logo
Meryl Streep, Goldie Hawn and Bruce Willis are totally unhinged in this campy '90s comedy — stream it free on YouTube

Meryl Streep, Goldie Hawn and Bruce Willis are totally unhinged in this campy '90s comedy — stream it free on YouTube

Tom's Guide5 hours ago

'Death Becomes Her' fooled me the first time I saw it. I saw the weird effects and the hole in Goldie Hawn's stomach, and wrote it off as a glossy, over-the-top comedy.
But after rewatching it years later, it's clear this movie knew exactly what it was doing. "Death Becomes Her" is actually a razor-sharp satire disguised as a campy farce, and it's way more ruthless — and relevant — than it gets credit for.
There's actually a lot of substance here. It serves up some brutal commentary on aging, beauty standards, and how women are punished for daring to lose their youth. Meryl Streep and Goldie Hawn go all in, and Bruce Willis gives one of the weirdest, most satisfying performances of his career as a nervous, aging plastic surgeon stuck between two immortal narcissists.
People remember 'Death Becomes Her' for its outrageous visuals (or they're reminded now thanks to its popular Broadway-inspired TikTok memes), but what's aged best is the writing. The jokes are mean. The characters are absurd. The message still lands. It predicted the influencer era, Botox addiction and toxic body culture with almost uncomfortable accuracy. And it's free to watch right now on YouTube.
"Death Becomes Her" is a dark comedy about two women who are obsessed with youth, beauty and destroying each other. One of them is Madeline Ashton (Meryl Streep), a former stage star who thrives on attention and can't stand the idea of aging.
Her longtime rival, Helen Sharp (Goldie Hawn), is quieter at first but just as driven by jealousy and resentment. The two have been locked in a petty and extremely toxic competition for years, mostly centered around one man.
That man is Ernest Menville (Bruce Willis), a plastic surgeon who was originally Helen's fiancé, but Madeline stole him away just to prove she could. By the time the main story begins, the marriage has fallen apart. Ernest is bitter and drunk, Helen has vanished, and Madeline is starting to panic about her fading looks and stalled career.
Get instant access to breaking news, the hottest reviews, great deals and helpful tips.
Then Helen shows up again, looking younger than ever. That's when things spiral into madness. Madeline discovers a secret potion that grants eternal youth, sold by a mysterious woman named Lisle (Isabella Rossellini).
Of course, there's a catch, and soon both women have taken the potion. Instead of solving their problems, it turns them into indestructible corpses who keep fighting, literally tearing each other apart in a war of insults, injuries, and perfect outfits.
"Death Becomes Her" is a sharp, strange comedy that doesn't really feel like anything else from the early '90s. The cast is great, for one thing. Meryl Streep, Goldie Hawn, and Bruce Willis all play against type, and it works.
Streep and Hawn are two aging rivals fighting to stay young, and Willis is stuck in the middle as their unhappy, slightly terrified plastic surgeon. And you won't find anything as crazy as Streep's performance here. If you're a fan of her work, it's a must-watch.
You don't have to be into dark comedies or '90s movies to enjoy this. If you've ever watched a movie about people going too far to hold onto their youth or image, this one goes all in. The effects are intentionally over-the-top, and it might even turn a few stomachs. But it's nothing so creepy that it veers off into horror. It's still catty, lighthearted fun that only Streep and Hawn could provide.
The movie also holds up better than you might expect. It moves quickly, the jokes still land, and the themes haven't aged at all. Watching it now, it's easy to see why it became a cult favorite, especially with how it balances comedy with something a little darker underneath. And I'm so glad that it's come back to please TikTokers with its Broadway adaptation.
Watch "Death Becomes Her" free on YouTube

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Purpose And Platform: Accessibility Influencers
Purpose And Platform: Accessibility Influencers

