
Chosen for Frozen: Roles filled for highly anticipated summer musical at Rainbow Stage
After more than a month of waiting and frozen with anticipation, the cast for what could turn out to be one of Rainbow Stage's most popular shows has been set.
"I've been dreaming of this my whole life. Before I was two, I was singing and dancing and playing the songs, so it's super fun that I get to be in it," said said nine-year-old Emeline Arnold, one of two girls chosen to play young Anna in this summer's production of Frozen: The Broadway Musical in Winnipeg.
"Anna is a hero. She, like, saved Elsa and I get to be Anna, so I get to be a hero."
About 500 people typically show up to open auditions for Rainbow Stage productions but the call for Frozen drew 1,000 hopeful performers, says artistic director Carson Nattrass.
Of those, 300 were young people auditioning for one of three roles.
They sang and danced at the end of January in the frozen days of a Winnipeg winter. It took two days to get through just the young stars before it was narrowed down to a couple dozen, Nattrass said.
They were given more songs and some scenes — and a week to practise them — before coming back. In the meantime, Nattrass and his crew evaluated the adult applicants.
"My worst nightmare came true, which was that they were all good," he said about the full roster of people auditioning. "Like, why can't some of you not be able to sing? That would have been helpful."
Kari Castillo, 10, who won the other Anna role, learned she got the part when she saw an email pop up in her mom's inbox.
The house was then filled with screams, which made her dad panic because he thought something was wrong, she said.
"Anna's just so bubbly and I really love her," Castillo said. "I also love Anna's bravery. She could climb that whole mountain just to talk to her sister."
The young Annas met young Elsa, also known as 10-year-old Layla North, on Wednesday at Rainbow Stage in Kildonan Park, alongside their older counterparts Julia Davis (Anna) and Tiera Lee Watts (Elsa).
The rest of the cast will be announced any day and the musical will run Aug. 7-24. It will be the first time the stage version of the popular Disney animated film will be in Winnipeg.
"I honestly didn't think I'd get the role because there were so many amazing people there. It just feels awesome," said North. "I just love the story. It's kind of like you don't need to actually have a man or, like, another person to find true love. It can be a sisterly love."
Wednesday was the first time all five actresses have been together. They glanced across the 2,200 empty seats and wide stage of Canada's largest and longest-running outdoor theatre as a cold breeze passed through.
"Are you frozen?" Nattrass asked, eliciting chuckles.
Rehearsals begin a month before opening night and will run six days a week, eight hours a day. The now-strangers will soon be like family.
Two weeks into rehearsals, the cast will move to the stage to work with the set, costumes and "the magic," Nattrass said.
"It's going to be a really fun summer [with] a really great group," said Davis, who played the title character of Ariel in Rainbow Stage's production of The Little Mermaid in 2023.
"Summers at Rainbow are just so magical."
Watts, who makes her Rainbow Stage debut in Rock of Ages earlier in the summer, is thrilled to be Elsa because of its connection with Idina Menzel, who voiced the animated version.
"She's the reason I started singing many, many years ago when I was the girls' age," she said, referring to her younger castmates. "It's always been a huge dream of mine to step into a role she originated. This is a huge moment for me."
Frozen is hot ticket
Even though opening night is five months off, tickets are already a hot item.
"I've never been able to say this at this time of year, but tickets are going fast. It's the fastest that tickets have ever sold," Nattrass said. "It is the furthest ahead we've ever been. It's double our best year."
About 10,000 have already been sold for the 21 performances, leading to a strong possibility the run might be extended, he said.
"It's starting to feel like one of the biggest ones we've ever done — it's very possible," he said. "And finding this incredible talent you met today, it was a long journey but they're just awesome."

