Stella McCartney releasing Beyonce's Blackbird T-shirt
The fashion designer's limited edition white tees feature two blackbirds across the chest and is inspired by an outfit she created for by the pop star for the London leg of her Cowboy Carter tour in June as a nod to Beyonce's cover of the track, which was originally performed by Stella's father Sir Paul McCartney.
In a post on Instagram after her final London show in June, Beyonce thanked the Beatles legend for writing the song and Stella for creating the special design. She wrote: "Thank you, Sir Paul McCartney, for writing one of the best songs ever made.
"Every time I sing it I feel so honored. And it is a full circle moment to wear your beautiful daughter's design. Thank you, London, for creating unforgettable memories for me and my family. Holla at 'ya when I come on tour again!"
The new limited edition T-shirts will sell for £550 and 30 per cent of the proceeds of sales via the Stella McCartney website will be donated to the Kerr County Flood Relief Fund to help those affected by the recent floods in Beyonce's native Texas.
A statement posted on the designer's website reads: "This T-shirt is embellished with two blackbirds on the front in sparkling lead-free crystals – referencing a style worn by Beyonce during her Cowboy Carter Tour in London and The Beatles' iconic song, written by Paul McCartney.
"Spun from organic cotton and shaped to a classic tee silhouette, pair it with our iconic vegan chaps or denim jeans for the full look.
"Stella McCartney will donate 30 per cent of net sales from the sale of the Blackbird Graphic Print T-Shirt made via stellamccartney.com to The Kerr County Flood Relief Fund (a fund set up by The Community Foundation of the Texas Hill Country).
Beyonce's cover of the Beatles track - spelled Blackbiird - featured on her country album Cowboy Carter.
Sir Paul McCartney previously revealed he'd spoken to the pop star about the track and he was thrilled with her "magnificent version".
In a post on his Facebook page, the music legend wrote: "I am so happy with Beyonce's version of my song Blackbird. I think she does a magnificent version of it and it reinforces the civil rights message that inspired me to write the song in the first place.
"I think Beyonce has done a fab version and would urge anyone who has not heard it yet to check it out. You are going to love it!
"I spoke to her on FaceTime and she thanked me for writing it and letting her do it. I told her the pleasure was all mine and I thought she had done a killer version of the song.
"When I saw the footage on the television in the early 60s of the black girls being turned away from school, I found it shocking and I can't believe that still in these days there are places where this kind of thing is happening right now. Anything my song and Beyonce's fabulous version can do to ease racial tension would be a great thing and makes me very proud."
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Perth Now
a day ago
- Perth Now
Michelle Williams fears falling on stage
Michelle Williams is always paranoid about falling when she's on stage with Destiny's Child. The 46-year-old singer and bandmate Kelly Rowland reunited with Beyonce on her Cowboy Carter tour last month, and Michelle spent the entire performance worrying about losing her footing after taking a stumble on TV back in 2004 when the group were promoting their final studio album on BET's 106 + Park. Speaking on Checking In w/ Record Breakers, Michelle said: "I was trying to stay focused because y'all know I still have trauma from falling on 106 + Park. "I need y'all to be my therapist about that too, because every time I perform with the girls, it's in my head: 'Do not fall, do not fall, do not fall.'" To help reduce her risk of falling, Michelle enlisted former Destiny's Child stylist Ty Hunter to cut the fringe off the bottom of her trousers, but jokingly branded him "such a butthole at times" after he took her request to the head of wardrobe for the tour. She said: "Ty Hunter is like, child, we got to cut these fringes off because we do not want Michelle to fall. "I was like, 'Bro, that was between me and you. You didn't have to make no announcement.' But yeah, that's still in my head. Steps do frighten me now." Michelle made sure she rehearsed the steps but still didn't "trust" her footwork. She said: "Did I rehearse them steps? Sure did. "And then when it came to I was like, oh my gosh, you dummy. You let fear or lack of trust [in] on that first step, because y'all, I was like, I'm not gonna let social media do me. I'm not. "Because if that were to happen, and I fell, I would not be able to live that down for the next 20 years. So that's probably the only thing I didn't like, was that I didn't trust the steps." But despite her concerns, Michelle still had a blast when she took to the stage alongside her Destiny's Child bandmates at Las Vegas' Allegiant Stadium on 26 July. She said: . "We turned into little girls again, them teenage girls, those younger girls who just wanted to sing, dance and travel the world. And Beyoncé was like, 'Y'all, let's have fun. We just gonna go out here and have fun. Whatever happens happens, but we're gonna have fun.' " "I knew we were gonna have fun. We always have fun. But when you come from Destiny's Child, and then when you see the level of excellence that Beyoncé performs at, you step it up, right?" The trio's first performance together since Beyonce's 2018 Coachella performance saw the Texas Hold 'Em singer disappear beneath the stage as the group's Independent Woman played and when she reemerged, she was in silhouette with her bandmates either side, striking a Charlie's Angels pose. As they walked down the stage catwalk, Beyonce said: "Destiny's Child, b****." The trio then performed their 2005 single Lose My Breath, Beyonce's song Energy, and 2001's Bootylicious.
