Why Are All the Celebrities Suddenly Wearing Merch?
Last month, Pope Leo XIV stepped out in Vatican City in his white papal cassock and a black Chicago White Sox hat. The funny, relatable, unexpected moment put the cherry on top of a trend I had been noticing and trying to deconstruct for some time: merch is back in the cultural sphere. The reason why may not be so superficial.
During awards season, Bad Bunny wore the same 'Saint Barth West Indies' tourist cap with almost every look—even on the red carpet. Around the same time, Jennifer Lawrence styled her red mesh flats with a Twilight Saga hat and Dua Lipa soaked up the sun in a swimsuit from her own Radical Optimism Tour merch shop. During the NBA Playoffs, Timothée Chalamet was the New York Knicks's No. 1 fan in a string of sporty fits that repped the team's logo and colors, while partner Kylie Jenner followed his lead and even proved she's the world's best girlfriend in Knicks-themed lingerie.
Some weeks ago, Britney Spears debuted a surprise merch collab with Balenciaga, and Jay-Z stepped out in Paris wearing merch from wife Beyoncé's Cowboy Carter Tour. Earlier this month, Anne Hathaway wore a pair of $1,395, jeans with a baseball cap from Bruce Springsteen's merch shop ($51), and Madonna stepped out in New York City wearing Spears's Balenciaga-designed merch.
Book merch is also having a moment. Model Kaia Gerber has repped tees from New York City-based McNally Jackson Books, and her ex Austin Butler has stepped out carrying a tote from the same bookstore.
When we think of merch, we often think of sports team logos or commercial merchandise advertising a movie, an album, or an artist. But there also exists a strain of political merch which, rather than expressing fandom, expresses personal political ideologies. This kind of statement clothing, from organizations supporting human rights—such as the Human Rights Campaign, March for the Movement, and CHNGE—has also been making the rounds over the past couple of years, amid the world's grim political tensions.
Recently, Pedro Pascal made waves when he stepped out in a 'Protect the Dolls' shirt in support of the trans community—which he styled with a New York baseball cap featuring upside-down text. (Merch on merch.) Of course, celebrity stardom paired with statement-making merch makes for a walking billboard—in this case, one for a good cause.
Traditional merch—like the Yankees hat every New Yorker has in their closet—has always been around, but it was really Virgil Abloh who pushed merch into the high fashion sphere when he designed the moody Yeezus tour shirts for Kanye West in 2013. Pop stars including Beyoncé, Rihanna, and Justin Bieber followed suit, tapping fashion brands to collaborate for their own tour merch, all which quickly sold out.
With trends functioning as they do, merch went from irrelevant to incredibly stylish to overkill in just a few years, and in 2024, GQ declared it dead. But there's no shortage of celebrities in merch in 2025, and I think this time around, the moment is a bit different. Wearing merch these days isn't about getting our claws on the latest trend or tapping into a newfound nostalgia for our dads' decades-old wardrobes, but rather suggests a deep craving for community and personal identity.
Celebrity stylist Alexandra Grandquist, who works alongside her sister, Mackenzie Grandquist, explains that repping a piece that champions a cause you support, a team you're a fan of, or a niche book shop you frequent adds an individualized touch to a look—and in a time of endless options, of course we're all hungry for a little more individuality.
'It's an identity that you're sharing. It shows people what you're interested in, kind of like a walking billboard—a conversation starter,' the stylist says. 'It's a good way to connect with people and show your interests without having to talk.'
Unlike in the 2010s, the tour merch being worn now is affordable and easy to access, something which shows a desire—from the artists' part—to break down barriers and let people in. Something like Beyoncé's 'Levii's' T-shirt in collaboration with Levi's ($45) is subtle, but instantly adds that if-you-know-you-know element to any outfit. Similarly, Shakira's tour merch with Hard Rock Cafe ($26.60) has been in high demand as she continues her shows; some pieces don't even have her face printed on them, but if you're a Shakira fan and see someone wearing them, you can instantly relate.
'It's also more personal than just wearing a random T-shirt or a Gucci logo T-shirt, you know? It's a little bit cooler,' Alexandra says.
The Grandquist sisters constantly source vintage sports teams and music group merch ('it's more faded, it has more character than most of the merch that they're making right now') for their clients, which include Kylie Jenner and Travis Scott.
And wearing merch automatically makes your part of a specific community—which, in times of turmoil, is something we are all desperate for.
'People are craving authenticity and a real way to express what they're about,' Bryan Escareño, the creative director of Los Angeles-based brand Amor Prohibido, says. 'Merch, at its best isn't just a logo on a tee—it's a piece of a story, a wearable statement. It's like saying, 'This is what I connect with, this is part of my world.' In my work with Amor Prohibido, storytelling is everything—taking my experiences, our community's experiences, and molding them into art.'
The same sense of belonging that comes with wearing entertainment-world merch also applies to merch from political candidates, humanitarian initiatives, and LGBTQIA+ organizations, all which have become increasingly visible in the United States during Donald Trump's divisive second term.