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Globe and Mail
7 hours ago
- Globe and Mail
2 Reasons AMC Stock Is Soaring in June
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That fact was reinforced with a record Memorial Day weekend in May. Disney 's live-action remake of Lilo & Stitch had the highest-ever four-day Memorial Day opening, and it was buttressed by a strong showing for Paramount 's Mission: Impossible -- The Final Reckoning. Altogether, these two topped a blowout weekend with $326.7 million in domestic ticket sales, and Lilo & Stitch is already the second-highest-grossing domestic film of the year. Of course, that success trickled down to generate incredible financial results for AMC. Management said it set an all-time record for admissions revenue, food and beverage revenue, and total revenue for a weekend Memorial Day opening, and that the five-day stretch was the third-highest revenue for any five-day slot in more than 10 years. As for attendance, this was the highest-attended weekend and highest-attended five-day period of the year, both domestically and globally. 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Globe and Mail
2 days ago
- Globe and Mail
‘Pretty' is back in fashion, and this time it's being weaponized
It's just a bow. A sweet, simple reef knot of ribbon encircling a ponytail or perched at the crown of the head. Satin, grosgrain or velvet, nothing says 'femininity' like a bow. And they're back. Not since the days of Hayley Mills have bows so dominated the fashion landscape. And not just bows – 'pretty' is back. It's back without apology. Without irony. And it's been weaponized. The question is why? And how? And who? And ... huh?! Before we untie the bow question, consider for a moment the basque waist, another ultrafeminine feature from the archive of the female wardrobe. What, you ask, is a basque waist? A basque waist is when the bodice of a dress dips over the abdomen in a V, thereby accentuating the torso while enhancing the hips. The design feature hails from Basque Country in northern Spain, but it most certainly has its apogee in the land known as Disney in Southern California. If you've ever had a fairy godmother or animated birds and mice whip up a dress for you, that dress will most likely have had a basque waist. From Cinderella to Sleeping Beauty, princesses-in-the-making all rock a frock with a basque waistline. So, the question expands: Why now for bows and basque waists? What's driving this princess-ification of fashion? Perhaps the answer lies with the 'dress that broke the internet.' Not the striped dress of 2015, but the 'raw milkmaid' dress recently offered by Evie, the magazine The New York Times calls the 'Conservative Cosmo.' (The 'raw' part is a nod to the politicization of unpasteurized dairy.) Imagine Kim Kardashian as a Wisconsin dairy farmer's daughter. The dress features a tavern wench's plunging neckline with breast-amplifying shirred fabric along with wayward puff sleeves. The skirt boasts an up-to-there slit intended for straddling ... a milking stool? The basque waist highlights the hip-to-waist ratio, which is further enhanced by a lace-up back for a torso-defining fit. At the bosom, a delicate bow beckons. Of the dress, the publisher of Evie warns, 'Side effects may include unplanned pregnancy.' (The publishers of Evie also market a fertility-tracking app that eschews contraceptives.) Across the fashion spectrum, a sea change seems to be taking place. Reports from recent runway shows remarked on Victorian flourishes. Perhaps sensing the change, the Cannes Film Festival put the kibosh on excess nudity on its red carpet this year. Even the local mall is suddenly festooned with basque waists and raw milkmaid and eyelet lace dresses. Girlishness rules. Where's it all coming from? Carlyn Shapiro is qualified to comment. She lives in Dallas and is a director at Alvarez and Marsal Consumer and Retail Group. She specializes in turnaround management and performance improvement for major retailers – essentially, putting out corporate fires or igniting corporate fires. She's all about the next big thing in retail. The biggest arbiter in fashion right now, she tells me, is TikTok. And right now TikTok is taking its cue from the new conservatism defined by the American Republican party. The Secret Lives of Mormon Housewives, Ballerina Farm, Nara Smith making bubble gum from scratch while wearing a couture gown – these are the current superstars of the internet. So-called 'tradlife,' which catapults well beyond the virtues of homemaking and matrimony, offers up a performance of domesticity lashed to ultratraditional gender roles. And let's not forget the push-up bras. It's sort of Tricia Nixon meets-Pamela Anderson (Baywatch years)-meets Oliva Walton, mother of seven children on the 1970s' The Waltons. Better yet, think of tradlife as a track meet for Stepford Wives wherein impossibly beautiful women compete to deliver impeccable wifely and motherly service. Shapiro says that, as the conservative values from influencers gain traction on TikTok, 'those values get translated into likes and views on outfits with bows and lace and longer hemlines. Fashion buyers take note of these trends and start buying and marketing more feminine clothing. For the consumer, no matter your political leanings, it's now hitting you from every angle: social media, merchandising, marketing, TV.' The slurry from whence this ethos emerged can be traced to Project 2025, the encyclopedic wish list produced by the Heritage Foundation, a Washington right-wing think tank founded in 1973 but most influential of late. It aims to expand presidential power and instate an ultraconservative, Bible-based social program for the United States. Central to its mandate is a nostalgic vision of the family as the centrepiece of American life, wherein reproductive rights are eliminated and gender equality is a non-starter. It's not enough for a woman to milk cows: She has to do it in a come-hither dress and acknowledge submission to God, country and her man. The Conservateur magazine – referred to as the 'Conservative Vogue magazine' – piles onto this aim, with the added objective to 'Make America Hot Again.' Alexandria Ocasio-Cortez is just so ugh! Both it and Evie are enraptured by images such as the one of Lara Trump, Donald Trump's daughter-in-law and former co-chair of the Republican National Committee, in a chiffon evening gown astride a horse that's wearing a diamond ... let's call it a tiara. This performative fashion sometimes goes by the name 'coquette aesthetic,' but you can cover off the trend's top notes by labelling it 'authoritarian Christian nationalist aesthetic.' Trump's insistence that he's going to 'protect the women of our country ... whether the women like it or not' gave many American women the shivers, but a surprisingly large percentage of them have embraced his vision. One needs only to look at Trump's appointees to find evidence of his narrow view of American womanhood - the crucifixes, the girlishness, as well as a general flag-ification of fashion. Love it or hate it, fashion is nothing if not organic. It speaks to us of ourselves. What we wear, or covet, evolves based on what's happening in our current moment. And what's happening right now is adherence to a rigid interpretation of traditional values demonstrated online as religious catechism. From the treacly postings of idealized rural life at Ballerina Farm, to the anthropomorphism of Old Glory explicit in the Republican dress code, conservative values are laying siege to the marketplace. Tradlife, which hinges on a woman being deeply submissive to an authority far greater than herself, is fed by a political manifesto intent on reshaping society along hypertraditional gender roles. Magazines for young Conservative women may offer beauty tips for all, but the sex tips are for married women only. All of this can be summed up in a baby-blue eyelet halter dress accessorized with Mason Cash mixing bowls and a crucifix. Yes, data mining is thriving and coming to a closet near you. Maybe it's not just a bow after all. Jane Macdougall is a writer based in Vancouver.


