Eritrea: Asmara Music School Graduates 9 Students
Mr. Elias Woldemicael, Director of the School, highlighted the role of music in daily life and its power to motivate public participation in national affairs and promote nationalism. He expressed appreciation to Government institutions and individuals for their support and called on the graduates to continue developing their skills through practice.
Mr. Tesfay Seium, Director General of Technical and Vocational Training at the Ministry of Education, expressed confidence that the students received quality musical education, citing the school's long-standing experience in the field. He also praised the efforts of the teachers and school community for nurturing musicians who can contribute to the development of the country's music industry.
Distributed by APO Group on behalf of Ministry of Information, Eritrea.
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Sharjah 24
9 hours ago
- Sharjah 24
New issue of Sharjah Cultural highlights global creativity
ditorial team contributions Managing Editor Nawaf Younes contributed an essay titled 'Music… A Culture and Universal Language', describing music as one of the most enduring human artistic expressions across and as a powerful —from Assyrian and Egyptian to Greek and Chinese—civilisationsinfluence on identity, personality, and culture. Music, he argues, continues to thrive today as a universal language understood by all. Literature, history and cultural profiles Jabal, a leading Arab poet, as examined -This issue explores the life and poetry of Badawi alby Dr Akram Qanbas. Dr Mohamed Ahmed Anab delves into the legacy of Swiss orientalist Max van Berchem, who dedicated his life to the study of Islamic inscriptions and calligraphy. Amal Kamel writes about Zgharta, a Lebanese town surrounded by rivers and olive trees, while Shehab Al Kaabi reflects on the cultural heritage of Basra, Iraq's vibrant cultural capital. Focus on Arab literary voices In the Literature and Writers section, Abdul Alim Haris covers the Sharjah Cultural Honouring Forum, which celebrated a group of distinguished Mauritanian authors. Jawad Amer writes about Moroccan historian, poet, and critic Abdullah Kannoun and his literary contributions, while Nour Suleiman Ahmed analyses the novelistic style of Ibrahim Abdel Meguid and his talent for evoking place and character. I'tidal Othman discusses how Arab s Indian writer novels address the transformation of identity, and Adel El Batousi highlightone of the prominent voices in the —Bhanu Mushtaq's win of the International Booker PrizeKannada language. Contemporary voices and literary legacy Ahmed Fadl Shabloul profiles poet Aziz Andraos, influenced by the Mahjar school and noted for innovation in form and content. Nabil Suleiman recounts how libraries shaped his literary world over seventy years, introducing him to major Arab and international writers. Hassan M. Youssef interviews author Tayseer Khalaf, who links creativity with societal change. Noura Ibrahim Hardan covers the poetic journey of Iraqi poet Mowafaq Mohammed Abu Khumra, while Sawsan Mohamed Kamel explores the intellectual and civilisational thought of Algerian thinker Malek Bennabi. Ghassan Kamel Wanos writes on the creative spaces and characters shaped by Haydar Haydar, with a focus on his blending of literary genres. Intissar Abbas sheds light on the poetry of Mohammed Lafi and his reflections on identity, homeland, and exile. Global literary reflections Dr Qassem Koufji analyses the literary depth of Haruki Murakami's writing, especially in its exploration of identity, isolation, and human nature. Dr Majd Haidar discusses Empire of the Sun by J.G. Ballard, inspired by the author's autobiography. Ziad Al Rayes reflects on themes of sorrow and confession in Your Book in My Right Hand by Jordanian writer Yasser Qubailat. Youssef Ali covers a panel discussion hosted by the Arab Cultural Club in Sharjah on Aisha Sultan's short story collection Cold Fear. Finally, Nasreen Antonius revisits For Bread Alone by Moroccan writer Mohamed Choukri, who offered a raw testimony to a childhood shaped by deprivation, learning life's harsh lessons on the streets before even learning to read. Art, strings and brushstrokes In the Art, Strings and Brushstrokes section, Mohab Labib explores the experience of Syrian Bashir Obeid -abstract artist Mahmoud Hammad, a pioneer of the movement in Syria. AlHadi