Lady Gaga Returns Alongside Some Superstar Collaborators
Lady Gaga's catalog is once again growing in the United Kingdom — but not in the way that some fans might expect. Just last week, her new album Mayhem and many of its tracks debuted in impressive positions across a number of rankings in that country. Now, with some of those songs already slipping (or even disappearing), it's her older tunes, that longtime supporters are snapping up again. Several of her singles return to a variety of lists this time around, and interestingly, they have nothing to do with her current era.
A pair of collaborations from Lady Gaga's discography stand out as comebacks. 'Sweet Sounds of Heaven,' a soulful and star-studded track fronted by The Rolling Stones and also featuring Stevie Wonder, is back on the Official Physical Singles chart. The tune returns at No. 39, earning a place inside the top 40 once again. It's the only one of Gaga's resurgent hits to climb that high on any chart this frame, but that's not its only achievement worth noting.
'Sweet Sounds of Heaven' isn't just a top 40 winner again, it's also celebrating a full year on one specific U.K. tally. The cut has now spent 52 frames on the Official Physical Singles chart, which ranks the bestselling tunes in the U.K. available on formats like CD, cassette, and vinyl.
While 'Sweet Sounds of Heaven' appears high, it's only present on that one ranking. Another fan-favorite Gaga duet, 'Shallow' with Bradley Cooper, manages to re-enter two different lists this frame.
The Oscar and Grammy-winning track returns to the Official Singles Downloads chart at No. 94. It also reappears just beneath that slot on the Official Singles Sales list, where it finds space at No. 96.
In total, Gaga sees eight of her songs hold onto at least one U.K. chart this frame. Five of them are taken from Mayhem, including 'Abracadabra,' 'Die With a Smile,' 'Garden of Eden,' 'Disease,' and 'How Bad Do You Want Me.' Of that group, both 'Abracadabra' and 'Die With a Smile' — a hugely popular collaboration with Bruno Mars — manage to chart on four separate tallies.
One other cut, 'Always Remember Us This Way,' also lifted from A Star Is Born, also remains a smash. Despite being released years ago as part of that film, the fan favorite is still present on both the Official Singles Sales and Official Singles Downloads charts, where it has now spent more than two full years.
Mayhem may not be running the show any longer, after debuting at No. 1 last week, but that's par for the course for any major new release. The set declines on all six U.K. charts it appears on this frame, but it still manages to remain inside the top five on each one.
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Vogue
3 hours ago
- Vogue
What to Wear to Summer's Biggest Concerts
Summer is finally here! And while the season promises plenty of gloriously sunny days spent at the park or beach, it's the upcoming tours that have us especially excited. Many of the music world's biggest stars are going on the road over the next few months—and some A-list acts have already kicked off their shows. Beyoncé, for one, has been bringing her stellar Americana-meets-western style to the stage with the ongoing Cowboy Carter Tour. Other performers to look forward to this summer? Notable names like Lady Gaga, Kendrick Lamar and SZA, Olivia Rodrigo, Blackpink, and many more. (Start saving those coins for tickets!) Half the fun of attending a concert, though, is finding the perfect outfit to wear to a show. You simply can't attend Gaga's Mayhem Ball without an edgy, Mother Monster-worthy look. If the thematic fashions have you stressed, fear not: Vogue is rounding up the best summer tours, and what to wear to them. Consider it one less thing you have to stress about—so that you can focus entirely on scream-singing to your favorite songs the night of. Below, see this summer's biggest tours—and what to wear to them. Beyoncé's Cowboy Carter Tour The vibe: Elevated country-western style. Think: Lots of fringe, denim, and leather. For a modern take on the look, consider a fringed jacket with your summer cut-offs, and punctuate it with your go-to cowboy boots and brimmed hat. 8 Other Reasons faux suede dixie cowboy hat $109 REVOLVE Jenny Bird starlet hoops $88 REVOLVE Lady Gaga's Mayhem Ball The vibe: Edgy, Mother Monster-worthy fashions in moody shades of red and black. For some Gaga-inspired styling, consider wearing a black slip dress over leather pants or leggings. Look for accessories such as a chunky combat boot and pearl detailing. Abra-cada-bra! Billie Eilish's Hit Me Hard and Soft Tour The vibe: Baggy, menswear-inspired fits with sporty accents. Billie has that expert ability to pull off extremely oversized clothing—and you can too, with a snazzy button-up shirt and basketball shorts. Don't forget a tie and a pair of customary Air Jordans. Kendrick Lamar and SZA's Grand National Tour The vibe: Y2K grunge—but in a cool, modern way. We are still thinking about how Kendrick brought back bellbottoms at the Super Bowl, so why not channel the rapper on his tour with a dark-wash pair? A cozy flannel, tinted shades, and sporty low-tops will round out the look with ease. Blackpink's World Tour The vibe: Cutesy girl group style that is ready for an intense dance routine. A lace camisole, pleated school girl skirt, and edgy moto boots will have you looking like you belong on stage with Lisa, Rosé, Jennie, and Jisoo. Blackpink in your area! Olivia Rodrigo's Guts Tour The vibe: '90s grunge meets glamour. There is no garment more on-point for an Olivia Rodrigo show than a classic bodycon dress—her signature piece, of course. Paired with Dr. Martens, a choker, and cutesy heart bag? Siri, cue up 'Driver's License.'
