What to Stream: 'Andor,' 'Babygirl' and new Wu-Tang Clan music
This combination of photos show promotional art for the series "Andor," left, the series "You," center, and the comedy special "Brett Goldstein: The Second Best Night of Your Life." (Disney/Netflix/Max via AP)
The second season of the Star Wars series 'Andor' and the streaming release of the Wu-Tang Clan's latest album are some of the new television, films, music and games headed to a device near you.
Also among the streaming offerings worth your time, as selected by The Associated Press' entertainment journalists: Willie Nelson releases his 77th solo studio album, 'Oh What A Beautiful World,' and the arrival of Nicole Kidman's 'Babygirl' on Max.
— Halina Reijn's 'Babygirl' (streaming Friday on Max) stars Nicole Kidman as a CEO who has an affair with a much younger male intern ( Harris Dickinson ). The A24 film, which earned Kidman a Golden Globe nomination, resurrects the steamy, campy atmosphere of erotic thrillers like 'Basic Instinct' and '9 ½ Weeks' but tells it from a more female perspective. In my review, I wrote that the 'ever-shifting gender and power dynamics make 'Babygirl' seldom predictable — even if the film is never quite as daring as it seems to thinks it is.'
— Gareth Evans, the Welsh filmmaker of 'The Raid' franchise, returns with more brutal, choreographed mayhem in 'Havoc' (Netflix, Friday), an action thriller starring Tom Hardy as a detective battling a criminal underworld. Jessie Mei Li, Timothy Olyphant, Forest Whitaker and Luis Guzmán co-star.
— Film Writer Jake Coyle
— Wu-Tang Clan is forever, but their touring days are numbered. In June, the legendary hip-hop group will embark on a final tour titled the 'Wu-Tang Forever: The Final Chamber.' Whether you're planning on attending or not, there is no bad time to throw on one of their records. On Friday, Wu-Tang's joint album with Mathematics, 'Black Samson, The Bastard Swordsman,' released earlier this month as a Record Store Day exclusive, will hit streaming platforms. Why not start there?
— Calling Willie Nelson prolific is about as revelatory as saying the sky is blue; it is self-evident. On Friday, he'll release his 77th solo studio album, 'Oh What A Beautiful World,' celebrating the work of songwriter Rodney Crowell. Nelson embodies many Crowell classics — like 1976's 'Banks Of The Old Bandera,' recorded by Jerry Jeff Walker, and 1981's 'Shame On The Moon' for Bob Seger. Crowell and Nelson join forces on the song's title cut. The album also arrives just five months after his 76th solo studio album, 'Last Leaf on the Tree,' his first produced entirely by his son Micah. 'He's a real artist,' Nelson described his son to The Associated Press at the time. 'He picked all the songs.' (Read AP's review here.)
— Twangy punk band Rodeo Boys are experts in sugary, spirited hooks — from 2019's debut 'Cherry' to their 2023 Don Giovanni Records debut 'Home Movies.' But the Lansing, Michigan, group's 2025 album 'Junior,' out Friday, takes them to great new heights — a collection of sardonic, queer Americana, melodic songs for and by the heartland. The best description of the band is the one they wrote themselves: 'Rodeo Boys is what happens when the Miller High Life gets legs and starts walking around on its own.' Yeehaw.
— Music Writer Maria Sherman
— The 'Rogue One: A Star Wars Story' prequel series 'Andor' returns for its second and final season Tuesday on Disney+. Diego Luna stars as Rebel spy Cassian Andor and follows his radicalization against the Galactic Empire leading up to 'Rogue One' and 'Star Wars.' The first season of 'Andor' was nominated for an Emmy Award for outstanding drama series and received praise from critics. It also stars Kyle Soller, Adria Arjona, Stellan Skarsgård, Fiona Shaw and Genevieve O'Reilly.
— Penn Badgley is closing out his chapter as the stalking serial killer Joe Goldberg — who is also disturbingly likeable but that's for a therapy session — in Netflix's 'You.' Its fifth and final season debuts Thursday. While Season 4 took place in London, with Joe working as a literature professor, he's now returned to his hometown of New York. Joe is married to Kate Lockwood (Charlotte Ritchie), whom he met in Season 4 — and they're a New York power couple. Joe is happy with Kate and intends to stop killing people, but the guy is prone to building tangled webs of obsession that leave dead bodies in his wake. The new episodes also feature Madeline Brewer of 'The Handmaid's Tale' and Anna Camp.
— In Season 1 of Hulu's 'Vanderpump Villa,' Lisa Vanderpump oversaw a young staff at a French chateau that both lived and worked together for the summer. For Season 2, she's relocated to a castle in Italy and brought roughly half of the 'Villa' staff with her. She's also invited 'Vanderpump' all-star Stassi Schroeder to be a special VIP and serve as her eyes and ears with the staff. Schroeder starred on 'Vanderpump Rules' for eight seasons before she was fired for slurs and racial profiling in 2020. Schroeder has since written two bestselling books, launched a new podcast, got married and become a mother of two. She also has her own show for Hulu in the works. 'Vanderpump Villa' premieres Thursday.
