
Grammys announce ‘best traditional country album' category after Beyoncé victory
'The Academy's top priority is to represent the music people that we serve each year,' Recording Academy CEO Harvey Mason jr. said in a release.
'That entails listening carefully to our members to make sure our rules and guidelines reflect today's music and allow us to accurately recognize as many deserving creators as possible. As we kick off another exciting GRAMMY Season, we look forward to celebrating the amazing power of music and its ability to bring so many people together,' he added.
Beyonce's 'Cowboy Carter' album sent shockwaves through the country genre that was traditionally dominated by folklore singers. Next year, nominees will be separated into two areas for best contemporary country album and best traditional country album, marking a clear difference between modern and conventional sounds.
The Grammys said music designated as traditional country must adhere to the more traditional sound structures of the country genre, including rhythm and singing style, lyrical content, as well as traditional country instrumentation such as acoustic guitar, steel guitar, fiddle, banjo, mandolin, piano, electric guitar and live drums.
It will also include sub-genres such as Western, Western Swing and Outlaw country.
The space for the new categories was carved out after the Recording Academy's Awards & Nominations committee reviewed a submitted proposal that was ultimately approved by the Academy's board of trustees.
'The community of people that are making country music in all different subgenres came to us with a proposal and said we would like to have more variety in how our music is honored,' Mason said in an interview with Billboard.
'They said, we think we need more space for our music to be celebrated and honored.'
The Grammys are currently slated to take place on Feb. 1, 2026.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Elle
41 minutes ago
- Elle
The Real Reason Taylor Swift Waited to Announce Her Album on Travis Kelce's Podcast
THE RUNDOWN Taylor Swift has announced her albums in various ways over the years, from posting on social media to slipping it into a speech at the Grammys. For her upcoming album The Life of a Showgirl, Swift dropped the news in the most meaningful place yet: on her boyfriend Travis Kelce's podcast, New Heights. A source told Entertainment Tonight this choice was deliberate: 'She wanted to save the news of her album for his podcast as a way of supporting Travis and his platform—just as he's always championed her.'Two years into dating, 'Taylor feels completely at ease with Travis,' the insider added. 'They see each other as true partners in every sense. With Travis, Taylor can be her unfiltered self and never feels the need to put on a performance. She's excited for fans to see what she has in store on New Heights.' The episode airs tonight at 7 P.M. ET. Earlier this week, GQ ran its cover story with Kelce, where he spoke about their relationship and how much he enjoys supporting her onstage and off. 'I get to be the plus one,' he said. 'I get to go and be that fan. Because I am a fan. I'm a fan of music. I'm a fan of art. And it's so cool that I get to experience her being that plus one for me on the football field…. I feel that same enjoyment every time she comes to my shows.' He added that Swift is a huge supporter of him, too: 'I sort of made her a football fan. She is the most engulfed fan now. She knows what the injury reports look like. She understands what special situations are, third and short—all these things because she just naturally loves to hear about my job.' 'I hadn't experienced somebody in the same shoes as me, having a partner who understands the scrutiny, understands the ups and downs of being in front of millions,' he admitted. 'That was very relatable, seeing how exhausted she would get after shows. She may not think of herself as an athlete. She will never tell anyone that she is an athlete. But I've seen what she goes through. I've seen the amount of work that she puts on her body, and it's mind-blowing.'