Forbes

time10 minutes ago

  • Forbes

Purpose And Platform: Accessibility Influencers

Many individuals with disabilities say they just want outsiders to see an authentic portrayal of their daily lives, from their hurdles to their humor. Platforms like YouTube and Instagram are providing distribution and control of their stories in ways once unimaginable—and allowing people with disabilities the chance to reach audiences once unheard of. The below disability influencers and advocates power change in ways no gadget could. Whether through hilarious videos, insightful posts or high-profile writing, creators can provide the ultimate insight and edutainment—not just for their community, but for the vast population of non-disabled people who want to learn. Jordyn Zimmerman is autistic and was nonspeaking until she used an iPad, her first effective communication tool, at age 18. She has been a prominent advocate for the use of Augmentative and Alternative Communication (AAC) in the decade since. "When we cannot expressively say what we think, ask questions, refuse something, or share a story, it creates an internal silence," she says. Once she found her voice, Zimmerman rapidly found her way onto a national stage: she has presented (often as the keynote) at 69 conferences, schools and businesses, reaching 30,000 people. She was featured in the 2021 film This is Not About Me and has written op-eds for The New York Times. She chairs the board of the nonprofit CommunicationFIRST and has served on the President's Committee for People with Intellectual Disabilities. Her firm, Accessible EDU Consulting, works with schools, educators and families to provide inclusive and challenging educational experiences for students with disabilities. Where once people with nonverbal dyskinetic cerebral palsy (meaning they can't speak or normally control their limbs) stayed in the shadows, social media has given the public once-unimaginable views into their everyday experiences. No one leverages this opportunity more than Brad Heaven, a spectacularly joyful Montreal native whose 323,000 followers on TikTok, Instagram, YouTube and other platforms watch him control his iPad with his eyes to shop online, conquer Las Vegas, and play Rocket League with his head, knees and elbows. 'Gaming is a great social aspect and can allow people to see what your personality is without seeing your disability,' Heaven says through an artificial speech device. Heaven's videos have been watched more than 64 million times. A former Goldman Sachs employee, Tiffany Yu brings business savvy to disability advocacy. She was left partially paralyzed and with PTSD after a car crash that killed her father when she was a teen. "About 15 years ago, I took a look around. I had been disabled for over 10 years and I didn't have a community,' she says. 'I didn't know how to self-advocate. I knew how to hide." Instead, she took action. Yu created Diversability, an online community for people with disabilities. She recently published the book The Anti-Ableist Manifesto, and produced the 300-part Anti Ableism social media series, which has covered new research, provided insight to her Instagram audience on what has been estimated as a $18 trillion disability market, and advised viewers on disability-related language to avoid common micro-aggressions. Salesforce worked with Diversability to train administrators with disabilities. Yu also runs an organization that has awarded one hundred $1,000 micro-grants to projects in 15 countries. She serves on the 2028 Los Angeles Olympic and Paralympic Games advisory group on workforce development, and the NIH National Advisory Board for Medical Rehabilitation research. Based in London, Dhanda is a go-to accessibility consultant for dozens of major companies such as LinkedIn, HSBC and Unilever, where she addresses accessibility across products, customers and employees. She was crucial in the development of adaptive clothing for Primark and Fred Perry; worked with Virgin on a marketing campaign featuring a wheelchair user; and advises the United Kingdom government's disability unit on the accessibility implications of proposed laws and national policy. 'One thing doesn't meet anybody's needs,' says Dhanda, who has brittle bone disease and frequently must use a wheelchair. 