Yahoo
6 hours ago
- Yahoo
‘Something Very Simple, But Intense': How Gesaffelstein & His Team Made One of the Best Electronic Shows On the Road
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'We literally asked [Gaga], 'But are there other guests?'' says Pilz-Hayot. 'No, no, you're the only one,' she told them. 'We were like, 'Oh my god.'' Hours later, Gesaffelstein was onstage alongside Gaga and her fleet of dancers, performing for the tens of thousands of people on the field and the millions more watching around the world via livestream. 'GESAFFELSTEIN, OH MY GOD IT'S GESAFFELSTEIN,' at least one person in the crowd screamed when the producer appeared onstage in his signature all-black everything — trousers, jacket, gloves, shimmering mask formed in the shape of his face and hair — at the start of the show's third act. The slender producer towered behind musical equipment held up by shimmery black pillars, as he and Gaga performed their sexy, funky, playful pop romp 'Killah,' a collaborative track from Gaga's March album, Mayhem. The moment was a figurative exclamation point on an unrelenting year. 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In his role as production and lighting designer, Claude is in charge of designing the show's set and lighting schematic while coming up with the ideas it takes to make it all hit hard while also avoiding de facto electronic live show elements like fire, confetti and soaring LED screens. 'Mike is very involved with his own tour for sure, from the design and the story,' Claude says. 'For this, he wanted something massive — a big set piece, very theatrical, no technology or automation or anything futuristic, just a theatrical set. And black, of course — everything is black with Mike.' 'You have one person on stage who's doing everything with machines,' adds Pilz-Hayot. 'So it's trying to make it almost like a ceremony. That's always been the brief all his life. Of course, we wanted something bigger, that had the spirit of something that would be monumental.' (Adding to the mystery of it all, no one has interviewed Lévy since circa 2014, a streak that would not be unbroken for this story. Pilz-Hayot explains that 'he's always been very protective of himself; what he wants to share with the audience is never the 'behind the scenes.'') Together, the team conjured a design that puts Gesaffelstein on a raised podium, bookended by his equipment and structures fabricated in the shape of long black crystals, a sort of phantasmagorical flourish in an otherwise tidily designed structure meant to evoke the theater. The setup includes between six to eight towering pillars (depending on the size of the stage) with Gesaffelstein and his podium placed atop a set of stairs. Altogether, it gives the feeling that he's playing from within a sort of Blade Runner-style Pantheon — and not even necessarily performing from within the set, but being part of it. 'That's why he's wearing a mask,' says Claude. 'It's not like a DJ or performer on stage. Mike wanted to be part of the design.' The set was built in Burbank, Calif., given the city's proximity to Indio, where Coachella happens. This routine was the same as for Gesaffelstein's lauded tour behind 2019's Hyperion, which also began at the festival. 'We started at Coachella every time on the Outdoor Stage,' Claude says, 'which is very stressful for us, because we have no rehearsals before.' Did everything at Coachella 2024 go according to plan, despite having no official run through? Claude considers it: 'Yes, actually. Yes.' It helps that this current show is easier to pull off than the one for Hyperion, given that it's a static piece that involves less technology and moving parts.'We just wanted to work out the lighting with music, so we don't need technology besides lights and music,' Claude continues. 'The plan was to do something very simple, but intense.' If you've stood in front of the stage on this tour, it's hard to deny the show's ferociousness, which ramps up over the course of the hour-plus show as Gesaffelstein manhandles his synthesizer. Throughout, he's bathed in washes of mostly white light and surrounded by lasers as the music builds to a place of pure pummeling. His only interaction with the crowd is when he briefly turns to face forward, extends an arm and wags his middle and index fingers to make a sort of 'come with me' gesture. Adding to the intrigue is that it's impossible to read his face, given the aforementioned mask. This costume piece, which Pilz-Hayot says was partially inspired by the themes of beauty and sin in Oscar Wilde's The Picture of Dorian Gray, became part of the Gesaffelstein canon on the Hyperion tour. This time, however, the eyes of the mask glow unsettlingly, an effect that adds the surreal feel and helps the show achieve its intended sci-fi mood — even if it does also obscure the artist's objectively perfect face. 'When he told me he wanted to wear a mask for the Hyperion tour I was like, 'What the f–k?'' recalls Claude. 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In terms of lighting, the one moment of color comes during the slinky, G-funk inspired 2013 classic 'Hellifornia' during which the stage is bathed in deep red light. 