— When Brett Goldstein isn't writing and acting in hit shows like 'Ted Lasso' and 'Shrinking,' he's a busy stand-up comedian. Goldstein recently taped his first comedy special, called 'Brett Goldstein: The Second Best Night of Your Life,' for Max. It premieres Saturday.
— Bravo has tapped some of its most famous single ladies from 'The Real Housewives' to star in a new dating show called 'Love Hotel.' Cameras follow Shannon Storms Beador ('The Real Housewives of Orange County'), Luann de Lesseps ('The Real Housewives of New York City'), and Gizelle Bryant and Ashley Darby ('The Real Housewives of Potomac') as they stay at a hotel in Los Cabos, Mexico, and meet eligible bachelors who are just visitors to the property, unless they get an official invite from one of the ladies to check in. Bravo superfan Joel Kim Booster hosts as their 'Love Concierge.' 'Love Hotel,' premiering Sunday on Bravo, streams the next day on Peacock.
— Alicia Rancilio
— Every year, the mystical Paintress paints a new number, and every person of that age dies. This year's number is 33, so it's up to the crew of Clair Obscur: Expedition 33 to try to stop her. It's the debut title from French developer Sandfall Interactive, and it aspires to the storytelling, exploration and turn-based team combat of classic role-playing games like Final Fantasy and Persona. The graphics evoke the lush glamor of Belle Epoque Paris, while the voice cast features heavyweights like Charlie Cox ('Daredevil') and Andy Serkis ('The Lord of the Rings'). It's rare for a young studio to launch such an ambitious RPG series — and we'll see if it pays off Thursday, on PlayStation 5, Xbox X/S and PC.
— Lou Kesten
© Copyright 2025 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed without permission.
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The band's innocent appeal survived the group's increasingly troubled backstory, whether Brian's many personal trials, the feuds and lawsuits among band members or the alcoholism of Dennis Wilson, who drowned in 1983. Brian Wilson's ambition raised the Beach Boys beyond the pleasures of their early hits and into a world transcendent, eccentric and destructive. They seemed to live out every fantasy, and many nightmares, of the California myth they helped create. From the suburbs to the national stage Brian Wilson was born June 20, 1942, two days after McCartney. His musical gifts were soon obvious, and as a boy he was playing piano and teaching his brothers to sing harmony. The Beach Boys started as a neighborhood act, rehearsing in Brian's bedroom and in the garage of their house in suburban Hawthorne, California. Surf music, mostly instrumental in its early years, was catching on locally: Dennis Wilson, the group's only real surfer, suggested they cash in. 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It was their first Top 10 hit and a boast to the nation: 'If everybody had an ocean / across the USA / then everybody'd be surfin,' / like Cali-for-nye-ay.' From 1963-66, they were rarely off the charts, hitting No. 1 with 'I Get Around' and 'Help Me, Rhonda' and narrowly missing with 'California Girls' and 'Fun, Fun, Fun.' For television appearances, they wore candy-striped shirts and grinned as they mimed their latest hit, with a hot rod or surfboard nearby. Their music echoed private differences. Wilson often contrasted his own bright falsetto with Love's nasal, deadpan tenor. The extroverted Love was out front on the fast songs, but when it was time for a slow one, Brian took over. 'The Warmth of the Sun' was a song of despair and consolation that Wilson alleged — to some skepticism — he wrote the morning after President John F. Kennedy was assassinated. 'Don't Worry Baby,' a ballad equally intoxicating and heartbreaking, was a leading man's confession of doubt and dependence, an early sign of Brian's crippling anxieties. Stress and exhaustion led to a breakdown in 1964 and his retirement from touring, his place soon filled by Bruce Johnston, who remained with the group for decades. Wilson was an admirer of Phil Spector's 'Wall of Sound' productions and emulated him on Beach Boys tracks, adding sleigh bells to 'Dance, Dance, Dance' or arranging a mini-theme park of guitar, horns, percussion and organ as the overture to 'California Girls.' By the mid-1960s, the Beach Boys were being held up as the country's answer to the Beatles, a friendly game embraced by each group, transporting pop music to the level of 'art' and leaving Wilson a broken man. The Beach Boys vs. The Beatles The Beatles opened with 'Rubber Soul,' released in late 1965 and their first studio album made without the distractions of movies or touring. It was immediately praised as a major advance, the lyrics far more personal and the music far more subtle and sophisticated than such earlier hits as 'She Loves You' and 'A Hard Day's Night.' Wilson would recall getting high and listening to the record for the first time, promising himself he would not only keep up with the British band, but top them. Wilson worked for months on what became 'Pet Sounds,' and months on the single 'Good Vibrations.' He hired an outside lyricist, Tony Asher, and used various studios, with dozens of musicians and instruments ranging from violins to bongos to the harpsichord. The air seemed to cool on some tracks and the mood turn reflective, autumnal. From 'I Know There's an Answer' to 'You Still Believe in Me,' many of the songs were ballads, reveries, brushstrokes of melody, culminating in the sonic wonders of 'Good Vibrations,' a psychedelic montage that at times sounded as if recorded in outer space. The results were momentous, yet disappointing. 