Escareño, who recently released limited-edition merch collection with Dos Equis and American regional Mexican band Fuerza Regida, says, 'Merch is a powerful connector. It's a visual cue that says, 'I see you, you're part of my tribe.''
He adds, 'Merch fosters that sense of belonging, of sharing a perspective. I think there's a deeper hunger for genuine connection and self-expression. In a world that's so fast and often filtered, wearing merch is a tangible way to plant your flag and demonstrate what you stand for.'
You Might Also Like
4 Investment-Worthy Skincare Finds From Sephora
The 17 Best Retinol Creams Worth Adding to Your Skin Care Routine
Solve the daily Crossword
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
20 minutes ago
- Yahoo
Tim Blake Nelson's Play ‘And Then We Were No More' To Feature Elizabeth Marvel In Off Broadway Production
EXCLUSIVE: And Then We Were No More, a new play by actor-author Tim Blake Nelson, will star Homeland's Elizabeth Marvel when is begins performances in September at Off Broadway's La MaMa. Produced by La MaMa and Carol Ostrow of Stop the Wind Theatricals, the play will be directed by Mark Wing-Davey, with previews beginning September 19 and an opening set for September 28. The staging will be a limited engagement. More from Deadline Andrew Durand, Christopher Sieber And Alex Newell Among New Cast Announcements For 'Bat Boy: The Musical' Gala Presentation Kelli O'Hara Joins Tom Hanks In His Off Broadway Play 'This World Of Tomorrow' Broadway's Emily Skinner Joins 'Bridgerton's Luke Newton In Alexander McQueen Bioplay The synopsis: In the not-too-distant future a lawyer is forced to represent a prisoner deemed 'beyond rehabilitation' and destined to perish in a newly developed machine designed to execute 'without pain.' The attorney must strive for justice in a system devoid of mercy. 'I am honored to present my play with Carol Ostrow at La MaMa, a New York institution I have long admired for its willingness to stage challenging, boundary-pushing new works for the American theater,' said the playwright. 'My favorite plays and productions provoke, in a smart but visceral way, tough conversations about the world in which we live. My hope is that New York audiences will find some of that in what we're up to with this piece.' Said producer Ostrow, 'When I read Tim's urgent and remarkable new play, I knew I wanted to bring this story to the stage, and LaMaMa is the perfect partner and venue to do so. And Then We Were No More invites audiences to grapple with thorny questions we are often too afraid to ask. I couldn't be more excited to work with Tim and the entire creative team on this prescient, thought-provoking work.' In addition to Marvel, whose credits also include Broadway's King Lear and Othe Desert Cities and, for TV House of Cards, the new play will feature Scott Shepherd, Jennifer Mogbock, Henry Stram, Elizabeth Yeoman, William Appiah, E.J. An, ]Kasey Connolly and Craig Wesley Divino. And Then We Were No More features scenic design by David Meyer, lighting design by Reza Behjat, costume design by Marina Draghici, and sound design by Henry Nelson and Will Curry. Best of Deadline 2025 TV Series Renewals: Photo Gallery Everything We Know About The 'Heartstopper' Movie So Far Everything We Know About 'Emily In Paris' Season 5 So Far


Forbes
an hour ago
- Forbes
Where To Eat After A Broadway Show
Pre-theater dining is a staple in Times Square. But if you're not craving the early bird menu, finding a decent meal after the curtain drops can feel a bit tedious. Even the city that never sleeps has restaurants that (unfortunately) close before midnight. Those who prefer dining later still have excellent options near Broadway theaters, if you know where to look. Here's where to enjoy a dinner after 10 p.m. in midtown, skipping the big chains and enjoying local character and flavors: Sardi's Serving theater goers and theater professionals for over 100 years, Sardi's is iconic thanks to its prime 44th Street location and collection of actor caricatures decorating the walls. On the first floor, diners can sit and enjoy full dinner service until 10:30 p.m., including the signature cannelloni au gratin filling a thin French-style crepe with beef, veal, pork, and porcini mushrooms, covered in creamy supreme sauce. Upstairs, the bar is a bit more casual, with checkered tablecloths, a great turkey club sandwich, shrimp cocktail, and all the classics to drink. The View The recently revived revolving restaurant by Union Square Hospitality offers excellent views at sunset, and is also a top late night destination. Dinner reservations are open until 10 p.m. or those who want a lighter bite can head to the 48th floor lounge. Discuss the performance you just saw over raw bar platters, elevated hors d'oeuvres like stuffed mushrooms, wagyu pigs in a blanket, and prime rib sliders with horseradish cream. A standout cocktail menu is also available, of course, including a deli-inspired martini with brisket-washed Bombay Sapphire gin, Cinzano 1757 dry vermouth, pastrami spices, and a house pickle. Le Rivage Offering dinner reservations until 10:30 p.m., this charming French restaurant on 46th street is a Theater District classic. After 8 p.m. the bar is known for its 'French Hour' when beer is $6 and house wine is $9, and food specials like duck wings ala orange and beef bourguignon sliders are served at a discount all night. If you prefer a white tablecloth meal, enjoy decadent brasserie fare including French onion soup topped with crispy gruyere, steak au poivre (with tuna or filet mignon), and trout almondine. Naturally, the dessert list is extensive, and the after dinner beverages list is even longer, so you can ruminate over theatrical thoughts past midnight. Donburiya This late night Japanese tapas spot runs its kitchen until the early morning hours. Mix and match an array of small and shareable dishes to create a feast of hot pot, sashimi, ramen, curry, onigiri and much more. There's truly something for everyone here, including vegans. Beer is also served by the pint and pitcher, should you want that type of night, and there's an extensive sake list and sochu menu to chase down all the small bites as well. Ellen's Stardust Diner Known for their singing servers and long lines, Ellen's Stardust is at its heart a diner, meaning it's a great place to grab a bite long past typical dining hours. Post theater waits for a table tend to be much shorter, and the audience tends to be a skew a bit older (fewer kids up past bedtime), so the entertainment is more for adults enjoying Broadway-themed cocktails (think: The Oz Old Fashioned with bourbon or rye, cherry, orange, simple syrup, angostura aromatic bitters). To eat, all-day breakfast, a very good Matzo ball soup, plus salads, burgers, pastas and more.