'We really wanted to have a dirty strip club mood,' Claude says of this color choice. Given the emphasis on simplicity, Claude worked to 'hide all the technical stuff.' Lights, lasers, cables and even musical equipment are hidden behind columns and under the steps, which are in fact just props and unable to support any weight, making them easier to transport. With no technical elements visible, Claude says the show is almost the 'total opposite' of the current lights and lasers bonanza that Gesaffelstein's friends Justice are currently touring with. The producer and his 10-person touring team have brought the show to dance-focused festivals around the world. U.S. stops included San Francisco's Portola, San Diego's CRSSD, Miami's Ultra Music Festival and last month's EDC Las Vegas. Given that some of these dance fests have stage that are fantastically shaped liked butterflies and flowers, Claude says it's often 'very difficult' for him to adapt the minimalist show to the whimsical surroundings. (To wit, it was a striking juxtaposition when Gesaffelstein played EDC's lotus flower-shaped NeonGarden stage as a fireworks finale lit up the sky behind him.) 'There is not a place that really suits him,' says Pilz-Hayot. 'He's obviously very different from what happens in the EDM scene globally, musically or in live production.' Still, the dance festival world has warmly welcomed him, and Pilz-Hayot says the team received many show offers after the 2024 Coachella debut. (This type of organic marketing is helpful, given that he doesn't speak publicly or even have an Instagram account.) His sound also makes it possible for him to exist at major multi-genre festivals at Coachella, Paris' We Love Green (where he plays this Saturday, June 7) and San Francisco's Outside Lands, where he plays in August, while making him a fit for other genre-focused events, like Germany's Rock am Ring and Rock im Park metal festivals — where Gesaffelstein played in 2014, taking the stage after Iron Maiden. 'We were the last act,' says Claude. 'The metal fans walked towards the exit and Mike was playing there, and they all stopped and really enjoyed [the performance],' with Gesaffelstein's heavy canon sharing obvious DNA with the hard, loud and head-banging metal realm. This ability to exist across worlds while also doing something uniquely his own has arguably been the draw for pop stars like Gaga, Charli and The Weeknd, the latter of whom collaborated with Gesaffelstein on 2019's 'Lost In the Fire.' 'He's so outside of trends and really wants to follow his path and his artistic proposal,' says Pilz-Hayot. 'In a way, he's been doing this same approach and very particular sound since day one, so the way he produces is so specific that people just want Gesaffelstein's stamp on their music.' But those bewitched by the darkness of his sound should not discount the pop sensibility that also lies within. 'He has a very strong sense of melody and pop,' continues Pilz-Hayot. 'You hear it on the Charli song and the Gaga song, especially on the track 'Killah.' It's the meeting of two artists who really understand each other musically. It's been the easiest collaboration.' But you will not hear the track or any of his other pop collabs (which include an official remix of Gaga's electro smash 'Abracadabra') in his current setlist, which instead pulls from his own catalog, and builds to a place that feels like blissfully getting punched in the face with a battering ram of drums. He's got festival dates on the calendar through mid-August, then, Pilz-Hayot says, 'I guess all he wants is to be back in the studio and making new music. You never know what happens next… but clearly a new album would be the next target.' When this new album is ready to tour and further build out the dark kingdom of electronic music's so-called dark prince, fans will be ready, and the team will be too. 'I'll be touring with him forever,' says Claude. 'He's a good friend, and I f–king love his music.' Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart
Forbes
9 hours ago
- Forbes
Lady Gaga Sends Several Hit Singles Back To The Same Chart
Lady Gaga sits just one space away from returning to No. 1 on both of Billboard's worldwide rankings of the most popular songs on the planet. "Die With a Smile," her career-defining duet with Bruno Mars, remains a No. 2 smash months into its tenure on the two lists. That vintage-sounding composition is not the pop star's only success at the moment on the global rosters. Several other fan favorites from throughout Gaga's time as a superstar appear on the lists — and two classics even manage to return to the same tally simultaneously. A pair of Gaga's popular singles reappear together on the Billboard Global Excl. U.S., the tally that ranks the most consumed songs around the world without including streaming or purchasing activity from American audiences. Its sister ranking, the Billboard Global 200, is more all-encompassing, and does feature plays and purchases from America. Gaga's A Star Is Born track "Always Remember Us This Way" is her highest reentry on the Billboard Global Excl. U.S. this week, as it breaks back in at No. 185. Despite being several years old, the tune has only spent three frames on this ranking since it debuted just last month. Only a few spots further down comes "Just Dance," her collaboration with Colby O'Donis that helped launch her into the pop music stratosphere. The Grammy-nominated cut reenters at No. 198 on the 200-spot list, and it also launched on this list in May of 2025. Gaga fills eight spaces on the Billboard Global Excl. U.S. this week. "Die With a Smile" holds at No. 2, and in between that cut and her returning older smashes are "Abracadabra" (No. 14), "Poker Face" (No. 76), "Judas" (No. 149), "Shallow" with Bradley Cooper (No. 161) and "Bad Romance" (No. 162). Of that bunch, "Die With a Smile," "Abracadabra," "Poker Face," and "Bad Romance" also appear on the Billboard Global 200, while the other four cuts do not.
