Sheryl Lee Ralph wedding No. 2, 'Abbott' star renews vows in opulent ceremony
The "Abbott Elementary" star, known for playing the firm-but-loving kindergarten teacher Barbara Howard on the ABC sitcom, recently hosted her own a vow renewal ceremony to mark two decades of marriage with her husband, Pennsylvania state Senator Vincent Hughes.
The event, originally intended to be an intimate gathering, wound up welcoming some 250 guests at the Philadelphia Museum of Art, where Ralph walked up the storied steps in a shawl with an 80-foot train, according to Vogue.
"How could I walk up all of those steps without leaving a trail of something for everybody to look at," Ralph, 68, told the outlet.
She climbed the steps – famous for their appearance in a workout montage from "Rocky" – and met Hughes halfway up, before ascending together to the top, where the ceremony kicked off.
Ralph, a Broadway icon whose second act with "Abbott" has made her an even bigger star, made headlines earlier this year when she revealed that she and Hughes don't live together. Her work in entertainment keeps her in Los Angeles, she said at the time, and his as a state legislator keeps him in Philadelphia – so they make it work long distance.
"I wasn't at a place where I was willing to give up my career, but I also didn't want to give up having a stable relationship with the kind of man that I knew would be there for me," the actress told Vogue.
Bette Midler and Sheryl Lee Ralph dish on aging, their R-rated movie 'Fabulous Four'
The pair married in 2005. To mark their anniversary, Ralph wanted to lean into her stage roots.
"I come from the stage, and I love the drama of what you bring on the stage," she said of her fashion choices.
Ralph wore a custom gown and Dior pumps. The shawl, in place of a veil, was carried by 22 ballerinas from the city's Philadanco company.
Gwyneth Paltrow, 'apartners' and why some people live separately from their spouses
A post shared by Vogue Weddings (@vogueweddings)
A vow renewal represents a celebration not of new love, but of an old love evolved, Ralph told Vogue.
"In marriage, we have so many things that happen in life," she said. "People live. People die. Relationships change. You change. Your partner changes. Your family, your immediate family, your extended family – there are changes in life."
"Then there's just the everyday of it. How are you able to get back up again and continue being together? I love that sentiment," she added, referencing the fighting spirit behind the movie that made Philly's signature steps famous.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Vogue
2 hours ago
- Vogue
From the Archives: The Mystical Greek Island of Patmos
'Patmos,' by Hamish Bowles, was originally published in the July 2011 issue of Vogue. For more of the best from Vogue's archive, sign up for our Nostalgia newsletter here. The volcanic island of Patmos, mystic setting for Saint John's apocalyptic vision, seemed to the writer Lawrence Durrell 'more an idea than a place, more a symbol than an island.' But its powerful reality casts a spell the moment it hoves into view from a boat's deck (there is no airport), its tiny white houses scattered like snowdrops across the hillsides, a mysterious citadel crowning the hilltop village of Chora. Its true immensity is concealed in the mineral depths of the Dodecanese waters, depths suggested by the inhumanly scaled cruise ships that discharge their ruby-burned cargo onto the wharf of the port village of Skala, to disport themselves among the tourist emporia and on the town's crowded pebbled beach. Chiara di Carcaci, left, in an Irving & Fine tunic, and her sister, Miranda, in Kate Moss for Topshop, on the terrace of their Chora house. The island habitués are made of sterner stuff and think nothing of trekking for an hour over rocky landscapes among darting arrow snakes to reach sandy stretches shaded by tamarind trees. Meanwhile, fishermen's gaily painted craft will take one further still, to coves encircled by volcanic formations that remind one that this isle was once so inhospitable that it served as a place of banishment. Saint John was exiled to its arid wastes in the first century A.D. and promptly converted the islanders. When he refused their entreaties to stay, he assuaged their grief by retreating to a hillside cave, where he dictated his vision of the Apocalypse to his acolyte Prochoros. In the eleventh century a monastery was established on the hilltop and flowered over the centuries.