Sassi, who seeks to balance creativity with artistic -interviews visual artist Mohamed AlGizawy pays tribute to the renowned Samia Ayoub, a major figure in -commitment. Khalil Elthe history of Arab theatre, while Hisham Azkyd highlights the creative work of Moroccan Safadi, -s poet Bayane AlSaghir. Randa Halloum meet-Maskini Al-playwright and director Alwho writes for both adults and children, believing theatre has a profound impact on young Din Aita honours the legacy of Egyptian music legend Mohamed -minds. Ahmed Saad ElFawzi, celebrated for his innovation and versatility. Dr Lama Tayara reviews the film Thank You for Dreaming with Me, emphasising the director's skill in bringing reality to life on screen. Osama Asal commemorates the 110th anniversary of the birth and 29th anniversary of the passing of Salah Abou Seif, one of Egypt's cinema greats. Under the spotlight: new books and readings The Under the Spotlight section presents a variety of new books and critical readings. These include The History and Culture of the Tajiks by Nawal Amer, Descriptive and Analytical Methodology by Amani Ibrahim Yassin, and Ancient Arabic Prose Texts from Anxious Agha. Thuraya Abdel Badi' Al Arab reviews He Who Lacks Love... Gives -Literature by Abrar AlIt, a young adult novel by Rania Hussein Amin. Other works featured are The Arabs in s by Orientalist Painting by Iman Mohamed Ahmed and The Hidden Ones in My WordMaamari, with reviews from Souad Said Noah. Najlaa Mamoun contributes a -Suleiman Alstudy on the origins and evolution of the Moroccan short story. Cultural essays and articles This issue also includes a rich collection of articles and essays covering a broad range of cultural topics. Among these are discussions on poetic ambition by Raad Aman, reflections on the city of Esna's wisdom and history by Saeed Yassin, and the digital revolution's impact on artistic creativity by Mudhafar Ismail. Fadia Issa Qaraajeh examines Waciny Laredj's Za'al explores -novelistic approach as close to documentary style, while Shimaza Fawaz Alk Saqour writes on the narrative the relationship between algorithms and literary work. MaliTayyib -forest, Mustafa Abdullah reviews the turbulent life of poet Hanoun Majid, and AlAdeeb considers the importance of children's libraries. Nabil Ahmed Safiya investigates the influence of culture and criticism on Arab fiction, and Paul Chaoul critiques artificial intelligence as a failed poet. Abdulrazzaq Shahroor delves into classical chaste love poetry, Suhaimi's love for place and memory. Abdelhakim -and Mufid Khansa reflects on Mohsen AlArnaout -Zubaidi profiles scholar and critic Ahmad Youssef Ali, while Mohamed Al-AlHaisha shares -examines Arabic literature in Bosnia and Herzegovina. Mahmoud Salama Alstories about human emotions, and Dr Hani Mohamed celebrates the cultural contributions Maghribi analyses the shaded rooftops between Barak and -Alayli. Najwa Al-of Abdullah AlPicasso, while Mohamed Najib Qaddoura recalls the creative memories of Adeeb Qaddoura. Mohamed Hammouda reveals the theatrical side of Naguib Mahfouz, and Magdy Mahfouz highlights the realisation of the Sharjah Performing Arts Academy dream. Prince Kamal Faraj discusses voice performance as an art form, Ali Dawla reviews children's films and Safi's novel Jameel Nadound as a -programmes, and Dr Mustafa Ghunaim praises Anne Alsymphony of hope. Finally, Nadia Omar takes readers on an exciting journey through Arabic literary history, and Rose Makhlouf explores the subtle harmony of silk. Short stories, poetry and heritage The issue also dedicates space to a selection of short stories, poetry, translations, and heritage pieces by prominent Arab writers. Featured works include The Artist's Room by Batros's exploration of commodifying art amid -Suad Zaher, a writer and critic, and Dr Atef AlSayed Abdel Aal, -the pressures of reality. Short stories such as New Events by Mohamed ElDaem, and One Day It Happened by Abdelhamid -An Innocent Trick by Asmaa Nour Alof Light, by Rawi are included, alongside a translated poem, The Long Ray -Mohamed AlAsma'i by Abdulrazzaq Ismail, -Hamada Abdel Latif. The heritage series features Stories of AlSha'ar's Literary Notes explore the -A'raj. Fawaz Al-Jishi reflects on poet Al-while Wael Albeauty of language and linguistics, and Waleed Ramadan sheds light on the life and work of French orientalist Charles Pellat, who was devoted to the Arabic language.


