurant brings a slice of their hometown, Reggio Calabria, to the historic Welsh town with a series of varied menus. No guest is left behind with a range of traditional authetntic Italian dishes, along with vegan and gluten-free menus so those with dietary requirements don't have to miss out. Volare even offers a takeaway menu for those who would prefer to enjoy their 'fabulous' dishes in the comfort of their own home. Customers always leave happy, thanks to 'incredible' food and 'excellent' service. Those who prefer dining at home in the area are likely familiar with Quick Service Restaurant of the Year nominee Chicken & Pizza Land. This takeaway in Ystad Mynach offers a 'delicious' menu for those who don't have the time to cook. It's a go-to spot for quick, fresh and flavour packed meals that customers are able to pick up on their way home. Alternatively, they offer the convenience of delivery to ensure that every single bite is as satisfying as dining in. With a variety of dishes on the menu that are 'crispier' and 'nicer' than big name competitors, customers can't help but keep returning. This institution is 'older than Coronation Street' (Image: Web) Also nominated for Quick Service Restaurant of the Year is Caerphilly Mountain Snack Bar. This institution is 'older than Motown and Coronation Street', having been established in 1957. The landmark building sits on top of Caerphilly Mountain, surrounded by unbelievable walks and views of South Wales. Tourists and locals see this 'shack' as a huge part of Welsh countryside heritage and, for many, it's become a home away from home. A dedicated team of 'welcoming and friendly' staff keeps the Snack Bar running smoothly, putting customers at ease before the embark on a lengthy walk. It's a unique take on quick service dining, allowing customers to enjoy fresh air with their meals made from locally sourced ingredients, all with a picturesque view of the Caerphilly mountains. The winners for the Welsh Hospitality Awards will be announced at an elegant ceremony set to take place on the 10th of September.

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