Vogue
21 hours ago
- Vogue
Jenna Ortega and Catherine Zeta-Jones Talk Screaming, Scary Dolls, and David Lynch in the Latest Episode of Off the Cuff
While the bond between Wednesday and Morticia Addams may be a bit knotty in Netflix's Wednesday—the second season of which premiered this week (on…Wednesday, in fact!)—the women who play them, Jenna Ortega and Catherine Zeta-Jones, could not be a more bewitching pair. In the latest installment of Off the Cuff, the affectionate (and utterly glamorous) co-stars swap stories about auditions gone wrong, contemplate their favorite monsters, and wonder aloud what an 'FYP' is, before plunging into a rapid-fire round that soon has their Vogue-issued cue cards flying hither and thither. Among our learnings: that the pair first met in Bucharest in 2021; that Zeta-Jones can yank a tablecloth from a table without upsetting the plates and silverware (a trick she learned while making No Reservations), though she's a bit rusty now; that Ortega would have loved to work with David Lynch (which tracks, doesn't it?); that Zeta-Jones hates rats—or, really, any 'things running with little tails'—but is utterly delighted by the concept of the Loch Ness Monster ('Nessie!'); and that Ortega has very, very strong feelings about Cabbage Patch Kids ('hideous')…among so many other delightful (and delightfully dark) bits and bobs. Watch the full, raucous thing up above. Director: Nina Ljeti Director Of Photography: Jack Belisle Editor: Philip Anderson Assistant Director: Dayna Schutz Producer: Bety Dereje Associate Producer: Lea Donenberg Camera Operators: Chloe Ramos, Lucas Young Gaffer: David Djaco Grip: Duell Davis Production Assistants: Ashley Vidal, Quinton Johnson, Erica Palmieri Production Coordinator: Tanìa Jones Production Manager: Kristen Helmick Line Producer: Natasha Soto-Albors Assistant Editor: Justin Symonds Post Production Coordinator: Holly Frew Supervising Editor: Kameron Key Post Production Supervisor: Alexa Deutsch Associate Director, Video Talent: Meredith Judkins Executive Producer: Rahel Gebreyes Senior Director, Video: Romy van den Broeke Senior Director, Programming: Linda Gittleson VP, Video Programming: Thespena Guatieri
CNET
a day ago
- CNET
You Probably Hate This Genius Sci-Fi Show. Here's Why You Need to Rewatch It in 2025
You may be thinking, "Really, Macy? You're going to the mat over a show that came out over 20 years ago?" Well, yes. Because it simply isn't given the respect it deserves. Like many Americans, my family and I loved our nights huddled around the TV to watch our favorite TV shows live. For us, that meant American Idol, Dexter and, of course, ABC's network hit Lost. There's a good chance you watched Lost in the early 2000s, too. And there's an even better chance you think it got bad. Or you have some sort of perspective that it started strong but went off the rails after the first three seasons. Somewhere along the way -- maybe when the flash-sideways began, or when a smoke monster turned into a man, or when you realized there wasn't going to be a clear-cut answer to every mystery -- you bailed. Maybe you saw the finale and thought it ruined the whole show. (More on that later.) I watched Lost when I was a kid, but hadn't revisited it for close to a decade. Until it came to streaming services, first Hulu and now Netflix and Disney Plus. One day, I decided to replay the pilot episode and, well, it transformed me into the person writing this 1,500-word defense. I binged the show and then immediately turned around and binged it again. I'm truly mad at myself for wasting so much time thinking this show was a disappointment. In truth, it's a glorious, ambitious near-masterpiece. It's my favorite show. That's why I'm writing this. I'm here to ask you to do something radical: Rewatch Lost in 2025. Yes, all of it. And this time, go in with fresh eyes -- see it not as a weekly network drama, but as a serialized, character-driven odyssey that, along with The Sopranos and Mad Men, paved the way for the prestige genre TV we obsess over now. Because the truth is, Lost wasn't a failure. It was just ahead of its time. Here's why. It's time to go back to the island for a 2025 rewatch. ABC's Lost Looking for more streaming recommendations? You should also watch my favorite movie, a historical drama packed with modern themes, for free now. No, the ending is not what you think The last thing I want to do is spoil the ending of a show I'm trying to get you to rewatch. But I feel like I need to address this early since one of the main reasons audiences ultimately turned on the show was a misconception about the ending. I'll tell you right now, spoilers be damned. They. Were. Not. All. Dead. The. Whole. Time. The idea that the characters were really all dead the whole series and that the island was just a purgatory-like state is completely untrue. It's been debunked by the creators of the show, the actors who starred in the show and the dialogue in the series finale itself. A twist ending like that -- revealing they had all died in the plane crash right at the start -- would be a horrible one. It would retroactively reduce the entire plot of the show to meaningless, empty nothingness. So, thankfully, that's not how it actually ended. Now, you can just enjoy the show knowing that it all matters. The cinematography of Lost is some of the best ever put to television. ABC's Lost TV in 2004 didn't look like Lost When Lost premiered in 2004, there was nothing like it on network television. A lush, cinematic