Winnipeg Free Press
2 days ago
- Winnipeg Free Press
Harvey Fierstein, on eve of Tony honor, looks back on his career
NEW YORK (AP) — Last year, Broadway actor and playwright Harvey Fierstein handed director Jack O'Brien the Special Tony Award for Lifetime Achievement in the Theatre. This year, it's his turn. 'Following him is not an easy task. In fact, I spoke to him and he said, 'I just want to put my name in there as someone who would love to give you the award.' And I said, 'Well, I'd rather you didn't.' I said, 'I'd rather you wrote my speech,'' Fierstein says. Fierstein, the four-time Tony winner behind 'Torch Song Trilogy' and 'Kinky Boots,' will get the award Sunday at Radio City Music Hall. He connected by Zoom from his home in 'a small fictional town in Connecticut' to talk about his career and a Broadway season dominated by George Clooney in 'Good Night, and Good Luck' and Denzel Washington in 'Othello.' The conversation has been edited for clarity and brevity. AP: Do you know what you're going to say on Tony night? FIERSTEIN: I never know what I'm going to say. But I have been trying to gather thoughts, which I guess is a good idea. And I watched at least five or six lifetime achievements speeches by others. AP: Has the honor triggered any personal thoughts? FIERSTEIN: I did write a line that may or may not end up in my speech, saying that the most humbling thing is to think that my life meant something to the community. It's one thing to be enjoyed, but to have the kind of meaning that they turn around and say, 'We want to give you a lifetime achievement'? That's a very heady idea. AP: Was a lifetime in the theater inevitable? FIERSTEIN: No, no, no. I guess there are theatrical types, but art was always inevitable. I was sort of artistic, but I thought I'd maybe be a Disney animator. I don't think I ever believed I was good enough to create the Disney characters, but there were people that took the creation and then did the other drawings. I thought I could do that. Something in the arts. I had my BA in painting from Pratt. That's what I thought was going to do. AP: You arrived on Broadway just as AIDS was consuming the arts. What was Broadway like then? FIERSTEIN: There was no time to think about it. We had to go to war immediately. If you remember, Ronald Reagan never said the word 'AIDS' in eight years. There was no attack against the disease; there was only an attack against people. People wouldn't go to restaurants because there were gay waiters. There were people that wouldn't go to Broadway because there were gay people. They might be in the audience with gay people. AP: You work has always been about compassion. Why didn't you want to burn it all down? FIERSTEIN: My writing is telling stories that mean something to me. And certainly there's hatred and there's anger in my stories — and truth — as far as I can tell them. But the horrible truth is that no matter how badly we act as human beings, there's still a humanity under it all. AP: What are your thoughts about the current Broadway season? FIERSTEIN: Who would have guessed that we'd have a season where the plays were the big thing and the musicals are sort of ignored? Thanks to George and Denzel and these stars that return to Broadway — thankfully return to Broadway — and they've done these plays and it's wonderful. They're bringing an audience that maybe wouldn't go see a musical or a play. AP: Just get them to experience it, right? FIERSTEIN: Once you go to the theater, once you get in there and if you have a good time, if it does something, you're going to come back. I don't care why you came in the first place. Come back and see what else we have and open your mind and heart — and wallets. AP: What about the pipeline of playwrights — are you happy with it? Weekly A weekly look at what's happening in Winnipeg's arts and entertainment scene. FIERSTEIN: There are people that are in love with theater, certainly, but there are people that want to make a living. And those people seem to drift to television and movies. I have a nephew married to a wonderful woman who wants to be a writer, but what she wants to write is movies and TV. It wouldn't even interest her to write a play. I don't know why. It seems easier to write television. It seems easier to write a half-hour where you already are given the characters. AP: Congratulations again. You are beloved in this community and a lifetime achievement award seems appropriate. FIERSTEIN: I thought it was because they just wanted to give me something else to dust, because I ain't got enough stuff to dust here. ___ For more coverage of the 2025 Tony Awards, visit