Perth Now
a day ago
- Perth Now
Stella McCartney releasing Beyonce's Blackbird T-shirt
Stella McCartney is releasing a T-shirt inspired by a costume worn by Beyonce which references Beatles song Blackbird. The fashion designer's limited edition white tees feature two blackbirds across the chest and is inspired by an outfit she created for by the pop star for the London leg of her Cowboy Carter tour in June as a nod to Beyonce's cover of the track, which was originally performed by Stella's father Sir Paul McCartney. In a post on Instagram after her final London show in June, Beyonce thanked the Beatles legend for writing the song and Stella for creating the special design. She wrote: "Thank you, Sir Paul McCartney, for writing one of the best songs ever made. "Every time I sing it I feel so honored. And it is a full circle moment to wear your beautiful daughter's design. Thank you, London, for creating unforgettable memories for me and my family. Holla at 'ya when I come on tour again!" The new limited edition T-shirts will sell for £550 and 30 per cent of the proceeds of sales via the Stella McCartney website will be donated to the Kerr County Flood Relief Fund to help those affected by the recent floods in Beyonce's native Texas. A statement posted on the designer's website reads: "This T-shirt is embellished with two blackbirds on the front in sparkling lead-free crystals – referencing a style worn by Beyonce during her Cowboy Carter Tour in London and The Beatles' iconic song, written by Paul McCartney. "Spun from organic cotton and shaped to a classic tee silhouette, pair it with our iconic vegan chaps or denim jeans for the full look. "Stella McCartney will donate 30 per cent of net sales from the sale of the Blackbird Graphic Print T-Shirt made via to The Kerr County Flood Relief Fund (a fund set up by The Community Foundation of the Texas Hill Country). Beyonce's cover of the Beatles track - spelled Blackbiird - featured on her country album Cowboy Carter. Sir Paul McCartney previously revealed he'd spoken to the pop star about the track and he was thrilled with her "magnificent version". In a post on his Facebook page, the music legend wrote: "I am so happy with Beyonce's version of my song Blackbird. I think she does a magnificent version of it and it reinforces the civil rights message that inspired me to write the song in the first place. "I think Beyonce has done a fab version and would urge anyone who has not heard it yet to check it out. You are going to love it! "I spoke to her on FaceTime and she thanked me for writing it and letting her do it. I told her the pleasure was all mine and I thought she had done a killer version of the song. "When I saw the footage on the television in the early 60s of the black girls being turned away from school, I found it shocking and I can't believe that still in these days there are places where this kind of thing is happening right now. Anything my song and Beyonce's fabulous version can do to ease racial tension would be a great thing and makes me very proud."