sci-fi mystery shot on 35mm film, with a massive ensemble cast of mostly unknown actors and an evolving mythology? On ABC, of all places? In the era of CSI, Desperate Housewives, and the dozens of other cop shows and formulaic TV, Lost was a risk. Lost is a sci-fi show (I think a lot of people forget that) with horror and supernatural elements. It's serialized, meaning you must see each episode to understand the next one, unlike so many shows that were airing on network TV at the time. The show follows a group of drastically different people who have just survived a plane crash on a remote, tropical island that seems to harbor deep, dark mysteries. But each survivor has secrets of their own. And they must live together in order to survive. (I can vividly remember hearing protagonist Jack Shepard say, "If we don't learn to live together… we're gonna die alone.") These characters come together with their differences, their pasts (beautifully depicted in flashback scenes), their traumas, their hopes and their desires, to collectively navigate this horrible situation. What unfolds is six seasons of intense, heart-wrenching plot points that subvert expectations and are rich with themes of faith, spirituality, dualism, philosophy and the mystical. It's pretty normal for TV shows now to be cinematic. Shows like The Last of Us, Succession, Stranger Things and Severance all make use of big budgets, high-quality production, engrossing performances and teams of insanely talented writers. But Lost was doing that in 2004 on ABC, which means the showrunners were dealing with the many obstacles and restrictions of network television. For instance, the show's creators -- J.J. Abrams, Jeffrey Lieber and Damon Lindelof -- wanted Lost to only be three seasons, but ABC said no, and pushed them to do 10 seasons when they saw what a hit the show had become. They eventually negotiated down to the six seasons we have today. But that's twice the amount of runtime the original creators intended. Despite this, the writers crafted compelling story lines and introduced some of the most intriguing characters (Ben, Juliet, Jacob, Penny, Miles) into the later seasons. It's easy to forget that Lost was doing time jumps, shifting perspectives and emotional bottle episodes long before The Leftovers, Dark or Severance existed. It experimented with structure constantly: a flashback here, a flash-forward there, a time loop in season 5. Entire episodes would focus on side characters you hadn't seen in weeks. It was complicated, sure, but thrillingly so. The show trusted its audience to keep up, even when it was confusing. And yes, that led to frustration at the time, but trust me, it works much better now that Lost is on streaming services. It's a show that really should be binged, so that you can truly appreciate the nuance and hidden details of the writing. The things that made Lost so good at the time are why it hasn't been fully appreciated. It was simply ahead of its time. Small plot seeds would be introduced and then left unvisited for several episodes, making Lost a show that's perfect for binge-watching. ABC's Lost Lost indeed was a risk, but one that paid off in six seasons of wild, genre-bending storytelling and a gut-punch, emotional ending that will land as long as you give it another chance with an open mind. Read also: The 21 Best Sci-Fi TV Shows to Stream on Netflix It holds up in 2025 Part of what makes Lost such a rewarding rewatch in 2025 is that it doesn't feel dated. The series still looks and sounds incredible. Because it was filmed on 35mm, which can be upscaled and remastered. Plus, shot on-location in Hawaii, the series still looks gorgeous. Lost was shot on 35mm film, which means it can be upscaled and still look brand new 20 years later. ABC's Lost The performances of the 14 regularly recurring leads of the cast are absolutely brilliant, too. Even though this was a cast of mostly unknown actors at the time, they all, guest actors included, reached a caliber of performance that is still so rare to witness in a TV series. And the music is absolutely remarkable. Michael Giacchino (The Incredibles, Up, Coco, Inside Out) created what I think is the best TV score of all time for Lost. I mean, he used debris from the crashed plane from the pilot episode to create the unique, bizarre sounds you hear each episode. The score is a perfect fit for a unique storyline. More than anything else, Lost is a show that will make you feel. Lost is a show that is full of emotionally poignant moments. ABC's Lost Is every plotline perfect? No. Do the final seasons get a bit complex? Absolutely. But on balance, Lost is one of the most ambitious, strange, beautiful things ever put on television, and it is emotionally satisfying from start to finish. Lost opened the door for serialized sci-fi and genre storytelling on TV, especially character-first narratives with weird, metaphysical themes. What I'm saying is that without Lost, it's hard to imagine Severance, Stranger Things or other TV sci-fi faves. So if you haven't watched it since 2010 -- or if you've never watched it at all -- now's the time. The entire series is available to stream on Hulu, Netflix, Disney Plus and Prime Video for rent. Skip the Reddit threads. Forget the hot takes. Just hit play. And maybe, just maybe, you'll find that Lost didn't lose its way. We just didn't know how to watch it yet. For more, you can explore the 13 best sci-fi shows on Apple TV Plus and the 18 best sci-fi shows on Prime Video.