Khaleej Times
9 hours ago
- Khaleej Times
Video: 1 dead, 6 injured after fireworks fail at Egyptian star Mohamed Ramadan's concert
In a tragic incident on July 31, a young man passed away at a Mohamed Ramadan concert after pyrotechnics failed. The Egyptian star was holding a concert at Golf Porto Marina in Egypt, when the fireworks system begin to malfunction. This malfunction caused sparks to shoot straight into the crowd, as concertgoers could be seen ducking away from the embers in several viral videos. According to Al Khaleej, a man passed away in the incident and many others were injured. The deceased was a 23-year-old man, who died in cardiac arrest. Six others suffered from varying injuries, including burns and wounds. As soon as the fireworks sytem malfunctioned, the star reportedly stopped his concert to ensure that concertgoers exit the venue safely and to avoid a stampede-like situation. Watch a video showing what happened below: The organiser has denied taking responsibility for the incident. The company responsible for the pyrotechnics confirmed that all legal permits were in order. Authorities are still investigating the incident.


Cosmopolitan ME
9 hours ago
- Cosmopolitan ME
Saudi Arabia's women DJs are making serious noise
As Saudi Arabia continues its rapid advancement on the world stage, women have been key in leading this charge, traversing previously unheard-of career paths, and thus carving out a route, not only for themselves, but for the upcoming generation of young women. At the forefront is the Kingdom's cohort of acclaimed female DJs, whose slick beats are shifting the cultural perception of the country at home and abroad. Two women spearheading this musical revolution are the Jeddah-based artist, composer, and DJ Cosmicat, and Saudi Arabia's first-ever female music producer, DJ Viva. Friends, as well as contemporaries, it's no surprise that these women have much in common – especially when it comes to their polymath status. Cosmicat From career pivots to cultural powerhouses Cosmicat enjoyed a successful career as a dentist before swapping veneers for decks, and DJ Viva thrived in academia, with a Master's degree in business administration and a PhD in organisational development. In fact, Cosmicat laughs when she says that she didn't believe she had a 'single creative bone' in her body. Just six years ago, the DJ – who prefers to be referred to by her stage name – was teaching full-time at the University of Business and Technology (UBT) in Jeddah. 'You could literally draw a line down the middle of my two worlds, but I feel like my experience in academia and business have transferred to my career in music production and DJing,' she says. For Cosmicat, however, music was a long-held and unrealised dream prior to 2018, before the entertainment world opened up in the Kingdom. 'I never thought about music being a career given the circumstances I grew up in back in the 1990s. It wasn't an option,' the DJ explains. Recalling that she listened to music 'every single day', Cosmicat continues that she decided to go into dentistry precisely because it felt like the 'most artistic' of the sciences. The plus side? She's brought her structured thought processes to the decks. 'I am one of the most organised people you will meet,' she smiles. DJ Viva Saudi Arabia's collective sound is still forming Although the music craze sweeping the nation may be in its infancy, the emerging sounds are not – case in point Cosmicat and DJ Viva. They may share a similar background and history, but the differences in their styles point to the diversity of beats coming out of the Kingdom. While Cosmicat has a slick, Y2K and Noughties-inspired feel to her tracks – and cites Missy Elliott and Aliyah as references – DJ Viva embraces a more dark and sultry sound that traverses tech and progressive house. Both are examples of Saudi Arabia's recently developed collective sound, which is at once decidedly modern, yet carries influences as far reaching as hip-hop and R&B to traditional Arabic instrumentalism and oud. It's unsurprising that the ascent of these two DJs has been rapid. During her eight-year career, Cosmicat has travelled all over the world to play at legendary venues like London's Fabric and Tomorrowland. Then, in 2020, she released her debut single, Dilemma, with Yann Dulché. Still, the path of two musicians is never the same. After being challenged to DJ when attending one of the first public music events in the Saudi Arabia, Viva dropped a viral SoundCloud mix that changed the trajectory of her life forever. She embarked on DJ residencies, before going on to become the only woman in the country to play the role of Entertainment Director for two prominent events groups, including her own, EntertainmenTen. Cosmicat The business behind the beats Their success, in part, is thanks to efforts put in by the Music Commission, which exists under the Kingdom's Ministry of Culture. In recent years, it has installed studios and music hubs in key cities and provided scholarships to study music abroad – and that's not to mention the enduring support and opportunities provided by MDLBEAST, the country's largest entertainment company. As Heba Zaidan, MDLBEAST's Senior Creative