Traffic restrictions in Delhi's Paharganj on August 14 for Janmashtami, Tazia processions
The advisory highlighted that the Paharganj samuhik shobha yatra for Janmashtami and the Tazia procession will occur on August 14, with restrictions and diversions commencing from 1.30 pm.
The Janmashtami procession will start from Mandir Shri Bankey Bihari Ji in Sangatrasan Bazar, Paharganj, and pass through Desh Bandhu Gupta Road, Chuna Mandi, Main Bazar, Munja Chowk, and Arakashan Road.
The Tazia procession is set to begin at Ajmeri Gate, Pul Paharganj, and DBG Road, directing towards Chelmsford Road and the New Delhi Railway Station, the advisory informed.
Traffic restrictions and diversions will be enforced on Chelmsford Road, Arakashan Road, and Desh Bandhu Gupta Road during the events.
Commuters have been advised to avoid these stretches during the procession timings to prevent delays and congestion, plan their journeys in advance, and follow the instructions of traffic personnel deployed on duty.
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Time of India
2 days ago
- Time of India
RSRTC repairs over 1,850 buses in 3 mths as passenger load increases
Jaipur: Since launching the 'Meri Bus Meri Zimmedaari' campaign in May, Rajasthan State Road Transport Corporation (RSRTC) has repaired over 1,850 buses out of 2,300. As a result, passenger load in the corporation has increased, with buses operating at over 100% capacity. As part of the campaign, 15,000 seats in 1,000 buses, which were in poor condition, have been changed. The corporation is also addressing issues like missing bolts, cleanliness of the bus, and the functioning of vehicle tracking systems on a daily basis. "To improve the condition of buses, works related to body colour or painting, electric connections, passenger seats, security, vehicle tracking systems, or panic buttons have been either installed or repaired in the 1,850 buses. Seats have also been changed in 1,000 buses for a comfortable journey for passengers," said a senior official from RSRTC. In the past week, during festivals such as Janmashtami and Raksha Bandhan, and with recruitment exams being conducted in the state, passenger load exceeded 100% daily. On Aug 10, roadways recorded a 94% increase in passenger load compared to last year and recorded a passenger load of 179%. From Aug 5 till Aug 10, the daily revenue of RSRTC increased from Rs 5 crore to Rs 10 crore. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like The 5 Books Warren Buffett Recommends You To Read in 2025 Blinkist: Warren Buffett's Reading List Undo Officials said that during the inspection of buses on various routes by flying squads, feedback is also being taken from passengers regarding the service being provided and improvements needed. "In the past month, we received positive feedback from passengers on most of our routes along with suggestions too," added the official. For every five buses, a mechanic has been assigned as vehicle in-charge so that they understand the nuances of the repairs needed and complete the requirements daily, said officials. Officials added that old buses in poor condition are being removed from the corporation fleet and the registration process of the new BS-6 model buses being purchased is under process. Stay updated with the latest local news from your city on Times of India (TOI). Check upcoming bank holidays , public holidays , and current gold rates and silver prices in your area.
Time of India
3 days ago
- Time of India
Yogi unveils plan for holistic devpt of Braj
1 2 Lucknow: Chief Minister Yogi Adityanath said that Mathura reflects 5,000 years of ancient history and devotion and devotees from across India and the world converged there as values and divine blessings of Krishna still exist in every particle of Mathura's sacred soil. Launching a series of projects during his visit to Mathura on Janmashtami on Saturday, Yogi gifted 118 projects worth Rs 646 crore and unveiled the comprehensive master plan that would govern the long-term development of the Mathura-Vrindavan region through phased funding amounting to Rs 30,000 crore. The CM said he was privileged to join celebrations like Rangotsav and Janmashtami in Mathura for several years. He said that the master plan would connect pilgrimage sites like Mathura, Vrindavan, Barsana, and Gokul with the memories of Dwapar Yuga. "Our govt is committed to respecting the sentiments of revered saints and enriching the Braj region. We are making possible the works which were once considered impossible," he said. Citing the example of Kashi Vishwanath Dham and the grand Ram Temple in Ayodhya, he said that 10 years ago, imagining the transformation of the two sites seemed impossible. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like American Investor Warren Buffett Recommends: 5 Books For Turning Your Life Around Blinkist: Warren Buffett's Reading List Undo "In Kashi, where earlier not even 50 devotees could visit together, now 50,000 devotees can get darshan at once," he said. Addition of a ropeway in Barsana has helped senior citizens and boosted tourism in the locality, said Yogi. The projects unveiled by Yogi were focused on beautification of Parikrama paths, entrance gates, restoration of kunds, facilities for devotees, connectivity, water conservation, and environmental protection. He described the bhajans, kirtans, and Shri Krishna lilas organised in the Panchjanya Auditorium as part of the devotional atmosphere. Stay updated with the latest local news from your city on Times of India (TOI). Check upcoming bank holidays , public holidays , and current gold rates and silver prices in your area.