Business Wire
an hour ago
- Business Wire
The Democracy Center Presents 'Breaking the Frame: Two Solo Shows on Art and Identity' From August 21–23
LOS ANGELES--(BUSINESS WIRE)--The Daniel K. Inouye National Center for the Preservation of Democracy (Democracy Center) at the Japanese National Museum (JANM) presents Breaking the Frame: Two Solo Shows on Art and Identity from Thursday, August 21 through Saturday, August 23, 2025, in the Tateuchi Democracy Forum. A post-show Q&A panel with the artists will follow the matinee performance on August 23. Tickets are $20 and are available at In the wake of recent 'yellowface' accusations on Broadway, Hmong-American actor Bee Vang of Clint Eastwood's Gran Torino and local-born actor and opera singer Kurt Kanazawa deliver emotionally charged and satirical indictments of two Western art forms Share Breaking the Frame: Two Solo Shows on Art and Identity explores what happens when two Asian American solo performers fall deeply in love with Western mediums—movies and opera—only to discover that they both may be in too deep. In the wake of recent 'yellowface' accusations on Broadway, Hmong-American actor Bee Vang of Clint Eastwood's Gran Torino and local-born actor and opera singer Kurt Kanazawa deliver emotionally charged and satirical indictments of two Western art forms that continue to harm Asian Americans and BIPOCs, today. The performance is directed by Jeff Liu (East West Players) and co-directed by Kalina Ko (Hedgerow Theatre Company), with lighting design and assistant direction by Josh Bennett. Opening the program is Vang's solo show, Your Movie Guide to Life (2025), where the actor and lifelong cinephile delves into the shaping power of cinema, Hmong history, his anti-war activism, and his leading role in Gran Torino. This forty-five-minute solo performance weaves together existential horror in films with Bee's inherited histories—both personal and geopolitical. Closing the program is Kanazawa's solo show, L'OPERA! (2024), about a fun-loving, Japanese and Filipino-American opera singer who gets into The Juilliard School…then loses his voice. A funny, multilingual fifty-two-minute solo performance that travels through the streets of New York City, Southern Italy, Hollywood, and Beijing, and features live performances of songs, including originals, L'OPERA! is anything but Euro-centric classical. About the Japanese American National Museum (JANM) Established in 1985, The Japanese American National Museum (JANM) promotes understanding and appreciation of America's ethnic and cultural diversity by sharing the Japanese American experience. Located in the historic Little Tokyo district of downtown Los Angeles, JANM is a center for civil rights, ensuring that the hard-fought lessons of the World War II incarceration are not forgotten. A Smithsonian Affiliate and one of America's Cultural Treasures, JANM is a hybrid institution that straddles traditional museum categories. JANM is a center for the arts as well as history. It provides a voice for Japanese Americans and a forum that enables all people to explore their own heritage and culture. Since opening to the public in 1992, JANM has presented over one hundred exhibitions onsite while traveling forty exhibits to venues such as the Smithsonian Institution and the Ellis Island Museum in the United States, and to several leading cultural museums in Japan and South America. JANM's Pavilion is closed for renovation; programs will continue on the JANM campus, throughout Little Tokyo, Los Angeles, and Southern California, and beyond from early January 2025 through late 2026. For more information, visit or follow us on social media @jamuseum About the Daniel K. Inouye National Center for the Preservation of Democracy (Democracy Center) The Democracy Center is a place where visitors can examine the Asian American experience, past and present, and talk about race, identity, social justice, and the shaping of democracy. It convenes and educates people of all ages about democracy to transform attitudes, celebrate culture, and promote civic engagement; educates and informs the public and public officials about important issues; creates strength within and among communities to advocate for positive change; and explores the values that shape American democracy. The Democracy Center looks for solutions that engage communities in self-advocacy, explore the evolving idea of what it means to be an American, and result in actions that bring everyone together. JANM's Pavilion is closed for renovation; Democracy Center programs will continue on the JANM campus, throughout Little Tokyo, Los Angeles, and Southern California, and beyond from early January 