West Australian
4 days ago
- West Australian
'I witnessed the birth of Oasis firsthand'
It's hard to think about the 90s without Oasis. Not only were they the most successful British group of the decade, the Gallagher brothers came to define the so-called 'lad culture' of those high times. As standard bearers of a genuine working-class revolution, they were caricatured as the drinking, drugging, brawling 'supayobs' — but Oasis were far smarter, and artier, than they were letting on. They combined the majestic power of the Sex Pistols and the melodic nous of the Beatles to create their own 'Sex Beatles', just like Nirvana was doing. Yet, unlike Kurt Cobain, they were more about redemption than nihilistic self-destruction. They were renegade outsiders who believed in the power of rock'n'roll as a means of escape; their life-affirming songs soundtracked a youthful optimism for better times. I got to know a pre-Oasis Noel Gallagher on the Manchester band scene whilst attending gigs in the late 1980s and early 1990s. He seemed to be at every gig, the Hacienda or the all-night raves in squatted flats in the then-bohemian wasteland of Hulme. He already had an in-depth knowledge of bands and music history, and was as passionate about the classics as great lost Manchester bands such as World Of Twist or Yargo. Soon after, when he started roadying for the Inspiral Carpets, I would see him at their gigs or at the band's office at New Mount Street, the hub of the 80s Manchester music scene. When he first formed Oasis in 1991, he gave me demos — which I still have including one of the band's very first, which he handed me on Whitworth Street near his then-flat in Manchester city centre. It was a demo full of hope of a band straining against a national music scene that had decided Manchester was over. Early Oasis rehearsed next door to my band in the Boardwalk rehearsal rooms around the corner from the Haçienda — the heart and soul of the Manchester music scene. Most of these bands would rehearse a couple of times a week, but Oasis seemed to be in there every day, grafting and plotting in the dusty damp of the cellar rooms. They were in there so much that they had even decorated their room, painting the brick walls white, adding a small pop-art Union Jack painting and two Beatles posters. These were the psychedelic April 1967 photoshoot with American photographer Richard Avedon, and the shot of The Fabs on the steps of Brian Epstein's London flat on the day of the launch party for Sgt Pepper's Lonely Hearts Club Band. There was method in the madness. One of the smartest people I've met in bands, Noel always knew what he was doing. The three years on the road around the world with the Inspiral Carpets had been a crash course in how bands worked. He understood the dynamics and the graft as he sound-checked all the Inspiral Carpets' instruments, and had even tried out to be the band's singer when Stephen Holt, their original vocalist, had left. He also spent hours in the office on the phone or looking after the T-shirts. After Inspiral Carpets rejected his audition as frontman, he entered 1993 determined to make it with his own band. It wasn't easy — in the early days the band were overlooked despite his connections and drive. London bands like Suede were all over the music press, and it felt like Manchester bands were out of fashion. A few years later Noel said he felt like 'the last one of my generation to make it'. In that first year, it seemed like Oasis was a hobby built around Noel, with a quiet, 20-year-old Liam in tow. But Liam had rockstar looks and a wild self-belief. And both, growing up sharing a cramped bedroom on a council estate in Burnage, were united by the desire to escape the drudgery of life, the shadow of their errant, difficult father and their then-broken city. In fact it was Liam who had initially found a local band who made a great racket but needed a singer with star power. After coaxing Noel to join, they knew they had something powerful. The brothers' dynamic was fascinating: Noel would write and Liam would deliver his brother's lyrics in one or two perfect takes, just minutes after learning them. It was this innate understanding of his brother's emotions that contrasted so dramatically with the pair's many fall-outs. The brothers' psychodrama was described perfectly in 1997 by an 18-year-old Pete Doherty: 'I subscribe to the Umberto Eco view that Noel Gallagher's a poet and Liam's a town crier.' Still reeling from the effects of the post-industrial meltdown, late-80s Manchester was far removed from what it is today. The city's famous two Sex Pistols gigs in 1976 had sparked a post-punk revolution of the 'Manchester kids with the best record collections', as Tony Wilson once quipped, from the Buzzcocks, Factory Records and the Haçienda to Joy Division, The Smiths, The Stone Roses, and the Happy Mondays. The young Oasis became the final chapter in the city's transformation. Live Forever: The Rise, Fall And Resurrection Of Oasis by John Robb is out now. Oasis play Docklands Stadium, Melbourne, October 31, November 1 and 4 and Accor Stadium, Sydney, November 7 and 8. © John Robb / Telegraph Media Group Holdings Limited 2025