'It's a massive ecosystem—you can't do one without the other. Everyone needs to be on the same track for real accessibility to be achieved.' Speaker and activist Margaux Joffe founded the website Kaleidoscope Society—and later, Minds of all Kinds—after her ADHD diagnosis. While a head of product at Yahoo, she proposed creating an employee group for neurodivergent employees, the tech industry's first. It grew rapidly, and Joffe moved into accessibility full time. She asked about getting photos of people with disabilities on Yahoo! sites, but creators told her they relied on Getty Images, one of the world's largest image banks. So she pitched a partnership between Getty and 17 disability organizations to create a new collection to showcase people with disabilities, write guidelines on how to represent disabilities for 200,000 photographers, and research how people with disabilities want to be represented—in routine situations, as it turned out. "A lot of [disabled] representation is two sides of a spectrum, either pitiful or heroic," she says. "Images of people in a fake wheelchair in a dark corner looking sad, or people with disabilities as superheroes." The new images have been downloaded by 5,000 businesses for use in advertisements, web pages, social media and other content. Hannah Aylward (L) and Shane Burcaw (R) Studio Twelve:52 For so long—and still—the conventional media has portrayed disabled people through lenses of challenge and inspiration. How about fun and adventure? Marriage and fertility problems? Those everyday subjects are the focus of Squirmy and Grubs (a.k.a. Hannah Aylward and Shane Burcaw), who invite millions of subscribers on YouTube and other platforms into their everyday life, and how Burcaw's spinal muscular dystrophy—he is in a wheelchair and cannot control his arms—usually, but not necessarily, impacts it. From scary amusement-park rides to how Burcaw 'got 30% bigger!' (through better nutrition), their videos entertain and alter perceptions, but also have led to real-life change. (After Burcaw profiled how he couldn't sign up for TSA Precheck because the camera was too high and his arms couldn't reach the fingerprint scanner, TSA updated hundreds of enrollment centers with accessible equipment.) But their videos—which have been viewed more than 760 million times—are ebullient and downright hilarious, like the one where they read and cringe at each other's journals. 'The general goal is to improve how society views disabilities,' Burcaw says. 'Our life is not a tragedy.' Lucy Edwards' videos have been viewed more than one billion times—but never once by her. Blind since she was 17, Edwards' massive audience of 2 million followers goes beyond fellow low-vision people, who get tips on how to navigate hotel stairs and apply makeup, but also sighted people, whom she invites into her world and answers questions they would otherwise be afraid to ask. (Like, 'What does a blind person see?') Based in the United Kingdom, Edwards is far more than a social-media influencer—she does segments for BBC, models for Procter & Gamble's Pantene hair products, and was the face for Mattel's first blind Barbie doll, complete with fashionable cane and clothes with different tactile textures and velcro to make them easier to dress. 'That play and that moment of imagination,' Edwards says, 'is being given to young vision-impaired kids who were basically pushed out from being able to imagine different worlds.' During times of disaster, people with disabilities experience more challenges and are frequently left out of emergency communications and plans. For example, after the attacks of September 11, 2001, the federal government froze the zone around the Twin Towers and then realized its communications and alternate transportation weren't accessible—so they called on Marcie Roth, then at the National Council on Independent Living. "I found myself providing guidance and technical assistance to the White House on what happens for people with disabilities and disasters," she says. It's been her focus ever since, as a leader at the Federal Emergency Management Agency under Barack Obama, on the United Nations Secretary General's Early Warnings for All global initiative (which plans on assuring every person on earth access to early warnings by 2027), and as executive director of the World Institute on Disability, which among other strategies uses 1,500 disabled testers to determine whether systems are accessible.