2025 through late 2026. For more information, visit or follow us on social media @democracyjanm. Details for Calendar Listings ' Breaking the Frame: Two Solo Shows on Art and Identity ' WHAT: The Daniel K. Inouye National Center for the Preservation of Democracy (Democracy Center) at the Japanese National Museum (JANM) presents Breaking the Frame: Two Solo Shows on Art and Identity. Bee Vang's Your Movie Guide to Life (2025) and Kurt Kanazawa's L'OPERA! (2024) explores what happens when two Asian American performers fall deeply in love with Western mediums, only to discover that they both may be in too deep. Following the Saturday matinee performance will be a special Q&A with the artists in the Tateuchi Democracy Forum. WHO: Written by Bee Vang and Kurt Kanazawa Directed by Jeff Liu and Kalina Ko Featuring Bee Vang and Kurt Kanazawa A presentation by the Democracy Center WHEN: Aug. 21 through Aug. 23 at the Democracy Center: Thursday and Friday at 7:30 p.m.; Saturday at 2 p.m. and 7:30 p.m. WHERE: Japanese American National Museum The Democracy Center 100 N. Central Ave. Los Angeles, CA 90012 PARKING AT THE DEMOCRACY CENTER: Japanese Village Plaza Parking Garage at 115 S. Central Ave. SP Plus, Parking Lot 753 at 414 E. Temple St City of Los Angeles. Parking Lot 7 at 140 N. Judge John Aiso St City of Los Angeles Lot 2 at 300 E. Temple St. TICKET PRICES: $20 at The Democracy Center website $10 for JANM members, only RSVP: RSVP at or call (213) 625-0414


New York Post
an hour ago
- New York Post
Kid Cudi ‘hated every minute' of testifying in Diddy's trial but wanted to ‘support' ex Cassie Ventura
Kid Cudi revealed he 'hated every minute' of testifying in Sean 'Diddy' Combs' sex trafficking trial, but ultimately felt at peace supporting his star-witness ex despite being forced to take the stand. The renowned rapper and actor – whose real name is Scott Mescudi – publicly recounted for the first time his experience in Manhattan federal court on the 'Call Her Daddy' podcast, telling host Alex Cooper he only testified against the Bad Boy Records founder because he was subpoenaed. 'I was just there because I had to be,' Mescudi, 41, said on Wednesday's episode. Advertisement 4 Kid Cudi leaving Sean 'Diddy' Combs' sex trafficking and racketeering trial. REUTERS 'At first they asked, and I said no. They asked again, I said no. Then I got subpoenaed, and I was like, 'F–k! S–t! No!' But I hated every minute of it. I did not want to do it but then I thought about when I was up there, you know, I'm here to support Cassie [Ventura].' The musician alleged in May that Combs was in a jealous rage when he broke into his Hollywood Hills home shortly after learning about his budding relationship with Cassie Ventura, an R&B singer who was the disgraced hip hop mogul's on-and-off again girlfriend, in December 2011. Advertisement Mescudi told the jury they had a brief romance during a break in her relationship with Combs, who faced federal charges for forcing his former lovers to live out his degrading sexual fantasies in twisted 'freak offs.' 4 Cassie Ventura and Sean 'Diddy' 'Day 'N Nite' rapper, who sported a leather bike jacket, light-washed jeans and a white T-shirt in court, also accused Combs of firebombing his Porsche convertible with a Molotov cocktail in January 2012, when his kinship with Ventura ended. Advertisement 'In the moment, it was just crazy,' Mescudi told Cooper, as he reflected back on the disturbing time. 'I had a hard time understanding if it was reality. I was like, 'Am I in a movie, what the f–k is going on?'' 4 The rapper accused Combs of firebombing his Porsche in January 2012. U.S. Attorney's Office While the Grammy-winning artist was initially reluctant to testify, he said the 'nightmare' Ventura, 38, endured during her volatile, decade-long relationship with the 'I'll Be Missing You' rapper was all the motivation he needed to stand by her side during the lengthy high-profile trial. Advertisement 'Cassie is my friend and I love her and I want to see her do well,' Mescudi said, adding how thrilled he was when she married personal trainer Alex Fine and became a mom of three. 'I've always just wanted to see her thrive and do well and be happy, because I know she was living a nightmare. I was there to support her. That's what kind of gave me peace with it when I sat down in that chair.' 4 Courtroom sketch of Kid Cudi testifying at Sean 'Diddy' Combs' sex trafficking trial. REUTERS Combs, 55, last month was found guilty of two counts of transportation to engage in prostitution. He was acquitted on two sex-trafficking charges and one racketeering charge. He faces up to 20 years in prison when he is sentenced in October.