&w=3840&q=100)
First Post
3 days ago
- First Post
From the land of Krishna: History nuggets in Vrindavan
It is that time of the year when the land of Braj reverberates to the sound of celebrations. Pilgrims and other visitors make a beeline for Mathura, Vrindavan and other towns of the region to take in the spirit of Janmashtami. In Vrindavan, the iconic Banke Bihari temple is the centre of attraction. However, for history buffs, the bylanes of this pilgrim town hold several temples of historic significance, either by way of events surrounding them or their architecture. STORY CONTINUES BELOW THIS AD These temples, built at different times and by varied patron-builders, have a common architectural thread binding them. Richly embellished, they are made of red sandstone which came from Rajasthan. In a temple town filled with marble shrines, the red sandstone of these mediaeval temples stands out but does not come as a surprise. After all, the temples are the creation of the golden age of red sandstone—a period when immense quantities of that building material were brought from quarries in Rajasthan to build Mughal marvels in Fatehpur Sikri, Agra, Delhi and lesser places. The region in which those quarries were located lay in the Rajput kingdoms that were feudatories of the Mughal empire, including some connected by matrimony. It is almost inevitable that some of that sandstone found its way to places like Vrindavan, leading to the creation of some fine temples. Most significant among these is the Govind Dev Temple, built by the Kachhwaha ruler of Amer (now Jaipur), Man Singh, who was also a leading nobleman at Emperor Akbar's court and one of the seniormost commanders in his army, in the latter half of the 16th century. He leveraged his position to re-establish the Jagannath Temple in Puri and the Kashi Vishwanath Temple. And built the magnificent Govind Dev Temple in Vrindavan also. Elegant Rajput architecture of the Govind Dev Temple Perhaps the most striking aspect of the shrine is its sheer size. Entered through its eastern gateway, it stands nearly 80 metres in length, making it one of the largest temples constructed in North India since the 13th century—implying that such construction was not possible in the preceding centuries when Islamic dynasties held sway. That Man Singh managed to build this is a testimonial to his tact. The building incorporates many of the features of classic Rajput architecture, including decorative motifs on sandstone and elaborately carved brackets and pillars. Some of these remind visitors of the structure called Birbal's House in Fatehpur Sikri. Inside the temple, one sees the use of a vaulted roof, sometimes termed 'Khaurasan-ian'. STORY CONTINUES BELOW THIS AD Legends hold that Bajranabh, the great-grandson of Krishna, created three idols of the deity. The idol representing his face was called Govind Dev Ji. Another legend says that a saint called Roop Goswami dreamt one night of the hidden location of these idols. An excavation at the said spot saw the idols being unearthed. And the Govind Dev idol was later consecrated into the temple at Vrindavan. Archives of the Amer (Jaipur) state hold that the temple took five years, nearly ten million rupees and several thousand workmen to build. At its prime, it was apparently a seven-storey structure. What remains is a pale shadow! During Aurangzeb's reign, the presence of stunningly beautiful temples bothered the Islamic sensitivities of the emperor. As a result, the four upper levels were destroyed. But before the Mughal raid on the temple, its legendary idol was carried away by a contingent from reinstalled in a temple of the same name in that city, where it still stands today. Today, the Mughals are long gone, and a replica of the original idol is inside the Govind Dev Temple at Vrindavan. Worship continues, and while the temple has been greatly restored, the four lost levels have not been rebuilt. STORY CONTINUES BELOW THIS AD Elsewhere in Vrindavan, closer to the Yamuna, is the Radha Madan Mohan Temple. Popularly called the Madan Mohan Temple, its history runs parallel to that of Govind Dev. Its origins lie in the same legends, the difference being that the Madan Mohan idol represents the feet of Krishna. The temple was built in 1580 CE by Kapur Ram Das, a trader from Multan, under the guidance of a spiritual figure called Sanatana Goswami. It is made of the same red sandstone that embellishes the Govind Dev, and perhaps the same artisans lent their expertise here also. The temple complex consists of a mandapa, an antarala (connecting passage) and an inner sanctum. It is also said that Meera bai worshipped at this shrine. Its later history too mirrors that of the Govind Dev. In 1670, on receiving information about an impending attack by Aurangzeb's troops, the temple's idol was carried away. First taken to Jaipur, it was later shifted to Karauli, and a temple of the same name came up there, where the idol remains. In 1819, a Bengali trader called Nand Kumar Basu rebuilt the Madan Mohan at Vrindavan in its current location. Interestingly, the temple stands on a hill which may actually be a mound containing the debris of the earlier shrine. STORY CONTINUES BELOW THIS AD The triad is completed by the Radha Gopinath Temple. The Gopinath idol is said to represent the chest of Krishna. Accessed through a maze of lanes, the temple shows the familiar red sandstone pattern. However, unlike the other two, the original shrine within the complex is not well maintained. Near the gate of the temple is a haveli, long under lock. Its exterior carries elegant paintings that depict Krishna's life and legends. Painted Krishna pattern at a Vrindavan haveli near the Radha Gopinath Temple Also made of red sandstone but slightly paler following some restoration is the Jugal Kishore Temple. Located close to the Kesi Ghat, local lore holds that the original idol of this shrine was found by Hariram Vyas while he was meditating in a forest near Vrindavan. Krishna lifts the Govardhana hill, in a depiction on the Jugal Kishore Temple During the fateful 1670 attack, this idol too was taken away—its destination being Panna, in what is now Madhya Pradesh. And not surprisingly, there is a Jugal Kishore Temple in Panna too, home to an idol that came here from Vrindavan. The fact that the idols were saved is a tribute to the courage of mediaeval Rajputs, and that the temples in Vrindavan were revived and continue to be worshipped is symbolic of the continuity of a faith that overcame the worst of bigots. STORY CONTINUES BELOW THIS AD The author is a heritage explorer with a penchant for seeking obscure sites. A brand consultant by profession, he tweets @HiddenHeritage. Views expressed in the above piece are personal and solely those of the author. They do not necessarily reflect Firstpost's views.