Wendy's, Takis collaborate on new spicy meal: When you can get it
Wendy's, Takis collaborate on new spicy meal: When you can get it

USA Today

time18 minutes ago

  • USA Today

Wendy's, Takis collaborate on new spicy meal: When you can get it

Wendy's, Takis collaborate on new spicy meal: When you can get it Show Caption Hide Caption How to make the perfect burger Yes, there is a correct way to assemble your burger to keep all the ingredients intact. Here's how to stack to perfect burger. ProblemSolved, Reviewed Wendy's and Takis have teamed up to turn up the heat this summer. The fast food chain announced Tuesday, June 17 it has collaborated with Takis on a limited-time meal called the Takis Fuego Meal. The meal features the Takis Fuego Chicken Sandwich and Takis-inspired Fuego Fries, according to Wendy's. The items will be available at Wendy's restaurants in the United States beginning June 20 and in Canadian locations starting June 30. The Takis Fuego Chicken Sandwich combines Wendy's spicy chicken filet with crushed Takis Fuego chips, chili lime sauce, creamy corn spread and a cheddar cheese sauce to create a "one-of-a-kind sandwich that is equal parts spicy, crunch and savory," Wendy's said in a news release. The Fuego Fries are Wendy's classic fries tossed in a tangy chili lime seasoning and served in a custom-made tear away bag "to allow easier access to the fries," the chain said. The sandwich and fries are available in a meal or a la carte, Wendy's said in the news release. More food news: Selena Gomez Oreo cookies are available: Where to get them Customers can also snag Takis Fuego chips For a limited time while supplies last, customers can also add a bag of Takis Fuego chips to their meal for some extra heat. Additionally, from June 20 to July 20, customers can play Wendy's in-app game, Spice Invasion, to earn points, win prizes and be entered to win a grand prize of $10,000. "At Wendy's, we know how to keep things spicy, and we love serving up fresh, famous collaborations that tap into consumers passion points, which made this partnership with Takis a no brainer,' said Lindsay Radkoski, U.S. Chief Marketing Officer for The Wendy's Company, in a news release. 'By joining forces with such an iconic and beloved snacking brand, we're turning up the heat and flavor in a way only Wendy's can!' "We are beyond excited to join forces with Wendy's, a powerhouse brand that shares our passion forIntensity and Flavor,' said Sandra Kirkpatrick, U.S. Sr. Director of Marketing at Barcel USA, the parent company of Takis. "Takis fans are known for turning up the flavor—and now, we're taking it to the next level with Wendy's." Gabe Hauari is a national trending news reporter at USA TODAY. You can follow him on X @GabeHauari or email him at Gdhauari@

TV milestone: Streaming is now bigger than cable and broadcast combined
TV milestone: Streaming is now bigger than cable and broadcast combined

Los Angeles Times

time33 minutes ago

  • Los Angeles Times

TV milestone: Streaming is now bigger than cable and broadcast combined

For the first time, streaming services have eclipsed traditional television in overall U.S. TV viewership, according to a Nielsen report released Tuesday. YouTube, Netflix, Paramount+ and other streaming services combined to attract 44.8% of all television usage in May, representing the largest share to date for direct-to-consumer platforms. Nielsen found that total viewership for cable and broadcast networks was just a whisker behind with 44.2% of television usage. Cable television viewership represented 24.1% of all viewing. Broadcast networks mustered 20.1% in a month traditionally boosted by strong ratings for season finales of popular network shows. Streaming services have steadily pulled in viewers from traditional forms of linear television, and the disruption has accelerated since the COVID-19 pandemic, Nielsen found. For four years, the ratings agency has tracked monthly viewing as part of its Gauge report, providing a series of snapshots that document the audience migration. Among Nielsen's findings, YouTube was the top service in May with 12.5% of viewership. Netflix came in second with 7.5% of the audience. The Los Gatos, Calif.-based pioneer ranks as the leading subscription streaming-on-demand platform. Walt Disney Co.'s streaming offerings — Hulu, Disney+ and ESPN+ — combined to draw 5% of viewership, ranking third. Amazon Prime Video attracted 3.5% of total television usage, coming in fourth. The free Roku Channel finished fifth with 2.5%. Nielsen cautioned that streaming may not consistently hold the monthly championship belt because broadcast networks still command a tremendous share of eyeballs, particularly during the fall and winter months when NFL football airs. But even that is changing. The NFL has signaled a strong embrace of streaming through Amazon's 'Thursday Night Football' and Christmas games on Netflix. Traditional broadcasters have followed with their own streaming platforms to expand their audience, simulcasting such blockbuster events including this year's Super Bowl, which was available on Fox and its sister streaming service Tubi. This fall, Disney plans to debut its stand-alone ESPN service, which could further the tilt to streaming. Streaming viewership has grown 71% during the four-year measurement period since Nielsen launched its Gauge report in 2021. At that time, Nielsen measured usage of just a handful of platforms: Netflix, YouTube, Hulu, Prime Video and Disney+. Now Nielsen tracks 11 services, including NBCUniversal's Peacock, Fox's Tubi and Paramount's Pluto TV. Free services have helped boost the overall success of streaming, Nielsen found. YouTube, which is mostly used for free with ads, has experienced 120% growth since 2021. Other advertising-supported services, including Pluto TV, Roku Channel and Tubi combined for 5.7% of total TV viewing in May, which represented a larger share than any broadcast network. Compared with May 2021, viewing to broadcast stations declined 21% and cable channels have fallen 39%.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store