Strategist, emphasises: 'These talents have always been there – learning, practicing, and performing in their own spaces. So, when we talk about their rise, it's not so much about them emerging as it is about the spotlight finally finding them.' With this attitude in mind, last year MDLBEAST launched the Hunna Initiative; women-led, its aim is to amplify female talent across the MENA region, as well as grow the next generation of female talent in music through mentorship, listening circles and masterclasses. Their guided mentorship matchmaking programme is one of the first in the country and connects up-and-coming female talent with established figures within the industry for a four-month-long, tailor-made scheme. These listening circles and personalised initiatives are key to the success of female musical talent going forward, explains Zaidan. 'To amplify the voices of Saudi women and artists we have to listen to them first,' she says. 'Consciously and actively listening to the needs of the women in our music ecosystem is the only way to make progress. At the same time, it's important to treat these artists as just artists – not female artists – and allow them the space to create and explore without scrutiny or expectations, negative or positive, because of their gender.' As such, more than anything, there is a palpable sense of optimism felt by the country's female musical talent: 'Every problem we had in the past is actively being solved,' states Viva. 'Female DJs are now headlining events, collaborating with global brands, and becoming icons of empowerment and artistic expression. Anyone, male or female, can learn and participate in becoming a DJ.' Hearteningly, 85 per cent of the talent in Sensation Art Collective – Viva's creative brand, which was launched last year – are female. Breaking stereotypes and writing their own narratives But while they have the support of government entities, societal expectations, especially from friends and family, have been slow to shift – especially for women who feel the pressure to balance family expectations alongside creative ambitions. Certainly, when Viva first came to the Kingdom aged 18, 'Segregation was at its highest and music was unheard of in public places. Now, it's like being in two different countries. But people's attitudes remain a barrier… They think that because you're a DJ, you're a party animal who is living a superficial lifestyle. That's not true – the majority of female DJs I know have families and are educated. They have their own businesses, fashion lines and events companies – Cosmicat is a dentist!' For her part, Cosmicat says that while these pressures exist, she wants to highlight that Saudi women can maintain their cultural identity while moving with the times. 'There's this misconception that being cultural and being modern are two different things, and that is absolutely wrong,' she asserts. 'If you go and visit any Arab country, you will see those two things living together in harmony. I'm seeing more ladies every single day going out publicly to the world with their music.' For her part, Zaidan says that MDLBEAST is more than aware that social stigma still exists and acknowledges that more work needs to be done to reassure women that music is a viable and worthwhile career path. 'It's a barrier to passionate women who just want to perform. This means that often women don't take a chance at their full potential due to some cultural hangups. It's not as easy for women to be in these social spaces and participate authentically. There are also misconceptions about female performers where people discount or discredit their abilities just because of their gender – but this is quickly changing as music is becoming more and more celebrated societally.' With the Kingdom's renewed commitment to shine a light on its creative talent, and the plethora of opportunities around, Cosmicat and Viva are full speed ahead. Viva will soon DJ on the first day of this year's MDLBEAST Soundstorm 2025, as well as at the Red Sea Games, both in December. And Cosmicat promises more music soon, as well as collaborations with both Arab and international artists. Paving the way for the next generation As well as advancing their careers, both Cosmicat and Viva are keen to pass the baton to the incoming wave of young female DJs. 'I've always tried to prioritise placing female talent in my events. One of my recent initiatives was when I organised a beach festival with an all-women line-up, and it was completely sold out, with a line at the door! Viva says. 'I help and mentor wherever I can,' adds Cosmicat, noting that she was one of the very first established musicians in the nation. 'But I built everything from scratch, and not everyone has to go through the hassle I went through eight years ago now,' she smiles. And so, their advice to the next generation is refreshingly simple. 'What I would say to anyone out there is that it's totally okay to indulge yourself in the creative realm,' Viva concludes. And for Cosmicat, it's all there for the taking: 'No one came up and just gave me instructions on how to make music. Keep on being persistent and don't get dragged down.' Words to live by, for sure. Read more about the Saudi women's DJ space.