News24
an hour ago
- News24
Meet designer behind fashion looks from Lunathi Mampofu and more stars
Ronie Lesadiwa Mahlakwane, who dresses stars including Nadia Nakai and LootLove. Tell us about yourself. Ronie Lesadiwa Mahlakwane is a young Black boy, the last born of four siblings, who was raised most of his life in the small village of Moroke, Limpopo. Tell us more about the Lawren Son Junior (LSJ) brand. LSJ is a legacy brand which is meant to be worn by generations. I pride myself in classic, custom designs that live beyond seasons and fashion cycles; pieces that, like conventional assets, can be passed on from one generation to another – an inheritance. This essence is captured in the name LSJ. Lawrence is my father's name, me being his son and junior a pet name given to a son named after his forefathers. How would you describe your brand? I believe that fashion can be used as an agent of sociopolitical change. My clothing is targeted at those who may be considered voiceless in this loud world; those who want to use the garments that they are draped in to rewrite history and leave behind a legacy that can be traced from one generation to another by threads. View this post on Instagram A post shared by LawrenSon Junior (@_lsjdesigns) How did you decide on fashion design as a career? Fashion has always been my first love but because there was a lack of information on the industry as a profession, I couldn't voice my desire to follow it. I had no reference to anyone from my village or province, who had become a success as a fashion designer. I studied IT at Rosebank College and during this time, I started making garments for family members and posted these on my social media. The rest, as they say, is history. What are you most proud of when it comes to your career? Seeing my work on TV almost every day still feels like a dream. What don't people know about you? That I am very shy around people most of the time, and I prefer everything about my life to be private. How do you keep up with the latest trends? Trends are seasonal, which has never been my cup of tea. I pride myself with timeless and classic pieces. View this post on Instagram A post shared by LawrenSon Junior (@_lsjdesigns) If you had the opportunity to collaborate with an international designer, who would that be and why? It would have to be Olivier Rousteing from Balmain. He's a creative genius whose work always takes me back to my drawing table to think even harder about LSJ. When did you get your first big break? When I got the opportunity to work with Gert Johan-Coetzee. He taught me a lot about the industry. Which project did you enjoy working on, and which celebrity/public figure was it with? It was season 1 and 2 of Young, Famous and African. I dressed the Naked DJ, Nadia Nakai, Kayleigh Schwark, Diamond and Zari the Boss Lady. What excites you most about fashion? It's fashion week season. I always feel like it is my time to be alive and tell my story, unapologetically so. View this post on Instagram A post shared by LawrenSon Junior (@_lsjdesigns) What skills are necessary to succeed in your career? Paying attention to detail and the finishing of your product. But mostly, you need to fall in love with fashion. What's the one fashion rule that you disagree with? Trying to be different, because this will always make you look like everyone. What's your tip on dealing with difficult people/clients? To always take their criticism as a way of learning every day and remember that the reason they came to you is because they believe in your work. What do you think is the most important quality to have in order to survive in your field? To take every work or gig as if it's the last work that people will remember you by. View this post on Instagram A post shared by LawrenSon Junior (@_lsjdesigns) What is the best career decision you have made so far? The best decision I've made is waking up every morning to do what I love. It doesn't feel like work at all. Which celebrity would you like to dress, locally? I haven't had the opportunity to dress Bonang Matheba and Zozibini Tunzi, former Miss Universe. I would love to dress those two powerful women. If you could go back to the beginning of your career, what would you tell yourself? That Black child, it is possible! What's the one thing you won't compromise on? I will never compromise on attention to detail, quality and good finishing.