'Good Vibrations' was the group's first million-seller and 'Pet Sounds,' which included the hits 'Sloop John B' and 'Wouldn't It Be Nice,' awed McCartney, John Lennon and Eric Clapton among others. Widely regarded as a new kind of rock LP, it was more suited to headphones than to the radio, a 'concept' album in which individual songs built to a unified experience, so elaborately crafted in the studio that 'Pet Sounds' couldn't be replicated live with the technology of the time. Wilson was likened not just to the Beatles, but to Mozart and George Gershwin, whose 'Rhapsody in Blue' had inspired him since childhood. But the album didn't chart as highly as previous Beach Boys releases and was treated indifferently by the U.S. record label, Capitol. The Beatles, meanwhile, were absorbing lessons from the Beach Boys and teaching some in return. 'Revolver' and 'Sgt. Pepper,' the Beatles' next two albums, drew upon the Beach Boys' vocal tapestries and melodic bass lines and even upon the animal sounds from the title track of 'Pet Sounds.' The Beatles' epic 'A Day in the Life' reconfirmed the British band as kings of the pop world and 'Sgt. Pepper' as the album to beat. All eyes turned to Wilson and his intended masterpiece — a 'teenage symphony to God' he called 'Smile.' It was a whimsical cycle of songs on nature and American folklore written with lyricist Van Dyke Parks. The production bordered on method acting; for a song about fire, Wilson wore a fire helmet in the studio. The other Beach Boys were confused, and strained to work with him. A shaken Wilson delayed 'Smile,' then canceled it. Remnants, including the songs 'Heroes and Villains' and 'Wind Chimes' were re-recorded and issued in September 1967 on 'Smiley Smile,' dismissed by Carl Wilson as a 'bunt instead of a grand slam.' The stripped down 'Wild Honey,' released three months later, became a critical favorite but didn't restore the band's reputation. The Beach Boys soon descended into an oldies act, out of touch with the radical '60s, and Wilson withdrew into seclusion. Years of struggle, and late life validation Addicted to drugs and psychologically helpless, sometimes idling in a sandbox he had built in his living room, Wilson didn't fully produce another Beach Boys record for years. Their biggest hit of the 1970s was a greatest hits album, 'Endless Summer,' that also helped reestablish them as popular concert performers. Although well enough in the 21st century to miraculously finish 'Smile' and tour and record again, Wilson had been diagnosed with schizoaffective disorder and baffled interviewers with brief and disjointed answers. Among the stranger episodes of Wilson's life was his relationship with Dr. Eugene Landy, a psychotherapist accused of holding a Svengali-like power over him. A 1991 lawsuit from Wilson's family blocked Landy from Wilson's personal and business affairs. His first marriage, to singer Marilyn Rovell, ended in divorce and he became estranged from daughters Carnie and Wendy, who would help form the pop trio Wilson Phillips. His life stabilized in 1995 with his marriage to Melinda Ledbetter, who gave birth to two more daughters, Daria and Delanie. He also reconciled with Carnie and Wendy and they sang together on the 1997 album 'The Wilsons.' (Melinda Ledbetter died in 2024.) In 1992, Brian Wilson eventually won a $10 million out-of-court settlement for lost songwriting royalties. But that victory and his 1991 autobiography, 'Wouldn't It Be Nice: My Own Story,' set off other lawsuits that tore apart the musical family. Carl Wilson and other relatives believed the book was essentially Landy's version of Brian's life and questioned whether Brian had even read it. Their mother, Audree Wilson, unsuccessfully sued publisher HarperCollins because the book said she passively watched as her husband beat Brian as a child. Love successfully sued Brian Wilson, saying he was unfairly deprived of royalties after contributing lyrics to dozens of songs. He would eventually gain ownership of the band's name. The Beach Boys still released an occasional hit single: 'Kokomo,' made without Wilson, hit No. 1 in 1988. Wilson, meanwhile, released such solo albums as 'Brian Wilson' and 'Gettin' In Over My Head,' with cameos by McCartney and Clapton among others. He also completed a pair of albums for the Walt Disney label — a collection of Gershwin songs and music from Disney movies. In 2012, surviving members of the Beach Boys reunited for a 50th anniversary album, which quickly hit the Top 10 before the group again bickered and separated. Wilson won just two competitive Grammys, for the solo instrumental 'Mrs. O'Leary's Cow' and for 'The Smile Sessions' box set. Otherwise, his honors ranged from a Grammy lifetime achievement prize to a tribute at the Kennedy Center to induction into the Songwriters Hall of Fame. In 2018, he returned to his old high school in Hawthorne and witnessed the literal rewriting of his past: The principal erased an 'F' he had been given in music and awarded him an 'A.'
